Author: Dr. T.V.S. Padmaja
Publisher: AG Publishing House
ISBN: 8119152646
Category : Study Aids
Languages : en
Pages : 215
Book Description
IT PRESENTS THE WORKS OF THE MAJORITY OF SIGNIFICANT AND INSIGNIFICANT AUTHORS FROM EACH PERIOD IN A WAY THAT IS EXHAUSTIVE. IN ADDITION TO PROVIDING A BIOGRAPHICAL AND HISTORICAL EXAMINATION OF EACH WORK, THIS BOOK ILLUSTRATES THE DEVELOPMENT OF THE ENGLISH LANGUAGE FROM ITS INCEPTION UP TO ITS WIDESPREAD USE IN LITERATURE. A HISTORY OF THE LITERATURE THAT HAS BEEN PUBLISHED IN THE ENGLISH LANGUAGE THAT IS BOTH THOROUGH AND ORDERED. STARTING WITH THE PRE-CHAUCERIAN PERIOD AND CONTINUING ALL THE WAY UP TO THE PRESENT DAY, THE AREA OF STUDY KNOWN AS HISTORY OF ENGLISH LITERATURE FOLLOWS, IN A SYSTEMATIC AND SEQUENTIAL FASHION, BOTH THE DEVELOPMENT OF ENGLISH AS A LANGUAGE AND THE FORMATION OF VARIOUS SUB-FIELDS WITHIN THE SUBJECT OF ENGLISH LITERATURE. IT DOES THIS BY STARTING WITH THE PRE-CHAUCERIAN PERIOD AND CONTINUING ALL THE WAY UP TO THE PRESENT DAY. THIS BOOK'S OVERALL IS TO PROVIDE AN OVERVIEW OF ENGLISH LITERARY HISTORY, BEGINNING IN THE MIDDLE AGES AND CONTINUING UP TO THE CURRENT DAY. THE CATEGORIES, GENRES, AND TIMEFRAMES THAT ARE USED IN SUCH STUDIES THE MOST COMMONLY HAVE BEEN PRESERVED, AND BOXED ITEMS HAVE BEEN ADDED THAT PLACE AN EMPHASIS ON PARTICULAR 'MOMENTS' IN THIS HISTORY'S PROGRESSION. A LOOK OF THE MANNER IN WHICH ENGLISH LITERATURE HAS EVOLVED OVER THE SPAN OF A NUMBER OF CENTURIES FROM ITS EARLY STAGES. THE BOOK STARTS WITH THE LITERATURE OF THE OLD ENGLISH PERIOD AND FINISHES WITH LITERATURE FROM THE MIDDLE OF THE 20TH CENTURY. THE GROWTH OF ENGLISH LITERATURE IS TRACKED THROUGH EACH ERA, AND THE WAYS IN WHICH IT EVOLVED THROUGHOUT THE COURSE OF HISTORY ARE DISCUSSED. IT ANALYZES THE MOST IMPORTANT LITERARY GENRES OF EACH AGE, SUCH AS POETRY, PROSE, AND THEATER, AS WELL AS ITS RENOWNED PROPONENTS, AND IT GIVES A COMPREHENSIVE LIST OF THE REMARKABLE WORKS THAT WERE CREATED DURING THAT PERIOD OF TIME.
