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Author: Mark D. Mitchell
Publisher:
ISBN: 9780876332269
Category : Italy
Languages : en
Pages : 0
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Book Description
Published on the occasion of an exhibition held at the Philadelphia Museum of Art, Philadelphia, Pa., Feb. 19-May 15, 2011, the Timken Museum of Art, San Diego, Calif., June 10-Sept. 18, 2011, and the Taft Museum of Art, Cincinnati, Ohio, Oct. 7, 2011-Jan. 8, 2012.
Author: Mark D. Mitchell
Publisher:
ISBN: 9780876332269
Category : Italy
Languages : en
Pages : 0
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Book Description
Published on the occasion of an exhibition held at the Philadelphia Museum of Art, Philadelphia, Pa., Feb. 19-May 15, 2011, the Timken Museum of Art, San Diego, Calif., June 10-Sept. 18, 2011, and the Taft Museum of Art, Cincinnati, Ohio, Oct. 7, 2011-Jan. 8, 2012.
Author: Adrienne Baxter Bell
Publisher: George Braziller
ISBN:
Category : Art
Languages : en
Pages : 184
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Book Description
The landscape painter George Inness (1825-1894) was one of the foremost American artists of his generation. Born in Newburgh, New York, Inness studied the works of the old masters and, as a young man, painted in the reigning style of the Hudson River School. Within a few years, however, he found himself more attuned to the gestural, expressive approach of the Barbizon School. He greatly admired the free handling of paint and the expression of soulfulness in the works of Theodore Rousseau. Equally important were Inness's philosophical and spiritual concerns. Along with contemporaries Ralph Waldo Emerson, Elizabeth Barrett Browning, and Walt Whitman, Inness studied the writings of the Swedish scientist-turned-mystic Emanuel Swedenborg (1688-1772). During a trip to Italy in the early 1870s, Inness began to structure his landscapes around geometric forms, a development that may have reflected the Swedenborgian idea that the natural world corresponds to the spiritual world and that geometric forms possess spiritual identities. Through these and other compositional devices, Inness created paintings to inspire an almost "religious experience" in his viewers. George Inness and the Visionary Landscape includes forty color reproductions of Inness's most important paintings and presents both a chronological overview of Inness's life and a more focused treatment of the artist's main philosophical and religious preoccupations. It suggests resonances between Inness's visionary landscapes and the concurrent efforts, on the part of the psychologist/philosopher William James (1842-1910), to validate the existence of mystical states of mind. It shows Inness to have anticipated many of the most importanttenets of modernism, an achievement that continues to inspire contemporary audiences.
Author: Mark D. Mitchell
Publisher: Yale University Press
ISBN: 9780300171167
Category : Italy
Languages : en
Pages : 0
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Book Description
Published on the occasion of an exhibition held at the Philadelphia Museum of Art, Philadelphia, Pa., Feb. 19-May 15, 2011, the Timken Museum of Art, San Diego, Calif., June 10-Sept. 18, 2011, and the Taft Museum of Art, Cincinnati, Ohio, Oct. 7, 2011-Jan. 8, 2012.
Author: Irma B. Jaffe
Publisher: Fordham Univ Press
ISBN: 9780823213429
Category : Art
Languages : en
Pages : 312
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Book Description
The Italian Presence in American Art, 1760-1860, based on papers presented at a joint Instituto della Enciclopedia Italiana/Fordham U. symposium held in 1987, was published in 1989. The present volume comprises 17 papers presented at the second joint symposium, dealing with American art from 1860 to 1920. It is also Volume II of what is now projected as a three-volume study of the Italian presence in American art, to be completed with a volume based on the third symposium (1991) covering the period 1920-1990. The production is lovely throughout, and the essays are illustrated with 16 color plates and 149 bandw figures. Co-published with the Instituto della Enciclopedia Italiana, Rome. Annotation copyright by Book News, Inc., Portland, OR
Author: Nicolai Cikovsky Jr.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 150
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Book Description
George Inness (1825-1894) was a pivotal force in 19th-century landscape painting, first for his blending of Hudson River School and European styles and later for his poetic impressionism. Acclaimed during his lifetime, Inness' work fell victim to changing 20th-century taste, as did the French Barbizon School. Now both are becoming greatly valued again.
Author: LeRoy Ireland
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 510
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Book Description
Catalogue raisonné.
Author: Diane Apostolos-Cappadona
Publisher: Bloomsbury Publishing
ISBN: 0567698157
Category : Art
Languages : en
Pages : 332
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Book Description
The artistic traditions of four major Christian denominations are examined and outlined in detail in this groundbreaking volume that presents the first synthesis of the artistic contributions of those traditions. Diane Apostolos-Cappadona has curated a volume that presents four single-authored contributions in one place, broadening the study of Christian art beyond Roman Catholic, Orthodox and 'protestant' traditions to consider these more recent Christian approaches in close and expert detail. Rachel Epp Buller examines art in the Mennonite tradition, Mormon art is considered by Heather Belnap, Quaker contributions by Rowena Loverance and Swedenborgian art by Diane Apostolos-Cappadona. Each writer presents elements of the theology of their chosen tradition through the prism of the artists and artistic works that they have selected. Alongside mainstream artistic figures such as William Blake less known figures come to the fore and the volume features color illustrations that support and underline the theological and artistic themes presented in each section of the book. Together these studies of artistic presentations in these four traditions will be a much need means of filling a gap in the study of Christian art.
