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Author: Mark A. Peterson
Publisher: Harvard University Press
ISBN: 0674059727
Category : Art
Languages : en
Pages : 347
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Book Description
Mark Peterson makes an extraordinary claim in this fascinating book focused around the life and thought of Galileo: it was the mathematics of Renaissance arts, not Renaissance sciences, that became modern science. Galileo's Muse argues that painters, poets, musicians, and architects brought about a scientific revolution that eluded the philosopher-scientists of the day, steeped as they were in a medieval cosmos and its underlying philosophy. According to Peterson, the recovery of classical science owes much to the Renaissance artists who first turned to Greek sources for inspiration and instruction. Chapters devoted to their insights into mathematics, ranging from perspective in painting to tuning in music, are interspersed with chapters about Galileo's own life and work. Himself an artist turned scientist and an avid student of Hellenistic culture, Galileo pulled together the many threads of his artistic and classical education in designing unprecedented experiments to unlock the secrets of nature. In the last chapter, Peterson draws our attention to the Oratio de Mathematicae laudibus of 1627, delivered by one of Galileo's students. This document, Peterson argues, was penned in part by Galileo himself, as an expression of his understanding of the universality of mathematics in art and nature. It is "entirely Galilean in so many details that even if it is derivative, it must represent his thought," Peterson writes. An intellectual adventure, Galileo’s Muse offers surprising ideas that will capture the imagination of anyone—scientist, mathematician, history buff, lover of literature, or artist—who cares about the humanistic roots of modern science.
Author: Mark A. Peterson
Publisher: Harvard University Press
ISBN: 0674059727
Category : Art
Languages : en
Pages : 347
Get Book Here
Book Description
Mark Peterson makes an extraordinary claim in this fascinating book focused around the life and thought of Galileo: it was the mathematics of Renaissance arts, not Renaissance sciences, that became modern science. Galileo's Muse argues that painters, poets, musicians, and architects brought about a scientific revolution that eluded the philosopher-scientists of the day, steeped as they were in a medieval cosmos and its underlying philosophy. According to Peterson, the recovery of classical science owes much to the Renaissance artists who first turned to Greek sources for inspiration and instruction. Chapters devoted to their insights into mathematics, ranging from perspective in painting to tuning in music, are interspersed with chapters about Galileo's own life and work. Himself an artist turned scientist and an avid student of Hellenistic culture, Galileo pulled together the many threads of his artistic and classical education in designing unprecedented experiments to unlock the secrets of nature. In the last chapter, Peterson draws our attention to the Oratio de Mathematicae laudibus of 1627, delivered by one of Galileo's students. This document, Peterson argues, was penned in part by Galileo himself, as an expression of his understanding of the universality of mathematics in art and nature. It is "entirely Galilean in so many details that even if it is derivative, it must represent his thought," Peterson writes. An intellectual adventure, Galileo’s Muse offers surprising ideas that will capture the imagination of anyone—scientist, mathematician, history buff, lover of literature, or artist—who cares about the humanistic roots of modern science.
Author: Lawrence Lipking
Publisher: Cornell University Press
ISBN: 0801454840
Category : Science
Languages : en
Pages : 331
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Book Description
The Scientific Revolution of the seventeenth century has often been called a decisive turning point in human history. It represents, for good or ill, the birth of modern science and modern ways of viewing the world. In What Galileo Saw, Lawrence Lipking offers a new perspective on how to understand what happened then, arguing that artistic imagination and creativity as much as rational thought played a critical role in creating new visions of science and in shaping stories about eye-opening discoveries in cosmology, natural history, engineering, and the life sciences.When Galileo saw the face of the Moon and the moons of Jupiter, Lipking writes, he had to picture a cosmos that could account for them. Kepler thought his geometry could open a window into the mind of God. Francis Bacon's natural history envisioned an order of things that would replace the illusions of language with solid evidence and transform notions of life and death. Descartes designed a hypothetical "Book of Nature" to explain how everything in the universe was constructed. Thomas Browne reconceived the boundaries of truth and error. Robert Hooke, like Leonardo, was both researcher and artist; his schemes illuminate the microscopic and the macrocosmic. And when Isaac Newton imagined nature as a coherent and comprehensive mathematical system, he redefined the goals of science and the meaning of genius.What Galileo Saw bridges the divide between science and art; it brings together Galileo and Milton, Bacon and Shakespeare. Lipking enters the minds and the workshops where the Scientific Revolution was fashioned, drawing on art, literature, and the history of science to reimagine how perceptions about the world and human life could change so drastically, and change forever.