Fundamentals Of Literary Devices In English Literature
Author: Dr. T.V.S. Padmaja
Publisher: AG Publishing House
ISBN: 8119152646
Category : Study Aids
Languages : en
Pages : 215
Book Description
IT PRESENTS THE WORKS OF THE MAJORITY OF SIGNIFICANT AND INSIGNIFICANT AUTHORS FROM EACH PERIOD IN A WAY THAT IS EXHAUSTIVE. IN ADDITION TO PROVIDING A BIOGRAPHICAL AND HISTORICAL EXAMINATION OF EACH WORK, THIS BOOK ILLUSTRATES THE DEVELOPMENT OF THE ENGLISH LANGUAGE FROM ITS INCEPTION UP TO ITS WIDESPREAD USE IN LITERATURE. A HISTORY OF THE LITERATURE THAT HAS BEEN PUBLISHED IN THE ENGLISH LANGUAGE THAT IS BOTH THOROUGH AND ORDERED. STARTING WITH THE PRE-CHAUCERIAN PERIOD AND CONTINUING ALL THE WAY UP TO THE PRESENT DAY, THE AREA OF STUDY KNOWN AS HISTORY OF ENGLISH LITERATURE FOLLOWS, IN A SYSTEMATIC AND SEQUENTIAL FASHION, BOTH THE DEVELOPMENT OF ENGLISH AS A LANGUAGE AND THE FORMATION OF VARIOUS SUB-FIELDS WITHIN THE SUBJECT OF ENGLISH LITERATURE. IT DOES THIS BY STARTING WITH THE PRE-CHAUCERIAN PERIOD AND CONTINUING ALL THE WAY UP TO THE PRESENT DAY. THIS BOOK'S OVERALL IS TO PROVIDE AN OVERVIEW OF ENGLISH LITERARY HISTORY, BEGINNING IN THE MIDDLE AGES AND CONTINUING UP TO THE CURRENT DAY. THE CATEGORIES, GENRES, AND TIMEFRAMES THAT ARE USED IN SUCH STUDIES THE MOST COMMONLY HAVE BEEN PRESERVED, AND BOXED ITEMS HAVE BEEN ADDED THAT PLACE AN EMPHASIS ON PARTICULAR 'MOMENTS' IN THIS HISTORY'S PROGRESSION. A LOOK OF THE MANNER IN WHICH ENGLISH LITERATURE HAS EVOLVED OVER THE SPAN OF A NUMBER OF CENTURIES FROM ITS EARLY STAGES. THE BOOK STARTS WITH THE LITERATURE OF THE OLD ENGLISH PERIOD AND FINISHES WITH LITERATURE FROM THE MIDDLE OF THE 20TH CENTURY. THE GROWTH OF ENGLISH LITERATURE IS TRACKED THROUGH EACH ERA, AND THE WAYS IN WHICH IT EVOLVED THROUGHOUT THE COURSE OF HISTORY ARE DISCUSSED. IT ANALYZES THE MOST IMPORTANT LITERARY GENRES OF EACH AGE, SUCH AS POETRY, PROSE, AND THEATER, AS WELL AS ITS RENOWNED PROPONENTS, AND IT GIVES A COMPREHENSIVE LIST OF THE REMARKABLE WORKS THAT WERE CREATED DURING THAT PERIOD OF TIME.
Publisher: AG Publishing House
ISBN: 8119152646
Category : Study Aids
Languages : en
Pages : 215
Book Description
IT PRESENTS THE WORKS OF THE MAJORITY OF SIGNIFICANT AND INSIGNIFICANT AUTHORS FROM EACH PERIOD IN A WAY THAT IS EXHAUSTIVE. IN ADDITION TO PROVIDING A BIOGRAPHICAL AND HISTORICAL EXAMINATION OF EACH WORK, THIS BOOK ILLUSTRATES THE DEVELOPMENT OF THE ENGLISH LANGUAGE FROM ITS INCEPTION UP TO ITS WIDESPREAD USE IN LITERATURE. A HISTORY OF THE LITERATURE THAT HAS BEEN PUBLISHED IN THE ENGLISH LANGUAGE THAT IS BOTH THOROUGH AND ORDERED. STARTING WITH THE PRE-CHAUCERIAN PERIOD AND CONTINUING ALL THE WAY UP TO THE PRESENT DAY, THE AREA OF STUDY KNOWN AS HISTORY OF ENGLISH LITERATURE FOLLOWS, IN A SYSTEMATIC AND SEQUENTIAL FASHION, BOTH THE DEVELOPMENT OF ENGLISH AS A LANGUAGE AND THE FORMATION OF VARIOUS SUB-FIELDS WITHIN THE SUBJECT OF ENGLISH LITERATURE. IT DOES THIS BY STARTING WITH THE PRE-CHAUCERIAN PERIOD AND CONTINUING ALL THE WAY UP TO THE PRESENT DAY. THIS BOOK'S OVERALL IS TO PROVIDE AN OVERVIEW OF ENGLISH LITERARY HISTORY, BEGINNING IN THE MIDDLE AGES AND CONTINUING UP TO THE CURRENT DAY. THE CATEGORIES, GENRES, AND TIMEFRAMES THAT ARE USED IN SUCH STUDIES THE MOST COMMONLY HAVE BEEN PRESERVED, AND BOXED ITEMS HAVE BEEN ADDED THAT PLACE AN EMPHASIS ON PARTICULAR 'MOMENTS' IN THIS HISTORY'S PROGRESSION. A LOOK OF THE MANNER IN WHICH ENGLISH LITERATURE HAS EVOLVED OVER THE SPAN OF A NUMBER OF CENTURIES FROM ITS EARLY STAGES. THE BOOK STARTS WITH THE LITERATURE OF THE OLD ENGLISH PERIOD AND FINISHES WITH LITERATURE FROM THE MIDDLE OF THE 20TH CENTURY. THE GROWTH OF ENGLISH LITERATURE IS TRACKED THROUGH EACH ERA, AND THE WAYS IN WHICH IT EVOLVED THROUGHOUT THE COURSE OF HISTORY ARE DISCUSSED. IT ANALYZES THE MOST IMPORTANT LITERARY GENRES OF EACH AGE, SUCH AS POETRY, PROSE, AND THEATER, AS WELL AS ITS RENOWNED PROPONENTS, AND IT GIVES A COMPREHENSIVE LIST OF THE REMARKABLE WORKS THAT WERE CREATED DURING THAT PERIOD OF TIME.
