George Bellows and the Ashcan School of Painting PDF Download
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Author: Donald Braider
Publisher:
ISBN:
Category : Ashcan school of art
Languages : en
Pages : 212
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Book Description
Author: Donald Braider
Publisher:
ISBN:
Category : Ashcan school of art
Languages : en
Pages : 212
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Book Description
Author: Mary Sayre Haverstock
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 164
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Book Description
A leading member of the Ashcan school of artists, George Bellows (1882-1925) was a master of realism, noted for his vivid brush strokes and his canvasses full of motion. This book includes his signature paintings of urban life, a selection of portraits, his lesser-known landscapes and his portrayals of prizefighters and other athletes in action.
Author: Rebecca Zurier
Publisher: W. W. Norton & Company
ISBN: 9780393039016
Category : Art
Languages : en
Pages : 244
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Book Description
100 greatest works by Bellows, Sloan, and the other painters of the Ashcan School.
Author: David Peters Corbett
Publisher: National Gallery London
ISBN: 9781857095272
Category : Art
Languages : en
Pages : 0
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Book Description
Catalog of an exhibition held at the National Gallery, London, Mar. 3-May 30, 2011.
Author: Bennard B. Perlman
Publisher: Courier Corporation
ISBN: 0486158497
Category : Art
Languages : en
Pages : 226
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Book Description
Lively, scholarly, beautifully illustrated study of the 8 artists who brought a compelling new realism to American painting, 1870 to 1913. Henri, Glackens, Sloan, Luks, 4 more. 142 black-and-white illustrations.
Author: Rebecca Zurier
Publisher: Univ of California Press
ISBN: 0520220188
Category : Art
Languages : en
Pages : 420
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Book Description
"Zurier vividly locates the Ashcan School artists within the early twentieth-century crosscurrents of newspaper journalism, literary realism, illustration, sociology, and urban spectatorship. Her compassionate study newly assesses the artists' rejection of 'genteel' New York, their alignments with mass media, and their innovative ways of seeing in the modern city."—Wanda M. Corn, author of The Great American Thing: Modern Art and National Identity, 1915-35 If the Ashcan School brought a special and embracing eye to the city, Rebecca Zurier in her richly contextual and impressively interdisciplinary book explains and evokes that historically specific urban vision in all its richness. Finally, in Picturing the City, we have the study these painters have long deserved. And we gain new and delightful access to New York City at the moment of its emergence as a compelling embodiment of metropolitan modernity."—Thomas Bender, Director, International Center for Advanced Studies, New York University "Picturing the City is both meticulous and wide-ranging in its assessment of the Ashcan artists and their passionate efforts to represent New York. It charts their pleasures and problems, warmth and prejudices, generosity and differences, originality and formula. It takes seriously their habits as journalists and provides the most complete sense of their immersion in a world of urban spectatorship and vision. Rebecca Zurier has written a wonderful, timely book that will be a benchmark for any future discussions of them."—Anthony W. Lee, author of Picturing Chinatown: Art and Orientalism in San Francisco "Rebecca Zurier takes us on an intellectually exhilarating and breathtakingly beautiful visual voyage through turn-of-the-century New York City as the Ashcan painters saw it. As we watch them learn a new way of looking in the commercially dynamic, sensual New York of a century ago, we too see that time and place with fresh eyes. Inevitably, thanks to Zurier, the way we look at city life today will change as well."—Lizabeth Cohen, author of A Consumers' Republic: The Politics of Mass Consumption in Postwar America
Author: Robert A. Slayton
Publisher: SUNY Press
ISBN: 1438466412
Category : Art
Languages : en
Pages : 218
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Book Description
Presents a major new interpretation of the Ashcan School of Art, arguing that these artists made the working-class city at the turn of the century a subject for beautiful art. At the beginning of the twentieth century the Ashcan School of Art blazed onto the art scene, introducing a revolutionary vision of New York City. In contrast to the elite artists who painted the upper class bedecked in finery, in front of magnificent structures, or the progressive reformers who photographed the city as a slum, hopeless and full of despair, the Ashcan School held the unique belief that the industrial working-class city was a fit subject for great art. In Beauty in the City, Robert A. Slayton illustrates how these artists portrayed the working classes with respect and gloried in the drama of the subways and excavation sites, the office towers, and immigrant housing. Their art captured the emerging metropolis in all its facets, with its potent machinery and its class, ethnic, and gender issues. By exposing the realities of this new, modern America through their artexpressed in what they chose to draw, not in how they drew itthey created one of the great American art forms. A delight for the eyes, a treat for city lovers, and a fine example of how historians can use art, Beauty in the City will enrich such fields as urban history, art history, the history of New York City, and America in the twentieth century. Robert Slayton has identified a group of artists who saw in the gritty details of city life real beauty and social meaning. Hasia R. Diner, author of Roads Taken: The Great Jewish Migrations to the New World and the Peddlers Who Forged the Way A century ago, the Ashcan painters created an art that was of, by, and for urban Americansin all their exhilarating pluralism. Robert Slayton analyzes and celebrates their accomplishment in a work that combines brilliant scholarship and a profound passion for his subject. To his great credit, he reveals the beauty already there. Michael Kazin, author of War Against War: The American Fight for Peace, 19141918 With great narrative skill and finely drawn characters, Robert Slayton paints a vivid picture of New York and the art world in the early twentieth century. He reminds us that these artists and the city they inhabited continue to influence our perspectiveabout class, about gender, about racea century later. This book is a wonderful, vibrant look at a forgotten part of our history. Terry Golway, author of Machine Made: Tammany Hall and the Creation of Modern American Politics
Author: James W. Tottis
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 224
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Book Description
Author: George Bellows
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 276
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Book Description
A comprehensive, lavishly illustrated book about one of America's finest 20th-century painters. With more than 200 reproductions (75 in full color), The Paintings of George Bellows offers new insights into Bellows' finest works on canvas and into the bold and thoughtful artist who created them.
Author: Nannette Maciejunes
Publisher: Cambridge Scholars Publishing
ISBN: 1443861448
Category : History
Languages : en
Pages : 204
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Book Description
This essay collection, by scholars from both the United States and Europe, carefully examines the artwork of one of the most important 20th-century American painters and printmakers, George Bellows. It builds on the Columbus Museum of Art’s 2013 exhibition, George Bellows and the American Experience, and the National Gallery of Art’s 2012 exhibition, George Bellows. The volume offers innovative research that explores his oeuvre from multiple viewpoints. The essays challenge widely held perceptions of Bellows, such as his Americanness, hyper-masculinity, patronage, response to the World War I, and his relationship to fellow artist Edward Hopper. This is an essential collection for any serious study on Bellows’ work.
