Author: Laura D. Barefield
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 152
Book Description
This reading of canonical texts of medieval English literature - Sir Gawain and the Green Night and Chaucer's Man of Law's Tale - alongside Geoffrey of Monmouth's Historia regum Britanniae and other Anglo-Norman and English chronicles offers a broader context for reading the romance narratives and re-evaluates romance conventions in light of the genealogical priorities of these chronicles. By arguing that maternity is featured as a position of power, Gender and History in Medieval English Romance and Chronicle adds to our understanding of women and sovereignty, and the ways gender and authority were rhetorically linked to medieval texts.
Gender and History in Medieval English Romance and Chronicle
Author: Laura D. Barefield
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 152
Book Description
This reading of canonical texts of medieval English literature - Sir Gawain and the Green Night and Chaucer's Man of Law's Tale - alongside Geoffrey of Monmouth's Historia regum Britanniae and other Anglo-Norman and English chronicles offers a broader context for reading the romance narratives and re-evaluates romance conventions in light of the genealogical priorities of these chronicles. By arguing that maternity is featured as a position of power, Gender and History in Medieval English Romance and Chronicle adds to our understanding of women and sovereignty, and the ways gender and authority were rhetorically linked to medieval texts.
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 152
Book Description
This reading of canonical texts of medieval English literature - Sir Gawain and the Green Night and Chaucer's Man of Law's Tale - alongside Geoffrey of Monmouth's Historia regum Britanniae and other Anglo-Norman and English chronicles offers a broader context for reading the romance narratives and re-evaluates romance conventions in light of the genealogical priorities of these chronicles. By arguing that maternity is featured as a position of power, Gender and History in Medieval English Romance and Chronicle adds to our understanding of women and sovereignty, and the ways gender and authority were rhetorically linked to medieval texts.
Women's Genealogies in the Medieval Literary Imagination
Author: Emma O. Bérat
Publisher: Cambridge University Press
ISBN: 1009434756
Category : Literary Criticism
Languages : en
Pages : 247
Book Description
Emma O. Bérat shows the centrality of women's legacies to medieval political and literary thought in chronicles, hagiography, and genealogy.
Publisher: Cambridge University Press
ISBN: 1009434756
Category : Literary Criticism
Languages : en
Pages : 247
Book Description
Emma O. Bérat shows the centrality of women's legacies to medieval political and literary thought in chronicles, hagiography, and genealogy.
Empire of Magic
Author: Geraldine Heng
Publisher: Columbia University Press
ISBN: 9780231125260
Category : Education
Languages : en
Pages : 550
Book Description
Empire of Magic offers a genesis and genealogy for medieval romance and the King Arthur legend through the history of Europe's encounters with the East in crusades, travel, missionizing, and empire formation. It also produces definitions of "race" and "nation" for the medieval period and posits that the Middle Ages and medieval fantasies of race and religion have recently returned. Drawing on feminist and gender theory, as well as cultural analyses of race, class, and colonialism, this provocative book revises our understanding of the beginnings of the nine hundred-year-old cultural genre we call romance, as well as the King Arthur legend. Geraldine Heng argues that romance arose in the twelfth century as a cultural response to the trauma and horror of taboo acts--in particular the cannibalism committed by crusaders on the bodies of Muslim enemies in Syria during the First Crusade. From such encounters with the East, Heng suggests, sprang the fantastical episodes featuring King Arthur in Geoffrey of Monmouth's chronicle The History of the Kings of England, a work where history and fantasy collide and merge, each into the other, inventing crucial new examples and models for romances to come. After locating the rise of romance and Arthurian legend in the contact zones of East and West, Heng demonstrates the adaptability of romance and its key role in the genesis of an English national identity. Discussing Jews, women, children, and sexuality in works like the romance of Richard Lionheart, stories of the saintly Constance, Arthurian chivralic literature, the legend of Prester John, and travel narratives, Heng shows how fantasy enabled audiences to work through issues of communal identity, race, color, class and alternative sexualities in socially sanctioned and safe modes of cultural discussion in which pleasure, not anxiety, was paramount. Romance also engaged with the threat of modernity in the late medieval period, as economic, social, and technological transformations occurred and awareness grew of a vastly enlarged world beyond Europe, one encompassing India, China, and Africa. Finally, Heng posits, romance locates England and Europe within an empire of magic and knowledge that surveys the world and makes it intelligible--usable--for the future. Empire of Magic is expansive in scope, spanning the eleventh to the fifteenth centuries, and detailed in coverage, examining various types of romance--historical, national, popular, chivalric, family, and travel romances, among others--to see how cultural fantasy responds to changing crises, pressures, and demands in a number of different ways. Boldly controversial, theoretically sophisticated, and historically rooted, Empire of Magic is a dramatic restaging of the role romance played in the culture of a period and world in ways that suggest how cultural fantasy still functions for us today.
