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Author: Patrice Petro
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 344
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Book Description
Photography criticism comes into its own with this gallery of imagesÑfaces, portraits, erotica, apparitions, landscapes, monuments, crowds. Editor Patrice Petro gathers the most current debates about the imageÕs complex relation to the things it seems to document and its powerful ability to indicate or attest to what has been.
Author: Patrice Petro
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 344
Get Book Here
Book Description
Photography criticism comes into its own with this gallery of imagesÑfaces, portraits, erotica, apparitions, landscapes, monuments, crowds. Editor Patrice Petro gathers the most current debates about the imageÕs complex relation to the things it seems to document and its powerful ability to indicate or attest to what has been.
Author: Tina Campt
Publisher: Duke University Press
ISBN: 0822350742
Category : History
Languages : en
Pages : 256
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Book Description
Campt explores the affective resonances of two archives of Black European photographs for those pictured, their families, and the community. Image Matters looks at photograph collections of four Black German families taken between 1900 and the end of World War II and a set of portraits of Afro-Caribbean migrants to Britain taken at a photographic studio in Birmingham between 1948 and 1960.
Author: Michael A. Chaney
Publisher: Indiana University Press
ISBN: 0253349443
Category : Art
Languages : en
Pages : 274
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Book Description
Analyzing the impact of black abolitionist iconography on early black literature and the formation of black identity, Fugitive Vision examines the writings of Frederick Douglass, William Wells Brown, William and Ellen Craft, Harriet Jacobs, and the slave potter David Drake. Juxtaposing pictorial and literary representations, the book argues that the visual offered an alternative to literacy for current and former slaves, whose works mobilize forms of illustration that subvert dominant representations of slavery by both apologists and abolitionists. From a portrait of Douglass's mother as Ramses to the incised snatches of proverb and prophesy on Dave the Potter's ceramics, the book identifies a "fugitive vision" that reforms our notions of antebellum black identity, literature, and cultural production.
Author: G. Beegan
Publisher: Springer
ISBN: 0230589928
Category : Science
Languages : en
Pages : 316
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Book Description
The Mass Image situates the creation of the first photographically illustrated magazines within the social relations of the emerging popular culture of late Victorian London. It demonstrates how photomechanical reproduction allowed the illustrated press to envisage modern life on a much more intense scale than ever before.
Author: Hanneke Grootenboer
Publisher: University of Chicago Press
ISBN: 022671800X
Category : Art
Languages : en
Pages : 236
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Book Description
Grootenboer considers painting as a form of thinking in itself, rather than a subject of philosophical and interpretive thought. While the philosophical dimension of painting has long been discussed, a clear case for painting as a form of visual thinking has yet to be made. Traditionally, vanitas still life paintings are considered to raise ontological issues while landscapes direct the mind toward introspection. Grootenboer moves beyond these considerations to focus on what remains unspoken in painting, the implicit and inexpressible that manifests in a quality she calls pensiveness. Different from self-aware or actively desiring images, pensive images are speculative, pointing beyond interpretation. An alternative pictorial category, pensive images stir us away from interpretation and toward a state of suspension where thinking through and with the image can start. In fluid prose, Grootenboer explores various modalities of visual thinking— as the location where thought should be found, as a refuge enabling reflection, and as an encounter that provokes thought. Through these considerations, she demonstrates that artworks serve as models for thought as much as they act as instruments through which thinking can take place. Starting from the premise that painting is itself a type of thinking, The Pensive Image argues that art is capable of forming thoughts and shaping concepts in visual terms.
Author: Brian Neville
Publisher: SUNY Press
ISBN: 9780791453414
Category : Social Science
Languages : en
Pages : 276
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Book Description
Explorations in the aesthetics of waste and the material infrastructure of memory.
Author: Olga Shevchenko
Publisher: Routledge
ISBN: 1351521675
Category : History
Languages : en
Pages : 255
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Book Description
Over the past decade, historians and sociologists have increasingly used visual materials, in particular photographs, in their work. This volume brings together historians, sociologists, anthropologists, and media and visual scholars to articulate how photography, as a practice and as a visual medium, can provide insights into national memory, collective identities, and the historical imagination. This collection allows the reader to trace parallel conceptual developments occurring in the sociology and anthropology of memory and in the history and theory of photography, and to illustrate the unique "angles of vision" these disciplines offer. Photographic images commonly accompany historical accounts, from documentaries to family scrapbooks, and since the early days of commercial photography, pictures have been viewed as tools to capture memories. Later critical writing has challenged this equation by inverting it: photos, along with other archival practices, were often viewed as falling short of their supposed function as vessels of memory and at times even denounced as devices that distorted memories. How does photography participate in the formation and maintenance of collective identities and shared memory discourses, from the family to the nation? Furthermore, how can we begin to conceptualize photography's effects on the historical imagination of individuals and groups? Double Exposure endeavors to answer these questions by calling attention to the variety of contexts in which images circulate and to the narratives from which they spring and which they, in turn, shape. This is the latest volume in Transaction's Memory and Narrative series.
Author: Magda B. Arnold
Publisher: Psychology Press
ISBN: 1134922817
Category : Psychology
Languages : en
Pages : 651
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Book Description
Published in the year 1984, Memory and the Brain is a valuable contribution to the field of Neuropsychology.
Author: Karl Posso
Publisher: University of Wales Press
ISBN: 1783165499
Category : Literary Criticism
Languages : en
Pages : 338
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Book Description
Best known as Jorge Luis Borges’s right-hand man, Adolfo Bioy Casares (1914−1999) was, in his own right, an inventive writer of considerable skill. His works, often dismissed summarily as fantastic fiction, are now ripe for reassessment. This volume looks at Bioy’s extensive oeuvre which offers many surprising reflections on the twentieth century’s cultural, social and political transformations, both in Argentina and farther afield. Topics covered include Bioy’s meditations on isolation and logic, and his enduring fascination with the impact of photography on all artistic representation.
Author: Claudia Schaefer
Publisher: State University of New York Press
ISBN: 1438452748
Category : History
Languages : en
Pages : 256
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Book Description
Lens, Laboratory, Landscape focuses on competing views about the power of vision in Spain between the 1830s and the 1950s. The photographic lens, laboratory microscope, "retinal vision" of philosopher José Ortega y Gasset, and the topographical studies of Manuel de Terán are woven together in and around a European cultural milieu that gave observation primacy. For once, Spain—now bereft of its empire—was not on the outside of such debates. Whether in the laboratory, family home, darkroom, art gallery, or on the road, in Cuba or Zaragoza, Madrid or Massachusetts, Spanish artists and scientists were engaged with the social and economic power of observation at a time when the speed of modern life made observing a challenge. Claudia Schaefer brings the technologies of the eye—photograph, microscope, lens, tools for land surveying—to light as markers on the nation's touted path to modernity.
