Author: Gerlinde Röder-Bolton
Publisher: Routledge
ISBN: 1351934007
Category : Literary Criticism
Languages : en
Pages : 307
Book Description
From 1854 to 1855, George Eliot spent eight months in Germany, a period that marked the start of her life with George Lewes. Though Eliot documented this journey more extensively than any other, it has remained an under-researched part of Eliot's biography. In her meticulously documented and engaging book, Gerlinde Röder-Bolton draws on Eliot's own writings, as well as on extensive original research in German archives and libraries, to provide the most thorough account yet published of the couple's visit. Rich in historical, social, and cultural detail, George Eliot in Germany, 1854-55 not only records the couple's travels but supplies a context for their encounters with people and places. In the process, Röder-Bolton shows how the crossing of geographical boundaries may be read as symbolic of Eliot's transition from single woman to social outcast and from translator and critic to writer of fiction.
George Eliot in Germany, 1854–55
Author: Gerlinde Röder-Bolton
Publisher: Routledge
ISBN: 1351934007
Category : Literary Criticism
Languages : en
Pages : 307
Book Description
From 1854 to 1855, George Eliot spent eight months in Germany, a period that marked the start of her life with George Lewes. Though Eliot documented this journey more extensively than any other, it has remained an under-researched part of Eliot's biography. In her meticulously documented and engaging book, Gerlinde Röder-Bolton draws on Eliot's own writings, as well as on extensive original research in German archives and libraries, to provide the most thorough account yet published of the couple's visit. Rich in historical, social, and cultural detail, George Eliot in Germany, 1854-55 not only records the couple's travels but supplies a context for their encounters with people and places. In the process, Röder-Bolton shows how the crossing of geographical boundaries may be read as symbolic of Eliot's transition from single woman to social outcast and from translator and critic to writer of fiction.
Publisher: Routledge
ISBN: 1351934007
Category : Literary Criticism
Languages : en
Pages : 307
Book Description
From 1854 to 1855, George Eliot spent eight months in Germany, a period that marked the start of her life with George Lewes. Though Eliot documented this journey more extensively than any other, it has remained an under-researched part of Eliot's biography. In her meticulously documented and engaging book, Gerlinde Röder-Bolton draws on Eliot's own writings, as well as on extensive original research in German archives and libraries, to provide the most thorough account yet published of the couple's visit. Rich in historical, social, and cultural detail, George Eliot in Germany, 1854-55 not only records the couple's travels but supplies a context for their encounters with people and places. In the process, Röder-Bolton shows how the crossing of geographical boundaries may be read as symbolic of Eliot's transition from single woman to social outcast and from translator and critic to writer of fiction.
The Reception of George Eliot in Europe
Author: Elinor Shaffer
Publisher: Bloomsbury Publishing
ISBN: 1441128549
Category : Literary Criticism
Languages : en
Pages : 510
Book Description
George Eliot (born Mary Ann Evans, 1819-1880) was one of the most important writers of the European nineteenth century, as well as a pioneering translator of challenging and controversial Continental thinkers, and an influential editor and essayist. Although such novels of provincial life as Adam Bede, The Mill on the Floss and Middlemarch have seen her characterised as a thoroughly English writer, her reception and immersion in the literary, intellectual and political life of Europe was remarkable. Written by a team of leading international scholars, The Reception of George Eliot in Europe is the first comprehensive and systematic survey of Eliot's place in European culture. Exploring Eliot's deep knowledge of German literature and thought, her galvanizing influence on women novelists and translators in countries as diverse as Sweden and Spain, her travels in Holland, Germany, Switzerland, Austria, the Czech Lands, Italy, and Spain and her friendship with leading figures such as Mazzini, Turgenev, and Liszt, this study reveals her full stature as a cosmopolitan writer and thinker. A film of her Italian Renaissance novel Romola was one of the first to circulate in Europe. Including an historical timeline and a comprehensive bibliography of primary and secondary sources and translations, The Reception of George Eliot in Europe is an essential reference resource for anyone working in the field of Victorian Literature or the European nineteenth century.
