Gale Researcher Guide for: Satiric Comedy: Ben Jonson's "Faire Correctives" of Moral and Social Ills PDF Download
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Author: Steven Hrdlicka
Publisher: Gale, Cengage Learning
ISBN: 153585393X
Category : Study Aids
Languages : en
Pages : 17
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Book Description
Gale Researcher Guide for: Satiric Comedy: Ben Jonson's "Faire Correctives" of Moral and Social Ills is selected from Gale's academic platform Gale Researcher. These study guides provide peer-reviewed articles that allow students early success in finding scholarly materials and to gain the confidence and vocabulary needed to pursue deeper research.
Author: Steven Hrdlicka
Publisher: Gale, Cengage Learning
ISBN: 153585393X
Category : Study Aids
Languages : en
Pages : 17
Get Book Here
Book Description
Gale Researcher Guide for: Satiric Comedy: Ben Jonson's "Faire Correctives" of Moral and Social Ills is selected from Gale's academic platform Gale Researcher. These study guides provide peer-reviewed articles that allow students early success in finding scholarly materials and to gain the confidence and vocabulary needed to pursue deeper research.
Author: Nil Korkut
Publisher: Peter Lang
ISBN: 9783631592717
Category : Humor
Languages : en
Pages : 148
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Book Description
This book approaches parody as a literary form that has assumed diverse forms and functions throughout history. The author handles this diversity by classifying parody according to its objects of imitation and specifying three major parodic kinds: parody directed at texts and personal styles, parody directed at genre, and parody directed at discourse. The book argues that different literary-historical periods in Britain have witnessed the prevalence of different kinds of parody and investigates the reasons underlying this phenomenon. All periods from the Middle Ages to the present are considered in this regard, but a special significance is given to the postmodern age, where parody has become a widely produced literary form. The book contends further that postmodern parody is primarily discourse parody - a phenomenon which can be explained through the major concerns of postmodernism as a movement. In addition to situating parody and its kinds in a historical context, this book engages in a detailed analysis of parody in the postmodern age, preparing the ground for making an informed assessment of the direction parody and its kinds may take in the near future.
Author: M. Thomas Inge
Publisher: University Press of Kentucky
ISBN: 0813185459
Category : Humor
Languages : en
Pages : 484
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Book Description
The humor of the Old South—tales, almanac entries, turf reports, historical sketches, gentlemen's essays on outdoor sports, profiles of local characters—flourished between 1830 and 1860. The genre's popularity and influence can be traced in the works of major southern writers such as William Faulkner, Erskine Caldwell, Eudora Welty, Flannery O'Connor, and Harry Crews, as well as in contemporary popular culture focusing on the rural South. This collection of essays includes some of the past twenty five years' best writing on the subject, as well as ten new works bringing fresh insights and original approaches to the subject. A number of the essays focus on well known humorists such as Augustus Baldwin Longstreet, Johnson Jones Hooper, William Tappan Thompson, and George Washington Harris, all of whom have long been recognized as key figures in Southwestern humor. Other chapters examine the origins of this early humor, in particular selected poems of William Henry Timrod and Washington Irving's "The Legend of Sleepy Hollow," which anticipate the subject matter, character types, structural elements, and motifs that would become part of the Southwestern tradition. Renditions of "Sleepy Hollow" were later echoed in sketches by William Tappan Thompson, Joseph Beckman Cobb, Orlando Benedict Mayer, Francis James Robinson, and William Gilmore Simms. Several essays also explore antebellum southern humor in the context of race and gender. This literary legacy left an indelible mark on the works of later writers such as Mark Twain and William Faulkner, whose works in a comic vein reflect affinities and connections to the rich lode of materials initially popularized by the Southwestern humorists.
Author: Isaac Disraeli
Publisher:
ISBN:
Category : Authors
Languages : en
Pages : 364
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Book Description
Author: Timothy M. Dale
Publisher: University Press of Kentucky
ISBN: 0813139708
Category : Social Science
Languages : en
Pages : 376
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Book Description
A volume of enlightening essays on how TV shows, movies, and music can change hearts and minds. Amid all its frenetic humor, the long-running animated hit The Simpsons has often questioned what is culturally acceptable, wading into controversial subjects like gay rights, the war on terror, religion, and animal rights. This subtle form of political analysis is effective in changing opinions and attitudes on a large scale. Homer Simpson Marches on Washington explores the transformative power that enables popular culture to influence political agendas, frame the consciousness of audiences, and create profound shifts in values and ideals. To investigate the full spectrum of popular culture in a democratic society, editors Timothy M. Dale and Joseph J. Foy gather a top-notch team of scholars who use television shows such as Star Trek, The X-Files, All in the Family, The View, The Daily Show, and The Colbert Report, as well as movies and popular music, to investigate contemporary issues in American popular culture.
Author: Cantor, Paul and Cox, Stephen
Publisher:
ISBN: 9781933550640
Category : Austrian school of economics
Languages : en
Pages : 510
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Book Description
Author: Isaac Disraeli
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 342
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Book Description
Author: Morris R. Morrison
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
Author: Samuel McChord Crothers
Publisher:
ISBN:
Category : Books and reading
Languages : en
Pages : 348
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Book Description
Author: Kasia Boddy
Publisher: Reaktion Books
ISBN: 1861897022
Category : Sports & Recreation
Languages : en
Pages : 644
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Book Description
Throughout history, potters, sculptors, painters, poets, novelists, cartoonists, song-writers, photographers, and filmmakers have recorded and tried to make sense of boxing. From Daniel Mendoza to Mike Tyson, boxers have embodied and enacted our anxieties about race, ethnicity, gender, and sexuality. In her encyclopedic investigation of the shifting social, political, and cultural resonances of this most visceral of sports, Kasia Boddy throws new light on an elemental struggle for dominance whose weapons are nothing more than fists. Looking afresh at everything from neoclassical sculpture to hip-hop lyrics, Boddy explores the ways in which the history of boxing has intersected with the history of mass media. Boddy pulls no punches, looking to the work of such diverse figures as Henry Fielding and Spike Lee, Charlie Chaplin and Philip Roth, James Joyce and Mae West, Bertolt Brecht and Charles Dickens in an all-encompassing study that tells us just how and why boxing has mattered so much to so many.