Author: Renée Raphael
Publisher: JHU Press
ISBN: 142142178X
Category : History
Languages : en
Pages : 279
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Book Description
How did early modern scientists interpret Galileo’s influential Two New Sciences? In 1638, Galileo was over seventy years old, blind, and confined to house arrest outside of Florence. With the help of friends and family, he managed to complete and smuggle to the Netherlands a manuscript that became his final published work, Two New Sciences. Treating diverse subjects that became the foundations of mechanical engineering and physics, this book is often depicted as the definitive expression of Galileo’s purportedly modern scientific agenda. In Reading Galileo, Renée Raphael offers a new interpretation of Two New Sciences which argues instead that the work embodied no such coherent canonical vision. Raphael alleges that it was written—and originally read—as the eclectic product of the types of discursive textual analysis and meandering descriptive practices Galileo professed to reject in favor of more qualitative scholarship. Focusing on annotations period readers left in the margins of extant copies and on the notes and teaching materials of seventeenth-century university professors whose lessons were influenced by Galileo’s text, Raphael explores the ways in which a range of early-modern readers, from ordinary natural philosophers to well-known savants, responded to Galileo. She highlights the contrast between the practices of Galileo’s actual readers, who followed more traditional, “bookish” scholarly methods, and their image, constructed by Galileo and later historians, as “modern” mathematical experimenters. Two New Sciences has not previously been the subject of such rigorous attention and analysis. Reading Galileo considerably changes our understanding of Galileo’s important work while offering a well-executed case study in the reception of an early-modern scientific classic. This important text will be of interest to a wide range of historians—of science, of scholarly practices and the book, and of early-modern intellectual and cultural history.
Author: Richard J. Blackwell
Publisher: University of Notre Dame Pess
ISBN: 0268158932
Category : Religion
Languages : en
Pages : 246
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Book Description
Considered the paradigm case of the troubled interaction between science and religion, the conflict between Galileo and the Church continues to generate new research and lively debate. Richard J. Blackwell offers a fresh approach to the Galileo case, using as his primary focus the biblical and ecclesiastical issues that were the battleground for the celebrated confrontation. Blackwell's research in the Vatican manuscript collection and the Jesuit archives in Rome enables him to re-create a vivid picture of the trends and counter-trends that influenced leading Catholic thinkers of the period: the conservative reaction to the Reformation, the role of authority in biblical exegesis and in guarding orthodoxy from the inroads of "unbridled spirits," and the position taken by Cardinal Bellarmine and the Jesuits in attempting to weigh the discoveries of the new science in the context of traditional philosophy and theology. A centerpiece of Blackwell's investigation is his careful reading of the brief treatise Letter on the Motion of the Earth by Paolo Antonio Foscarini, a Carmelite scholar, arguing for the compatibility of the Copernican system with the Bible. Blackwell appends the first modern translation into English of this important and neglected document, which was placed on the Index of Forbidden Books in 1616. Though there were differing and competing theories of biblical interpretation advocated in Galileo's time—the legacy of the Council of Trent, the views of Cardinal Bellarmine, the most influential churchman of his time, and, finally, the claims of authority and obedience that weakened the abillity of Jesuit scientists to support the new science—all contributed to the eventual condemnation of Galileo in 1633. Blackwell argues convincingly that the maintenance of ecclesiastical authority, not the scientific issues themselves, led to that tragic trial.