Author: Ken Salaz
Publisher: The Monacelli Press, LLC
ISBN: 1580935060
Category : Art
Languages : en
Pages : 241
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Book Description
Landscapes in Oil is the first-ever comprehensive guide to classical landscape painting reinterpreted for the twenty-first century. Drawing from the tradition established by American painters of the Hudson River School--artists like Thomas Cole, Frederic Church, and George Inness--author and painter Ken Salaz reveals great masters' philosophy and methods, updating their approaches for the contemporary landscape painter. Beginning painters are given the basic tools and step-by-step demonstrations, intermediate painters are challenged with unpublished techniques that allow them to break through to the next level, and advanced painters learn to apply their skills under unified theories. Landscapes in Oil devotes a chapter to each of the fundamental elements of landscape painting--drawing, value, color, composition, and light quality--and offers critical advice on selecting tools and materials, choosing colors, and structuring your palette for best results. Emphasizing the necessity of plein air drawing and painting, Salaz demonstrates how to translate small, quick studies made outdoors into full-scale studio paintings. He provides detailed step-by-step breakdowns of the creation of four of his own paintings, focusing not only on application but also on the ideas that underpin every decision a landscape painter must make. The scores of landscape masterworks, past and present, that illustrate this book have been carefully chosen for their aesthetic power and because each embodies a specific aspect of the landscape painter's craft. For Salaz, landscape painting is a noble pursuit, and the goal of the landscape artist is not to paint "pretty pictures" but to create compelling images that express human beings' profound connection to nature in all its diversity and grandeur. At a time when classical landscape is enjoying a renaissance in art schools, ateliers, and galleries across North America, this book is an essential resource for beginning and experienced painters alike.
Author: Rachael Z. DeLue
Publisher: University of Chicago Press
ISBN: 0226142310
Category : Art
Languages : en
Pages : 353
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Book Description
George Inness (1825-94), long considered one of America's greatest landscape painters, has yet to receive his full due from scholars and critics. A complicated artist and thinker, Inness painted stunningly beautiful, evocative views of the American countryside. Less interested in representing the details of a particular place than in rendering the "subjective mystery of nature," Inness believed that capturing the spirit or essence of a natural scene could point to a reality beyond the physical or, as Inness put it, "the reality of the unseen." Throughout his career, Inness struggled to make visible what was invisible to the human eye by combining a deep interest in nineteenth-century scientific inquiry—including optics, psychology, physiology, and mathematics—with an idiosyncratic brand of mysticism. Rachael Ziady DeLue's George Inness and the Science of Landscape—the first in-depth examination of Inness's career to appear in several decades—demonstrates how the artistic, spiritual, and scientific aspects of Inness's art found expression in his masterful landscapes. In fact, Inness's practice was not merely shaped by his preoccupation with the nature and limits of human perception; he conceived of his labor as a science in its own right. This lavishly illustrated work reveals Inness as profoundly invested in the science and philosophy of his time and illuminates the complex manner in which the fields of art and science intersected in nineteenth-century America. Long-awaited, this reevaluation of one of the major figures of nineteenth-century American art will prove to be a seminal text in the fields of art history and American studies.
Author: Nathalia Wright
Publisher: University of Pennsylvania Press
ISBN: 1512809276
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
This is a study of the effect of their travels in Italy on thirteen American writers, among them Washington Irving, Nathaniel Hawthorne, Harriet Beecher Stowe, W. D. Howells, and Henry James. Nathalia Wright's thesis is that Italy was a major influence on the American writers of fiction who visited that country. Some of these writers went to Italy for reasons of health. others because they were dissatisfied with the status of artists in the United States and wished the pleasure and adventure of living in a country permeated with artistic sensibility. They all had in common a love for the Italian countryside, even if their opinions of the Italian personality varied. American Novelists in Italy is concerned with those writers who wrote between 1804 and 1870 or had begun to write by 1870. It deals with their travels in Italy and discusses in detail the treatment of Italian material in their subsequent writing. From their Italian experience issued such diverse novels as Cooper's The Water-Witch, the most lighthearted and imaginative of all Cooper's novels, Hawthorne's The Marble Faun, and James's The Golden Bowl. In addition, Dr. Wright views in detail numerous works by lesser-known authors. Illustrated with works of nineteenth-century artists who also travelled in Italy, this book should be of interest to all students of American literature, especially since it is the first book to deal in depth with the influence of Italy on the American novel.
