German Expressionist Plays PDF Download
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Author: Ernst Schürer
Publisher:
ISBN:
Category : German drama
Languages : en
Pages : 352
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Book Description
This book contains key writings by early 20th century German playwrights, which are the source of Expressionist art both in literature and film, including Georg Kaiser, Gottfried Benn and Carl Sternheim.
Author: Ernst Schürer
Publisher:
ISBN:
Category : German drama
Languages : en
Pages : 352
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Book Description
This book contains key writings by early 20th century German playwrights, which are the source of Expressionist art both in literature and film, including Georg Kaiser, Gottfried Benn and Carl Sternheim.
Author: Claude Hill
Publisher: University of North Carolina S
ISBN: 9780807888285
Category : Drama
Languages : en
Pages : 0
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Book Description
Originally published in 1960, this bibliography with more than five thousand items provided an indispensable tool for those interested in the German expressionist plays. The volume contains a general bibliography on German expressionistic drama and as well as sixteen leading German playwrights: Barlach, Brecht, Bronnen, Goering, Hasenclever, Jahnn, Johst, Kaiser, Kokoschka, Kornfeld, Rubiner, Sorge, Sternheim, Toller, Unruh, and Werfel.
Author: Renate Benson
Publisher: London : Macmillan Press
ISBN: 9780333305867
Category : Expressionism
Languages : en
Pages : 179
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Book Description
Author: David F. Kuhns
Publisher: Cambridge University Press
ISBN: 0521583403
Category : Drama
Languages : en
Pages : 325
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Book Description
German Expressionist Theatre: The Actor and the Stage considers the powerfully stylized, anti-realistic styles of acting on the German Expressionist stage from 1916 to 1921. It relates this striking departure from the dominant European acting tradition of realism to the specific cultural crises that enveloped the German nation during the course of its involvement in World War I. This book describes three distinct Expressionist acting styles, all of which in their own ways attempted to show how symbolic stage performance could be a powerful rhetorical resource for a culture struggling to come to terms with the crises of historical change. The examination of Expressionist script and actor memoirs allows for an unprecedented focus on description and analysis of acting itself.
Author: Sophie Treadwell
Publisher: MIT Press
ISBN: 9781854592118
Category : Drama
Languages : en
Pages : 102
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Book Description
Frequently reprinted with the same ISBN, but with slightly differing bibliographic data.
Author: Ernst Toller
Publisher:
ISBN:
Category : Luddites
Languages : en
Pages : 138
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Book Description
Author: Georg Kaiser
Publisher: MHRA
ISBN: 1781882665
Category : Drama
Languages : en
Pages : 390
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Book Description
After Expressionism had run its feverish course, its foremost exponent Georg Kaiser (1878-1945) ‑‑ The Burghers of Calais, From Morn to Midnight, Gas ‑‑ proved equally adept at the lighter fare demanded by post-war audiences. Of some nine hundred comedies premièred in the Weimar era, his Pulp Fiction was an early triumph, often revived and played now as parody of a contagious literary genre, now as critique of Old World pieties. The New Woman emerged even more clearly towards the end of the ‘Roaring Twenties’ in Clairvoyance ‑‑ though now also as antagonist, from whose vampish sophistication the loving wife emancipates both self and wayward husband. Between these two comedies, in One Day in October (acclaimed especially in Gustav Gründgens’s gripping production) focus shifts to psychological wrestling in deadly earnest over the parentage of a child. A parallel dilemma underlies the compelling plot, rising tension and searing climax of Agnete ‑‑ an uncanny precursor of the ‘Heimkehrer’ literature inspired by soldiers and captives returning home after 1945. This was indeed a fitting play to mark the rebirth of the Federal Republic of Germany in 1949. Kaiser had died in exile, though not before taking leave, like Prospero, with another wry comedy, The Gordian Egg.
Author: Georg Kaiser
Publisher: Bloomsbury Publishing
ISBN: 1783195126
Category : Drama
Languages : en
Pages : 98
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Book Description
From Morning To Midnight, among the most frequently performed German Expressionist works, charts the life of a cashier who steals money from the bank and flees to Berlin. The un-named protagonist's bid to escape his middle-class daily life is ultimately frustrated. It is a popular piece in which Kaiser satirized the cheapness and futility of modern society. His hero, a kind of machine-age Everyman, searches everywhere for some kind of fulfilment - in commercial sex, in salvationist religion - but discovers through a series of nightmarish episodes that the world is deceitful and illusory. In the end, disillusioned and pursued by the police, he takes his own life. This new version by Dennis Kelly, opened at the National Theatre's Lyttelton Theatre in November 2013, as part of the National’s 50th Anniversary Season.
Author: Shane Weller
Publisher: Courier Corporation
ISBN: 0486134113
Category : Art
Languages : en
Pages : 158
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Book Description
Over 100 works by Beckmann, Feininger, Kirchner, Kollwitz, Nolde, Marc, and others. Distorted, stylized forms embody revolutionary mood of the early 20th century. Introduction. Captions. Notes on artists.
Author: Julia A. Walker
Publisher: Cambridge University Press
ISBN: 1139446274
Category : Drama
Languages : en
Pages : 314
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Book Description
Although often dismissed as a minor offshoot of the better-known German movement, expressionism on the American stage represents a critical phase in the development of American dramatic modernism. Situating expressionism within the context of early twentieth-century American culture, Walker demonstrates how playwrights who wrote in this mode were responding both to new communications technologies and to the perceived threat they posed to the embodied act of meaning. At a time when mute bodies gesticulated on the silver screen, ghostly voices emanated from tin horns, and inked words stamped out the personality of the hand that composed them, expressionist playwrights began to represent these new cultural experiences by disarticulating the theatrical languages of bodies, voices and words. In doing so, they not only innovated a new dramatic form, but redefined playwriting from a theatrical craft to a literary art form, heralding the birth of American dramatic modernism.