The Critical Tradition
Author: David H. Richter
Publisher: Bedford/st Martins
ISBN: 9780312101060
Category : Literary Criticism
Languages : en
Pages : 1655
Book Description
02 The most comprehensive and up-to-date anthology of major documents in literary criticism and theory from Plato to the present, with a highly praised critical apparatus, including introductions, headnotes, bibliographies, and glosses.
Publisher: Bedford/st Martins
ISBN: 9780312101060
Category : Literary Criticism
Languages : en
Pages : 1655
Book Description
02 The most comprehensive and up-to-date anthology of major documents in literary criticism and theory from Plato to the present, with a highly praised critical apparatus, including introductions, headnotes, bibliographies, and glosses.
Literary Theory : An Introduction, Anniversary Ed.
Author: Terry Eagleton
Publisher: John Wiley & Sons
ISBN: 9788126517893
Category :
Languages : en
Pages : 0
Book Description
Publisher: John Wiley & Sons
ISBN: 9788126517893
Category :
Languages : en
Pages : 0
Book Description
Essentials of the Theory of Fiction
Author: Michael J. Hoffman
Publisher: Duke University Press
ISBN: 0822386593
Category : Literary Criticism
Languages : en
Pages : 521
Book Description
What accounts for the power of stories to both entertain and illuminate? This question has long compelled the attention of storytellers and students of literature alike, and over the past several decades it has opened up broader dialogues about the nature of culture and interpretation. This third edition of the bestselling Essentials of the Theory of Fiction provides a comprehensive view of the theory of fiction from the nineteenth century through modernism and postmodernism to the present. It offers a sample of major theories of fictional technique while emphasizing recent developments in literary criticism. The essays cover a variety of topics, including voice, point of view, narration, sequencing, gender, and race. Ten new selections address issues such as oral memory in African American fiction, temporality, queer theory, magical realism, interactive narratives, and the effect of virtual technologies on literature. For students and generalists alike, Essentials of the Theory of Fiction is an invaluable resource for understanding how fiction works. Contributors. M. M. Bakhtin, John Barth, Roland Barthes, Wayne Booth, John Brenkman, Peter Brooks, Catherine Burgass, Seymour Chatman, J. Yellowlees Douglas, Rachel Blau DuPlessis, Wendy B. Faris, Barbara Foley, E. M. Forster, Joseph Frank, Joanne S. Frye, William H. Gass, Henry Louis Gates Jr., Gérard Genette, Ursula K. Heise, Michael J. Hoffman, Linda Hutcheon, Henry James, Susan S. Lanser, Helen Lock, Georg Lukács, Patrick D. Murphy, Ruth Ronen, Joseph Tabbi, Jon Thiem, Tzvetan Todorov, Virginia Woolf
Publisher: Duke University Press
ISBN: 0822386593
Category : Literary Criticism
Languages : en
Pages : 521
Book Description
What accounts for the power of stories to both entertain and illuminate? This question has long compelled the attention of storytellers and students of literature alike, and over the past several decades it has opened up broader dialogues about the nature of culture and interpretation. This third edition of the bestselling Essentials of the Theory of Fiction provides a comprehensive view of the theory of fiction from the nineteenth century through modernism and postmodernism to the present. It offers a sample of major theories of fictional technique while emphasizing recent developments in literary criticism. The essays cover a variety of topics, including voice, point of view, narration, sequencing, gender, and