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Author: Douglas Wilson
Publisher: Canon Press & Book Service
ISBN: 1885767307
Category : Calvinism
Languages : en
Pages : 154
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Book Description
Easy Chairs, Hard Words is a dialogue on God's sovereignty and predestination.
Author: Douglas Wilson
Publisher: Canon Press & Book Service
ISBN: 1885767307
Category : Calvinism
Languages : en
Pages : 154
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Book Description
Easy Chairs, Hard Words is a dialogue on God's sovereignty and predestination.
Author: Jean Jackson
Publisher: DK Publishing (Dorling Kindersley)
ISBN:
Category : Juvenile Fiction
Languages : en
Pages : 40
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Book Description
Hungry for a snack, Mrs. Piccolo's easy chair follows her to the grocery store, swallowing up several people as it goes.
Author: George William Curtis
Publisher: BoD – Books on Demand
ISBN: 3734035589
Category : Fiction
Languages : en
Pages : 98
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Book Description
Reproduction of the original: From the Easy Chair by George William Curtis
Author: George William Curtis
Publisher: Library of Alexandria
ISBN: 1613108427
Category : Fiction
Languages : en
Pages : 469
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Book Description
The house was full, and murmurous with the pleasant chat and rustling movement of well-dressed persons of both sexes who waited patiently the coming of the orator, looking at the expanse of stage, which was carpeted, and covered with rows of settees that went backward from the footlights to a landscape of charming freshness of color, that might have been set for the "Maid of Milan" or the pastoral opera. Between the seats and the foot-lights was a broad space, upon which stood a small table and two or three chairs; and if the orator of the evening, like a primo tenore, had been surveying the house through the friendly chinks of the pastoral landscape, he would have felt a warm suffusion of pleasure that his name should be the magic spell to summon an audience so fair, so numerous, and so intelligent. There were ushers who showed ladies to seats, and with their dress-coats and bright badges looked like a milder Metropolitan police. But no greater force was presumed to be required of them than pressing aside a too discursive crinoline. In the soft, ample light, as the audience sat with fluttering ribbons and bright gems and splendid silks and shawls, so tranquilly expectant, so calmly smiling, so shyly blushing (if, haply, in all that crowd there were a pair of lovers!), it was hard to believe that civil war was wasting the land, and that at the very moment some of those glad hearts were broken--but would not know it until the sad news came. Yet it was easy, in the same glance, to feel that even the terrible shape that we thought we had eluded forever did not seem, after all, so terrible; that even civil war might be shaking the gates and the guests still smile in the chambers. But while leaning against the wall, under the balcony, the Easy Chair looks around upon the humming throng and thinks of camps far away, and beating drums and wild alarms and sweeping squadrons of battle, there is a sudden hush and a simultaneous glance towards one side of the house, and there, behind the seats at the side, and making for the stage door, marches a procession, two and two, very solemn, very bald, very gray, and in evening dress. They are the invited guests, the honored citizens of Brooklyn, the reverend clergy, and others; a body of substantial, intelligent, decorous persons. They disappear for a moment within the door, and immediately emerge upon the stage with a composed bustle, moving the seats, taking off their coats, sedately interchanging little jests, and finally seating themselves, and gazing at the audience evidently with a feeling of doubt whether the honor of the position compensates for its great disadvantage; for to sit behind an orator is to hear, without seeing, an actor. The audience is now waiting, both upon the stage and in the boxes, with patient expectation. There is little talking, but a tension of heads towards the stage. The last word is spoken there, the last joke expires; all attention is concentrated upon an expected object. The edge of eagerness is not suffered to turn, but precisely at the right moment a figure with a dark head and another with a gray head are seen at the depth of the stage, advancing through the aisle towards the foot-lights and the audience. They are the president of the society and the orator. The audience applauds. It is not a burst of enthusiasm; it is rather applausive appreciation of acknowledged merit. The gray-headed orator bows gravely and slightly, lays a roll of MS. upon the table, then he and the president seat themselves side by side. For a moment they converse, evidently complimenting the brilliant audience. The orator, also, evidently says that the table is right, that the light is right, that the glass of water is right, and finally that he is ready. In a few neat words "the honored son of Massachusetts" is introduced, and he rises and moves a few steps forward.
Author: Nishtha Shrivastava
Publisher: Booksclinic Publishing
ISBN: 9390871247
Category : Fiction
Languages : en
Pages : 193
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Book Description
"Do you live in present and forget all that was there in your past? Or do you drag your past in your present? Both will end up to a scary situation if a balance is not made well between the two. Shreya and Dev, a young couple will tell you what their life was full of. A Navy officer’s struggle on being on sailings and managing his love life and an old grandfather’s silent lifestyle that was the best companion to Shreya for long. Their story will touch our existence, make us think hard on our living and even hit us hard to hear the end. The intoxicating delusion of young age, its fire, its ambition can distract even the simplest of girls from a small town, who are brought up with family values and principles as their core like it happened for Shreya. Even the strongest officer like Mr. Sahai can feel helpless when he sees his life falling apart and loved ones getting detached from their roots. The battle between love and peace is not verified by achieving the end goal of togetherness but can also be lived by gracefully handling the pain and uncertainties of separation when life doesn’t go as per your plan, as it happened with Dev. The end cannot assure you to have the life of dreams in a lavish house, with your love along your side but a few wrong steps and the guilt of your mistakes can bring about loneliness and there memories left to please you for the rest of age. This is the story of guilt, remorse, ignorance, love, friendship, promises, ambition, passion and reliving. This is the story of Dev- Shreya and the Sahai’s."
