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Author: Astrid von Asten
Publisher: Scheidegger and Spiess
ISBN: 9783858817679
Category : Dadaism
Languages : en
Pages : 0
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Book Description
Dada began on February 5, 1916, when Hugo Ball, Emmy Hennings, and others launched the Cabaret Voltaire in Zurich. Cabaret Voltaire would eventually become the stuff of legend, joined by the short-lived but no less significant Gallery Dada. Even as Dada spread throughout Europe and the world, its heart was always in Zurich. This book honors the centennial of Dada by telling for the first time the full story of its genesis and the role played by Zurich and its vibrant community of artists in its creation and flourishing. It sets the early years of Dada firmly in the city's historical and cultural context and reveals the intellectual and social background that were crucial to the fermenting artistic ideas that culminated in Dada. It goes on to trace the explosion of Dada into a worldwide phenomenon that took in such artists and intellectuals as Joan Miró, Marcel Duchamp, Jean Cocteau, and Man Ray. Richly illustrated, this book will stand as the definitive account of the origins of Dada and its little-considered ties to one particular, spectacular city.
Author: Astrid von Asten
Publisher: Scheidegger and Spiess
ISBN: 9783858817679
Category : Dadaism
Languages : en
Pages : 0
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Book Description
Dada began on February 5, 1916, when Hugo Ball, Emmy Hennings, and others launched the Cabaret Voltaire in Zurich. Cabaret Voltaire would eventually become the stuff of legend, joined by the short-lived but no less significant Gallery Dada. Even as Dada spread throughout Europe and the world, its heart was always in Zurich. This book honors the centennial of Dada by telling for the first time the full story of its genesis and the role played by Zurich and its vibrant community of artists in its creation and flourishing. It sets the early years of Dada firmly in the city's historical and cultural context and reveals the intellectual and social background that were crucial to the fermenting artistic ideas that culminated in Dada. It goes on to trace the explosion of Dada into a worldwide phenomenon that took in such artists and intellectuals as Joan Miró, Marcel Duchamp, Jean Cocteau, and Man Ray. Richly illustrated, this book will stand as the definitive account of the origins of Dada and its little-considered ties to one particular, spectacular city.
Author: Emily Hage
Publisher: Bloomsbury Publishing USA
ISBN: 1501342673
Category : Art
Languages : en
Pages : 339
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Book Description
Dada magazines made Dada what it was: diverse, non-hierarchical, transnational, and defiant of the most fundamental artistic conventions. This first volume entirely devoted to Dada periodicals retells the story of Dada by demonstrating the centrality of these graphically inventive, provocative periodicals: Dada, New York Dada, Dada Jok, and dozens more that began crossing enemy lines during World War I. The book includes magazines from well-known Dada cities like New York and Paris as well as Zagreb and Bucharest, and reveals that Dada continued to inspire art journals into the 1920s. Anchored in close material analysis within a historical and theoretical framework, Dada Magazines models a novel, multifaceted methodology for assessing many kinds of periodicals. The book traces how the Dadaists-Marcel Duchamp, Tristan Tzara, Dragan Aleksic, Hannah Höch, and many others-compiled, printed, distributed, and exchanged these publications. At the same time, it recognizes the journals as active agents that engendered the Dada network, and its thematic, chronological structure captures the constant exchanges that took place in this network. With in-depth scrutiny of these magazines-and 1970s “Dadazines” inspired by them-Dada Magazines is a vital source in the histories of art and design, periodical studies, and modernist studies.
