Author: Christopher Galt
Publisher: Simon and Schuster
ISBN: 1605987085
Category : Fiction
Languages : en
Pages : 327
Book Description
A strange phenomenon is sweeping the globe. People are having visions, seeing angels, experiencing events that defy reality. Bizarre accounts pour in from distant places: a French teenager claims to have witnessed Joan of Arc being burned at the stake. A man in New York dies of malnutrition in a luxurious Central Park apartment. A fundamentalist Christian sect kidnaps and murders a geneticist. Then there is the graffiti WE ARE BECOMING that has popped up in every major city around the world, in every language. And everywhere people are starting to talk about John Astor, the mysterious author of the book that seems to be at the center of it all. After a rash of suicides around the world by individuals experiencing the time traveling hallucinations, psychiatrist John Macbeth and a team of FBI agents and scientists assemble to find out what's going on before it's too late. Is this a spiritual phenomenon or something more sinister?
Biblical
Author: Christopher Galt
Publisher: Simon and Schuster
ISBN: 1605987085
Category : Fiction
Languages : en
Pages : 327
Book Description
A strange phenomenon is sweeping the globe. People are having visions, seeing angels, experiencing events that defy reality. Bizarre accounts pour in from distant places: a French teenager claims to have witnessed Joan of Arc being burned at the stake. A man in New York dies of malnutrition in a luxurious Central Park apartment. A fundamentalist Christian sect kidnaps and murders a geneticist. Then there is the graffiti WE ARE BECOMING that has popped up in every major city around the world, in every language. And everywhere people are starting to talk about John Astor, the mysterious author of the book that seems to be at the center of it all. After a rash of suicides around the world by individuals experiencing the time traveling hallucinations, psychiatrist John Macbeth and a team of FBI agents and scientists assemble to find out what's going on before it's too late. Is this a spiritual phenomenon or something more sinister?
Publisher: Simon and Schuster
ISBN: 1605987085
Category : Fiction
Languages : en
Pages : 327
Book Description
A strange phenomenon is sweeping the globe. People are having visions, seeing angels, experiencing events that defy reality. Bizarre accounts pour in from distant places: a French teenager claims to have witnessed Joan of Arc being burned at the stake. A man in New York dies of malnutrition in a luxurious Central Park apartment. A fundamentalist Christian sect kidnaps and murders a geneticist. Then there is the graffiti WE ARE BECOMING that has popped up in every major city around the world, in every language. And everywhere people are starting to talk about John Astor, the mysterious author of the book that seems to be at the center of it all. After a rash of suicides around the world by individuals experiencing the time traveling hallucinations, psychiatrist John Macbeth and a team of FBI agents and scientists assemble to find out what's going on before it's too late. Is this a spiritual phenomenon or something more sinister?
I Am John Galt
Author: Donald Luskin
Publisher: John Wiley & Sons
ISBN: 1118100980
Category : Business & Economics
Languages : en
Pages : 277
Book Description
Inspired by Ayn Rand's characters in Atlas Shrugged and The Fountainhead, penetrating profiles of both the innovators who move our world forward and those who seek to destroy the achievement of others John Galt, the fictional character from Ayn Rand's bestselling novel, Atlas Shrugged, has come to embody the individualist capitalist who acts in his own enlightened self interest, and in doing so lifts the world around him. Some of today's most successful CEOs, journalists, sports figures, actors, and thinkers have led their lives according to Galt's (i.e., Rand's) philosophy. Now, in I Am John Galt, these inspiring stories are gathered with the keen insight and analysis of well-known market commentator Donald Luskin and business writer Andrew Greta. Filled with exclusive interviews, profiles, and analyses of leading financial, business, and artistic stars who have based their lives, and careers, on the philosophy of the perennially popular Ayn Rand, this book both inspires and enlightens. On the other side are Rand's arch villains?the power-seekers, parasites, and lunatics who would destroy that which the creators and builders make. Who are today's anti-heroes, fighting the creativity of the innovators? Contains insightful interviews, profiles, and analyses of the individuals who have lived by a Randian code to achieve greatness for themselves and others Offers a probing analysis of those who seek to destroy or undo the achievements of others?from academics, pundits, and government bureaucrats to fraudsters who have wreaked havoc on our world Engaging and entertaining, I Am John Galt examines how the inspiration that is Galt thrives more than 50 years after publication of Atlas Shrugged. It will spark the interest of Ayn Rand fans everywhere, as well as those seeking a way to succeed in today's turbulent and confusing times.
