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Author: Khalil B. Kinsey ($e writer of added commentary)
Publisher:
ISBN: 9780982622537
Category : African American art
Languages : en
Pages : 198
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Book Description
Author: Richard R. Brettell
Publisher: Yale University Press
ISBN: 9780912804514
Category : Art
Languages : en
Pages : 455
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Book Description
This stunning catalogue documents and accompanies an exhibition held at the Kimbell Art Museum that represents the first comprehensive survey of the history of private art collecting in Texas.
Author: Richard R. Brettell
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 490
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Book Description
This stunning catalogue documents and accompanies an exhibition held at the Kimbell Art Museum that represents the first comprehensive survey of the history of private art collecting in Texas.
Author: Khalil B. Kinsey ($e writer of added commentary)
Publisher:
ISBN: 9780982622537
Category : African American art
Languages : en
Pages : 198
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Book Description
Author: Paula L. Grauer
Publisher: Texas A&M University Press
ISBN: 9780890968611
Category : Art
Languages : en
Pages : 276
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Book Description
Presents an alphabetical listing of artists who have lived, worked, and exhibited in Texas between 1800 and 1945; features color reproductions of one or more of each artist's works; and includes tables of the major exhibitions and competitions in Texas during the late nineteenth and early twentieth century.
Author: Becky Duval Reese
Publisher:
ISBN: 9781623499822
Category : Nature (Aesthetics)
Languages : en
Pages : 200
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Book Description
Austin artist David Everett was born and raised in Texas, and his work reflects an organic and wholly original Lone Star State ethos. His stunning vision and exquisite craftsmanship evoke nature's essential grace and harmony in beautiful sculptures, bas-relief carvings, woodcuts, and drawings. Steve Davis, former president of the Texas Institute of Letters, writes of Everett, "David has never been one of those artists-as-marketers who relentlessly hype themselves. Instead, he has let the quality of his work speak for itself. And it does more than speak--it sings." Everett's creations inspire a passionate devotion among his many fans and collectors. He appears in high-profile exhibitions across Texas and the Southwest and his work is found in many public, corporate, and private collections. An introduction by prominent novelist Stephen Harrigan sets the perfect tone for an absorbing consideration of Everett's oeuvre in The Art of David Everett: Another World. Author and editor Becky Duval Reese, respected art curator, writer, and retired director of the El Paso Museum of Art, contributes an insightful essay on Everett and his place in Texas art, followed by an absorbing interview with curator, author, and teacher Richard Holland, both offering revealing and satisfying insights into the shaping and development of the artist's unique viewpoint and methods. The heart of the book is the abundant collection of breathtaking, full-color reproductions of Everett's work. Here, the reader gains a vivid view of how Everett's artistic instincts have been nurtured by life experiences and a maturing aesthetic rooted in tradition.
Author: Yve-Alain Bois
Publisher: Flammarion-Pere Castor
ISBN:
Category : Art
Languages : en
Pages : 274
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Book Description
Fiercely competitive, Matisse and Picasso engaged in one of the most formidable artistic dialogues of this century. The intense beginning of the relationship between the two artists - from the time they met in 1906 until 1917, when Matisse left for Nice - has already been amply studied, but their continuous exchange during the second part of their careers has never been examined in detail. In Matisse and Picasso, Yve-Alain Bois stages the intertwined evolution of the two giants of modern art as if it were an ongoing game of chess between two masters. As Joachim Pissarro points out in the foreword of this volume, Matisse and Picasso's dense plot and rich narrative make this work read more like a suspense novel than a traditional art history treatise. Bois' thoroughly researched historical demonstration is supported by striking visual juxtapositions of works by the two artists brought together here for the first time, making this long-awaited study a major contribution to the history of twentieth-century art.
Author: Neal Cassady
Publisher: Penguin
ISBN: 1101177330
Category : Literary Collections
Languages : en
Pages : 513
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Book Description
“Dave Moore's work on this collection is simply awesome.... It should become and remain the definitive reference book for Beat scholars forever.” —Carolyn Cassady Neal Cassady is best remembered today as Jack Kerouac’s muse and the basis for the character “Dean Moriarty” in Kerouac’s classic On The Road, and as one of Ken Kesey’s merriest of Merry Pranksters, the driver of the psychedelic bus “Further,” immortalized in Tom Wolfe’s The Electric Kool-Aid Acid Test. This collection brings together more than two hundred letters to Kerouac, Allen Ginsberg, John Clellon Holmes, and other Beat generation luminaries, as well as correspondence between Neal and his wife, Carolyn. These amazing letters cover Cassady’s life between the ages of 18 and 41 and finish just months before his death in February 1968. Brilliantly edited by Dave Moore, this unique collection presents the “Soul of the Beat Generation” in his own words—sometimes touching and tender, sometimes bawdy and hilarious. Here is the real Neal Cassady—raw and uncut.
Author: University of Texas at Austin
Publisher: University of Texas at Austin College of Fine Arts
ISBN: 9781477307854
Category : Art
Languages : en
Pages : 720
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Book Description
"Known as one of the most important public research institutions in the world, The University of Texas at Austin is widely celebrated for its collections of unparalleled quality, range, and distinctiveness. The Collections: The University of Texas at Austin offers the first sweeping guide to the university's vast object-based resources. It provides a brief history of each collection, a description of strengths, and highlights ways in which materials are used to further teaching and scholarship. Documenting more than eighty collections housed by some forty administrative units, this volume includes an historical introduction by Lewis Gould that traces the formation of the collections and acknowledges the patrons, university presidents, deans, faculty, scientists, librarians, and curators whose drive and vision we see manifested in these material holdings"--
Author: The Amon Carter Museum of American Art
Publisher: University of Texas Press
ISBN: 9781477323762
Category : Art
Languages : en
Pages : 304
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Book Description
This is the first major publication on the art and lives of twentieth-century Fort Worth artists Scott (1942–2011) and Stuart (1942–2006) Gentling. Prolific modern-day Renaissance men, the brothers created an extensive body of landscapes; portraits of regional and national luminaries; historical studies ranging from a visual reconstruction of the Aztec capital of Tenochtitlan to subjects drawn from the French and American Revolutions; and natural history illustrations of the flora and fauna of Texas. Realist painters, they drew inspiration from past masters such as Jacques-Louis David and John James Audubon, and they corresponded and collaborated with contemporaries such as Andrew Wyeth and Ed Ruscha. The Gentling brothers’ place within the canon of twentieth-century American art is established here. Along with 290 images, including 120 plates, the book includes five essays, two by scholars Erika Doss of the University of Notre Dame and Barbara Mundy of Fordham University; a trio of Carter museum curators provide deep analyses of the Gentlings’ artistic process, the output of their fifty-year career, and a chronology of their lives; plus several brief and incisive takes on specific aspects of the brothers’ multifaceted art and lives are featured throughout.
Author: Peter Mears
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 188
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Book Description
Published in conjunction with the exhibition Frank Reaugh: Landscapes of Texas and the American West, organized by the Harry Ransom Center, The University of Texas at Austin, August 4-November 29, 2015.