Publisher: Bloomsbury Publishing
ISBN: 1441128549
Category : Literary Criticism
Languages : en
Pages : 510
Book Description
George Eliot (born Mary Ann Evans, 1819-1880) was one of the most important writers of the European nineteenth century, as well as a pioneering translator of challenging and controversial Continental thinkers, and an influential editor and essayist. Although such novels of provincial life as Adam Bede, The Mill on the Floss and Middlemarch have seen her characterised as a thoroughly English writer, her reception and immersion in the literary, intellectual and political life of Europe was remarkable. Written by a team of leading international scholars, The Reception of George Eliot in Europe is the first comprehensive and systematic survey of Eliot's place in European culture. Exploring Eliot's deep knowledge of German literature and thought, her galvanizing influence on women novelists and translators in countries as diverse as Sweden and Spain, her travels in Holland, Germany, Switzerland, Austria, the Czech Lands, Italy, and Spain and her friendship with leading figures such as Mazzini, Turgenev, and Liszt, this study reveals her full stature as a cosmopolitan writer and thinker. A film of her Italian Renaissance novel Romola was one of the first to circulate in Europe. Including an historical timeline and a comprehensive bibliography of primary and secondary sources and translations, The Reception of George Eliot in Europe is an essential reference resource for anyone working in the field of Victorian Literature or the European nineteenth century.
George Eliot in Germany, 1854–55
Author: Gerlinde Roder-Bolton
Publisher: Routledge
ISBN: 1351934015
Category : Literary Criticism
Languages : en
Pages : 195
Book Description
From 1854 to 1855, George Eliot spent eight months in Germany, a period that marked the start of her life with George Lewes. Though Eliot documented this journey more extensively than any other, it has remained an under-researched part of Eliot's biography. In her meticulously documented and engaging book, Gerlinde Röder-Bolton draws on Eliot's own writings, as well as on extensive original research in German archives and libraries, to provide the most thorough account yet published of the couple's visit. Rich in historical, social, and cultural detail, George Eliot in Germany, 1854-55 not only records the couple's travels but supplies a context for their encounters with people and places. In the process, Röder-Bolton shows how the crossing of geographical boundaries may be read as symbolic of Eliot's transition from single woman to social outcast and from translator and critic to writer of fiction.
Publisher: Routledge
ISBN: 1351934015
Category : Literary Criticism
Languages : en
Pages : 195
Book Description
From 1854 to 1855, George Eliot spent eight months in Germany, a period that marked the start of her life with George Lewes. Though Eliot documented this journey more extensively than any other, it has remained an under-researched part of Eliot's biography. In her meticulously documented and engaging book, Gerlinde Röder-Bolton draws on Eliot's own writings, as well as on extensive original research in German archives and libraries, to provide the most thorough account yet published of the couple's visit. Rich in historical, social, and cultural detail, George Eliot in Germany, 1854-55 not only records the couple's travels but supplies a context for their encounters with people and places. In the process, Röder-Bolton shows how the crossing of geographical boundaries may be read as symbolic of Eliot's transition from single woman to social outcast and from translator and critic to writer of fiction.
George Eliot and Schiller
Author: Deborah Guth
Publisher: Routledge
ISBN: 135175548X
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
This title was first published in 2003. Though Friedrich Schiller enjoyed prominent literary standing and great popularity in nineteenth century literary England, his influence has been largely neglected in recent scholarship on the period. With George Eliot and Schiller: Intertextuality and Cross-Cultural Discourse, Deborah Guth explores the substantial evidence of the importance of the playwright and philosopher's thought to Eliot's novelistic art. Guth demonstrates the relationship of Schiller's work to Eliot's plotting of moral vision, the tensions in her work between realism and idealism (which an understanding of Schiller redefines substantially), and her aesthetics. The specific focus of the study is the Schillerian subtext of George Eliot's work and a resultant reassessment of her realism. However, the intertextual methodology, applications of Iser's thinking on the translatability of cultures, and a placement of Eliot in a German context serve as a gateway for reconsidering Eliot's contributions in these areas, as well. While recent scholarship on Eliot has focused on gender analysis, New Historicism and cultural materialism, the frame remains largely English. Guth contends that the immense continental underpinnings of Eliot's writing should lead us to re-situate her beyond national boundaries, and view her as a major European, as well as English, writer.
