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Author: Keguro Macharia
Publisher: NYU Press
ISBN: 1479861677
Category : Social Science
Languages : en
Pages : 217
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Book Description
Winner, 2020 Alan Bray Memorial Prize, given by the GL/Q Caucus of the Modern Language Association A new understanding of freedom in the black diaspora grounded in the erotic In Frottage, Keguro Macharia weaves together histories and theories of blackness and sexuality to generate a fundamentally new understanding of both the black diaspora and queer studies. Macharia maintains that to reach this understanding, we must start from the black diaspora, which requires re-thinking not only the historical and theoretical utility of identity categories such as gay, lesbian, and bisexual, but also more foundational categories such as normative and non-normative, human and non-human. Simultaneously, Frottage questions the heteronormative tropes through which the black diaspora has been imagined. Between Frantz Fanon, René Maran, Jomo Kenyatta, and Claude McKay, Macharia moves through genres—psychoanalysis, fiction, anthropology, poetry—as well as regional geohistories across Africa and Afro-diaspora to map the centrality of sex, gender, desire, and eroticism to black freedom struggles. In lyrical, meditative prose, Macharia invigorates frottage as both metaphor and method with which to rethink diaspora by reading, and reading against, discomfort, vulnerability, and pleasure.
Author: Keguro Macharia
Publisher: NYU Press
ISBN: 1479861677
Category : Social Science
Languages : en
Pages : 217
Get Book Here
Book Description
Winner, 2020 Alan Bray Memorial Prize, given by the GL/Q Caucus of the Modern Language Association A new understanding of freedom in the black diaspora grounded in the erotic In Frottage, Keguro Macharia weaves together histories and theories of blackness and sexuality to generate a fundamentally new understanding of both the black diaspora and queer studies. Macharia maintains that to reach this understanding, we must start from the black diaspora, which requires re-thinking not only the historical and theoretical utility of identity categories such as gay, lesbian, and bisexual, but also more foundational categories such as normative and non-normative, human and non-human. Simultaneously, Frottage questions the heteronormative tropes through which the black diaspora has been imagined. Between Frantz Fanon, René Maran, Jomo Kenyatta, and Claude McKay, Macharia moves through genres—psychoanalysis, fiction, anthropology, poetry—as well as regional geohistories across Africa and Afro-diaspora to map the centrality of sex, gender, desire, and eroticism to black freedom struggles. In lyrical, meditative prose, Macharia invigorates frottage as both metaphor and method with which to rethink diaspora by reading, and reading against, discomfort, vulnerability, and pleasure.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 148
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Book Description
Out is a fashion, style, celebrity and opinion magazine for the modern gay man.
Author: Mona Houghton
Publisher:
ISBN: 9780984578221
Category : Fiction
Languages : en
Pages : 0
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Book Description
Fiction. This remarkable debut work brings together two powerful novellas that take a hard look at twenty-first century Southern California life and come up on the wry side of compassion. In a twist on the epistolary form, FROTTAGE collects letters from a patient to her analyst that plainly, sometimes shockingly, hide in writing what should be said out loud, piecing together a narrative of sibling secrets and their troubled aftermath. EVEN AS WE SPEAK takes place a few years after 9/11 and follows six disparate characters whose lives crash at the story's start. From the eco-terrorist whose disaffected wife has threatened to expose him, to the college student whose life is tragically complicated by her parents' love triangle, to the middle-aged accountant escaping an alcoholic lover all of them are, in one sense or another, on the lam. By sheer circumstance, they all end up in the same roadside gas station on the same afternoon, at which juncture their lives get entangled."