Publisher: Columbia University Press
ISBN: 9780231125260
Category : Education
Languages : en
Pages : 550
Book Description
Empire of Magic offers a genesis and genealogy for medieval romance and the King Arthur legend through the history of Europe's encounters with the East in crusades, travel, missionizing, and empire formation. It also produces definitions of "race" and "nation" for the medieval period and posits that the Middle Ages and medieval fantasies of race and religion have recently returned. Drawing on feminist and gender theory, as well as cultural analyses of race, class, and colonialism, this provocative book revises our understanding of the beginnings of the nine hundred-year-old cultural genre we call romance, as well as the King Arthur legend. Geraldine Heng argues that romance arose in the twelfth century as a cultural response to the trauma and horror of taboo acts--in particular the cannibalism committed by crusaders on the bodies of Muslim enemies in Syria during the First Crusade. From such encounters with the East, Heng suggests, sprang the fantastical episodes featuring King Arthur in Geoffrey of Monmouth's chronicle The History of the Kings of England, a work where history and fantasy collide and merge, each into the other, inventing crucial new examples and models for romances to come. After locating the rise of romance and Arthurian legend in the contact zones of East and West, Heng demonstrates the adaptability of romance and its key role in the genesis of an English national identity. Discussing Jews, women, children, and sexuality in works like the romance of Richard Lionheart, stories of the saintly Constance, Arthurian chivralic literature, the legend of Prester John, and travel narratives, Heng shows how fantasy enabled audiences to work through issues of communal identity, race, color, class and alternative sexualities in socially sanctioned and safe modes of cultural discussion in which pleasure, not anxiety, was paramount. Romance also engaged with the threat of modernity in the late medieval period, as economic, social, and technological transformations occurred and awareness grew of a vastly enlarged world beyond Europe, one encompassing India, China, and Africa. Finally, Heng posits, romance locates England and Europe within an empire of magic and knowledge that surveys the world and makes it intelligible--usable--for the future. Empire of Magic is expansive in scope, spanning the eleventh to the fifteenth centuries, and detailed in coverage, examining various types of romance--historical, national, popular, chivalric, family, and travel romances, among others--to see how cultural fantasy responds to changing crises, pressures, and demands in a number of different ways. Boldly controversial, theoretically sophisticated, and historically rooted, Empire of Magic is a dramatic restaging of the role romance played in the culture of a period and world in ways that suggest how cultural fantasy still functions for us today.
Marking Maternity in Middle English Romance
Author: A. Florschuetz
Publisher: Springer
ISBN: 1137343494
Category : Literary Criticism
Languages : en
Pages : 415
Book Description
Working at the intersection of medical, theological, cultural, and literary studies, this book offers an innovative approach to understanding maternity, genealogy and social identity as they are represented in popular literature in late-medieval England.
Publisher: Springer
ISBN: 1137343494
Category : Literary Criticism
Languages : en
Pages : 415
Book Description
Working at the intersection of medical, theological, cultural, and literary studies, this book offers an innovative approach to understanding maternity, genealogy and social identity as they are represented in popular literature in late-medieval England.
Looking Westward
Author: Ordelle G. Hill
Publisher: Associated University Presse
ISBN: 9780874130492
Category : Literary Criticism
Languages : en
Pages : 214
Book Description
A study of Sir Gawain and the Green Knight from the perspective of the poetry, landscape, and politics of late thirteenth- and fourteenth-century Wales and the Welsh March.
Publisher: Associated University Presse
ISBN: 9780874130492
Category : Literary Criticism
Languages : en
Pages : 214
Book Description
A study of Sir Gawain and the Green Knight from the perspective of the poetry, landscape, and politics of late thirteenth- and fourteenth-century Wales and the Welsh March.
