Author: James Steakley
Publisher: A&C Black
ISBN: 9780826407399
Category : Music
Languages : en
Pages : 304
Book Description
Foreword by Jost Hermand The libretti of the greatest German operas: Mozart's The Magic Flute, Beethoven's Fidelio, Wagner's Parsifal, Strauss's Der Rosenkavalier, and Schoenberg's Moses and Aron.
German miscellaneous opera libretti
Author: Marcie Stapp
Publisher: Leyerle Publications
ISBN:
Category : Music
Languages : en
Pages : 1914
Book Description
Publisher: Leyerle Publications
ISBN:
Category : Music
Languages : en
Pages : 1914
Book Description
German Opera Libretti
Author: James Steakley
Publisher: A&C Black
ISBN: 9780826407399
Category : Music
Languages : en
Pages : 304
Book Description
Foreword by Jost Hermand The libretti of the greatest German operas: Mozart's The Magic Flute, Beethoven's Fidelio, Wagner's Parsifal, Strauss's Der Rosenkavalier, and Schoenberg's Moses and Aron.
Publisher: A&C Black
ISBN: 9780826407399
Category : Music
Languages : en
Pages : 304
Book Description
Foreword by Jost Hermand The libretti of the greatest German operas: Mozart's The Magic Flute, Beethoven's Fidelio, Wagner's Parsifal, Strauss's Der Rosenkavalier, and Schoenberg's Moses and Aron.
Carmen
Author: Nico Castel
Publisher: Leyerle Publications
ISBN:
Category : Music
Languages : en
Pages : 742
Book Description
Publisher: Leyerle Publications
ISBN:
Category : Music
Languages : en
Pages : 742
Book Description
Operas in German
Author: Margaret Ross Griffel
Publisher: Rowman & Littlefield
ISBN: 1442247975
Category : Music
Languages : en
Pages : 1046
Book Description
With nearly three thousand new entries, the revised edition of Operas in German: A Dictionary is the most current encyclopedic treatment of operas written specifically to a German text from the seventeenth century through 2016. Musicologist Margaret Ross Griffel details the operas’ composers, scores, librettos, first performances, and bibliographic sources. Four appendixes then list composers, librettists, authors whose works inspired or were adapted for the opera librettos, and a chronological listing of the entries in the A–Z section. The bibliography details other dictionaries and encyclopedias, performance studies, collections of plot summaries, general studies on operas, sources on locales where opera premieres took place, works on the history of operas in German, and selective volumes on individual opera composers, librettists, producers, directors, and designers. Finally, two indexes list the main characters in each opera and the names of singers, conductors, producers, composers, directors, choreographers, and arrangers. The revised edition of Operas in German provides opera historians, musicologists, performers, and opera lovers with an invaluable resource for continued study and enjoyment. As the most current encyclopedic collection of German opera from the seventeenth century through the twenty-first, Operas in German is an invaluable resource for opera historians, musicologists, performers, and opera lovers.
Publisher: Rowman & Littlefield
ISBN: 1442247975
Category : Music
Languages : en
Pages : 1046
Book Description
With nearly three thousand new entries, the revised edition of Operas in German: A Dictionary is the most current encyclopedic treatment of operas written specifically to a German text from the seventeenth century through 2016. Musicologist Margaret Ross Griffel details the operas’ composers, scores, librettos, first performances, and bibliographic sources. Four appendixes then list composers, librettists, authors whose works inspired or were adapted for the opera librettos, and a chronological listing of the entries in the A–Z section. The bibliography details other dictionaries and encyclopedias, performance studies, collections of plot summaries, general studies on operas, sources on locales where opera premieres took place, works on the history of operas in German, and selective volumes on individual opera composers, librettists, producers, directors, and designers. Finally, two indexes list the main characters in each opera and the names of singers, conductors, producers, composers, directors, choreographers, and arrangers. The revised edition of Operas in German provides opera historians, musicologists, performers, and opera lovers with an invaluable resource for continued study and enjoyment. As the most current encyclopedic collection of German opera from the seventeenth century through the twenty-first, Operas in German is an invaluable resource for opera historians, musicologists, performers, and opera lovers.
La rondine ; Tosca ; Il trittico: Il tabarro, Suor Angelica, Gianni Schicchi ; Le villi
Author: Giacomo Puccini
Publisher:
ISBN:
Category : Italian language
Languages : it
Pages : 396
Book Description
Publisher:
ISBN:
Category : Italian language
Languages : it
Pages : 396
Book Description
The Persistence of Voice: Instrumental Music and Romantic Orality
Author: John Neubauer
Publisher: BRILL
ISBN: 9004343369
Category : History
Languages : en
Pages : 304
Book Description
This work, completed by Neubauer on the very eve of his death in 2015, complements both his benchmark The Emancipation of Music from Language (Yale UP, 1986) and his History of the Literary Cultures of East-Central Europe (John Benjamins, 2004-10). It thematizes Romantic interest in oral speech, its poetical usage in music and musical discourse, and its political usage in the national-communitarian cult of the vernacular community. Subtly and with great erudition, Neubauer traces in different genres and fields the many transnational cross-currents around Romantic cultural criticism and writings on music and language, offering not only fresh analytical insights but also a rich account of the interaction between Romantic aesthetics and cultural nationalism.