Author: Allegra Pesenti
Publisher: Menil Foundation
ISBN: 9780300214697
Category : Rubbing
Languages : en
Pages : 0
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Book Description
This fascinating publication sheds light on a medium that combines the qualities of drawing with those of sculpture, printmaking, and painting, and is the first to focus exclusively on the art technique known as frottage, derived from the French word frotter, meaning "to rub." Over 100 pieces, ranging from contemporary conceptual works to rubbings recording tombs and inscriptions, are assembled and sumptuously reproduced in color. More than 50 artists--including the famous, like Max Ernst, inventor of the term "frottage," and the relatively unknown--are presented. Four thematic sections explore different aspects of frottage: its roots in Surrealism and the practice of automatic drawing; the notion of trace, of either a place or an idea left behind in a rubbing; the "apparitions" or ghostlike attributes that can appear on the surface of an artwork; and the associations between rubbings, death, and memory. Distributed for the Menil Collection Exhibition Schedule: Hammer Museum, UCLA (02/08/15-05/31/15) The Menil Collection (09/11/15-01/03/16)
Author: Max Ernst
Publisher:
ISBN:
Category :
Languages : en
Pages : 6
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Book Description
Author: Hokkaidō Daigaku. Nōgakubu
Publisher:
ISBN:
Category : Agriculture
Languages : en
Pages : 270
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Book Description
Author:
Publisher:
ISBN:
Category : Agriculture
Languages : en
Pages : 264
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Book Description
Author: Hemma Schmutz
Publisher: Verlag Fur Moderne Kunst
ISBN:
Category : Art
Languages : en
Pages : 334
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Book Description
Austrian artist Marko Lulic (born 1972) investigates Yugoslavian and international modernism, addressing utopian aspects of the 20th century in different political contexts. This catalog accompanies an exhibition of his large-scale installations, video, posters and public works at Lentos Kunstmuseum in Linz.
Author: Kelly Chorpening
Publisher: John Wiley & Sons
ISBN: 1119194571
Category : Art
Languages : en
Pages : 576
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Book Description
The first university-level textbook on the power, condition, and expanse of contemporary fine art drawing A Companion to Contemporary Drawing explores how 20th and 21st century artists have used drawing to understand and comment on the world. Presenting contributions by both theorists and practitioners, this unique textbook considers the place, space, and history of drawing and explores shifts in attitudes towards its practice over the years. Twenty-seven essays discuss how drawing emerges from the mind of the artist to question and reflect upon what they see, feel, and experience. This book discusses key themes in contemporary drawing practice, addresses the working conditions and context of artists, and considers a wide range of personal, social, and political considerations that influence artistic choices. Topics include the politics of eroticism in South American drawing, anti-capitalist drawing from Eastern Europe, drawing and conceptual art, feminist drawing, and exhibitions that have put drawing practices at the centre of contemporary art. This textbook: Demonstrates ways contemporary issues and concerns are addressed through drawing Reveals how drawing is used to make powerful social and political statements Situates works by contemporary practitioners within the context of their historical moment Explores how contemporary art practices utilize drawing as both process and finished artifact Shows how concepts of observation, representation, and audience have changed dramatically in the digital era Establishes drawing as a mode of thought Part of the acclaimed Wiley Blackwell Companions to Art History series, A Companion to Contemporary Drawing is a valuable text for students of fine art, art history, and curating, and for practitioners working within contemporary fine art practice.
Author: Brian Blanchfield
Publisher: Nightboat Books
ISBN: 193765852X
Category : Biography & Autobiography
Languages : en
Pages : 202
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Book Description
Past compunction, expressly unbeholden, these twenty-four single-subject essays train focus on a startling miscellany of topics - Foot Washing, Dossiers, Br'er Rabbit, Housesitting, Man Roulette, the Locus Amoenus - that begin to unpack the essayist himself and his life's rotating concerns: sex and sexuality, poetry and poetics, subject positions in American labor (not excluding academia), and his upbringing in working-class, Primitive Baptist, central-piedmont North Carolina. In Proxies an original constraint, a "total suppression of recourse to authoritative sources," engineers Brian Blanchfield's disarming mode of independent intellection. The "repeatable experiment" to draw only from what he knows, estimates, remembers, and misremembers about the subject at hand often opens onto an unusually candid assessment of self and situation. The project's driving impulse, courting error, peculiar in an era of crowd-sourced Wiki-knowledge, is at least as old as the one Montaigne had when, putting all the books back on the shelf, he asked, "What do I know?"