Author: Mario Livio
Publisher: Simon and Schuster
ISBN: 1501194747
Category : Biography & Autobiography
Languages : en
Pages : 304
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Book Description
An “intriguing and accessible” (Publishers Weekly) interpretation of the life of Galileo Galilei, one of history’s greatest and most fascinating scientists, that sheds new light on his discoveries and how he was challenged by science deniers. “We really need this story now, because we’re living through the next chapter of science denial” (Bill McKibben). Galileo’s story may be more relevant today than ever before. At present, we face enormous crises—such as minimizing the dangers of climate change—because the science behind these threats is erroneously questioned or ignored. Galileo encountered this problem 400 years ago. His discoveries, based on careful observations and ingenious experiments, contradicted conventional wisdom and the teachings of the church at the time. Consequently, in a blatant assault on freedom of thought, his books were forbidden by church authorities. Astrophysicist and bestselling author Mario Livio draws on his own scientific expertise and uses his “gifts as a great storyteller” (The Washington Post) to provide a “refreshing perspective” (Booklist) into how Galileo reached his bold new conclusions about the cosmos and the laws of nature. A freethinker who followed the evidence wherever it led him, Galileo was one of the most significant figures behind the scientific revolution. He believed that every educated person should know science as well as literature, and insisted on reaching the widest audience possible, publishing his books in Italian rather than Latin. Galileo was put on trial with his life in the balance for refusing to renounce his scientific convictions. He remains a hero and inspiration to scientists and all of those who respect science—which, as Livio reminds us in this “admirably clear and concise” (The Times, London) book, remains threatened everyday.
Author: Enrique García Santo-Tomás
Publisher: University of Chicago Press
ISBN: 022646587X
Category : Literary Criticism
Languages : en
Pages : 325
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Book Description
Galileo never set foot on the Iberian Peninsula, yet, as Enrique García Santo-Tomás unfolds in The Refracted Muse, the news of his work with telescopes brought him to surprising prominence—not just among Spaniards working in the developing science of optometry but among creative writers as well. While Spain is often thought to have taken little notice of the Scientific Revolution, García Santo-Tomás tells a different story, one that reveals Golden Age Spanish literature to be in close dialogue with the New Science. Drawing on the work of writers such as Cervantes, Lope de Vega, Calderón de la Barca, and Quevedo, he helps us trace the influence of science and discovery on the rapidly developing and highly playful genre of the novel. Indeed, García Santo-Tomás makes a strong case that the rise of the novel cannot be fully understood without taking into account its relationship to the scientific discoveries of the period.
Author: Domenico Bertoloni Meli
Publisher: JHU Press
ISBN: 9780801884276
Category : History
Languages : en
Pages : 418
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Book Description
'Bertoloni Meli reexamines such major texts as Galileo's Dialogues Concerning Two New Sciences, Descartes' Principles of Philosophy, and Newton's Principia, and in them finds a reliance on objects that has escaped proper understanding. From Pappus of Alexandria to Guidobaldo dal Monte, Bertoloni Meli sees significant developments in the history of mechanical experimentation, all of them crucial for understanding Galileo. Bertoloni Meli uses similarities and tensions between dal Monte and Galileo as a springboard for exploring the revolutionary nature of seventeenth-century mechanics.' (Back cover)
Author:
Publisher: Hackett Publishing
ISBN: 1624661351
Category : History
Languages : en
Pages : 174
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Book Description
In 1633, the Roman Inquisition condemned Galileo as a suspected heretic for defending Copernicus's hypothesis of the earth's motion and denying the scientific authority of Scripture. This book draws upon Maurice A. Finocchiaro's earlier works, especially The Galileo Affair: A Documentary History (1989), to provide a brief, new documentary history of Galileo's trial that is simultaneously the most user-friendly and inclusive available.
Author: Crystal Hall
Publisher: Cambridge University Press
ISBN: 1107047552
Category : Biography & Autobiography
Languages : en
Pages : 257
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Book Description
This book argues the importance of Galileo's reading and engagement with a range of writers to the shaping of early modern philosophy.
Author: J. L. Heilbron
Publisher: Oxford University Press
ISBN: 0199655987
Category : Biography & Autobiography
Languages : en
Pages : 539
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Book Description
Heilbron takes in the landscape of culture, learning, religion, science, theology, and politics of late Renaissance Italy to produce a richer and more rounded view of Galileo, his scientific thinking, and the company he kept.