Publisher: Routledge
ISBN: 135175548X
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
This title was first published in 2003. Though Friedrich Schiller enjoyed prominent literary standing and great popularity in nineteenth century literary England, his influence has been largely neglected in recent scholarship on the period. With George Eliot and Schiller: Intertextuality and Cross-Cultural Discourse, Deborah Guth explores the substantial evidence of the importance of the playwright and philosopher's thought to Eliot's novelistic art. Guth demonstrates the relationship of Schiller's work to Eliot's plotting of moral vision, the tensions in her work between realism and idealism (which an understanding of Schiller redefines substantially), and her aesthetics. The specific focus of the study is the Schillerian subtext of George Eliot's work and a resultant reassessment of her realism. However, the intertextual methodology, applications of Iser's thinking on the translatability of cultures, and a placement of Eliot in a German context serve as a gateway for reconsidering Eliot's contributions in these areas, as well. While recent scholarship on Eliot has focused on gender analysis, New Historicism and cultural materialism, the frame remains largely English. Guth contends that the immense continental underpinnings of Eliot's writing should lead us to re-situate her beyond national boundaries, and view her as a major European, as well as English, writer.
Translation, Authorship and the Victorian Professional Woman
Author: Lesa Scholl
Publisher: Routledge
ISBN: 1317007093
Category : Literary Criticism
Languages : en
Pages : 222
Book Description
In her study of Charlotte Brontë, Harriet Martineau and George Eliot, Lesa Scholl shows how three Victorian women writers broadened their capacity for literary professionalism by participating in translation and other conventionally derivative activities such as editing and reviewing early in their careers. In the nineteenth century, a move away from translating Greek and Latin Classical texts in favour of radical French and German philosophical works took place. As England colonised the globe, Continental philosophies penetrated English shores, causing fissures of faith, understanding and cultural stability. The influence of these new texts in England was unprecedented, and Eliot, Brontë and Martineau were instrumental in both literally and figuratively translating these ideas for their English audience. Each was transformed by access to foreign languages and cultures, first through the written word and then by travel to foreign locales, and the effects of this exposure manifest in their journalism, travel writing and fiction. Ultimately, Scholl argues, their study of foreign languages and their translation of foreign-language texts, nations and cultures enabled them to transgress the physical and ideological boundaries imposed by English middle-class conventions.
Publisher: Routledge
ISBN: 1317007093
Category : Literary Criticism
Languages : en
Pages : 222
Book Description
In her study of Charlotte Brontë, Harriet Martineau and George Eliot, Lesa Scholl shows how three Victorian women writers broadened their capacity for literary professionalism by participating in translation and other conventionally derivative activities such as editing and reviewing early in their careers. In the nineteenth century, a move away from translating Greek and Latin Classical texts in favour of radical French and German philosophical works took place. As England colonised the globe, Continental philosophies penetrated English shores, causing fissures of faith, understanding and cultural stability. The influence of these new texts in England was unprecedented, and Eliot, Brontë and Martineau were instrumental in both literally and figuratively translating these ideas for their English audience. Each was transformed by access to foreign languages and cultures, first through the written word and then by travel to foreign locales, and the effects of this exposure manifest in their journalism, travel writing and fiction. Ultimately, Scholl argues, their study of foreign languages and their translation of foreign-language texts, nations and cultures enabled them to transgress the physical and ideological boundaries imposed by English middle-class conventions.
