From Stage to Screen PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download From Stage to Screen PDF full book. Access full book title From Stage to Screen by Bill Britten. Download full books in PDF and EPUB format.
Author: Bill Britten
Publisher: Bloomsbury Publishing
ISBN: 1408184907
Category : Performing Arts
Languages : en
Pages : 248
Get Book Here
Book Description
The camera enables us to see right into a character's soul, revealing his or her innermost thoughts and emotions. Screen acting requires a more rigorously truthful and spontaneous performance than the stage, as well as very different technical expertise. From Stage to Screen is a handbook for the professional actor packed with advice on how to make the transition and fully prepare for a TV or film role. The book is divided into three sections: the first examines the relationship between the actor and the camera and how it differs from that of a performer with a stage audience; the second addresses the technical skills the screen actor needs in order to work as part of a large collaborative team and 'make the shot work'; and the third explores the very different experience of an actor working on a screen project, including getting the job, how to prepare properly, what to expect and how to manage the whole process, from casting through to ADR, in order to deliver the very best work.
Author: Bill Britten
Publisher: Bloomsbury Publishing
ISBN: 1408184907
Category : Performing Arts
Languages : en
Pages : 248
Get Book Here
Book Description
The camera enables us to see right into a character's soul, revealing his or her innermost thoughts and emotions. Screen acting requires a more rigorously truthful and spontaneous performance than the stage, as well as very different technical expertise. From Stage to Screen is a handbook for the professional actor packed with advice on how to make the transition and fully prepare for a TV or film role. The book is divided into three sections: the first examines the relationship between the actor and the camera and how it differs from that of a performer with a stage audience; the second addresses the technical skills the screen actor needs in order to work as part of a large collaborative team and 'make the shot work'; and the third explores the very different experience of an actor working on a screen project, including getting the job, how to prepare properly, what to expect and how to manage the whole process, from casting through to ADR, in order to deliver the very best work.
Author: Benjamin Poore
Publisher: Springer
ISBN: 1137469633
Category : Performing Arts
Languages : en
Pages : 259
Get Book Here
Book Description
This book investigates the development of Sherlock Holmes adaptations in British theatre since the turn of the millennium. Sherlock Holmes has become a cultural phenomenon all over again in the twenty-first century, as a result of the television series Sherlock and Elementary, and films like Mr Holmes and the Guy Ritchie franchise starring Robert Downey Jr. In the light of these new interpretations, British theatre has produced timely and topical responses to developments in the screen Sherlocks’ stories. Moreover, stage Sherlocks of the last three decades have often anticipated the knowing, metafictional tropes employed by screen adaptations. This study traces the recent history of Sherlock Holmes in the theatre, about which very little has been written for an academic readership. It argues that the world of Sherlock Holmes is conveyed in theatre by a variety of games that activate new modes of audience engagement.
Author: Ian Bernard
Publisher: CRC Press
ISBN: 1136081747
Category : Performing Arts
Languages : en
Pages : 172
Get Book Here
Book Description
Film and Television Acting offers solid techniques for creating a natural, believable performance for film and television. The reader will discover techniques for listening and reacting, blocking and business, character, focus, the closeup, and comedy as they pertain to acting in front of a camera. The book analyzes the differences between theatre, film, and television acting, providing the theatre trained actor with specific approaches for making the transition to on-camera work. This second edition is thoroughly revised and updated. The book contains numerous scenes and exercises, including sample scenes from Cheers and Seinfeld, which provide the reader with ways to practice the specific techniques outlined by the author. Included are interviews with well-know actors and directors: Don Murray, Norman Jewison, and Emmy award winner, Glenn Jordan, to name a few. These interviews illustrate how the professionals apply their training and technique to filmed performances. There is also a chapter-length interview with John Lithgow, in which the actor provides a first-hand account of the differences of acting for the theatre and for the camera.
Author: Massimiliano Sala
Publisher: Brepols Pub
ISBN: 9782503546148
Category : Music
Languages : en
Pages : 338
Get Book Here
Book Description
This volume offers new contributions to international scholarship on musical films (1927-1961), focusing in particular on the relationships between entertainment genres such as operetta, cafe music, music hall, cabaret, revue that were prominent during the early years of film. In this volume twenty scholars investigate a number of significant aspects of the topic, exploring the interrelations and possible borrowings between European film culture (including some reference to Eastern European film culture), and the musical theatre and film tradition of the United States. The authors featured are: Lauren Acton, Beatrice Birardi, Antonio Caroccia, Marija Ciric, Jonathan De Souza, James Deutsch, Alexandra Grabarchuk, Clara Huber, Ryan P. Jones, Raymond Knapp, Isabelle Le Corff, Sergio Miceli, Matilde Olarte, Jaume Radigales, Elena Redaelli, Marida Rizzuti, Cecile Vendramini, Isabel Villanueva, Delphine Vincent, Emile Wennekes, Leanne Wood, Iryna Yaroshchuk.