Publisher: John Wiley & Sons
ISBN: 1118100980
Category : Business & Economics
Languages : en
Pages : 277
Book Description
Inspired by Ayn Rand's characters in Atlas Shrugged and The Fountainhead, penetrating profiles of both the innovators who move our world forward and those who seek to destroy the achievement of others John Galt, the fictional character from Ayn Rand's bestselling novel, Atlas Shrugged, has come to embody the individualist capitalist who acts in his own enlightened self interest, and in doing so lifts the world around him. Some of today's most successful CEOs, journalists, sports figures, actors, and thinkers have led their lives according to Galt's (i.e., Rand's) philosophy. Now, in I Am John Galt, these inspiring stories are gathered with the keen insight and analysis of well-known market commentator Donald Luskin and business writer Andrew Greta. Filled with exclusive interviews, profiles, and analyses of leading financial, business, and artistic stars who have based their lives, and careers, on the philosophy of the perennially popular Ayn Rand, this book both inspires and enlightens. On the other side are Rand's arch villains?the power-seekers, parasites, and lunatics who would destroy that which the creators and builders make. Who are today's anti-heroes, fighting the creativity of the innovators? Contains insightful interviews, profiles, and analyses of the individuals who have lived by a Randian code to achieve greatness for themselves and others Offers a probing analysis of those who seek to destroy or undo the achievements of others?from academics, pundits, and government bureaucrats to fraudsters who have wreaked havoc on our world Engaging and entertaining, I Am John Galt examines how the inspiration that is Galt thrives more than 50 years after publication of Atlas Shrugged. It will spark the interest of Ayn Rand fans everywhere, as well as those seeking a way to succeed in today's turbulent and confusing times.
John Galt
Author: Regina Hewitt
Publisher: Lexington Books
ISBN: 1611484340
Category : History
Languages : en
Pages : 391
Book Description
The essays in this volume revalue the work of the Romantic-era Scottish writer John Galt, connecting his methods and goals with Scottish Enlightenment "conjectural" historiography and with later social theorizing. Emphasizing the construction, representation and use of social knowledge, the essays find new meaning in Galt's perceptions of the Atlantic and Mediterranean worlds in which he traveled, his attitudes toward community building and progress, and his innovations in fiction, drama, journalism and biography.
Publisher: Lexington Books
ISBN: 1611484340
Category : History
Languages : en
Pages : 391
Book Description
The essays in this volume revalue the work of the Romantic-era Scottish writer John Galt, connecting his methods and goals with Scottish Enlightenment "conjectural" historiography and with later social theorizing. Emphasizing the construction, representation and use of social knowledge, the essays find new meaning in Galt's perceptions of the Atlantic and Mediterranean worlds in which he traveled, his attitudes toward community building and progress, and his innovations in fiction, drama, journalism and biography.
Poison
Author: John Lescroart
Publisher: Simon and Schuster
ISBN: 1501115723
Category : Fiction
Languages : en
Pages : 304
Book Description
From the bestselling author whose prose “matches the best of John Grisham and Scott Turow” (Providence Journal) comes a gripping thriller featuring attorney Dismas Hardy as he investigates the murder of a wealthy man whose heirs are all potential suspects. Finally recovered from two gunshot wounds, Dismas Hardy is looking forward to easing into retirement and reconnecting with his family. But he is pulled back into the courtroom when Grant Wagner, the steely owner of a successful family business, is murdered. The prime suspect is Wagner’s bookkeeper Abby Jarvis, a former client of Hardy’s, who had been receiving large sums of cash under-the-table from the company—but she insists that she’s innocent. Preparing for trial, Dismas investigates the Wagner clan and discovers dark, twisted secrets, jealous siblings, gold-digging girlfriends, betrayals, and blackmail. The closer he gets to the Wagners, the clearer it becomes that Dismas has a target painted on his back. With razor-sharp dialogue and whip-smart plotting, Poison once again demonstrates that “Lescroart is a master craftsman” (Associated Press).
