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Author: Tom Perchard
Publisher: Routledge
ISBN: 1351566237
Category : History
Languages : en
Pages : 563
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Book Description
The essays contained in this volume address some of the most visible, durable and influential of African American musical styles as they developed from the mid-1960s into the 21st-century. Soul, funk, pop, R&B and hip hop practices are explored both singly and in their many convergences, and in writings that have often become regarded as landmarks in black musical scholarship. These works employ a wide range of methodologies, and taken together they show the themes and concerns of academic black musical study developing over three decades. While much of the writing here is focused on music and musicians in the United States, the book also documents important and emergent trends in the study of these styles as they have spread across the world. The volume maintains the original publication format and pagination of each essay, making for easy and accurate cross-reference and citation. Tom Perchards introduction gives a detailed overview of the book‘s contents, and of the field as a whole, situating the present essays in a longer and wider tradition of African American music studies. In bringing together and contextualising works that are always valuable but sometimes difficult to access, the volume forms an excellent introductory resource for university music students and researchers.
Author: Tom Perchard
Publisher: Routledge
ISBN: 1351566237
Category : History
Languages : en
Pages : 563
Get Book Here
Book Description
The essays contained in this volume address some of the most visible, durable and influential of African American musical styles as they developed from the mid-1960s into the 21st-century. Soul, funk, pop, R&B and hip hop practices are explored both singly and in their many convergences, and in writings that have often become regarded as landmarks in black musical scholarship. These works employ a wide range of methodologies, and taken together they show the themes and concerns of academic black musical study developing over three decades. While much of the writing here is focused on music and musicians in the United States, the book also documents important and emergent trends in the study of these styles as they have spread across the world. The volume maintains the original publication format and pagination of each essay, making for easy and accurate cross-reference and citation. Tom Perchards introduction gives a detailed overview of the book‘s contents, and of the field as a whole, situating the present essays in a longer and wider tradition of African American music studies. In bringing together and contextualising works that are always valuable but sometimes difficult to access, the volume forms an excellent introductory resource for university music students and researchers.
Author: Daniel White Hodge
Publisher: InterVarsity Press
ISBN: 0830861289
Category : Religion
Languages : en
Pages :
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Book Description
What is Hip Hop? Hip hop speaks in a voice that is sometimes gruff, sometimes enraged, sometimes despairing, sometimes hopeful. Hip hop is the voice of forgotten streets laying claim to the high life of rims and timbs and threads and bling. Hip hop speaks in the muddled language of would-be prophets--mocking the architects of the status quo and stumbling in the dark toward a blurred vision of a world made right. What is hip hop? It's a cultural movement with a traceable theological center. Daniel White Hodge follows the tracks of hip-hop theology and offers a path from its center to the cross, where Jesus speaks truth.
Author: Tamara Palmer
Publisher: Hal Leonard Corporation
ISBN: 9780879308575
Category : Music
Languages : en
Pages : 204
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Book Description
Offers an overview of "Dirty South" rap--a phenomenon centered around cities such as Atlanta, Miami, and New Orleans--covering such groups as The Neptunes, Timbaland, OutKast, Lil Jon, Ludacris, and Cee-Lo.
Author: S. Craig Watkins
Publisher: Beacon Press
ISBN: 9780807009864
Category : Music
Languages : en
Pages : 310
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Book Description
Avoiding the easy definitions and caricatures that tend to celebrate or condemn the "hip hop generation," Hip Hop Matters focuses on fierce and far-reaching battles being waged in politics, pop culture, and academe to assert control over the movement. At stake, Watkins argues, is the impact hip hop has on the lives of the young people who live and breathe the culture. He presents incisive analysis of the corporate takeover of hip hop and the rampant misogyny that undermines the movement's progressive claims. Ultimately, we see how hip hop struggles reverberate in the larger world: global media consolidation; racial and demographic flux; generational cleavages; the reinvention of the pop music industry; and the ongoing struggle to enrich the lives of ordinary youth.
Author: Alejandro Nava (Author on hip hop)
Publisher: Univ of California Press
ISBN: 0520293541
Category : Music
Languages : en
Pages : 290
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Book Description
In Search of Soul explores the meaning of “soul” in sacred and profane incarnations, from its biblical origins to its central place in the rich traditions of black and Latin history. Surveying the work of writers, artists, poets, musicians, philosophers and theologians, Alejandro Nava shows how their understandings of the “soul” revolve around narratives of justice, liberation, and spiritual redemption. He contends that biblical traditions and hip-hop emerged out of experiences of dispossession and oppression. Whether born in the ghettos of America or of the Roman Empire, hip-hop and Christianity have endured by giving voice to the persecuted. This book offers a view of soul in living color, as a breathing, suffering, dreaming thing.