Author: Christopher Schwarz
Publisher:
ISBN: 9781954697157
Category : Crafts & Hobbies
Languages : en
Pages : 0
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Book Description
"..."The Stick Chair Book" is divided into three sections. The first section, "Thinking About Chairs," introduces you to the world of common stick chairs, plus the tools and wood to build them. The second section - "Chairmaking Techniques" - covers every process involved in making a chair, from cutting stout legs, to making curved arms with straight wood, to carving the seat. Plus, you'll get a taste for the wide variety of shapes you can use. The chapter on seats shows you how to lay out 14 different seat shapes. The chapter on legs has 16 common forms that can be made with only a couple handplanes. Add those to the 11 different arm shapes, six arm-joinery options, 14 shapes for hands, seven stretcher shapes and 11 combs, and you could make stick chairs your entire life without ever making the same one twice. The final section offers detailed plans for five stick chairs, from a basic Irish armchair to a dramatic Scottish comb-back. These five chair designs are a great jumping-off point for making stick chairs of your own design. Additional chapters in the book cover chair comfort, finishing and sharpening the tools. From the author: "When I first wrote 'The Stick Chair Book' in 2021, I was also fighting cancer. So I hammered out the text with urgency and the desire to record every fragment of information I knew about chairmaking. "To be fair, that's usually how I go about writing all my books. But then I typically take a couple months off, put the manuscript aside, then revisit it with fresh eyes and a sharpened pen. My final revisions remove about 10-20 percent of the original material. The stuff I cut is usually chapters that don't match the tone of the rest of the text. Or I snip sections that aren't as relevant as when I first wrote them. I also smooth out the writing and add bits of information I'd forgotten during the first brain-to-fingers dump. "And that's exactly what I've done for this revised edition. As a result, the text is 10.1 percent shorter than the first edition. It's more to the point. And it's where the manuscript would have ended up under normal conditions..."--Publisher's website.
Author: Witold Rybczynski
Publisher: Farrar, Straus and Giroux
ISBN: 0374713359
Category : Antiques & Collectibles
Languages : en
Pages : 257
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Book Description
Have you ever wondered where rocking chairs came from, or why cheap plastic chairs are suddenly everywhere? In Now I Sit Me Down, the distinguished architect and writer Witold Rybczynski chronicles the history of the chair from the folding stools of pharaonic Egypt to the ubiquitous stackable monobloc chairs of today. He tells the stories of the inventor of the bentwood chair, Michael Thonet, and of the creators of the first molded-plywood chair, Charles and Ray Eames. He reveals the history of chairs to be a social history--of different ways of sitting, of changing manners and attitudes, and of varying tastes. The history of chairs is the history of who we are. We learn how the ancient Chinese switched from sitting on the floor to sitting in a chair, and how the iconic chair of Middle America--the Barcalounger--traces its roots back to the Bauhaus. Rybczynski weaves a rich tapestry that draws on art and design history, personal experience, and historical accounts. And he pairs these stories with his own delightful hand-drawn illustrations: colonial rockers and English cabrioles, languorous chaise longues, and no-nonsense ergonomic task chairs--they're all here. The famous Danish furniture designer Hans Wegner once remarked, "A chair is only finished when someone sits in it." As Rybczynski tells it, the way we choose to sit and what we choose to sit on speak volumes about our values, our tastes, and the things we hold dear.
Author: Bernard DeVoto
Publisher: Yale University Press
ISBN: 0300133863
Category : Business & Economics
Languages : en
Pages : 614
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Book Description
“This book is the fascinating record of DeVoto’s crusade to save the West from itself. . . . His arguments, insights, and passion are as relevant and urgent today as they were when he first put them on paper.”—Arthur M. Schlesinger, Jr., from the Foreword Bernard DeVoto (1897-1955) was, according to the novelist Wallace Stegner, “a fighter for public causes, for conservation of our natural resources, for freedom of the press and freedom of thought.” A Pulitzer Prize-winning historian, DeVoto is best remembered for his trilogy, The Year of Decision: 1846, Across the Wide Missouri, and The Course of Empire. He also wrote a column for Harper’s Magazine, in which he fulminated about his many concerns, particularly the exploitation and destruction of the American West. This volume brings together ten of DeVoto’s acerbic and still timely essays on Western conservation issues, along with his unfinished conservationist manifesto, Western Paradox, which has never before been published. The book also includes a foreword by Arthur M. Schlesinger, Jr., who was a student of DeVoto’s at Harvard University, and a substantial introduction by Douglas Brinkley and Patricia Limerick, both of which shed light on DeVoto’s work and legacy.
Author: Jeffery Deaver
Publisher: Simon and Schuster
ISBN: 1668034654
Category : Fiction
Languages : en
Pages : 528
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Book Description
Reowned criminalist Lincoln Rhyme is pitted against Amelia Sachs, his own brilliant protegee, as they disagree on the analysis of a crime they began working together.
Author: Lorrie Moore
Publisher:
ISBN: 9780571323289
Category : Authorship
Languages : en
Pages : 32
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Book Description
Taken from award-winning writer Lorrie Moore's debut short story collection Self-Help (1985), How To Become a Writer is a wryly witty deconstruction of tips for aspiring writers, told in vignettes by a self-absorbed narrator who fails to observe the wrold around her. A modern classic, this story has been pulled out to accompany the launch of the Faber Modern Classics list.
