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Author: Karen A. Ritzenhoff
Publisher: Taylor & Francis
ISBN: 1000772039
Category : Performing Arts
Languages : en
Pages : 387
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Book Description
This volume features a set of thought-provoking and long overdue approaches to situating Stanley Kubrick’s films in contemporary debates around gender, race, and age—with a focus on women’s representations. Offering new historical and critical perspectives on Kubrick’s cinema, the book asks how his work should be viewed bearing in mind issues of gender equality, sexual harassment, and abuse. The authors tackle issues such as Kubrick’s at times questionable relationships with his actresses and former wives; the dynamics of power, misogyny, and miscegenation in his films; and auteur "apologism," among others. The selections delineate these complex contours of Kubrick’s work by drawing on archival sources, engaging in close readings of specific films, and exploring Kubrick through unorthodox venture points. With an interdisciplinary scope and social justice-centered focus, this book offers new perspectives on a well-established area of study. It will appeal to scholars and upper-level students of film studies, media studies, gender studies, and visual culture, as well as to fans of the director interested in revisiting his work from a new perspective.
Author: Karen A. Ritzenhoff
Publisher: Taylor & Francis
ISBN: 1000772039
Category : Performing Arts
Languages : en
Pages : 387
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Book Description
This volume features a set of thought-provoking and long overdue approaches to situating Stanley Kubrick’s films in contemporary debates around gender, race, and age—with a focus on women’s representations. Offering new historical and critical perspectives on Kubrick’s cinema, the book asks how his work should be viewed bearing in mind issues of gender equality, sexual harassment, and abuse. The authors tackle issues such as Kubrick’s at times questionable relationships with his actresses and former wives; the dynamics of power, misogyny, and miscegenation in his films; and auteur "apologism," among others. The selections delineate these complex contours of Kubrick’s work by drawing on archival sources, engaging in close readings of specific films, and exploring Kubrick through unorthodox venture points. With an interdisciplinary scope and social justice-centered focus, this book offers new perspectives on a well-established area of study. It will appeal to scholars and upper-level students of film studies, media studies, gender studies, and visual culture, as well as to fans of the director interested in revisiting his work from a new perspective.
Author: Geoffrey Cocks
Publisher: Univ of Wisconsin Press
ISBN: 0299216136
Category : Biography & Autobiography
Languages : en
Pages : 342
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Book Description
Director of some of the most controversial films of the twentieth century, Stanley Kubrick created a reputation as a Hollywood outsider as well as a cinematic genius. His diverse yet relatively small oeuvre—he directed only thirteen films during a career that spanned more than four decades—covers a broad range of the themes that shaped his century and continues to shape the twenty-first: war and crime, gender relations and class conflict, racism, and the fate of individual agency in a world of increasing social surveillance and control. In Depth of Field, leading screenwriters and scholars analyze Kubrick's films from a variety of perspectives. They examine such groundbreaking classics as Dr. Strangelove and 2001: A Space Odyssey and later films whose critical reputations are still in flux. Depth of Field ends with three viewpoints on Kubrick's final film, Eyes Wide Shut, placing it in the contexts of film history, the history and theory of psychoanalysis, and the sociology of sex and power. Probing Kubrick's whole body of work, Depth of Field is the first truly multidisciplinary study of one of the most innovative and controversial filmmakers of the twentieth century.
Author: David Eric Browning
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
The work of iconic film director Stanley Kubrick is generally studied in terms of visual style and its reliance on male protagonists. Looking past the traditional focal points, one is able to examine the truly fascinating female protagonists that inhabit these dark worlds. By uncovering three distinct types of women included in the filmography of Stanley Kubrick: the instigator, the victim, and the empowered, I have reasoned that the director evolved alongside these female characters as his career advanced. Focusing on the instigating nature of the women in his early films, I have showcased how these individuals held powerful grips over the men in their lives, leading to violent outcomes. The victims in Kubrick's work reside primarily in the mid-portion of his career, and are shown as reactionary examples of femininity in response to an overpowering androcentric world. Finally, the empowered Alice in Eyes Wide Shut showcases Kubrick's evolution by featuring a woman with agency, who is not reactionary in any way. Alice is capable of making her own decisions based on her own desires and need for change. The evolution of Kubrick as a director can be traced alongside the transformation of his female characters, highlighting the true importance of these individuals in seemingly male driven works.
