George Cruikshank's Life, Times, and Art: 1792-1835 PDF Download
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Author: Robert L. Patten
Publisher: Rutgers University Press
ISBN: 9780813518138
Category : Art
Languages : en
Pages : 540
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Book Description
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Author: Robert L. Patten
Publisher: Rutgers University Press
ISBN: 9780813518138
Category : Art
Languages : en
Pages : 540
Get Book Here
Book Description
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Author: Robert L. Patten
Publisher:
ISBN: 9780718828721
Category : Artists
Languages : en
Pages :
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Book Description
Author: Robert Upstone
Publisher:
ISBN:
Category : Alcoholism
Languages : en
Pages : 46
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Book Description
Author: Mary Ellen Snodgrass
Publisher: Infobase Publishing
ISBN: 1438109113
Category : Gothic revival (Literature)
Languages : en
Pages : 497
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Book Description
Presents an alphabetical reference guide detailing the lives and works of authors associated with Gothic literature.
Author:
Publisher:
ISBN:
Category : Humanities
Languages : en
Pages : 334
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Book Description
Author: Christopher Ferguson
Publisher: LSU Press
ISBN: 0807163821
Category : History
Languages : en
Pages : 387
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Book Description
In An Artisan Intellectual, Christopher Ferguson examines the life and ideas of English tailor and writer James Carter, one of countless and largely anonymous citizens whose lives dramatically transformed during Britain’s long march to modernity. Carter began his working life at age thirteen as an apprentice and continued to work as a tailor throughout the first half of the nineteenth century, first in Colchester and then in London. As the Industrial Revolution brought innovations to every aspect of British life, Carter took advantage of opportunities to push against the boundaries of his working-class background. He supplemented his income through his writing, publishing often unsigned books, articles, and poems on subjects as diverse as religion, death, nature, aesthetics, and theories of civilization. Carter’s words give us a fascinating window into the revolutionary forces that upended the world of ordinary citizens in this era and demonstrate how the changes in daily life impacted personal experiences and intellectual pursuits as well as labor practices and living and working environments. Ferguson deftly explores a forgotten tailor’s varied responses to the many transformations that produced the world’s first modern society.
Author: Julia Skelly
Publisher: Routledge
ISBN: 1351577476
Category : Art
Languages : en
Pages : 337
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Book Description
Highly innovative and long overdue, this study analyzes the visual culture of addiction produced in Britain during the long nineteenth century. The book examines well-known images such as William Hogarth's Gin Lane (1751), as well as lesser-known artworks including Alfred Priest's painting Cocaine (1919), in order to demonstrate how visual culture was both informed by, and contributed to, discourses of addiction in the period between 1751 and 1919. Through her analysis of more than 30 images, Julia Skelly deconstructs beliefs and stereotypes related to addicted individuals that remain entrenched in the popular imagination today. Drawing upon both feminist and queer methodologies, as well as upon extensive archival research, Addiction and British Visual Culture, 1751-1919 investigates and problematizes the long-held belief that addiction is legible from the body, thus positioning visual images as unreliable sources in attempts to identify alcoholics and drug addicts. Examining paintings, graphic satire, photographs, advertisements and architectural sites, Skelly explores such issues as ongoing anxieties about maternal drinking; the punishment and confinement of addicted individuals; the mobility of female alcoholics through the streets and spaces of nineteenth-century London; and soldiers' use of addictive substances such as cocaine and tobacco to cope with traumatic memories following the First World War.
Author: Brenda Ayres
Publisher: Taylor & Francis
ISBN: 1000782638
Category : Literary Criticism
Languages : en
Pages : 491
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Book Description
The Routledge Handbook of Victorian Scandals in Literature and Culture exposes, explores, and examines what Victorians once considered flagrant breaches of decorum. Infringements that were fantasized through artforms or were actually committed exceeded entertaining parlor gossip; once in print they were condemned as socially contaminative but were also consumed as delightfully sensational. Written by scholars in diverse disciplines, this volume: Demonstrates that spreading scandals seemed to have been one of the most entertaining sources of activities but were also normative efforts made by the Victorians to ensure conformity of decorum. Provides a broad spectrum of infractions that were considered scandalous to the Victorians. Identifies Victorian transgressions that made the news and that may still shock modern readers. Covers a gamut of moral infractions and transgressions either practiced, rumored, or fantasized in art forms. This handbook is an invaluable resource about Victorian literature, art, and culture which challenges its readers to ponder perplexing questions about how and why some scandals were perpetrated and propagated in the nineteenth century while others were not, and what the controversies reveal about the human condition that persists beyond Victoria’s reign of propriety.
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ISBN:
Category : Engraving
Languages : en
Pages : 482
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Book Description
Author: Jim Davis
Publisher: Cambridge University Press
ISBN: 131643236X
Category : Drama
Languages : en
Pages : 291
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Book Description
The popularity of the comic performers of late-Georgian and Regency England and their frequent depiction in portraits, caricatures and prints is beyond dispute, yet until now little has been written on the subject. In this unique study Jim Davis considers the representation of English low comic actors, such as Joseph Munden, John Liston, Charles Mathews and John Emery, in the visual arts of the period, the ways in which such representations became part of the visual culture of their time, and the impact of visual representation and art theory on prose descriptions of comic actors. Davis reveals how many of the actors discussed also exhibited or collected paintings and used painterly techniques to evoke the world around them. Drawing particularly on the influence of Hogarth and Wilkie, he goes on to examine portraiture as critique and what the actors themselves represented in terms of notions of national and regional identity.
