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Author: George Catlin
Publisher: Washington, D.C. : Smithsonian American Art Museum ; New York : W.W. Norton
ISBN: 9780393052176
Category : Art
Languages : en
Pages : 294
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Book Description
Showcases the work of the early-nineteenth-century artist who made four trips into Native American country as part of an ambition to paint each tribe, noting the influence of period belief systems on his work as well as his passionate affection for his subjects.
Author: George Catlin
Publisher: Washington, D.C. : Smithsonian American Art Museum ; New York : W.W. Norton
ISBN: 9780393052176
Category : Art
Languages : en
Pages : 294
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Book Description
Showcases the work of the early-nineteenth-century artist who made four trips into Native American country as part of an ambition to paint each tribe, noting the influence of period belief systems on his work as well as his passionate affection for his subjects.
Author: Benita Eisler
Publisher: W. W. Norton & Company
ISBN: 039324086X
Category : Biography & Autobiography
Languages : en
Pages : 497
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Book Description
The first biography in over sixty years of a great American artist whose paintings are more famous than the man who made them. George Catlin has been called the “first artist of the West,” as none before him lived among and painted the Native American tribes of the Northern Plains. After a false start as a painter of miniatures, Catlin found his calling: to fix the image of a “vanishing race” before their “extermination”—his word—by a government greedy for their lands. In the first six years of the 1830s, he created over six hundred portraits—unforgettable likenesses of individual chiefs, warriors, braves, squaws, and children belonging to more than thirty tribes living along the upper Missouri River. Political forces thwarted Catlin’s ambition to sell what he called his “Indian Gallery” as a national collection, and in 1840 the artist began three decades of self-imposed exile abroad. For a time, his exhibitions and writings made him the most celebrated American expatriate in London and Paris. He was toasted by Queen Victoria and breakfasted with King Louis-Philippe, who created a special gallery in the Louvre to show his pictures. But when he started to tour “live” troupes of Ojibbewa and Iowa, Catlin and his fortunes declined: He changed from artist to showman, and from advocate to exploiter of his native performers. Tragedy and loss engulfed both. This brilliant and humane portrait brings to life George Catlin and his Indian subjects for our own time. An American original, he still personifies the artist as a figure of controversy, torn by conflicting demands of art and success.
Author: George Catlin
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 200
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Book Description
George Catlin (1796-1872) was a Pennsylvania-born artist, writer and showman whose portraits of Native Americans are among the most important representation of indigenous peoples ever made.
Author: George Catlin
Publisher: BBS Publishing Corporation
ISBN:
Category : Art
Languages : en
Pages : 216
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Book Description
Reproductions of Catlin's famous paintings.
Author: George Catlin
Publisher: Literary Licensing, LLC
ISBN: 9781497934269
Category :
Languages : en
Pages : 44
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Book Description
This Is A New Release Of The Original 1844 Edition.
Author: Mary Sayre Haverstock
Publisher: New York : Four Winds Press
ISBN:
Category : Artists, American
Languages : en
Pages : 266
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Book Description
George Catlin painted pictures of Indian tribes during the early 1800's.
Author: Susanna Reich
Publisher: Houghton Mifflin Harcourt
ISBN: 9780618714704
Category : Juvenile Nonfiction
Languages : en
Pages : 188
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Book Description
Generously illustrated with archival prints and photos of Catlin's own paintings, this accessible biography of one of America's best-known painters weaves a well-researched history with stories of Catlin's travels and adventures.
Author: George Catlin
Publisher: Penguin
ISBN: 9780142437506
Category : History
Languages : en
Pages : 564
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Book Description
From 1831 to 1837, George Catlin traveled extensively among the native peoples of North America—from the Muskogee and Miccosukee Creeks of the Southeast to the Lakota, Mandan, and Pawnee of the West, and from the Winnebagos and Menominees of the North to the Comanches of eastern Texas. Studying their habits, customs, and modes of life, he made copious notes and numerous sketches of ceremonies, buffalo hunts, symbols, and totems. Catlin’s unprecedented fieldwork culminated in more than five hundred oil paintings and his now-legendary journals, which, as Peter Matthiessen writes in his introduction, “taken together... constitute the first, last, and only ‘complete’ record of the Plains Indians ever made at the height of their splendid culture, so soon destroyed by traders’ liquor and disease, rapine and bayonets.” A one-volume edition of Catlin's journals Illustrated with more than fifty reproductions of Catlin's incomparable paintings
Author: George Catlin
Publisher:
ISBN:
Category :
Languages : en
Pages : 586
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Book Description
Author: Brian W. Dippie
Publisher: U of Nebraska Press
ISBN: 9780803216839
Category : Art
Languages : en
Pages : 600
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Book Description
George Catlin's paintings and the vision behind them have become part of our understanding of a lost America. We see the Indian past through Catlin's eyes, imagine a younger, fresher land in his bright hues. But he spent only a few years in what he considered Indian country. The rest of his long life?more than thirty years?wasødevoted largely to promoting, repainting, and selling his collection?in short, to seeking patronage. Catlin and His Contemporaries examines how the preeminent painter of western Indians before the Civil War went about the business of making a living from his work. Catlin shared with such artists as Seth Eastman and John Mix Stanley a desire to preserve a visual record of a race seen as doomed and competed with them for federal assistance. In a young republic with little institutional and governmental support available, painters, writers, and scholars became rivals and sometimes bitter adversaries. Brian W. Dippie untangles the complex web of interrelationships between artists, government officials, members of Congress, businessmen, antiquarians and literati, kings and queens, and the Indians themselves. In this history of the politics of patronage during the nineteenth century, luminaries like Henry Rowe Schoolcraft, Henry H. Sibley, John James Audubon, Alfred Jacob Miller, and Karl Bodmer are linked with Catlin in a contest for the support of the arts, setting a precedent for later generations. That the contenders "produced so much of enduring importance under such trying circumstances," Dippie observes,"was the sought-for miracle that had seemed to elude them in their lives."
