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Author: Vicki Ann Cremona
Publisher: Springer
ISBN: 331970656X
Category : Performing Arts
Languages : en
Pages : 317
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Book Description
This book shows how Carnival under British colonial rule became a locus of resistance as well as an exercise and affirmation of power. Carnival is both a space of theatricality and a site of politics, where the playful, participatory aspects are appropriated by countervailing forces seeking to influence, control, channel or redirect power. Focusing specifically on the Maltese islands, a tiny European archipelago situated at the heart of the Mediterranean, this work links the contrast between play and power to other Carnival realities across the world. It examines the question of power and identity in relation to different social classes and environments of Carnival play, from streets to ballrooms. It looks at satire and censorship, unbridled gaiety and controlled celebration. It describes the ways Carnival was appropriated as a power channel both by the British and their Maltese subjects, and ultimately how it was manipulated in the struggle for Malta’s independence.
Author: Vicki Ann Cremona
Publisher: Springer
ISBN: 331970656X
Category : Performing Arts
Languages : en
Pages : 317
Get Book Here
Book Description
This book shows how Carnival under British colonial rule became a locus of resistance as well as an exercise and affirmation of power. Carnival is both a space of theatricality and a site of politics, where the playful, participatory aspects are appropriated by countervailing forces seeking to influence, control, channel or redirect power. Focusing specifically on the Maltese islands, a tiny European archipelago situated at the heart of the Mediterranean, this work links the contrast between play and power to other Carnival realities across the world. It examines the question of power and identity in relation to different social classes and environments of Carnival play, from streets to ballrooms. It looks at satire and censorship, unbridled gaiety and controlled celebration. It describes the ways Carnival was appropriated as a power channel both by the British and their Maltese subjects, and ultimately how it was manipulated in the struggle for Malta’s independence.
Author: Isabelle Lehuu
Publisher: UNC Press Books
ISBN: 0807860824
Category : Language Arts & Disciplines
Languages : en
Pages : 342
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Book Description
In the decades before the Civil War, American society witnessed the emergence of a new form of print culture, as penny papers, mammoth weeklies, giftbooks, fashion magazines, and other ephemeral printed materials brought exuberance and theatricality to public culture and made the practice of reading more controversial. For a short yet pivotal period, argues Isabelle Lehuu, the world of print was turned upside down. Unlike the printed works of the eighteenth century, produced to educate and refine, the new media aimed to entertain a widening yet diversified public of men and women. As they gained popularity among American readers, these new print forms provoked fierce reactions from cultural arbiters who considered them transgressive. No longer the manly art of intellectual pursuit, reading took on new meaning; reading for pleasure became an act with the power to silently disrupt the social order. Neither just an epilogue to an earlier age of scarce books and genteel culture nor merely a prologue to the late nineteenth century and its mass culture and commercial literature, the antebellum era marked a significant passage in the history of books and reading in the United States, Lehuu argues. Originally published 2000. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author: John Cowley
Publisher: Cambridge University Press
ISBN: 9780521653893
Category : Music
Languages : en
Pages : 314
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Book Description
Starting from the days of slavery and following through to the first decades of the twentieth century, this book traces the evolution of Carnival and secular black music in Trinidad and the links that existed with other territories and beyond. Calypso emerged as the pre-eminent Carnival song from the end of the nineteenth century and its association with the festival is investigated, as are the first commercial recordings by Trinidad performers. These featured stringband instrumentals, 'calipsos' and stickfighting 'kalendas' (a carnival style popular from the last quarter of the nineteenth century). The emphasis of the book is on history, and great use is made of contemporary newspaper reports. colonial documents, travelogues, oral history and folklore, providing an authoritative treatment of a fascinating story in popular cultural history.
Author: Kevin Le Gendre
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Jocelyne Guilbault
Publisher: University of Chicago Press
ISBN: 0226310604
Category : History
Languages : en
Pages : 372
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Book Description
Written in two parts, part 1 explores the development of Calypso, from it's emergence in the pre-colonial period to the post colonial period. In part 2, the focus is on the new Carnival musical practices of soca, rapso, chutney, soca and ragga soca, and the ways in which they contirbuted to the redefination of Trinidadian cultural politics in the neoliberal era. The new rationailities, contigencies, desires and musical experments that animated the new musics and enabled them to gradually displace calypso from its centrality as national expression is examined.
Author: Italo Svevo
Publisher: Yale University Press
ISBN: 0300090498
Category : Fiction
Languages : en
Pages : 261
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Book Description
In this novel, Svevo tells the story of the amorous entanglement of Emilio, a failed writer already old at 35, and Angiolina, a beautiful but promiscuous young woman. A study in jealousy and self torment, it is suffused with a tragic sense of existence.