George Eliot, European Novelist
Author: Dr John Rignall
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409478831
Category : Literary Criticism
Languages : en
Pages : 208
Book Description
Reading George Eliot as a European novelist among other European novelists, John Rignall explores her use of European travel, scenes and locations in her fiction and also places her novels in conversation with the work of other major European writers. Throughout the book, Rignall shows Eliot's engagement with the cultures of France and Germany, suggestively making the case that Eliot's novels belong to the tradition of the European novel that descends from Cervantes. Rignall develops the fundamental theme of Eliot's position as a European novelist in chapters that explore the significance of Eliot's first visit to Germany with G. H. Lewes, Eliot's ideas on the cultural differences between French and German writing, the incidental part travel plays in novels such as Daniel Deronda and Middlemarch, the role of European landscapes in her fiction, the dialogical relationship between Eliot and Balzac, comparisons between Middlemarch and Flaubert's Madame Bovary, and connections between the novels of Eliot, Gottfried Keller and Theodor Fontane. Daniel Deronda is examined both within the wider context of European Jewish life and as part of a tradition of French novels that harkens back to Balzac and anticipates Proust. Rignall's final chapter takes up Nietzsche's notorious criticism of Eliot in Twilight of the Idols, showing that Eliot, with her sceptical intelligence, insight into the essentially metaphorical nature of language, and grasp of modernity, has something in common with this philosophical iconoclast.
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409478831
Category : Literary Criticism
Languages : en
Pages : 208
Book Description
Reading George Eliot as a European novelist among other European novelists, John Rignall explores her use of European travel, scenes and locations in her fiction and also places her novels in conversation with the work of other major European writers. Throughout the book, Rignall shows Eliot's engagement with the cultures of France and Germany, suggestively making the case that Eliot's novels belong to the tradition of the European novel that descends from Cervantes. Rignall develops the fundamental theme of Eliot's position as a European novelist in chapters that explore the significance of Eliot's first visit to Germany with G. H. Lewes, Eliot's ideas on the cultural differences between French and German writing, the incidental part travel plays in novels such as Daniel Deronda and Middlemarch, the role of European landscapes in her fiction, the dialogical relationship between Eliot and Balzac, comparisons between Middlemarch and Flaubert's Madame Bovary, and connections between the novels of Eliot, Gottfried Keller and Theodor Fontane. Daniel Deronda is examined both within the wider context of European Jewish life and as part of a tradition of French novels that harkens back to Balzac and anticipates Proust. Rignall's final chapter takes up Nietzsche's notorious criticism of Eliot in Twilight of the Idols, showing that Eliot, with her sceptical intelligence, insight into the essentially metaphorical nature of language, and grasp of modernity, has something in common with this philosophical iconoclast.
The Lives of Machines
Author: Tamara S. Ketabgian
Publisher: University of Michigan Press
ISBN: 0472900358
Category : Literary Criticism
Languages : en
Pages : 254
Book Description
"The Lives of Machines is intelligent, closely argued, and persuasive, and puts forth a contention that will unsettle the current consensus about Victorian attitudes toward the machine." ---Jay Clayton, Vanderbilt University Today we commonly describe ourselves as machines that "let off steam" or feel "under pressure." The Lives of Machines investigates how Victorian technoculture came to shape this language of human emotion so pervasively and irrevocably and argues that nothing is more intensely human and affecting than the nonhuman. Tamara Ketabgian explores the emergence of a modern and more mechanical view of human nature in Victorian literature and culture. Treating British literature from the 1830s to the 1870s, this study examines forms of feeling and community that combine the vital and the mechanical, the human and the nonhuman, in surprisingly hybrid and productive alliances. Challenging accounts of industrial alienation that still persist, the author defines