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Author: Lee Higgs
Publisher: Goliath Books
ISBN: 9783980587686
Category : Fetishism (Sexual behavior)
Languages : en
Pages : 0
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Book Description
With full colour photography and over 330 images,this is the latest title in the Goliath imprint,which produced Gatewood's Badlands and follows,very much in its style but with emphasis on the,more recent developments in fetish and in fetish,photography. Described as strange, beautiful and,dangerous, a cross between David Cronenberg and,William S Burrough's vision, Fetish Generation is,destined to become the fetish coffee table book,for 2001.
Author: Lee Higgs
Publisher: Goliath Books
ISBN: 9783980587686
Category : Fetishism (Sexual behavior)
Languages : en
Pages : 0
Get Book Here
Book Description
With full colour photography and over 330 images,this is the latest title in the Goliath imprint,which produced Gatewood's Badlands and follows,very much in its style but with emphasis on the,more recent developments in fetish and in fetish,photography. Described as strange, beautiful and,dangerous, a cross between David Cronenberg and,William S Burrough's vision, Fetish Generation is,destined to become the fetish coffee table book,for 2001.
Author: Robin Roberts
Publisher: University of Illinois Press
ISBN: 9780252068102
Category : Literary Criticism
Languages : en
Pages : 228
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Book Description
Boldly going where no one has gone before, Robin Roberts forges intriguing links between feminist politics and theory and the second Star Trek series, Star Trek: The Next Generation. This lively discussion shows how science fiction's ability to make the familiar strange allows Star Trek to expose and comment on entrenched attitudes toward gender roles and feminist issues. By having aliens or sexually neutral beings enact female dominance or passivity, experience pregnancy or maternity, or suffer rape or abortion, Star Trek provides viewers with a new perspective on these experiences and an antidote to explicit and implicit cultural biases. Roberts maintains that the relevance of Star Trek: The Next Generation to feminist issues accounts as no other factor can for the program's huge following of female fans. The incisive and innovative readings in Sexual Generations provide food for thought about how the final frontier can clarify pressing questions of our own space and time.
Author: Kylo-Patrick R. Hart
Publisher: Emerald Group Publishing
ISBN: 1839829206
Category : Social Science
Languages : en
Pages : 164
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Book Description
Contributing to revised notions of inclusivity and acceptance, this interdisciplinary work deftly identifies both historical and current approaches to understanding and analyzing kink, and pinpoints avenues for future research.
Author: Temple Drake
Publisher: Critical Vision
ISBN: 9781900486354
Category : Education
Languages : en
Pages : 260
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Book Description
An indispensable sampling of the vast assortment of publications which exist as an adjunct to the mainstream press, or which promote themes and ideas that may be defined as pop culture, alternative, underground or subversive. Updated and revised from the pages of the critically acclaimed Headpress journal, this is an enlightened and entertaining guide to the counter culture - including everything from cult film, music, comics and cutting-edge fiction, by way of its books and zines, with contact information accompanying each review.
Author: Neville Mars
Publisher: 010 Publishers
ISBN: 9064506523
Category : Architecture
Languages : en
Pages : 396
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Book Description
"The Chinese Dream is a visual tour de force, both encyclopedic in scope and holistic in approach. Cutting across all levels of scale - from individual to nation - and backed by a truly multi-disciplinary team (encompassing architecture & urban planning, politics, economics, arts & culture, environmental concerns, and sociology) the book synthesizes a vast body of research to tackle the big contemporary questions, and to unpack the paradoxes at the heart of Chinas struggle for change. Bold texts, self-critical design proposals, and thousands of graphics reveal China in all its raucous diversity. This is space as you have never seen it before: brash, outlandish, and very Chinese." .- Prové de leditor.