Sovereign Fantasies
Author: Patricia Ingham
Publisher: University of Pennsylvania Press
ISBN: 0812236009
Category : Literary Criticism
Languages : en
Pages : 297
Book Description
"Late medieval English Arthurian romance has broad cultural ambitions, offering a fantasy of insular union as an "imagined cimmunity" of British sovereignty. the Arthurian lageneds provided a means to explore England's historical indebtedness to and intimacies with Celtic culture, allowing nobles to repudiate their dynastic ties to France and claim themselves heirs to an insular heritage".
Publisher: University of Pennsylvania Press
ISBN: 0812236009
Category : Literary Criticism
Languages : en
Pages : 297
Book Description
"Late medieval English Arthurian romance has broad cultural ambitions, offering a fantasy of insular union as an "imagined cimmunity" of British sovereignty. the Arthurian lageneds provided a means to explore England's historical indebtedness to and intimacies with Celtic culture, allowing nobles to repudiate their dynastic ties to France and claim themselves heirs to an insular heritage".
The Cultural Patronage of Medieval Women
Author: June Hall McCash
Publisher: University of Georgia Press
ISBN: 9780820317021
Category : Literary Criticism
Languages : en
Pages : 428
Book Description
The Cultural Patronage of Medieval Women is the first volume exclusively devoted to an examination of the significant role played by women as patrons in the evolution of medieval culture. The twelve essays in this volume look at women not simply as patrons of letters but also as patrons of the visual and decorative arts, of architecture, and of religious and educational foundations. Patronage as a means of empowerment for women is an issue that underlies many of the essays. Among the other topics discussed are the various forms patronage took, the obstacles to women's patronage, and the purposes behind patronage. Some women sought to further political and dynastic agendas; others were more concerned with religion and education; still others sought to provide positive role models for women. The amusement of their courts was also a consideration for female patrons. These essays also demonstrate that as patrons women were often innovators. They encouraged vernacular literature as well as the translation of historical works and of the Bible, frequently with commentary, into the vernacular. They led the way in sponsoring a variety of genres and encouraged some of the best-known and most influential writers of the Middle Ages. Moreover, they were at the forefront in fostering the new art of printing, which made books accessible to a larger number of people. Finally, the essays make clear that behind much patronage lay a concern for the betterment of women.
Publisher: University of Georgia Press
ISBN: 9780820317021
Category : Literary Criticism
Languages : en
Pages : 428
Book Description
The Cultural Patronage of Medieval Women is the first volume exclusively devoted to an examination of the significant role played by women as patrons in the evolution of medieval culture. The twelve essays in this volume look at women not simply as patrons of letters but also as patrons of the visual and decorative arts, of architecture, and of religious and educational foundations. Patronage as a means of empowerment for women is an issue that underlies many of the essays. Among the other topics discussed are the various forms patronage took, the obstacles to women's patronage, and the purposes behind patronage. Some women sought to further political and dynastic agendas; others were more concerned with religion and education; still others sought to provide positive role models for women. The amusement of their courts was also a consideration for female patrons. These essays also demonstrate that as patrons women were often innovators. They encouraged vernacular literature as well as the translation of historical works and of the Bible, frequently with commentary, into the vernacular. They led the way in sponsoring a variety of genres and encouraged some of the best-known and most influential writers of the Middle Ages. Moreover, they were at the forefront in fostering the new art of printing, which made books accessible to a larger number of people. Finally, the essays make clear that behind much patronage lay a concern for the betterment of women.
Space, Gender, and Memory in Middle English Romance
Author: Jan Shaw
Publisher: Springer
ISBN: 1137450460
Category : Literary Criticism
Languages : en
Pages : 274
Book Description
This book offers a much-needed consideration of Melusine within medieval and contemporary theories of space, memory, and gender. The Middle English Melusine offers a particularly rich source for such a study, as it presents the story of a powerful fairy/human woman who desires a full human life—and death—within a literary tradition that is more friendly to women’s agency than its continental counterparts. After establishing a “textual habitus of wonder,” Jan Shaw explores the tale in relation to a range of Middle English traditions including love and marriage, the spatial practices of women, the operation of individual and collective memory, and the legacies of patrimony. Melusine emerges as a complex figure, representing a multifaceted feminine subject that furthers our understanding of Middle English women’s sense of self in the world.