Author: Gordon Frederick Browning
Publisher:
ISBN:
Category : Dadaism
Languages : en
Pages : 230
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Book Description
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Publisher:
ISBN:
Category : Nigeria
Languages : en
Pages : 10
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Book Description
Author: David Hopkins
Publisher: John Wiley & Sons
ISBN: 1119238226
Category : Art
Languages : en
Pages : 500
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Book Description
This excellent overview of new research on Dada and Surrealism blends expert synthesis of the latest scholarship with completely new research, offering historical coverage as well as in-depth discussion of thematic areas ranging from criminality to gender. This book provides an excellent overview of new research on Dada and Surrealism from some of the finest established and up-and-coming scholars in the field Offers historical coverage as well as in–depth discussion of thematic areas ranging from criminality to gender One of the first studies to produce global coverage of the two movements, it also includes a section dealing with the critical and cultural aftermath of Dada and Surrealism in the later twentieth century Dada and Surrealism are arguably the most popular areas of modern art, both in the academic and public spheres
Author:
Publisher: BRILL
ISBN: 9004526749
Category : Art
Languages : en
Pages : 655
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Book Description
This rich, in-depth exploration of Dada’s roots in East-Central Europe is a vital addition to existing research on Dada and the avant-garde. Through deeply researched case studies and employing novel theoretical approaches, the volume rewrites the history of Dada as a story of cultural and political hybridity, border-crossings, transitions, and transgressions, across political, class and gender lines. Dismantling prevailing notions of Dada as a “Western” movement, the contributors to this volume present East-Central Europe as the locus of Dada activity and techniques. The articles explore how artists from the region pre-figured Dada as well as actively “cannibalized”, that is, reabsorbed and further hybridized, a range of avant-garde techniques, thus challenging “Western” cultural hegemony.
Author:
Publisher: BRILL
ISBN: 9004410422
Category : Literary Criticism
Languages : en
Pages : 294
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Book Description
Anarchism and the Avant-Garde: Radical Arts and Politics in Perspective offers a fresh approach to the encounter of the classical anarchisms (1860s−1940s) and the artistic and literary avant-gardes of the same period, probing its dimensions and limits.
Author: Linda Ben-Zvi
Publisher: University of Illinois Press
ISBN: 9780252062568
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
Twelve actresses from seven countries are interviewed about their experience of performing in plays by Samuel Beckett, including their physical and psychological preparation. An additional 19 essays explore critical themes relating to the plays as fiction, as fiction becoming drama, and as drama on stage, radio, and television. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Matthias Bauer
Publisher: Taylor & Francis
ISBN: 1000987841
Category : Literary Criticism
Languages : en
Pages : 318
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Book Description
There has been a growing awareness that ambiguity is not just a necessary evil of the language system resulting, for instance, from its need for economy, or, by contrast, a blessing that allows writers to involve readers in endless games of assigning meaning to a literary text. The present volume contributes to overcoming this alternative by focusing on strategies of ambiguity (and the strategic avoidance of ambiguity) both at the production and the reception end of communication. The authors examine ways in which speakers and hearers may use ambiguous words, structures, references, and situations to pursue communicative ends. For example, the question is asked what it actually means when a listener strategically perceives ambiguity, which may happen both synchronically (e.g. in conversations) as well as diachronically (e.g. when strategically ambiguating biblical texts in order to make them applicable to moral lessons). Another example is the question whether ambiguity awareness increases the strategic use of ambiguity in prosody. Moreover, the authors not only enquire into effects of ambiguous meanings but also into the strategic use of ambiguity as such, for example, as a response to censorship or as a means of provoking irritation. This volume brings together several contributions from linguistics, literary studies, rhetoric, psychology and theology, and aims at providing a systematic approach to the strategic production and perception of ambiguity in a variety of texts and contexts. The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.
Author: Stefan Rinke
Publisher: Campus Verlag
ISBN: 3593507056
Category : History
Languages : en
Pages : 344
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Book Description
Unquestionably a watershed year in world history, 1917 not only saw the Russian Revolution and the US entry into World War I, it also marked a foundational moment in determining global political structures for the remaining twentieth century. Yet while contemporaries were cognizant of these global connections, historiography has been largely limited to analysis of the nation-state. A century later, this book discusses the transnational dimension of the numerous upheavals, rebellions, and violent reactions on a global level that began with 1917. Experts from different continents contribute findings that go beyond the well-known European and transatlantic narratives, making for a uniquely global study of this crucial period in history.
