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Author: Generali Foundation (Vienna, Austria)
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Generali Foundation (Vienna, Austria)
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Sabine Breitwieser
Publisher:
ISBN:
Category :
Languages : nl
Pages :
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Author: Eliezer David Jaffe
Publisher: Devora Publishing
ISBN: 9781930143289
Category : Reference
Languages : en
Pages : 236
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Book Description
The only directory which provides detailed description and analysis of the hundreds of foundations that are prepared to fund non-profit organisations and projects in the State of Israel. This work gives the reader direct access to what each foundation is looking for, and how to reach them. All the foundations have reviewed their profile entered in this volume and agreed that the contents are up-to-date and accurate.
Author: Andrea Fraser
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 87
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Book Description
Author: Erika Suderburg
Publisher: U of Minnesota Press
ISBN: 9780816631599
Category : Art
Languages : en
Pages : 392
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Book Description
From Ferdinand Chevel's Palais Ideal (1879-1905) and Simon Rodia's Watts Towers (1921-1954) to Ant Farm's Cadillac Ranch (1974) and Richard Serra's Tilted Arc (1981), installation art has continually crossed boundaries, encompassing sculpture, architecture, performance, and visual art. Although unique in its power to transform both the site in which a work is constructed and the viewer's experience of being in a place, installation art has not received the critical attention accorded other art forms. In Space, Site, Intervention, some of today's most prominent art critics, curators, and artists view installation art as a diverse, multifaceted, and international art form that challenges institutional assumptions and narrow conceptual frameworks. The contributors discuss installation in relation to the genealogy of modern art, community and corporate space, multimedia cyberspace, public and private ritual, the gallery and the museum, public and private patronage, and political action. This ambitious volume focuses on issues of class, sexuality, cultural identity rase, and gender, and highlights a wide range of artists whose work is often marginalized by mainstream art history and criticism. Together, the essays in Space, Site, Intervention investigate how installation resonates within modern culture and society, as well as its ongoing influence on contemporary visual culture.
Author: Lawrence Rinder
Publisher: Gregory R. Miller & Co.
ISBN: 9780974364827
Category : Art
Languages : en
Pages : 190
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Book Description
By Lawrence Rinder. Introduction by Bill Arning.
Author: Mieke Bal
Publisher: A&C Black
ISBN: 1472524802
Category : Philosophy
Languages : en
Pages : 335
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Book Description
In Endless Andness, Mieke Bal pioneers a new understanding of the political potential of abstract art which does not passively yield its meaning to the viewer but creates it anew - an art perceived not only through the retina but experienced viscerally. In this book, the third of her companion volumes on art's political agency, Bal explores perception through an intense engagement with the work of Belgian sculptor Ann Veronica Janssens. In a series of vividly-recalled encounters with Janssen's practice over a number of years, Balpresents a new conception of embodied perception - art experienced in a body conjured into participation and transformed by the experience. From Janssens' 'mist room' works and the CorpsNoir sculptures through to the fugitive, porous Aerogel, Bal traces an art which eludes the subject-object distinction to alter our ideas about the potential of political art in abstract and figurative forms. Enticing us simultaneously to lose ourselves and to come home, the tenuous materiality of installation art empowers those who live in the permanently lost and migratoryc ondition that characterizes contemporary experience. In celebrating and interrogating the work of this prolific and innovative artist, Mieke Baltransforms our understanding of non-representational art to create a new awareness of perception and performance in the shared spaces of our world.
Author: Kimberly Lamm
Publisher: Manchester University Press
ISBN: 1526125994
Category : Art
Languages : en
Pages : 348
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Book Description
This book analyses how three artists – Adrian Piper, Nancy Spero and Mary Kelly – worked with the visual dimensions of language in the 1960s and 1970s.
Author: Eve Meltzer
Publisher: University of Chicago Press
ISBN: 022600788X
Category : Art
Languages : en
Pages : 250
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Book Description
By the early 1960s, theorists like Lévi-Strauss, Lacan, Foucault, and Barthes had created a world ruled by signifying structures and pictured through the grids of language, information, and systems. Artists soon followed, turning to language and its related forms to devise a new, conceptual approach to art making. Examining the ways in which artists shared the structuralist devotion to systems of many sorts, Systems We Have Loved shows that even as structuralism encouraged the advent of conceptual art, it also raised intractable problems that artists were forced to confront. Considering such notable art figures as Mary Kelly, Robert Morris, Robert Smithson, and Rosalind Krauss, Eve Meltzer argues that during this period the visual arts depicted and tested the far-reaching claims about subjectivity espoused by theorists. She offers a new way of framing two of the twentieth century’s most transformative movements—one artistic, one expansively theoretical—and she reveals their shared dream—or nightmare—of the world as a system of signs. By endorsing this view, Meltzer proposes, these artists drew attention to the fictions and limitations of this dream, even as they risked getting caught in the very systems they had adopted. The first book to describe art’s embrace of the world as an information system, Systems We Have Loved breathes new life into the study of conceptual art.
Author: John R Hall
Publisher: Routledge
ISBN: 1134232799
Category : Art
Languages : en
Pages : 281
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Book Description
As many observers have noted, the world is becoming increasingly visually mediated, with the rise of computers and the internet being central factors in the emergence of new tools and conventions. Exploring the social structure of visuality, this volume contains a collection of essays by internationally renowned artists and scholars from a variety of fields (including art history, literary theory and criticism, cultural studies, film and television studies, intellectual history and sociology). It was conceived to address a bold query: how is our experience and understanding of vision and visual form changing under pressure from the various social, economic and cultural factors that are linked under the term 'globalization'. The essays overlap in their considerations of the tensions between cultures and worlds, political life, everyday social experience, and war. The resulting conversation that develops between the chapters touches on points from many visual worlds, and provides a unique opportunity for considering the changing character of visual experience today. This book will attract readers from a wide range of academic disciplines and will especially be valuable as a textbook for graduate and undergraduate courses in visual culture and cultural studies.