race. Ten new selections address issues such as oral memory in African American fiction, temporality, queer theory, magical realism, interactive narratives, and the effect of virtual technologies on literature. For students and generalists alike, Essentials of the Theory of Fiction is an invaluable resource for understanding how fiction works. Contributors. M. M. Bakhtin, John Barth, Roland Barthes, Wayne Booth, John Brenkman, Peter Brooks, Catherine Burgass, Seymour Chatman, J. Yellowlees Douglas, Rachel Blau DuPlessis, Wendy B. Faris, Barbara Foley, E. M. Forster, Joseph Frank, Joanne S. Frye, William H. Gass, Henry Louis Gates Jr., Gérard Genette, Ursula K. Heise, Michael J. Hoffman, Linda Hutcheon, Henry James, Susan S. Lanser, Helen Lock, Georg Lukács, Patrick D. Murphy, Ruth Ronen, Joseph Tabbi, Jon Thiem, Tzvetan Todorov, Virginia Woolf
Literary Theory
Author: Johannes Willem Bertens
Publisher: Psychology Press
ISBN: 0415186641
Category : Criticism
Languages : en
Pages : 269
Book Description
This accessible guide provides the ideal first step in understanding literary theory.
Publisher: Psychology Press
ISBN: 0415186641
Category : Criticism
Languages : en
Pages : 269
Book Description
This accessible guide provides the ideal first step in understanding literary theory.
A Reader's Guide to Contemporary Literary Theory
Author: Raman Selden
Publisher:
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 180
Book Description
Unsurpassed as a text for upper-division and beginning graduate students, Raman Selden's classic text is the liveliest, most readable and most reliable guide to contemporary literary theory. Includes applications of theory, cross-referenced to Selden's companion volume, Practicing Theory and Reading Literature.
Publisher:
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 180
Book Description
Unsurpassed as a text for upper-division and beginning graduate students, Raman Selden's classic text is the liveliest, most readable and most reliable guide to contemporary literary theory. Includes applications of theory, cross-referenced to Selden's companion volume, Practicing Theory and Reading Literature.
Fundamentals of Story Logic
Author: Therese Budniakiewicz
Publisher: John Benjamins Publishing
ISBN: 9781556193392
Category : Language Arts & Disciplines
Languages : en
Pages : 260
Book Description
This book may be viewed not only as n post-Proppian, post-Greimassian reconstruction and theoretical advance but also as a neo-Proppian, neo-Greimassian remodelling of story logic leading to an integrated descriptive model which focuses, by design, on narrative semiotics as a branch of descriptive poetics. The investigation and the revision of the actantial model and the narrative schema are made concrete through multiple small narratives from literary fiction, specifically Nathanael West's Miss Lonelyhearts, a parable of Pascal, and a historical chronicle. The modifications which Therese Budniakiewicz proposes are turned, as it were, backward towards a theoretical foundation that is both re-found and re-founded, and what emerges is a methodology of textual analysis the scope of which extends to include hermeneutics and interpretation. At the same time, through the analysis the author makes of the 'contractual and communication events' and the central position she gives to the Sender and Receiver, the book is led to place emphasis on the social and interactional nature of discourse and, thereby, integrating the basics of narrative within the framework of law and society and justice. By putting the theory in perspective while carefully analyzing its premises and by consolidating a broad spectrum of interdisciplinary concepts crucial to narrative, Fundamentals of Story Logic will be welcomed by all students of fiction, narratology, and the classical Greimas.