Author: Mario Falsetto
Publisher: Macmillan Reference USA
ISBN:
Category : Performing Arts
Languages : en
Pages : 384
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Book Description
A collection of articles on the American director's ten most crucial films and interviews with him, including those in Playboy and Rolling Stone. Among the topics are patterns of filmic narration in The Killing and Lolita, filming 2001: A Space Odyssey, photographing Barry Lyndon, and the unravelling of patriarchy in Full Metal Jacket. Includes a full filmography. Annotation copyright by Book News, Inc., Portland, OR
Author: Elisa Pezzotta
Publisher: Univ. Press of Mississippi
ISBN: 1496800761
Category : Performing Arts
Languages : en
Pages : 321
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Book Description
Although Stanley Kubrick adapted novels and short stories, his films deviate in notable ways from the source material. In particular, since 2001: A Space Odyssey (1968), his films seem to definitively exploit all cinematic techniques, embodying a compelling visual and aural experience. But, as author Elisa Pezzotta contends, it is for these reasons that his cinema becomes the supreme embodiment of the sublime, fruitful encounter between the two arts and, simultaneously, of their independence. Stanley Kubrick's last six adaptations—2001: A Space Odyssey, A Clockwork Orange (1971), Barry Lyndon (1975), The Shining (1980), Full Metal Jacket (1987), and Eyes Wide Shut (1999)—are characterized by certain structural and stylistic patterns. These features help to draw conclusions about the role of Kubrick in the history of cinema, about his role as an adapter, and, more generally, about the art of cinematic adaptations. The structural and stylistic patterns that characterize Kubrick adaptations seem to criticize scientific reasoning, causality, and traditional semantics. In the history of cinema, Kubrick can be considered a modernist auteur. In particular, he can be regarded as an heir of the modernist avant-garde of the 1920s. However, author Elisa Pezzotta concludes that, unlike his predecessors, Kubrick creates a cinema not only centered on the ontology of the medium, but on the staging of sublime, new experiences.
Author: Thorsten Felden
Publisher: GRIN Verlag
ISBN: 3638716511
Category : Performing Arts
Languages : en
Pages : 72
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Book Description
Thesis (M.A.) from the year 2006 in the subject Film Science, grade: 1,3, University of Cologne (Englisches Seminar), language: English, abstract: In this paper, I want to examine Kubrick's work for the notion of man interacting with machines and relate it to various theoretical models that also deal with the relation of man and machine. I chose the term 'machine' as a generic term for any theory applying technological, mechanical or machinic ideas, most of which using the machine as a metaphor for sociological, philosophical or psychoanalytic approaches. At the same time, I want to illustrate on the basis of Kubrick’s work how the theoretical discourse on this topic has changed in the course of time. Being initially cut down to a very literal understanding of machines as actual physical devices, the 20th century discourse about technology has shown that the demarcation line between what is nature and what is technology is not as easily drawn as it might appear. Man is inseparably bound up with his tools and culture as a whole could be regarded as some kind of machinery. Thus, a great part of both this paper and Kubrick's work deals with the notion of a cultural machine. Another part, however, will leave the narrow view of the machine as a strictly cultural metaphor. Recent philosophical currents like the work of Deleuze, Maturana and the academic gender discourse try to evolve a new coining of the term ‘machinic’ that goes beyond rigid dualistic notions. I will try to show that these ideas can be found in Kubrick’s films as well.
Author: Robert P. Kolker
Publisher: Oxford University Press
ISBN: 0190678054
Category : Performing Arts
Languages : en
Pages : 384
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Book Description
Twenty years since its release, Stanley Kubrick's Eyes Wide Shut remains a complex, visually arresting film about domesticity, sexual disturbance, and dreams. It was on the director's mind for some 50 years before he finally put it into production. Using the Stanley Kubrick Archive at the University of the Arts, London, and interviews with participants in the production, the authors create an archeology of the film that traces the progress of the film from its origins to its completion, reception, and afterlife. The book is also an appreciation of this enigmatic work and its equally enigmatic creator.
Author: James Howard
Publisher: B. T. Batsford Limited
ISBN:
Category : Performing Arts
Languages : en
Pages : 202
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Book Description
Covers all the aspects of Kubrick's unusual style of filmmaking.
Author: Carolin Ruwe
Publisher: GRIN Verlag
ISBN: 3638841766
Category : Biography & Autobiography
Languages : en
Pages : 24
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Book Description
Eyes Wide Shut is open to several interpretations, none of which fits perfectly to all parts and aspects of the film. And this is exactly what makes the movie so intriguing: its ambiguity and loose ends, which leave interpretation to the viewer.
Author: Jeremy Carr
Publisher: Liverpool University Press
ISBN: 183764683X
Category : Performing Arts
Languages : en
Pages : 248
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Book Description
Kubrick and Control is an examination of authority, order, and independence in the films directed by Stanley Kubrick, as well as in his personal life and working habits. This study explores the ways in which these central preoccupations develop and reformulate through the course of Kubrick's career, as he moved from genre to genre and shifted stories, locations, time periods, scope, and technical facilities. Separating the productions in accordance to their wider filmic classifications, the individual chapters examine a variety of productions, allowing for a categorical as well as a developmental approach to the works. In addition, following concurrently with each individual film discussed, details about Kubrick's life and evolving directorial practice are recounted in relation to these same concerns. In studying the stylistic and narrative features of his work, examples illustrate how Kubrick took these themes and applied them consistently yet with significant variation, manifest in relation to mise-en-scène construction (how Kubrick composed his images); characterization (individuals establishing, exerting, seeking, and/or abusing their authority); narrative (stories about characters and situations dependent upon order and control); and the actual filmmaking processes of the director (Kubrick was both praised and damned for his authorial management and obsession with order and perfection).
