Author: Alfred Mann
Publisher: Courier Corporation
ISBN: 0486171345
Category : Music
Languages : en
Pages : 369
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Book Description
Features a historical survey of writings on the fugue from the Renaissance to the present as well as four 18th-century studies: works by J. J. Fux, F. W. Marpurg, and more. Includes introductions, commentary, and 255 musical examples.
Author: Joseph Kerman
Publisher: Univ of California Press
ISBN: 0520962591
Category : Music
Languages : en
Pages : 193
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Book Description
A free ebook version of this title is available through Luminos, University of California Press’s new open access publishing program for monographs. Visit www.luminosoa.org to learn more. Fugue for J. S. Bach was a natural language; he wrote fugues in organ toccatas and voluntaries, in masses and motets, in orchestral and chamber music, and even in his sonatas for violin solo. The more intimate fugues he wrote for keyboard are among the greatest, most influential, and best-loved works in all of Western music. They have long been the foundation of the keyboard repertory, played by beginning students and world-famous virtuosi alike. In a series of elegantly written essays, eminent musicologist Joseph Kerman discusses his favorite Bach keyboard fugues—some of them among the best-known fugues and others much less familiar. Kerman skillfully, at times playfully, reveals the inner workings of these pieces, linking the form of the fugues with their many different characters and expressive qualities, and illuminating what makes them particularly beautiful, powerful, and moving. These witty, insightful pieces, addressed to musical amateurs as well as to specialists and students, are beautifully augmented by performances made specially for this volume: Karen Rosenak, piano, playing two preludes and fugues fromTheWell-Tempered Clavier—C Major, book 1; and B Major, book 2--and Davitt Moroney playing the Fughetta in C Major, BWV 952, on clavichord; the Fugue on "Jesus Christus unser Heiland," BWV 689, on organ; and the Fantasy and Fugue in A Minor, BWV 904, on harpsichord.
Author: Donald Francis Tovey
Publisher: Courier Corporation
ISBN: 048649764X
Category : Music
Languages : en
Pages : 244
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Book Description
Complete score of The Art of Fugue plus extensive commentary features all 14 fugues plus the four canons. The commentary outlines the fugues' contrapuntal devices and offers keen observations on the composer's craftsmanship.
Author: Christoph Neidhofer
Publisher: State University of New York Press
ISBN: 143849324X
Category : Music
Languages : en
Pages : 624
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Book Description
This book teaches Baroque compositional techniques through writing and improvisation exercises and analysis of repertoire examples. It provides readers with a historical outlook by focusing largely on principles taught in treatises from the period 1680–1780. This expanded edition includes new sections with keyboard exercises that provide training in Partimento performance as it was practiced at the time, helping students master Baroque style from the inside. While the focus of the book is on fugue, it also treats chorale preludes, stylized dances, inventions, and trio sonatas. The volume is divided into two parts—basic and advanced— which could be taught in a two-semester sequence. There are various options to introduce material from Part II into Part I for a one-semester course.
Author: Ebenezer Prout
Publisher:
ISBN:
Category : Fugue
Languages : en
Pages : 282
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Book Description
Author: Garon Whited
Publisher:
ISBN: 9780692524336
Category :
Languages : en
Pages : 780
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Book Description
It's not easy, being King. Especially since he has an allergy to sunrise and sunset, a fire-goddess for a mother-in-law, demonic adversaries, random assassins, and a basement full of insecurities to cope with. Add to that his daughter, the priestess/princess, a couple of lightly-deranged professional magicians, a whole city full of wizards, and enough squabbling princes to resemble a kindergarten argument. It's enough to make a man want to just go home. Luckily for Eric, he has the world's largest pet rock, a smart-mouthed sword, and a horse that not only understands him, but likes him anyway.
Author: William Renwick
Publisher: Pendragon Press
ISBN: 9780945193524
Category : Juvenile Nonfiction
Languages : en
Pages : 248
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Book Description
The analytical techniques that Heinrich Schenker developed have become increasingly dominant in the analysis of tonal music, and have provided a rich and powerful means of understanding the complexities of great masterworks of the Western tradition. Schenker's method is based on two cardinal concepts-a hierarchy of tones grouped into structural levels, and a recognition of the importance of strict voice-leading at all structural levels. In Analyzing Fugue-A Schenkerian Approach, author William Renwick utilizes Schenkerian techniques to explore the relationship between imitative counterpoint and voice-leading in fugue. He shows that the art of fugal composition as practiced by masters such as Bach and Handel involves a remarkable degree of systematic structural patterning that is not evident on the surface of the music. Reviews-...Renwick's book offers a penetrating theory of fugue, with telling observations for theorists and composers alike. Heather Platt Notes Sept. 1996...clearly the fruit of deep study and sophisticated knowledge of fugues (particularly those of bach) and the literature about them. ...many will find it a fount of wisdom and knowledge. Lionel Pike, Music and Letters vol. 77 no. 1...consummate and meticulous scholarship. Robert Gauldin, Intégral vol. 9
Author: Robert Anderson
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 392
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Book Description
A young New York writer finds his life transformed by the poetry of Sylvia Plath, as well as by her suicide, in a novel that explores the poet's death and its impact on her survivors, including her husband, Ted Hughes.
Author: Ian Bent
Publisher: Cambridge University Press
ISBN: 9780521259699
Category : Music
Languages : en
Pages : 404
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Book Description
This book demonstrates, in fascinating diversity, how musicians in the nineteenth century thought about and described music. The analysis of music took many forms (verbal, diagrammatic, tabular, notational, graphic), was pursued for many different purposes (educational, scholarly, theoretical, promotional) and embodied very different approaches. This, the first volume, is concerned with writing on fugue, form and questions of style in the music of Palestrina, Handel, Bach, Mozart, Beethoven and Wagner and presents analyses of complete works or movements by the most significant theorists and critics of the century. The analyses are newly translated into English and are introduced and thoroughly annotated by Ian Bent, making this a volume of enormous importance to our understanding of the nature of music reception in the nineteenth century.
Author: Brian Evenson
Publisher:
ISBN: 9781566892254
Category : Fiction
Languages : en
Pages : 0
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Book Description
Nineteen chilling tales of the terror that lurks within.