Author: Bernard O Creamer, Jr
Publisher:
ISBN: 9780578699639
Category :
Languages : en
Pages : 228
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Book Description
I was a 7-year-old Chicago kid when Hip Hop was born in the Bronx, NY projects. .it had been around for some years getting its legs under it before I got a taste of it around junior high school...being from Chicago, my foundation is house music, but when I heard the Ultramagnetic MCs, I was sold...Hip Hop is a part of my being, I was raised on it, and it has been the soundtrack for some of the best moments/years of my life. .'til death do us part. .Hip Hop married lyricism, djing, graffiti art, breakdancing, and later, KNOwledge of Self. .every component equally as essential to the vibe. .over the years, as with other music forms created by African people, we've witnessed Hip Hop being compromised, coopted, and commercialized. .it has been whittled down gradually to something that is unrecognizable to its beginnings. .the profit motive has crept in along with the overarching agendas that anchor Black people to that bottom rung on that capitalist/classist ladder. .rich or poor, we are all being targeted with WAR. .one of our great ancestors, Fela Anikulapo Kuti, put it best, "music is the weapon". .Hip Hop was OUR weapon. .today though, Hip Hop is no longer a tool our creative linguists use to teach and reach us. .the consciousness has been evaporated and the messages have drastically changed. .from Black culture, Hip Hop is somewhat estranged. .I still LOVE her. .WE still LOVE her. .WE still want Hip Hop to return to us WHOLE. .food for US. .with a SOUL. .
Author: Reiland Rabaka
Publisher: Lexington Books
ISBN: 0739181173
Category : Social Science
Languages : en
Pages : 432
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Book Description
The Hip Hop Movement offers a critical theory and alternative history of rap music and hip hop culture by examining their roots in the popular musics and popular cultures of the Civil Rights Movement and Black Power Movement. Connecting classic rhythm & blues and rock & roll to the Civil Rights Movement, and classic soul and funk to the Black Power Movement, The Hip Hop Movement explores what each of these musics and movements contributed to rap, neo-soul, hip hop culture, and the broader Hip Hop Movement. Ultimately, this book’s remixes (as opposed to chapters) reveal that black popular music and black popular culture have always been more than merely “popular music” and “popular culture” in the conventional sense and reflect a broader social, political, and cultural movement. With this in mind, sociologist and musicologist Reiland Rabaka critically reinterprets rap and neo-soul as popular expressions of the politics, social visions, and cultural values of a contemporary multi-issue movement: the Hip Hop Movement. Rabaka argues that rap music, hip hop culture, and the Hip Hop Movement are as deserving of critical scholarly inquiry as previous black popular musics, such as the spirituals, blues, ragtime, jazz, rhythm & blues, rock & roll, soul, and funk, and previous black popular movements, such as the Black Women’s Club Movement, New Negro Movement, Harlem Renaissance, Civil Rights Movement, Black Power Movement, Black Arts Movement, and Black Women’s Liberation Movement. This volume, equal parts alternative history of hip hop and critical theory of hip hop, challenges those scholars, critics, and fans of hip hop who lopsidedly over-focus on commercial rap, pop rap, and gangsta rap while failing to acknowledge that there are more than three dozen genres of rap music and many other socially and politically progressive forms of hip hop culture beyond DJing, MCing, rapping, beat-making, break-dancing, and graffiti-writing.
Author: Nelson George
Publisher: Penguin
ISBN: 9780143035152
Category : Social Science
Languages : en
Pages : 260
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Book Description
From Nelson George, supervising producer and writer of the hit Netflix series, "The Get Down, Hip Hop America is the definitive account of the society-altering collision between black youth culture and the mass media.
Author: M. K. Asante, Jr.
Publisher: St. Martin's Press
ISBN: 1429946350
Category : Social Science
Languages : en
Pages : 304
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Book Description
In It's Bigger Than Hip Hop, M. K. Asante, Jr. looks at the rise of a generation that sees beyond the smoke and mirrors of corporate-manufactured hip hop and is building a movement that will change not only the face of pop culture, but the world. Asante, a young firebrand poet, professor, filmmaker, and activist who represents this movement, uses hip hop as a springboard for a larger discussion about the urgent social and political issues affecting the post-hip-hop generation, a new wave of youth searching for an understanding of itself outside the self-destructive, corporate hip-hop monopoly. Through insightful anecdotes, scholarship, personal encounters, and conversations with youth across the globe as well as icons such as Chuck D and Maya Angelou, Asante illuminates a shift that can be felt in the crowded spoken-word joints in post-Katrina New Orleans, seen in the rise of youth-led organizations committed to social justice, and heard around the world chanting "It's bigger than hip hop."
Author: Claudrena N. Harold
Publisher: University of Illinois Press
ISBN: 0252052455
Category : Music
Languages : en
Pages : 392
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Book Description
Gospel music evolved in often surprising directions during the post-Civil Rights era. Claudrena N. Harold's in-depth look at late-century gospel focuses on musicians like Yolanda Adams, Andraé Crouch, the Clark Sisters, Al Green, Take 6, and the Winans, and on the network of black record shops, churches, and businesses that nurtured the music. Harold details the creative shifts, sonic innovations, theological tensions, and political assertions that transformed the music, and revisits the debates within the community over groundbreaking recordings and gospel's incorporation of rhythm and blues, funk, hip-hop, and other popular forms. At the same time, she details how sociopolitical and cultural developments like the Black Power Movement and the emergence of the Christian Right shaped both the art and attitudes of African American performers. Weaving insightful analysis into a collective biography of gospel icons, When Sunday Comes explores the music's essential place as an outlet for African Americans to express their spiritual and cultural selves.