mechanical character and feeling not as erasures or negations of self, but as robust and nuanced entities in their own right. The Lives of Machines thus offers an alternate cultural history that traces sympathies between humans, animals, and machines in novels and nonfiction about factory work as well as in other unexpected literary sites and genres, whether domestic, scientific, musical, or philosophical. Ketabgian historicizes a model of affect and community that continues to inform recent theories of technology, psychology, and the posthuman. The Lives of Machines will be of interest to students of British literature and history, history of science and of technology, novel studies, psychoanalysis, and postmodern cultural studies. Cover image: "Power Loom Factory of Thomas Robinson," from Andrew Ure, The Philosophy of Manufactures (London: Charles Knight, 1835), frontispiece. DIGITALCULTUREBOOKS: a collaborative imprint of the University of Michigan Press and the University of Michigan Library
Publisher: University of Michigan Press
ISBN: 0472900358
Category : Literary Criticism
Languages : en
Pages : 254
Book Description
"The Lives of Machines is intelligent, closely argued, and persuasive, and puts forth a contention that will unsettle the current consensus about Victorian attitudes toward the machine." ---Jay Clayton, Vanderbilt University Today we commonly describe ourselves as machines that "let off steam" or feel "under pressure." The Lives of Machines investigates how Victorian technoculture came to shape this language of human emotion so pervasively and irrevocably and argues that nothing is more intensely human and affecting than the nonhuman. Tamara Ketabgian explores the emergence of a modern and more mechanical view of human nature in Victorian literature and culture. Treating British literature from the 1830s to the 1870s, this study examines forms of feeling and community that combine the vital and the mechanical, the human and the nonhuman, in surprisingly hybrid and productive alliances. Challenging accounts of industrial alienation that still persist, the author defines mechanical character and feeling not as erasures or negations of self, but as robust and nuanced entities in their own right. The Lives of Machines thus offers an alternate cultural history that traces sympathies between humans, animals, and machines in novels and nonfiction about factory work as well as in other unexpected literary sites and genres, whether domestic, scientific, musical, or philosophical. Ketabgian historicizes a model of affect and community that continues to inform recent theories of technology, psychology, and the posthuman. The Lives of Machines will be of interest to students of British literature and history, history of science and of technology, novel studies, psychoanalysis, and postmodern cultural studies. Cover image: "Power Loom Factory of Thomas Robinson," from Andrew Ure, The Philosophy of Manufactures (London: Charles Knight, 1835), frontispiece. DIGITALCULTUREBOOKS: a collaborative imprint of the University of Michigan Press and the University of Michigan Library
The Aesthetic Commonplace
Author: Nancy Yousef
Publisher: Oxford University Press
ISBN: 0192670379
Category : Literary Criticism
Languages : en
Pages : 211
Book Description
The Aesthetic Commonplace is a study of the everyday as a region of overlooked value in the work of William Wordsworth, George Eliot, and Ludwig Wittgenstein. The Romantic poet, the realist novelist, and the modern philosopher are each separately associated with a commitment to the common, the ordinary, and the everyday as a vital resource for reflection on language, on feeling, on ethical insight, and social attunement. The Aesthetic Commonplace is the first study to draw substantive lines of connection between Wittgenstein and the cultural and literary history of nineteenth century England. Tracing conceptual and formal affinities between the poet, the novelist, and the philosopher, the book brings to light significant links between the intellectual history of the nineteenth century and the early decades of the twentieth, making the case for a continuous cultural commitment to the aesthetic as a distinctive mode of investigating thought, feeling, and the everyday language upon which we depend for their articulation. Addressed to both literary studies and to philosophy, The Aesthetic Commonplace makes a compelling case for the interdependence of form, concept, and emotion in the history and interpretive practices of both disciplines.