Publisher: Springer
ISBN: 1137450460
Category : Literary Criticism
Languages : en
Pages : 274
Book Description
This book offers a much-needed consideration of Melusine within medieval and contemporary theories of space, memory, and gender. The Middle English Melusine offers a particularly rich source for such a study, as it presents the story of a powerful fairy/human woman who desires a full human life—and death—within a literary tradition that is more friendly to women’s agency than its continental counterparts. After establishing a “textual habitus of wonder,” Jan Shaw explores the tale in relation to a range of Middle English traditions including love and marriage, the spatial practices of women, the operation of individual and collective memory, and the legacies of patrimony. Melusine emerges as a complex figure, representing a multifaceted feminine subject that furthers our understanding of Middle English women’s sense of self in the world.
Marion Zimmer Bradley
Author: Mary Ellen Snodgrass
Publisher: McFarland
ISBN: 1476679525
Category : Literary Criticism
Languages : en
Pages : 306
Book Description
This literary companion surveys the young adult works of American author Marion Zimmer Bradley, primarily known for her work in the fantasy genre. An A to Z arrangement includes coverage of novels (The Catch Trap, Survey Ship, The Fall of Atlantis, The Firebrand, The Forest House and The Mists of Avalon), the graphic narrative Warrior Woman, the Lythande novella The Gratitude of Kings, and, from the Darkover series, The Shattered Chain, The Sword of Aldones and Traitor's Sun. Separate entries on dominant themes--rape, divination, religion, violence, womanhood, adaptation and dreams--comb stories and longer works for the author's insights about the motivation of institutions that oppress marginalized groups, especially women.
Publisher: McFarland
ISBN: 1476679525
Category : Literary Criticism
Languages : en
Pages : 306
Book Description
This literary companion surveys the young adult works of American author Marion Zimmer Bradley, primarily known for her work in the fantasy genre. An A to Z arrangement includes coverage of novels (The Catch Trap, Survey Ship, The Fall of Atlantis, The Firebrand, The Forest House and The Mists of Avalon), the graphic narrative Warrior Woman, the Lythande novella The Gratitude of Kings, and, from the Darkover series, The Shattered Chain, The Sword of Aldones and Traitor's Sun. Separate entries on dominant themes--rape, divination, religion, violence, womanhood, adaptation and dreams--comb stories and longer works for the author's insights about the motivation of institutions that oppress marginalized groups, especially women.
An Introduction to the Gawain Poet
Author: John M Bowers
Publisher: University Press of Florida
ISBN: 0813072107
Category : Literary Criticism
Languages : en
Pages : 178
Book Description
In An Introduction to the Gawain Poet, John Bowers surveys an expanded selection of the works of Chaucer's anonymous contemporary, considering Sir Gawain and the Green Knight alongside the poet's lesser known but no less brilliant works. In addition to his succinct introductions and plot summaries, Bowers skillfully details the cultural, historical, political, and religious contexts for these works, synthesizing them with close reading of selected passages. Perhaps his most exciting contribution to the field is his choice to historicize the poet's life and works in the context of the royal culture of King Richard II, boldly contending that it was highly possible the Gawain Poet was a frequent visitor to Richard's court in London. The final chapter surveys the works influenced by, as well as the influences reflected in, the poet's work, from the Bible to The Lord of the Rings. The attention Bowers pays to the critical tradition that has developed around these texts over the past hundred years makes An Introduction to the Gawain Poet an ideal volume for both undergraduate students and scholars of the Gawain Poet. Bowers has marshaled his formidable skills to create a book impressive in its balanced combination of breadth and depth.
Publisher: University Press of Florida
ISBN: 0813072107
Category : Literary Criticism
Languages : en
Pages : 178
Book Description
In An Introduction to the Gawain Poet, John Bowers surveys an expanded selection of the works of Chaucer's anonymous contemporary, considering Sir Gawain and the Green Knight alongside the poet's lesser known but no less brilliant works. In addition to his succinct introductions and plot summaries, Bowers skillfully details the cultural, historical, political, and religious contexts for these works, synthesizing them with close reading of selected passages. Perhaps his most exciting contribution to the field is his choice to historicize the poet's life and works in the context of the royal culture of King Richard II, boldly contending that it was highly possible the Gawain Poet was a frequent visitor to Richard's court in London. The final chapter surveys the works influenced by, as well as the influences reflected in, the poet's work, from the Bible to The Lord of the Rings. The attention Bowers pays to the critical tradition that has developed around these texts over the past hundred years makes An Introduction to the Gawain Poet an ideal volume for both undergraduate students and scholars of the Gawain Poet. Bowers has marshaled his formidable skills to create a book impressive in its balanced combination of breadth and depth.