Publisher: Simon and Schuster
ISBN: 1501115723
Category : Fiction
Languages : en
Pages : 304
Book Description
From the bestselling author whose prose “matches the best of John Grisham and Scott Turow” (Providence Journal) comes a gripping thriller featuring attorney Dismas Hardy as he investigates the murder of a wealthy man whose heirs are all potential suspects. Finally recovered from two gunshot wounds, Dismas Hardy is looking forward to easing into retirement and reconnecting with his family. But he is pulled back into the courtroom when Grant Wagner, the steely owner of a successful family business, is murdered. The prime suspect is Wagner’s bookkeeper Abby Jarvis, a former client of Hardy’s, who had been receiving large sums of cash under-the-table from the company—but she insists that she’s innocent. Preparing for trial, Dismas investigates the Wagner clan and discovers dark, twisted secrets, jealous siblings, gold-digging girlfriends, betrayals, and blackmail. The closer he gets to the Wagners, the clearer it becomes that Dismas has a target painted on his back. With razor-sharp dialogue and whip-smart plotting, Poison once again demonstrates that “Lescroart is a master craftsman” (Associated Press).
Pretty
Author: Rosalind Galt
Publisher: Columbia University Press
ISBN: 0231153465
Category : Performing Arts
Languages : en
Pages : 410
Book Description
Film culture often rejects visually rich images, valuing simplicity, austerity, or even ugliness as more provocative, political, and truly cinematic. Although cinema challenges traditional ideas of art, this opposition to the decorative continues a long-standing aesthetic antipathy to feminine cosmetics, Oriental effeminacy, and primitive ornament. Inheriting this patriarchal and colonial perspective along with the preference for fine over decorative art, filmmakers, critics, and theorists tend to denigrate cinema's colorful, picturesque, and richly patterned visions. Condemning this exclusion of the "pretty" from masculine film culture, Rosalind Galt reevaluates received ideas about the decorative impulse from early film criticism to classical and postclassical film theory. The pretty embodies lush visuality, dense mise-en-scène, painterly framing, and arabesque camera movements—styles increasingly central to world cinema. From European art house cinema to the films of Wong Kar-wai and Santosh Sivan, from handmade experimental films to the popular pleasures of Moulin Rouge! and Amelie, pretty is a vital element of contemporary cinema, using visual exuberance to communicate distinct sexual and political identities. Inverting the logic of anti-pretty thought, Galt firmly establishes the decorative image as a queer aesthetic, a singular representation of cinema's perverse pleasures and cross-cultural encounters. Creating her own critical tapestry from perspectives in art and film theory and philosophy, Galt reclaims prettiness as a radically transgressive style, woven with the threads of political agency.
Publisher: Columbia University Press
ISBN: 0231153465
Category : Performing Arts
Languages : en
Pages : 410
Book Description
Film culture often rejects visually rich images, valuing simplicity, austerity, or even ugliness as more provocative, political, and truly cinematic. Although cinema challenges traditional ideas of art, this opposition to the decorative continues a long-standing aesthetic antipathy to feminine cosmetics, Oriental effeminacy, and primitive ornament. Inheriting this patriarchal and colonial perspective along with the preference for fine over decorative art, filmmakers, critics, and theorists tend to denigrate cinema's colorful, picturesque, and richly patterned visions. Condemning this exclusion of the "pretty" from masculine film culture, Rosalind Galt reevaluates received ideas about the decorative impulse from early film criticism to classical and postclassical film theory. The pretty embodies lush visuality, dense mise-en-scène, painterly framing, and arabesque camera movements—styles increasingly central to world cinema. From European art house cinema to the films of Wong Kar-wai and Santosh Sivan, from handmade experimental films to the popular pleasures of Moulin Rouge! and Amelie, pretty is a vital element of contemporary cinema, using visual exuberance to communicate distinct sexual and political identities. Inverting the logic of anti-pretty thought, Galt firmly establishes the decorative image as a queer aesthetic, a singular representation of cinema's perverse pleasures and cross-cultural encounters. Creating her own critical tapestry from perspectives in art and film theory and philosophy, Galt reclaims prettiness as a radically transgressive style, woven with the threads of political agency.
