Author: Robert Ignatius Letellier
Publisher: Cambridge Scholars Publishing
ISBN: 1527568776
Category : Music
Languages : en
Pages : 684
Book Description
In his lifetime, the opera composer Fromental Halévy was considered the leader of the French school; his admirers included Wagner, Berlioz, and later Mahler. Today, he is chiefly remembered for his grand tragic opera La Juive (Paris, 1835), a unique work exploring the nature of freedom, faith, and tolerance. It has enjoyed rediscovery in recent times, and its perennial challenge to our presuppositions makes it a work of intense artistic significance. Halevy worked in the heady context of Paris after the 1830 Revolution and before the debacle of 1870—when the French capital was at the centre of the operatic world. He wrote some 30 operas in the established genres of grand opéra and opéra-comique. L’Éclair (1835) and Guido et Ginévra (1838) consolidated his success in these genres. This study throws light on this shadowy figure, looking at his life, his letters, contemporary opinion about him, and, most importantly, his operas. Each one is examined in terms of its origin, libretto, musical features, and place in the vibrant critical journalism of mid-19th century France. The text provides musical examples and something of the rich iconography that accompanied the creation of his works.
Fromental Halévy and His Operas, 1799-1841
Author: Robert Ignatius Letellier
Publisher: Cambridge Scholars Publishing
ISBN: 1527568776
Category : Music
Languages : en
Pages : 684
Book Description
In his lifetime, the opera composer Fromental Halévy was considered the leader of the French school; his admirers included Wagner, Berlioz, and later Mahler. Today, he is chiefly remembered for his grand tragic opera La Juive (Paris, 1835), a unique work exploring the nature of freedom, faith, and tolerance. It has enjoyed rediscovery in recent times, and its perennial challenge to our presuppositions makes it a work of intense artistic significance. Halevy worked in the heady context of Paris after the 1830 Revolution and before the debacle of 1870—when the French capital was at the centre of the operatic world. He wrote some 30 operas in the established genres of grand opéra and opéra-comique. L’Éclair (1835) and Guido et Ginévra (1838) consolidated his success in these genres. This study throws light on this shadowy figure, looking at his life, his letters, contemporary opinion about him, and, most importantly, his operas. Each one is examined in terms of its origin, libretto, musical features, and place in the vibrant critical journalism of mid-19th century France. The text provides musical examples and something of the rich iconography that accompanied the creation of his works.
Publisher: Cambridge Scholars Publishing
ISBN: 1527568776
Category : Music
Languages : en
Pages : 684
Book Description
In his lifetime, the opera composer Fromental Halévy was considered the leader of the French school; his admirers included Wagner, Berlioz, and later Mahler. Today, he is chiefly remembered for his grand tragic opera La Juive (Paris, 1835), a unique work exploring the nature of freedom, faith, and tolerance. It has enjoyed rediscovery in recent times, and its perennial challenge to our presuppositions makes it a work of intense artistic significance. Halevy worked in the heady context of Paris after the 1830 Revolution and before the debacle of 1870—when the French capital was at the centre of the operatic world. He wrote some 30 operas in the established genres of grand opéra and opéra-comique. L’Éclair (1835) and Guido et Ginévra (1838) consolidated his success in these genres. This study throws light on this shadowy figure, looking at his life, his letters, contemporary opinion about him, and, most importantly, his operas. Each one is examined in terms of its origin, libretto, musical features, and place in the vibrant critical journalism of mid-19th century France. The text provides musical examples and something of the rich iconography that accompanied the creation of his works.
Fromental Halvy
Author: Ruth Jordan
Publisher: Hal Leonard Corporation
ISBN: 9780879100797
Category : Biography & Autobiography
Languages : en
Pages : 268
Book Description
Fromental Halevy, best known for his opera La Juive, captured the romantic and contentious spirit of his time. His was one of the most eventful eras in French history, ranging from the fall of Napoleon to the establishment of the Second Empire, and he took part in what was happening around him, often reflecting it in his music. As a composer, Halevy regarded opera as a magic spectacle fusing drama, music, dance and art. His work - innovative, demanding, captivating - included more than 30 grand operas and operas comiques, almost all widely performed and many immensely popular throughout nineteenth century Europe and the United States. And, loyal to his Jewish faith, Halevy set to music several psalms for liturgical use in French synagogues. Wagner, for all his virulent anti-Semitism, hailed "Halevy's brilliant energy that has sped French grand opera along a new road". This book, our century's first full-length biography of Halevy, which includes previously unpublished excerpts from his diaries and correspondence, illuminates that road.
Publisher: Hal Leonard Corporation
ISBN: 9780879100797
Category : Biography & Autobiography
Languages : en
Pages : 268
Book Description
Fromental Halevy, best known for his opera La Juive, captured the romantic and contentious spirit of his time. His was one of the most eventful eras in French history, ranging from the fall of Napoleon to the establishment of the Second Empire, and he took part in what was happening around him, often reflecting it in his music. As a composer, Halevy regarded opera as a magic spectacle fusing drama, music, dance and art. His work - innovative, demanding, captivating - included more than 30 grand operas and operas comiques, almost all widely performed and many immensely popular throughout nineteenth century Europe and the United States. And, loyal to his Jewish faith, Halevy set to music several psalms for liturgical use in French synagogues. Wagner, for all his virulent anti-Semitism, hailed "Halevy's brilliant energy that has sped French grand opera along a new road". This book, our century's first full-length biography of Halevy, which includes previously unpublished excerpts from his diaries and correspondence, illuminates that road.