Publisher: John Benjamins Publishing
ISBN: 9781556193392
Category : Language Arts & Disciplines
Languages : en
Pages : 260
Book Description
This book may be viewed not only as n post-Proppian, post-Greimassian reconstruction and theoretical advance but also as a neo-Proppian, neo-Greimassian remodelling of story logic leading to an integrated descriptive model which focuses, by design, on narrative semiotics as a branch of descriptive poetics. The investigation and the revision of the actantial model and the narrative schema are made concrete through multiple small narratives from literary fiction, specifically Nathanael West's Miss Lonelyhearts, a parable of Pascal, and a historical chronicle. The modifications which Therese Budniakiewicz proposes are turned, as it were, backward towards a theoretical foundation that is both re-found and re-founded, and what emerges is a methodology of textual analysis the scope of which extends to include hermeneutics and interpretation. At the same time, through the analysis the author makes of the 'contractual and communication events' and the central position she gives to the Sender and Receiver, the book is led to place emphasis on the social and interactional nature of discourse and, thereby, integrating the basics of narrative within the framework of law and society and justice. By putting the theory in perspective while carefully analyzing its premises and by consolidating a broad spectrum of interdisciplinary concepts crucial to narrative, Fundamentals of Story Logic will be welcomed by all students of fiction, narratology, and the classical Greimas.
Literary Theory
Author: IntroBooks
Publisher: IntroBooks
ISBN:
Category : Fiction
Languages : en
Pages : 30
Book Description
In the time span of last 30 or 40 years literary theory has been playing a central role in academic studies that are related to social science and humanities. Various competing or non-competing perspectives, principals and approaches granted most of the scholar awareness about importance of methodological concerns in literary theory. Criticism no longer confines itself to the study of literature, it discourses are now stretched beyond literature. It also covers anthropology, philosophy, psychology, linguistics, political science and much else. However, for literary researchers it covers all forms of cultural productions, despite them being literary or non-literary. In a traditional manner criticism still covers exegesis, evaluation and interpretation but it is now stretching its range over theory. Whether you consider theory as a discussion or debates on the basis of certain definition, as the search for necessary and sufficient values for critical practice, or consider theory as a process for making social, historical or ideological pre-suppositions. No matter which option you chose, it will be hard to figure out a clear boundary between theory and criticism. However, they stumble into each other on various situations.
Publisher: IntroBooks
ISBN:
Category : Fiction
Languages : en
Pages : 30
Book Description
In the time span of last 30 or 40 years literary theory has been playing a central role in academic studies that are related to social science and humanities. Various competing or non-competing perspectives, principals and approaches granted most of the scholar awareness about importance of methodological concerns in literary theory. Criticism no longer confines itself to the study of literature, it discourses are now stretched beyond literature. It also covers anthropology, philosophy, psychology, linguistics, political science and much else. However, for literary researchers it covers all forms of cultural productions, despite them being literary or non-literary. In a traditional manner criticism still covers exegesis, evaluation and interpretation but it is now stretching its range over theory. Whether you consider theory as a discussion or debates on the basis of certain definition, as the search for necessary and sufficient values for critical practice, or consider theory as a process for making social, historical or ideological pre-suppositions. No matter which option you chose, it will be hard to figure out a clear boundary between theory and criticism. However, they stumble into each other on various situations.
Ugly Feelings
Author: Sianne Ngai
Publisher: Harvard University Press
ISBN: 0674041526
Category : Literary Criticism
Languages : en
Pages : 433
Book Description
Envy, irritation, paranoia—in contrast to powerful and dynamic negative emotions like anger, these non-cathartic states of feeling are associated with situations in which action is blocked or suspended. In her examination of the cultural forms to which these affects give rise, Sianne Ngai suggests that these minor and more politically ambiguous feelings become all the more suited for diagnosing the character of late modernity. Along with her inquiry into the aesthetics of unprestigious negative affects such as irritation, envy, and disgust, Ngai examines a racialized affect called “animatedness,” and a paradoxical synthesis of shock and boredom called “stuplimity.” She explores the politically equivocal work of these affective concepts in the cultural contexts where they seem most at stake, from academic feminist debates to the Harlem Renaissance, from late-twentieth-century American poetry to Hollywood film and network television. Through readings of Herman Melville, Nella Larsen, Sigmund Freud, Alfred Hitchcock, Gertrude Stein, Ralph Ellison, John Yau, and Bruce Andrews, among others, Ngai shows how art turns to ugly feelings as a site for interrogating its own suspended agency in the affirmative culture of a market society, where art is tolerated as essentially unthreatening. Ngai mobilizes the aesthetics of ugly feelings to investigate not only ideological and representational dilemmas in literature—with a particular focus on those inflected by gender and race—but also blind spots in contemporary literary and cultural criticism. Her work maps a major intersection of literary studies, media and cultural studies, feminist studies, and aesthetic theory.