Publisher: Oxford University Press
ISBN: 0192670379
Category : Literary Criticism
Languages : en
Pages : 211
Book Description
The Aesthetic Commonplace is a study of the everyday as a region of overlooked value in the work of William Wordsworth, George Eliot, and Ludwig Wittgenstein. The Romantic poet, the realist novelist, and the modern philosopher are each separately associated with a commitment to the common, the ordinary, and the everyday as a vital resource for reflection on language, on feeling, on ethical insight, and social attunement. The Aesthetic Commonplace is the first study to draw substantive lines of connection between Wittgenstein and the cultural and literary history of nineteenth century England. Tracing conceptual and formal affinities between the poet, the novelist, and the philosopher, the book brings to light significant links between the intellectual history of the nineteenth century and the early decades of the twentieth, making the case for a continuous cultural commitment to the aesthetic as a distinctive mode of investigating thought, feeling, and the everyday language upon which we depend for their articulation. Addressed to both literary studies and to philosophy, The Aesthetic Commonplace makes a compelling case for the interdependence of form, concept, and emotion in the history and interpretive practices of both disciplines.
The Cambridge Companion to George Eliot
Author: George Levine
Publisher: Cambridge University Press
ISBN: 1107193346
Category : Literary Criticism
Languages : en
Pages : 309
Book Description
This second edition, including some new chapters, provides an essential introduction to all aspects of George Eliot's life and writing. Accessible essays by some of the most distinguished scholars of Victorian literature provide lucid and often original insights into the work of one of the most important novelists of the nineteenth century.
Publisher: Cambridge University Press
ISBN: 1107193346
Category : Literary Criticism
Languages : en
Pages : 309
Book Description
This second edition, including some new chapters, provides an essential introduction to all aspects of George Eliot's life and writing. Accessible essays by some of the most distinguished scholars of Victorian literature provide lucid and often original insights into the work of one of the most important novelists of the nineteenth century.
Adulterous Nations
Author: Tatiana Kuzmic
Publisher: Northwestern University Press
ISBN: 0810133997
Category : Literary Criticism
Languages : en
Pages : 354
Book Description
In Adulterous Nations, Tatiana Kuzmic enlarges our perspective on the nineteenth-century novel of adultery, showing how it often served as a metaphor for relationships between the imperialistic and the colonized. In the context of the long-standing practice of gendering nations as female, the novels under discussion here—George Eliot’s Middlemarch, Theodor Fontane’s Effi Briest, and Leo Tolstoy’s Anna Karenina, along with August Šenoa’s The Goldsmith’s Gold and Henryk Sienkiewicz’s Quo Vadis—can be understood as depicting international crises on the scale of the nuclear family. In each example, an outsider figure is responsible for the disruption experienced by the family. Kuzmic deftly argues that the hopes, anxieties, and interests of European nations during this period can be discerned in the destabilizing force of adultery. Reading the work of Šenoa and Sienkiewicz, from Croatia and Poland, respectively, Kuzmic illuminates the relationship between the literature of dominant nations and that of the semicolonized territories that posed a threat to them. Ultimately, Kuzmic’s study enhances our understanding of not only these five novels but nineteenth-century European literature more generally.
Publisher: Northwestern University Press
ISBN: 0810133997
Category : Literary Criticism
Languages : en
Pages : 354
Book Description
In Adulterous Nations, Tatiana Kuzmic enlarges our perspective on the nineteenth-century novel of adultery, showing how it often served as a metaphor for relationships between the imperialistic and the colonized. In the context of the long-standing practice of gendering nations as female, the novels under discussion here—George Eliot’s Middlemarch, Theodor Fontane’s Effi Briest, and Leo Tolstoy’s Anna Karenina, along with August Šenoa’s The Goldsmith’s Gold and Henryk Sienkiewicz’s Quo Vadis—can be understood as depicting international crises on the scale of the nuclear family. In each example, an outsider figure is responsible for the disruption experienced by the family. Kuzmic deftly argues that the hopes, anxieties, and interests of European nations during this period can be discerned in the destabilizing force of adultery. Reading the work of Šenoa and Sienkiewicz, from Croatia and Poland, respectively, Kuzmic illuminates the relationship between the literature of dominant nations and that of the semicolonized territories that posed a threat to them. Ultimately, Kuzmic’s study enhances our understanding of not only these five novels but nineteenth-century European literature more generally.