First Proofs of the Universal Catalogue of Books on Art
Author: National Art Library (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1046
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1046
Book Description
The First Proofs of the Universal Catalogue of Books on Art Compiled for the Use of the National Art Library and the Schools of Art in the United Kingdom by Order of the Lords of the Committee of Council on Education
Author: Great Britain. Department of Science and Art
Publisher:
ISBN:
Category :
Languages : en
Pages : 1044
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1044
Book Description
Music, Musicians, and the Saint-Simonians
Author: Ralph P. Locke
Publisher: University of Chicago Press
ISBN: 9780226489025
Category : History
Languages : en
Pages : 440
Book Description
The Saint-Simonians, whose movement flourished in France between 1825 and 1835, are widely recognized for their contributions to history and social thought. Until now, however, no full account has been made of the central role of the arts in their program. In this skillful interdisciplinary study, Ralph P. Locke describes and documents the Saint-Simonians' view of music as an ideological tool and the influence of this view on musical figures of the day. The disciples of Claude Henri de Rouvroy, comte de Saint-Simon, believed that increased industrial production would play a crucial role in improving the condition of the working masses and in shifting power from the aristocratic "drones" to the enterprising men of talent then rising in the French middle class. As a powerful means of winning support for their views, music became an integral part of the Saint-Simonians' writings and ceremonial activities. Among the musicians Locke discusses are Berlioz, Liszt, and Mendelssohn, whose tangential association with the Saint-Simonians reveals new aspects of their social and aesthetic views. Other musicians became the Saint-Simonians' faithful followers, among them Jules Vinçard, Dominique Tajan-Rogé, and particularly Félicien David, the movement's principal composer. Many of these composers' works, reconstructed by Locke from authentic sources, are printed here, including the "Premier Chant des industriels," written at Saint-Simon's request by Rouget de Lisle, composer of the "Marseillaise."
Publisher: University of Chicago Press
ISBN: 9780226489025
Category : History
Languages : en
Pages : 440
Book Description
The Saint-Simonians, whose movement flourished in France between 1825 and 1835, are widely recognized for their contributions to history and social thought. Until now, however, no full account has been made of the central role of the arts in their program. In this skillful interdisciplinary study, Ralph P. Locke describes and documents the Saint-Simonians' view of music as an ideological tool and the influence of this view on musical figures of the day. The disciples of Claude Henri de Rouvroy, comte de Saint-Simon, believed that increased industrial production would play a crucial role in improving the condition of the working masses and in shifting power from the aristocratic "drones" to the enterprising men of talent then rising in the French middle class. As a powerful means of winning support for their views, music became an integral part of the Saint-Simonians' writings and ceremonial activities. Among the musicians Locke discusses are Berlioz, Liszt, and Mendelssohn, whose tangential association with the Saint-Simonians reveals new aspects of their social and aesthetic views. Other musicians became the Saint-Simonians' faithful followers, among them Jules Vinçard, Dominique Tajan-Rogé, and particularly Félicien David, the movement's principal composer. Many of these composers' works, reconstructed by Locke from authentic sources, are printed here, including the "Premier Chant des industriels," written at Saint-Simon's request by Rouget de Lisle, composer of the "Marseillaise."
Eminent Israelites of the Nineteenth Century
Author: Henry Samuel Morais
Publisher:
ISBN:
Category : Jews
Languages : en
Pages : 388
Book Description
Publisher:
ISBN:
Category : Jews
Languages : en
Pages : 388
Book Description
Printed Catalogs of the Archival Sound Recordings Collection of the Arts Library, University of California, Santa Barbara: Composer list
Author: University of California, Santa Barbara. Arts Library
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 930
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 930
Book Description
The National Union Catalog, Pre-1956 Imprints
Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712
Book Description
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712
Book Description
Theatrical Costume, Masks, Make-Up and Wigs
Author: Sidney Jackson Jowers
Publisher: Routledge
ISBN: 1136746420
Category : Art
Languages : en
Pages : 542
Book Description
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Routledge
ISBN: 1136746420
Category : Art
Languages : en
Pages : 542
Book Description
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
While the Music Lasts
Author: David A. Powell
Publisher: Bucknell University Press
ISBN: 9780838754740
Category : Literary Criticism
Languages : en
Pages : 396
Book Description
At the same time, Sand's musical referencing techniques afford a culturally based method for looking at French society and the need for a humanist reform, all the while exploring feminist statements, narrative strategies, love plots, and questions of communication, language, and nationhood."--BOOK JACKET.
Publisher: Bucknell University Press
ISBN: 9780838754740
Category : Literary Criticism
Languages : en
Pages : 396
Book Description
At the same time, Sand's musical referencing techniques afford a culturally based method for looking at French society and the need for a humanist reform, all the while exploring feminist statements, narrative strategies, love plots, and questions of communication, language, and nationhood."--BOOK JACKET.