A Taxonomy of Barnacles
Author: Galt Niederhoffer
Publisher: Macmillan + ORM
ISBN: 1466860898
Category : Fiction
Languages : en
Pages : 415
Book Description
The Barnacle sisters--Bell, Bridget, Benita, Beryl, Belinda and Beth--have been raised in New York bytheir eccentric, self-made father in a fabulous, gigantic Fifth Avenue apartment that, encrusted with Barry Barnacle's scientific collections, feels like a little piece of the Museum of Natural History transplanted to the other side of Central Park. Now that most of the sisters have come of age, Barry Barnacle proposes a contest, a test of wits and wills that should at long last settle what is to Barry the most essential of all questions: nature, or nurture? Whichever of his daughters can most spectacularly carry on his name will inherit his fortune; the others are out cold. It's a proposition to set a Jane Austen heroine on her ear, but in Galt Niederhoffer's A Taxonomy of Barnacles, the Barnacle girls are up to the challenge. Throw the girls' mother Bella and their childhood crushes--the Finch twins next door--into the mix and the stage is set for a completely inventive and utterly fresh social comedy that is as beautifully written as it is unique.
Publisher: Macmillan + ORM
ISBN: 1466860898
Category : Fiction
Languages : en
Pages : 415
Book Description
The Barnacle sisters--Bell, Bridget, Benita, Beryl, Belinda and Beth--have been raised in New York bytheir eccentric, self-made father in a fabulous, gigantic Fifth Avenue apartment that, encrusted with Barry Barnacle's scientific collections, feels like a little piece of the Museum of Natural History transplanted to the other side of Central Park. Now that most of the sisters have come of age, Barry Barnacle proposes a contest, a test of wits and wills that should at long last settle what is to Barry the most essential of all questions: nature, or nurture? Whichever of his daughters can most spectacularly carry on his name will inherit his fortune; the others are out cold. It's a proposition to set a Jane Austen heroine on her ear, but in Galt Niederhoffer's A Taxonomy of Barnacles, the Barnacle girls are up to the challenge. Throw the girls' mother Bella and their childhood crushes--the Finch twins next door--into the mix and the stage is set for a completely inventive and utterly fresh social comedy that is as beautifully written as it is unique.
Language Alone
Author: Geoffrey Galt Harpham
Publisher: Routledge
ISBN: 1134734255
Category : Literary Criticism
Languages : en
Pages : 272
Book Description
How did the concept of language come to dominate modern intellectual history? In Language Alone, Geoffrey Galt Harpham provides at once the most comprehensive survey and most telling critique of the pervasive role of language in modern thought. He shows how thinkers in such diverse fields as philosophy, psychoanalysis, anthropology, and literary theory have made progress by referring their most difficult theoretical problems to what they presumed were the facts of language. Through a provocative reassessment of major thinkers on the idea of language-Saussure, Wittgenstein, Derrida, Rorty, and Chomsky, among them-and detailed accounts of the discourses of ethics and ideology in particular, Harpham demonstrates a remarkable consensus among intellectuals of the past century and beyond that philosophical and other problems can best be understood as linguistic problems. And furthermore, that a science of language can therefore illuminate them. Conspicuously absent from this consensus, he shows, is any consideration of contemporary linguistics, or any awareness of the growing agreement among linguists that the nature of language as such cannot be known. Ultimately, Harpham argues, the thought of language has dominated modern intellectual history because of its singular capacity to serve as a proxy for a host of concerns, questions, and anxieties-our place in the order of things, our rights and obligations, our nature or essence-that resist a strictly rational formulation. Language Alone will interest literary critics, philosophers, and anyone with an interest in the uses of language in contemporary thought.
Publisher: Routledge
ISBN: 1134734255
Category : Literary Criticism
Languages : en
Pages : 272
Book Description
How did the concept of language come to dominate modern intellectual history? In Language Alone, Geoffrey Galt Harpham provides at once the most comprehensive survey and most telling critique of the pervasive role of language in modern thought. He shows how thinkers in such diverse fields as philosophy, psychoanalysis, anthropology, and literary theory have made progress by referring their most difficult theoretical problems to what they presumed were the facts of language. Through a provocative reassessment of major thinkers on the idea of language-Saussure, Wittgenstein, Derrida, Rorty, and Chomsky, among them-and detailed accounts of the discourses of ethics and ideology in particular, Harpham demonstrates a remarkable consensus among intellectuals of the past century and beyond that philosophical and other problems can best be understood as linguistic problems. And furthermore, that a science of language can therefore illuminate them. Conspicuously absent from this consensus, he shows, is any consideration of contemporary linguistics, or any awareness of the growing agreement among linguists that the nature of language as such cannot be known. Ultimately, Harpham argues, the thought of language has dominated modern intellectual history because of its singular capacity to serve as a proxy for a host of concerns, questions, and anxieties-our place in the order of things, our rights and obligations, our nature or essence-that resist a strictly rational formulation. Language Alone will interest literary critics, philosophers, and anyone with an interest in the uses of language in contemporary thought.