Publisher: BRILL
ISBN: 9004343369
Category : History
Languages : en
Pages : 304
Book Description
This work, completed by Neubauer on the very eve of his death in 2015, complements both his benchmark The Emancipation of Music from Language (Yale UP, 1986) and his History of the Literary Cultures of East-Central Europe (John Benjamins, 2004-10). It thematizes Romantic interest in oral speech, its poetical usage in music and musical discourse, and its political usage in the national-communitarian cult of the vernacular community. Subtly and with great erudition, Neubauer traces in different genres and fields the many transnational cross-currents around Romantic cultural criticism and writings on music and language, offering not only fresh analytical insights but also a rich account of the interaction between Romantic aesthetics and cultural nationalism.
Reading Opera
Author: Arthur Groos
Publisher: Princeton University Press
ISBN: 140085959X
Category : Music
Languages : en
Pages : 363
Book Description
"Libretto-bashing has a distinguished tradition in the blood sport of opera," writes Arthur Groos in the introduction to this broad survey of critical approaches to that much-maligned genre. To examine, and to challenge, the long-standing prejudice against libretti and the scholarly tradition that has, until recently, reiterated it, Groos and Roger Parker have commissioned thirteen stimulating essays by musicologists, literary critics, and historians. Taken as a whole, the volume demonstrates that libretti are now very much within the purview of contemporary humanistic scholarship. Libretti pose questions of intertextuality, transposition of genre, and reception history. They invite a broad spectrum of contemporary reading strategies ranging from the formalistic to the feminist. And as texts for music they raise issues in the relation between the two mediums and their respective traditions. Reading Opera will be of value to anyone with a serious interest in opera and contemporary opera criticism. The essays cover the period from the early nineteenth to the early twentieth centuries, with a particular focus on works of the later nineteenth century. The contributors are Carolyn Abbate, William Ashbrook, Katherine Bergeron, Caryl Emerson, Nelly Furman, Sander L. Gilman, Arthur Groos, James A. Hepokoski, Jurgen Maehder, Roger Parker, Paul Robinson, Christopher Wintle, and Susan Youens. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 140085959X
Category : Music
Languages : en
Pages : 363
Book Description
"Libretto-bashing has a distinguished tradition in the blood sport of opera," writes Arthur Groos in the introduction to this broad survey of critical approaches to that much-maligned genre. To examine, and to challenge, the long-standing prejudice against libretti and the scholarly tradition that has, until recently, reiterated it, Groos and Roger Parker have commissioned thirteen stimulating essays by musicologists, literary critics, and historians. Taken as a whole, the volume demonstrates that libretti are now very much within the purview of contemporary humanistic scholarship. Libretti pose questions of intertextuality, transposition of genre, and reception history. They invite a broad spectrum of contemporary reading strategies ranging from the formalistic to the feminist. And as texts for music they raise issues in the relation between the two mediums and their respective traditions. Reading Opera will be of value to anyone with a serious interest in opera and contemporary opera criticism. The essays cover the period from the early nineteenth to the early twentieth centuries, with a particular focus on works of the later nineteenth century. The contributors are Carolyn Abbate, William Ashbrook, Katherine Bergeron, Caryl Emerson, Nelly Furman, Sander L. Gilman, Arthur Groos, James A. Hepokoski, Jurgen Maehder, Roger Parker, Paul Robinson, Christopher Wintle, and Susan Youens. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Rise of Romantic Opera
Author: Edward J. Dent
Publisher: CUP Archive
ISBN: 9780521213370
Category : Music
Languages : en
Pages : 212
Book Description
Dent's lectures here show that romantic opera had its origins not in Germany but in the music-dramas of revolutionary France.
Publisher: CUP Archive
ISBN: 9780521213370
Category : Music
Languages : en
Pages : 212
Book Description
Dent's lectures here show that romantic opera had its origins not in Germany but in the music-dramas of revolutionary France.
Das Rheingold
Author: Richard Wagner
Publisher:
ISBN: 9780881886658
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9780881886658
Category :
Languages : en
Pages :
Book Description
The Complete Verdi Libretti: Aïda ; Alzira ; Aroldo ; Attila ; Un ballo in maschera ; La battaglia di Legnano ; Il corsaro
Author: Giuseppe Verdi
Publisher: Leyerle Publications
ISBN:
Category : Music
Languages : it
Pages : 488
Book Description
Publisher: Leyerle Publications
ISBN:
Category : Music
Languages : it
Pages : 488
Book Description