Author: Emily Nussbaum
Publisher: Random House
ISBN: 052550897X
Category : Performing Arts
Languages : en
Pages : 386
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Book Description
From The New Yorker’s fiercely original, Pulitzer Prize-winning culture critic, a provocative collection of new and previously published essays arguing that we are what we watch. “Emily Nussbaum is the perfect critic—smart, engaging, funny, generous, and insightful.”—David Grann, author of Killers of the Flower Moon NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • Chicago Tribune • Esquire • Library Journal • Kirkus Reviews From her creation of the “Approval Matrix” in New York magazine in 2004 to her Pulitzer Prize–winning columns for The New Yorker, Emily Nussbaum has argued for a new way of looking at TV. In this collection, including two never-before-published essays, Nussbaum writes about her passion for television, beginning with Buffy the Vampire Slayer, the show that set her on a fresh intellectual path. She explores the rise of the female screw-up, how fans warp the shows they love, the messy power of sexual violence on TV, and the year that jokes helped elect a reality-television president. There are three big profiles of television showrunners—Kenya Barris, Jenji Kohan, and Ryan Murphy—as well as examinations of the legacies of Norman Lear and Joan Rivers. The book also includes a major new essay written during the year of MeToo, wrestling with the question of what to do when the artist you love is a monster. More than a collection of reviews, the book makes a case for toppling the status anxiety that has long haunted the “idiot box,” even as it transformed. Through it all, Nussbaum recounts her fervent search, over fifteen years, for a new kind of criticism, one that resists the false hierarchy that elevates one kind of culture (violent, dramatic, gritty) over another (joyful, funny, stylized). I Like to Watch traces her own struggle to punch through stifling notions of “prestige television,” searching for a more expansive, more embracing vision of artistic ambition—one that acknowledges many types of beauty and complexity and opens to more varied voices. It’s a book that celebrates television as television, even as each year warps the definition of just what that might mean. FINALIST FOR THE PEN/DIAMONSTEIN-SPIELVOGEL AWARD FOR THE ART OF THE ESSAY “This collection, including some powerful new work, proves once and for all that there’s no better American critic of anything than Emily Nussbaum. But I Like to Watch turns out to be even greater than the sum of its brilliant parts—it’s the most incisive, intimate, entertaining, authoritative guide to the shows of this golden television age.”—Kurt Andersen, author of Fantasyland “Reading Emily Nussbaum makes us smarter not just about what we watch, but about how we live, what we love, and who we are. I Like to Watch is a joy.”—Rebecca Traister
Author: Anonymous
Publisher: BoD – Books on Demand
ISBN: 3368159305
Category : Fiction
Languages : en
Pages : 130
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Book Description
Reprint of the original, first published in 1872.
Author: Massimo Fusillo
Publisher: Bloomsbury Publishing USA
ISBN: 1501312359
Category : Literary Criticism
Languages : en
Pages : 201
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Book Description
Object fetishism is becoming a more and more pervasive phenomenon. Focusing on literature and the visual arts, including cinema, this book suggests a parallelism between fetishism and artistic creativity, based on a poetics of detail, which has been brilliantly exemplified by Flaubert's style. After exploring canonical accounts of fetishism (Marx, Freud, Benjamin), by combining a historicist approach with theoretical speculation, Massimo Fusillo identifies a few interpretive patterns of object fetishism, such as seduction (from Apollonius of Rhodes to Max Oph�ls), memory activation (from Goethe to Louise Bourgeois and Pamuk), and the topos of the animation of the inanimate. Whereas all these patterns are characterized by a projection of emotional values onto objects, modernism highlights a more latent component of object fetishism: the fascination with the alterity of matter, variously inflected by Proust, Woolf, Joyce, Barnes, and Mann. The last turning point in Fusillo's analysis is postmodernism and its obsession with mass media icons-from DeLillo's maximalist frescos and Zadie Smith's reflections on autographs to Palahniuk's porn objects; from pop art to commodity sculpture.
Author: Frenchy Lunning
Publisher: A&C Black
ISBN: 0857858092
Category : Social Science
Languages : en
Pages : 176
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Book Description
Fetish Style traces the history, forms and tendencies of sub-cultural fashions that are popular in both mainstream and alternative fashion cultures. Presenting the world of subcultural fetish clothing design in all of its richness and beauty, this book explores the idea of fetish as subversive and repressive as reflected in clothing choices in people of all ages and cultures. Linking the fetishistic aspects of contemporary culture with everyday clothing as dictated by fashion and merchandizing, Fetish Style presents a fascinating study of historical as well as 21st century subcultures. Case studies include the Japanese-influenced 'tribes' of the various Lolita formations, the Shotaru (male Lolita), the club scene, the Goths, the hip-hop fashions and other locally-formed fetishized practices. Fetish Style will be key reading for anyone interested in fetish fashion both past and present.
Author: Bogomir Doringer
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110527707
Category : Art
Languages : en
Pages : 304
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Book Description
The contributions to this book explore a phenomenon that appears to be a contradiction in itself – we, the users of computers, can be tracked in digital space for all eternity. Although, on the one hand, one wants to be noticed and noticeable, on the other hand one does not necessarily want to be recognized at the first instance, being prey to an unfathomable public, or – even less so – to lose face. The book documents artistic and other strategies that point out options for appearing in the infinite book of faces whilst nevertheless avoiding being included in any records. The desire not to become a mere object of facial sell-out does not just remain an aesthetic endeavor. The contributions also contain combative and sarcastic statements against a digital dynamic that has already penetrated our everyday lives.
