Fu-so Mimo Bukuro

Fu-so Mimo Bukuro PDF Author: C. Pfoundes
Publisher:
ISBN:
Category : Japan
Languages : en
Pages : 198

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Book Description

Fu-so Mimo Bukuro

Fu-so Mimo Bukuro PDF Author: C. Pfoundes
Publisher:
ISBN:
Category : Japan
Languages : en
Pages : 198

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Book Description


Fu-so Mimo Bukuro

Fu-so Mimo Bukuro PDF Author: C. Pfoundes
Publisher:
ISBN: 9781446063187
Category : Science
Languages : en
Pages : 192

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Book Description
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Fu-so Mimo Bukuro. A Budget of Japanese Notes

Fu-so Mimo Bukuro. A Budget of Japanese Notes PDF Author: C. Pfoundes
Publisher: BoD – Books on Demand
ISBN: 3385380294
Category : Fiction
Languages : en
Pages : 194

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Book Description
Reprint of the original, first published in 1875.

Out-of-print Books from the John G. White Folklore Collection

Out-of-print Books from the John G. White Folklore Collection PDF Author: Bell & Howell Co. Micro Photo Division
Publisher: Cleveland : Micro Photo Division, Bell & Howell Company
ISBN:
Category : Folklore
Languages : en
Pages : 352

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Book Description


Catalog of Folklore, Folklife, and Folk Songs

Catalog of Folklore, Folklife, and Folk Songs PDF Author: Cleveland Public Library. John G. White Department
Publisher:
ISBN:
Category : Folk songs
Languages : en
Pages : 800

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The Pink Album

The Pink Album PDF Author: Shindo L
Publisher:
ISBN: 9781634422598
Category :
Languages : en
Pages :

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Book Description


Japanese Classical Theater in Films

Japanese Classical Theater in Films PDF Author: Keiko I. McDonald
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838635025
Category : Motion pictures
Languages : en
Pages : 372

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Book Description
Noh, Kabuki, and Bunraku are the three distinct genres of classical theater that have made Japan's dramatic art unique. The audience steeped in these traditional theatrical forms sees many aspects of stage conventions in Japanese cinema. This intimacy makes the aesthetic/intellectual experience of films more enriching. Japanese Classical Theater in Films aims at heightening such awareness in the West, the awareness of the influence that these three major dramatic genres have had on Japan's cinematic tradition. Using an eclectic critical framework - a solid combination of historical and cultural approaches reinforced with formalist and auteurist perspectives - Keiko I. McDonald undertakes this much needed, ambitious task.

A Waka Anthology, Volume Two

A Waka Anthology, Volume Two PDF Author: Edwin A. Cranston
Publisher: Stanford University Press
ISBN: 9780804748254
Category : History
Languages : en
Pages : 1332

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Book Description
Grasses of Remembrance, the second volume of Edwin Cranston's monumental Waka Anthology, carries forward the story of Japanese court poetry, drawing on sources dating from the 890s to the 1080s. The book presents over 2,600 poems in lively and readable translation, including all 795 poems from The Tale of Genji.

Enduring Identities

Enduring Identities PDF Author: John K. Nelson
Publisher: University of Hawaii Press
ISBN: 0824862384
Category : Religion
Languages : en
Pages : 336

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Book Description
Enduring Identities is an attempt to understand the continuing relevance of Shinto to the cultural identity of contemporary Japanese. The enduring significance of this ancient yet innovative religion is evidenced each year by the millions of Japanese who visit its shrines. They might come merely seeking a park-like setting or to make a request of the shrine's deities, asking for a marriage partner, a baby, or success at school or work; or they might come to give thanks for benefits received through the intercession of deities or to legitimate and sacralize civic and political activities. Through an investigation of one of Japan's most important and venerated Shinto shrines, Kamo Wake Ikazuchi Jinja (more commonly Kamigamo Jinja), the book addresses what appears through Western and some Asian eyes to be an exotic and incongruous blend of superstition and reason as well as a photogenic juxtaposition of present and past. Combining theoretical sophistication with extensive fieldwork and a deep knowledge of Japan, John Nelson documents and interprets the ancient Kyoto shrine's yearly cycle of rituals and festivals, its sanctified landscapes, and the people who make it viable. At local and regional levels, Kamigamo Shrine's ritual traditions (such as the famous Hollyhock Festival) and the strategies for their perpetuation and implementation provide points of departure for issues that anthropologists, historians, and scholars of religion will recognize as central to their disciplines. These include the formation of social memory, the role of individual agency within institutional politics, religious practice and performance, the shaping of sacred space and place, ethnic versus cultural identity, and the politics of historical representation and cultural nationalism. Nelson links these themes through a detailed ethnography about a significant place and institution, which until now has been largely closed to both Japanese and foreign scholars. In contrast to conventional notions of ideology and institutions, he shows how a religious tradition's lack of centralized dogma, charismatic leaders, and sacred texts promotes rather than hinders a broad-based public participation with a variety of institutional agendas, most of which have very little to do with belief. He concludes that it is this structural flexibility, coupled with ample economic, human, and cultural resources, that nurtures a reworking of multiple identities--all of which resonate with the past, fully engage the present, and, with care, will endure well into the future.

Writing Margins

Writing Margins PDF Author: Terry Kawashima
Publisher: Harvard Univ Asia Center
ISBN: 9780674005167
Category : History
Languages : en
Pages : 388

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Book Description
In texts from the mid-Heian to the early Kamakura periods, certain figures appear to be "marginal" or removed from "centers" of power. But why do we see these figures in this way? This study first seeks to answer this question by examining the details of the marginalizing discourse found in these texts. Who is portraying whom as marginal? For what reason? Is the discourse consistent? The author next considers these texts in terms of the predilection of modern scholarship, both Japanese and Western, to label certain figures "marginal." She then poses the question: Is this predilection a helpful tool or does it inscribe modern biases and misconceptions onto these texts?