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Author:
Publisher:
ISBN: 9782930777344
Category :
Languages : en
Pages :
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Book Description
In this new artist book, Gabriel Kuri presents a meticulous indexation and taxonomy of his collection of stolen wooden doorstops. Inspired equally by the canonical conceptual artist book, as well as the visual layout of product specifications in commercial catalogues.
Author:
Publisher:
ISBN: 9782930777344
Category :
Languages : en
Pages :
Get Book Here
Book Description
In this new artist book, Gabriel Kuri presents a meticulous indexation and taxonomy of his collection of stolen wooden doorstops. Inspired equally by the canonical conceptual artist book, as well as the visual layout of product specifications in commercial catalogues.
Author: Gabriel Kuri
Publisher:
ISBN: 9781934105276
Category : Installations (Art)
Languages : en
Pages : 0
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Book Description
On the occasion of his first institutional exhibition in Germany, Gabriel Kuri (*1970, Mexico City) has created four new groups of works, which provide an insight into different aspects of his practice. Accordingly, Kuri is showing sculptures and installation; all of them are made out of found materials or industrially manufactured products, including marble slabs, sand, paper, cigarette butts, or body care products. A precise and deliberate positioning and a surprising casualness always characterize the presentation of his objects in the exhibition. With their humor and lightness of touch, his works level criticism as well as political, economic, and social conditions. In the sense of an extended notion of sculpture, he shifts the boundaries of art and the everyday, as the viewers and the everyday become part of the aesthetic form. Gabriel Kuri lives and works in Mexico City and Brussels. He has contributed to numerous international group exhibitions, such as the 5th Berlin Biennale (2008), "Brave New Worlds" at the Walker Art Center, Minneapolis (2007), and "Unmonumental" at the New Museum, New York (2007). In addition to the Kunstverein Freiburg and Bielefelder Kunstverein, Museion - Museum of modern and contemporary art Bolzano and the Blaffer Art Museum at the University of Houston will also display solo exhibitions of Kuri's works in 2010. This catalogue is published on the occasion of Gabriel Kuri's solo exhibition at Bielefelder Kunstverein and Kunstverein Freiburg. It is the first monograph on the artist to appear in Germany.
Author: Julie Rodrigues Widholm
Publisher: Yale University Press
ISBN: 9780300134278
Category : Art
Languages : en
Pages : 228
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Book Description
"Featuring the work of twenty artists, this bilingual volume includes several artists' writings ... about artist-run exhibition spaces"--P. [4] of cover.
Author: Ryan Gander
Publisher:
ISBN: 9781907908170
Category : Cocktails in art
Languages : en
Pages : 91
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Book Description
Author: Dave Ortega
Publisher:
ISBN: 9780996398916
Category : Mexico
Languages : en
Pages : 0
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Book Description
Días de Consuelo is an intimate immigration memoir in the graphic tradition of "Persepolis" that connects the personal recollections of the author's abuela (grandmother) with the storm of events that made up one of the most important uprisings of the 20th century: The Mexican Revolution. This graphic novel introduces middle grade through adult readers to the captivating story of Consuelo, her mother Evarista, grandmother Isabel and sister Beatriz as their lives are upended apart by civil war. "Días de Consuelo" is also the perfect introduction to revolutionary figures like Pancho Villa and Emiliano Zapata, the series of uprisings that they led to put an end to centuries-old systems of oppression, and the toll that this violence took on daily life. With its expressive cartooning style, this book celebrates the Mexican-American experience in a way that has yet not been seen in the comics medium.
Author: Stefano Baia Curioni
Publisher:
ISBN: 9783863355494
Category : Art fairs
Languages : en
Pages : 0
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Book Description
How do we imagine the art fair of the future? Alongside the recurrent question of the relationship between fairs and biennials, and the debate on the cultural or purely commercial role of these events, with their high concentration of symbolic, social, and financial capital, 'Fairland' wants to explore the phenomenon of “fairization”. 'Fairland 'is is a wide-ranging collection of analytical standpoints and possible visions by outstanding artists, curators and critics.
Author:
Publisher:
ISBN: 9780810988224
Category :
Languages : en
Pages : 0
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Book Description
Author: Tyler Coburn
Publisher:
ISBN: 9783956794643
Category :
Languages : en
Pages : 72
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Book Description
The fictional memoir of a legal person--potentially everyone and actually no one. Richard Roe is the fictional memoir of a legal person. The name is one of the oldest used in English law when the real name of someone is withheld, or when a corpse can't be identified. Richard Roe is a known unknown, a one-size-fits-all, potentially everyone and actually no one. This memoir gives voice to the legal fictions that creep around the margins of selfhood, and draws on concepts of personhood from legal, psychological, linguistic, and metaphysical realms, including arguments from the last two centuries for the legal personhood of corporations, rivers, and other elements of the natural world.
Author:
Publisher: Phaidon Press
ISBN: 9780714863108
Category : Art
Languages : en
Pages : 216
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Book Description
Unmonumental: The Object in the 21st Century is a groundbreaking thematic survey of sculptural work by thirty of today's leading artists.
Author: Larissa Buchholz
Publisher: Princeton University Press
ISBN: 0691245444
Category : Art
Languages : en
Pages : 416
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Book Description
A trailblazing look at the historical emergence of a global field in contemporary art and the diverse ways artists become valued worldwide Prior to the 1980s, the postwar canon of “international” contemporary art was made up almost exclusively of artists from North America and Western Europe, while cultural agents from other parts of the world often found themselves on the margins. The Global Rules of Art examines how this discriminatory situation has changed in recent decades. Drawing from abundant sources—including objective indicators from more than one hundred countries, multiple institutional histories and discourses, extensive fieldwork, and interviews with artists, critics, curators, gallerists, and auction house agents—Larissa Buchholz examines the emergence of a world-spanning art field whose logics have increasingly become defined in global terms. Deftly blending comprehensive historical analyses with illuminating case studies, The Global Rules of Art breaks new ground in its exploration of valuation and how cultural hierarchies take shape in a global context. The book’s innovative global field approach will appeal to scholars in the sociology of art, cultural and economic sociology, interdisciplinary global studies, and anyone interested in the dynamics of global art and culture.