The Humanities and the Dream of America
Author: Geoffrey Galt Harpham
Publisher: University of Chicago Press
ISBN: 0226317013
Category : Literary Criticism
Languages : en
Pages : 255
Book Description
In this bracing and original book, Geoffrey Galt Harpham argues that today’s humanities are an invention of the American academy in the years following World War II, when they were first conceived as an expression of American culture and an instrument of American national interests. The humanities portray a “dream of America” in two senses: they represent an aspiration of Americans since the first days of the Republic for a state so secure and prosperous that people could enjoy and appreciate culture for its own sake; and they embody in academic terms an idealized conception of the American national character. Although they are struggling to retain their status in America, the concept of the humanities has spread to other parts of the world and remains one of America's most distinctive and valuable contributions to higher education. The Humanities and the Dream of America explores a number of linked problems that have emerged in recent years: the role, at once inspiring and disturbing, played by philology in the formation of the humanities; the reasons for the humanities’ perpetual state of “crisis”; the shaping role of philanthropy in the humanities; and the new possibilities for literary study offered by the subject of pleasure. Framed by essays that draw on Harpham’s pedagogical experiences abroad and as a lecturer at the U.S. Air Force Academy, as well as his vantage as director of the National Humanities Center, this book provides an essential perspective on the history, ideology, and future of this important topic.
Publisher: University of Chicago Press
ISBN: 0226317013
Category : Literary Criticism
Languages : en
Pages : 255
Book Description
In this bracing and original book, Geoffrey Galt Harpham argues that today’s humanities are an invention of the American academy in the years following World War II, when they were first conceived as an expression of American culture and an instrument of American national interests. The humanities portray a “dream of America” in two senses: they represent an aspiration of Americans since the first days of the Republic for a state so secure and prosperous that people could enjoy and appreciate culture for its own sake; and they embody in academic terms an idealized conception of the American national character. Although they are struggling to retain their status in America, the concept of the humanities has spread to other parts of the world and remains one of America's most distinctive and valuable contributions to higher education. The Humanities and the Dream of America explores a number of linked problems that have emerged in recent years: the role, at once inspiring and disturbing, played by philology in the formation of the humanities; the reasons for the humanities’ perpetual state of “crisis”; the shaping role of philanthropy in the humanities; and the new possibilities for literary study offered by the subject of pleasure. Framed by essays that draw on Harpham’s pedagogical experiences abroad and as a lecturer at the U.S. Air Force Academy, as well as his vantage as director of the National Humanities Center, this book provides an essential perspective on the history, ideology, and future of this important topic.
John Galt
Author: Robert Kay Gordon
Publisher:
ISBN:
Category : Canadian boat song
Languages : en
Pages : 140
Book Description
Publisher:
ISBN:
Category : Canadian boat song
Languages : en
Pages : 140
Book Description
The Ascetic Imperative in Culture and Criticism
Author: Geoffrey Galt Harpham
Publisher: University of Chicago Press
ISBN: 0226316920
Category : Art
Languages : en
Pages : 344
Book Description
In this bold interdisciplinary work, Geoffrey Galt Harpham argues that asceticism has played a major role in shaping Western ideas of the body, writing, ethics, and aesthetics. He suggests that we consider the ascetic as "the 'cultural' element in culture," and presents a close analysis of works by Athanasius, Augustine, Matthias, Grünewald, Nietzsche, Foucault, and other thinkers as proof of the extent of asceticism's resources. Harpham demonstrates the usefulness of his findings by deriving from asceticism a "discourse of resistance," a code of interpretation ultimately more generous and humane than those currently available to us.
Publisher: University of Chicago Press
ISBN: 0226316920
Category : Art
Languages : en
Pages : 344
Book Description
In this bold interdisciplinary work, Geoffrey Galt Harpham argues that asceticism has played a major role in shaping Western ideas of the body, writing, ethics, and aesthetics. He suggests that we consider the ascetic as "the 'cultural' element in culture," and presents a close analysis of works by Athanasius, Augustine, Matthias, Grünewald, Nietzsche, Foucault, and other thinkers as proof of the extent of asceticism's resources. Harpham demonstrates the usefulness of his findings by deriving from asceticism a "discourse of resistance," a code of interpretation ultimately more generous and humane than those currently available to us.