Author: George Rodosthenous
Publisher: Bloomsbury Publishing
ISBN: 1474234186
Category : Literary Criticism
Languages : en
Pages : 268
Get Book Here
Book Description
The Disney Musical: Critical Approaches on Stage and Screen is the first critical treatment of the corporation's hugely successful musicals both on screen and on the stage. Its 13 articles open up a new territory in the critical discussion of the Disney mega-musical, its gender, sexual and racial politics, outreach work and impact of stage, film and television adaptations. Covering early 20th century works such as the first full-length feature film Snow White and the Seven Dwarfs (1937), to The Lion King - Broadway's highest grossing production in history, and Frozen (2013), this edited collection offers a diverse range of theoretical engagements that will appeal to readers of film and media studies, musical theatre, cultural studies, and theatre and performance. The volume is divided into three sections to provide a contextual analysis of Disney's most famous musicals: · DISNEY MUSICALS: ON FILM · DISNEY ADAPTATIONS: ON STAGE AND BEYOND · DISNEY MUSICALS: GENDER AND RACE The first section employs film theory, semiotics and film music analysis to explore the animated works and their links to the musical theatre genre. The second section addresses various stage versions and considers Disney's outreach activities, cultural value and productions outside the Broadway theatrical arena. The final section focuses on issues of gender and race portraying representations of race, hetero-normativity, masculinity and femininity in Newsies, Frozen, High School Musical, Aladdin and The Jungle Book. The various chapters address these three aspects of the Disney Musical and offer new critical readings of a vast range of important works from the Disney musical cannon including Enchanted, Mary Poppins, Hunchback of Notre Dame, The Lion King and versions of musicals for television in the early 1990s and 2000s. The critical readings are detailed, open-minded and come to surprising conclusions about the nature of the Disney Musical and its impact.
Author: George Rodosthenous
Publisher: Routledge
ISBN: 1317234057
Category : Performing Arts
Languages : en
Pages : 427
Get Book Here
Book Description
Twenty-First Century Musicals stakes a place for the musical in today’s cinematic landscape, taking a look at leading contemporary shows from their stage origins to their big-screen adaptations. Each chapter offers a new perspective on a single musical, challenging populist narratives and exploring underlying narratives and sub-texts in depth. Themes of national identity; race, class and gender; the ‘voice’ and ‘singing live’ on film; authenticity; camp sensibilities; and the celebration of failure are addressed in a series of questions including: How does the film adaptation provide a different viewing experience from the stage version? What themes are highlighted in the film adaptation? What does the new casting bring to the work? Do camera angles dictate a different reading from the stage version? What is lost/gained in the process of adaptation to film? Re-interpreting the contemporary film musical as a compelling art form, Twenty-First Century Musicals is a must-read for any student or scholar keen to broaden their understanding of musical performance.
Author: Diane Conrad
Publisher:
ISBN: 9781789380699
Category : Education in mass media
Languages : en
Pages :
Get Book Here
Book Description
Portrayals of teachers in stage plays and films abound. This edited anthology brings together scholars in education to seriously reflect upon portrayals of teachers and teaching in theatre and film.
Author: Bruce K. Hanson
Publisher: McFarland
ISBN: 0786486198
Category : Performing Arts
Languages : en
Pages : 419
Get Book Here
Book Description
Recounting the more than century-long stage and screen history of J.M. Barrie's play Peter Pan, Bruce K. Hanson updates and expands his 1993 volume on "The Boy Who Wouldn't Grow Up." Hanson traces the origin of Barrie's tale through the first London production in 1904, to various British and American theatrical and film productions up to and including the stage versions of 2010. Included are excerpts of interviews with actresses Dinah Sheridan, Mary Martin and Sandy Duncan, all of whom portrayed Peter Pan on stage, and Betty Comden and Adolph Green, lyricists for the 1954 Broadway musical. The book features a wealth of rare photos, posters, programs and costume designs. An appendix lists virtually every actor who has performed a featured role in a London, Broadway or Hollywood production of Peter Pan from 1904 to the present.
Author: Benedict Nightingale
Publisher: Applause Theatre & Cinema Books
ISBN: 9781476886831
Category : Music
Languages : en
Pages : 0
Get Book Here
Book Description
(Applause Books). It has been 150 years since Victor Hugo's novel Les Miserables was first published. However, for the last 25 or so, the poignant saga of Jean Valjean, a villain to some but a savior to others, set in France during the early years of the 19th century, has become one of the world's most popular musicals and has become one of the must-see movies of 2013. In Les Miserables: From Stage to Screen , the reader can find out how the musical came to life the trials and tribulations of turning it from the initial concept into a thrilling musical extravaganza and how the new film version starring Hugh Jackman and Russell Crowe and directed by the Oscar-winning Tom Hooper ( The King's Speech ) has emerged from the show that has been seen by over 60 million people worldwide. To bring this fascinating story to life, the book also contains at least 20 facsimiles that highlight key moments in the creation of Les Miserables , both on stage and on the screen, including: * Original costume sketches * Annotated scripts * Original music scores and librettos * Film screenplay extracts and anniversary mementos
Author: Michael Ingham
Publisher: Taylor & Francis
ISBN: 131755521X
Category : Performing Arts
Languages : en
Pages : 239
Get Book Here
Book Description
Dialogue between film and theatre studies is frequently hampered by the lack of a shared vocabulary. Stage-Play and Screen-Play sets out to remedy this, mapping out an intermedial space in which both film and theatre might be examined. Each chapter’s evaluation of the processes and products of stage-to-screen and screen-to-stage transfer is grounded in relevant, applied contexts. Michael Ingham draws upon the growing field of adaptation studies to present case studies ranging from Martin McDonagh’s The Cripple of Inishmaan and RSC Live’s simulcast of Richard II to F.W. Murnau’s silent Tartüff, Peter Bogdanovich’s film adaptation of Michael Frayn’s Noises Off, and Akiro Kurosawa’s Ran, highlighting the multiple interfaces between media. Offering a fresh insight into the ways in which film and theatre communicate dramatic performances, this volume is a must-read for students and scholars of stage and screen.