Author: William Ivy Hair
Publisher: LSU Press
ISBN: 9780807133347
Category : History
Languages : en
Pages : 260
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Book Description
One July week in 1900 an obscure black laborer named Robert Charles drew national headlines when he shot twenty-seven whites—including seven policemen—in a series of encounters with the New Orleans police. An avid supporter of black emigration, Charles believed it foolish to rely on southern whites to uphold the law or to acknowledge even minimal human rights for blacks. He therefore systematically armed himself, manufacturing round after round of his own ammunition before undertaking his intentionally symbolic act of violent resistance. After the shootings, Charles became an instant hero among some blacks, but to most people he remained a mysterious and sinister figure who had promoted a “back-to-Africa” movement. Few knew anything about his early life. This biography of Charles follows him from childhood in a Mississippi sharecropper’s cabin to his violent death on New Orleans’s Saratoga Street. With the few clues available, William Ivy Hair has pieced together the story of a man whose life spanned the thirty-four years from emancipation to 1900—a man who tried to achieve dignity and self-respect in a time when people of his race could not exhibit such characteristics without fear of reprisal. Hair skillfully penetrates the world of Robert Charles, the communities in which he lived, and the daily lives of dozens of people, white and black, who were involved in his experience. A new foreword by W. Fitzhugh Brundage sets this unique and innovative biography in the context of its time and demonstrates its relevance today.
Author: Drozdstoy Stoyanov
Publisher: Springer Nature
ISBN: 3030478521
Category : Medical
Languages : en
Pages : 415
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Book Description
This open access book offers essential information on values-based practice (VBP): the clinical skills involved, teamwork and person-centered care, links between values and evidence, and the importance of partnerships in shared decision-making. Different cultures have different values; for example, partnership in decision-making looks very different, from the highly individualized perspective of European and North American cultures to the collective and family-oriented perspectives common in South East Asia. In turn, African cultures offer yet another perspective, one that falls between these two extremes (called batho pele). The book will benefit everyone concerned with the practical challenges of delivering mental health services. Accordingly, all contributions are developed on the basis of case vignettes, and cover a range of situations in which values underlie tensions or uncertainties regarding how to proceed in clinical practice. Examples include the patient’s autonomy and best interest, the physician’s commitment to establishing high standards of clinical governance, clinical versus community best interest, institutional versus clinical interests, patients insisting on medically unsound but legal treatments etc. Thus far, VBP publications have mainly dealt with clinical scenarios involving individual values (of clinicians and patients). Our objective with this book is to develop a model of VBP that is culturally much broader in scope. As such, it offers a vital resource for mental health stakeholders in an increasingly inter-connected world. It also offers opportunities for cross-learning in values-based practice between cultures with very different clinical care traditions.
Author: Patrice Ladwig
Publisher: Berghahn Books
ISBN: 1789207398
Category : Social Science
Languages : en
Pages : 222
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Book Description
Late Western colonialism often relied on the practice of imitating indigenous forms of rule in order to maintain power; conversely, indigenous polities could imitate Western sociopolitical forms to their own benefit. Drawing on historical ethnographic studies of colonialism in Asia and Africa, States of Imitation examines how the colonial state attempted to administer, control, and integrate its indigenous subjects through mimetic governmentality, as well the ways indigenous states adopted these imitative practices to establish reciprocal ties with, or to resist the presence of, the colonial state.
Author: Thomas F. Anderson
Publisher: University Press of Florida
ISBN: 0813063175
Category : Literary Criticism
Languages : en
Pages : 356
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Book Description
“Traces the ways that Cuban poets dealt with issues of national identity, reflected in their views of Afrocubanismo, often in response to historical changes in public and official opinions on the most visual manifestation of Afro-Cuban culture: carnival.”—Choice “Uncovers a wealth of literary texts, primarily poems, that chart the impact of las comparsas, Afro-Cuban festival dances, on mainstream Cuban life. . . . Investigates the ways in which the relationship between racial and ethnic divisions, and between castes and classes, created a literary movement full to the brim with emotional and sensational resonances.”—Wasafiri “Underscores the sociopolitical and historical contexts of these poems which have shaped the literary production and message of the Afrocubanismo movement. . . . A tour de force.”—Callaloo “Successfully plumbs the position of the Afro-Cuban performer and brings into sharp relief the way politicians historically sought to affect all elements of Cuban culture.”—New West Indian Guide Carnival and National Identity in the Poetry of Afrocubanismo offers thought-provoking new readings of poems by seminal Cuban poets, demonstrating how their writings affected the development of a recognizable Afro-Cuban identity. Thomas Anderson examines the long-running debate between the proponents of Afro-Cuban cultural manifestations and the predominantly white Cuban intelligentsia, who viewed these traditions as “backward” and counter to the interests of the young Republic. Including analyses of the work of Felipe Pichardo Moya, Alejo Carpentier, Nicolás Guillén, Emilio Ballagas, José Zacarías Tallet, Felix B. Caignet, Marcelino Arozarena, and Alfonso Camín, this rigorous, interdisciplinary volume offers a fresh look at the canon of Afrocubanismo and offers surprising insights into Cuban culture during the early years of the Republic.