Publisher: Harvard University Press
ISBN: 0674041526
Category : Literary Criticism
Languages : en
Pages : 433
Book Description
Envy, irritation, paranoia—in contrast to powerful and dynamic negative emotions like anger, these non-cathartic states of feeling are associated with situations in which action is blocked or suspended. In her examination of the cultural forms to which these affects give rise, Sianne Ngai suggests that these minor and more politically ambiguous feelings become all the more suited for diagnosing the character of late modernity. Along with her inquiry into the aesthetics of unprestigious negative affects such as irritation, envy, and disgust, Ngai examines a racialized affect called “animatedness,” and a paradoxical synthesis of shock and boredom called “stuplimity.” She explores the politically equivocal work of these affective concepts in the cultural contexts where they seem most at stake, from academic feminist debates to the Harlem Renaissance, from late-twentieth-century American poetry to Hollywood film and network television. Through readings of Herman Melville, Nella Larsen, Sigmund Freud, Alfred Hitchcock, Gertrude Stein, Ralph Ellison, John Yau, and Bruce Andrews, among others, Ngai shows how art turns to ugly feelings as a site for interrogating its own suspended agency in the affirmative culture of a market society, where art is tolerated as essentially unthreatening. Ngai mobilizes the aesthetics of ugly feelings to investigate not only ideological and representational dilemmas in literature—with a particular focus on those inflected by gender and race—but also blind spots in contemporary literary and cultural criticism. Her work maps a major intersection of literary studies, media and cultural studies, feminist studies, and aesthetic theory.
Formalist Criticism and Reader-Response Theory
Author: Todd Davis
Publisher: Bloomsbury Publishing
ISBN: 140391916X
Category : Literary Criticism
Languages : en
Pages : 208
Book Description
This invaluable guide by Todd F. Davis and Kenneth Womack offers an accessible introduction to two important movements in the history of twentieth-century literary theory. A complementary text to the Palgrave volume Postmodern Narrative Theory by Mark Currie, this new title addresses a host of theoretical concerns, as well as each field's principal figures and interpretive modes. As with other books in the Transitions series, Formalist Criticism and Reader-response Theory includes readings of a range of widely-studied texts, including Joseph Conrad's Heart of Darkness, Charlotte Bronte's Jane Eyre, and F. Scott Fitzgerald's The Great Gatsby, among others. Transitions critically explores movements in literary theory. Guiding the reader through the poetics and politics of interpretative paradigms and schools of thought, Transitions helps direct the student's own acts of critical analysis. As well as transforming the critical developments of the past by interpreting them from the perspective of the present day, each study enacts transitional readings of a number of well-known literary texts.
Publisher: Bloomsbury Publishing
ISBN: 140391916X
Category : Literary Criticism
Languages : en
Pages : 208
Book Description
This invaluable guide by Todd F. Davis and Kenneth Womack offers an accessible introduction to two important movements in the history of twentieth-century literary theory. A complementary text to the Palgrave volume Postmodern Narrative Theory by Mark Currie, this new title addresses a host of theoretical concerns, as well as each field's principal figures and interpretive modes. As with other books in the Transitions series, Formalist Criticism and Reader-response Theory includes readings of a range of widely-studied texts, including Joseph Conrad's Heart of Darkness, Charlotte Bronte's Jane Eyre, and F. Scott Fitzgerald's The Great Gatsby, among others. Transitions critically explores movements in literary theory. Guiding the reader through the poetics and politics of interpretative paradigms and schools of thought, Transitions helps direct the student's own acts of critical analysis. As well as transforming the critical developments of the past by interpreting them from the perspective of the present day, each study enacts transitional readings of a number of well-known literary texts.