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Author: Doryun Chong
Publisher: Moma Primary Documents
ISBN: 9780822353683
Category : Art
Languages : en
Pages : 0
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Book Description
"Brings together critical historical documents, many of which are translated into English for the first time, in Japanese arts from the end of World War II through the next four and a half decades."--Page 14.
Author: Doryun Chong
Publisher: Moma Primary Documents
ISBN: 9780822353683
Category : Art
Languages : en
Pages : 0
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Book Description
"Brings together critical historical documents, many of which are translated into English for the first time, in Japanese arts from the end of World War II through the next four and a half decades."--Page 14.
Author: Jason Gladstone
Publisher: University of Iowa Press
ISBN: 160938427X
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
Within the past ten years, the field of contemporary American literary studies has changed significantly. Following the turn of the twenty-first century and mounting doubts about the continued explanatory power of the category of “postmodernism,” new organizations have emerged, book series have been launched, journals have been created, and new methodologies, periodizations, and thematics have redefined the field. Postmodern/Postwar—and After aims to be a field-defining book—a sourcebook for the new and emerging critical terrain—that explores the postmodern/postwar period and what comes after. The first section of essays returns to the category of the “post-modern” and argues for the usefulness of key concepts and themes from postmodernism to the study of contemporary literature, or reevaluates postmodernism in light of recent developments in the field and historical and economic changes in the late twentieth and early twenty-first centuries. These essays take the contemporary abandonments of postmodernism as an occasion to assess the current states of postmodernity. After that, the essays move to address the critical shift away from postmodernism as a description of the present, and toward a new sense of postmodernism as just one category among many that scholars can use to describe the recent past. The final section looks forward and explores the question of what comes after the postwar/postmodern. Taken together, these essays from leading and emerging scholars on the state of twenty-first-century literary studies provide a number of frameworks for approaching contemporary literature as influenced by, yet distinct from, postmodernism. The result is an indispensable guide that seeks to represent and understand the major overhauling of postwar American literary studies that is currently underway.
Author: Francesco Poli
Publisher: Harper Design
ISBN: 9780061665776
Category : Art
Languages : en
Pages : 0
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Book Description
Nineteen forty-five marked a historical moment in the figurative arts, with new trends related to changes in the cultural climate caused in large part by the war. This book presents an in-depth overview of the arts from the postwar period in Europe and the United States to today, from analysis of the pictorial languages of the leading masters of the second half of the 20th century, including the avant-gardes of the 1950s, to consideration of the trends that have inaugurated the third millennium, breaking the traditional borders between painting and sculpture. In the immediate postwar period, a situation strongly marked by the tragedies of war, Europe and the United States entered a period in art marked by upheavals and the creations of highly original personalities. The international art scene came to be populated by generations of anti-conventional underground artists who explored new territories in artistic communication. These artists pushed past the social realism and abstract art of preceding decades to adopt daring new expressive languages that swept over the traditional borders between painting and sculpture. From postwar existential tension came Art informel along with abstract expressionism, leading to the definitive break with tradition. There are then Lucio Fontana's poetics, Mark Rothko's use of color, Andy Warhol's serial images and pop art, leading to the most recent developments in the postmodern avant-gardes. Contemporary art has become the site of cultural exchanges during our time, with global materials and contexts. External space has itself become part of art, leading to such extremes as Land Art. Postmodern Art, with more than 400 color images, explores the currents, themes, and names that are part of the artistic heritage of today, from Art Informel to New Dada to body and video art. Its sixteen chapters present painters, sculptors, photographers, and architects with their most important works, many of them results of the close identification between art and life.
Author: Frank Burke
Publisher:
ISBN: 9781789382105
Category : Electronic books
Languages : en
Pages : 366
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Book Description
An updated edition of renowned Fellini scholar Frank Burke's film-by-film analysis of the famed director's work, with a new preface and a new chapter on Fellini's commercials. Written from a theoretical perspective, Burke explores Fellini's movement from relatively classic filmmaking to modernist reflexivity to 'postmodern reproduction'.
Author: Mark Crinson
Publisher: Yc British Art
ISBN: 9780300166187
Category : Architecture
Languages : en
Pages : 0
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Book Description
The neo-avant-garde and postmodernism have long been understood in terms of their re-working of modernism and a narrative emphasizing rupture and new beginnings. This collection of essays discusses the work of architects and their associates.
Author: Alan Nadel
Publisher: Duke University Press
ISBN: 9780822316992
Category : Art
Languages : en
Pages : 356
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Book Description
Alan Nadel provides a unique analysis of the rise of American postmodernism by viewing it as a breakdown in Cold War cultural narratives of containment. These narratives, which embodied an American postwar foreign policy charged with checking the spread of Communism, also operated, Nadel argues, within a wide spectrum of cultural life in the United States to contain atomic secrets, sexual license, gender roles, nuclear energy, and artistic expression. Because these narratives were deployed in films, books, and magazines at a time when American culture was for the first time able to dominate global entertainment and capitalize on global production, containment became one of the most widely disseminated and highly privileged national narratives in history. Examining a broad sweep of American culture, from the work of George Kennan to Playboy Magazine, from the movies of Doris Day and Walt Disney to those of Cecil B. DeMille and Alfred Hitchcock, from James Bond to Holden Caulfield, Nadel discloses the remarkable pervasiveness of the containment narrative. Drawing subtly on insights provided by contemporary theorists, including Baudrillard, Foucault, Jameson, Sedgwick, Certeau, and Hayden White, he situates the rhetoric of the Cold War within a gendered narrative powered by the unspoken potency of the atom. He then traces the breakdown of this discourse of containment through such events as the Bay of Pigs invasion and the Free Speech Movement at Berkeley, and ties its collapse to the onset of American postmodernism, typified by works such as Catch–22 and The Man Who Shot Liberty Valence. An important work of cultural criticism, Containment Culture links atomic power with postmodernism and postwar politics, and shows how a multifarious national policy can become part of a nation’s cultural agenda and a source of meaning for its citizenry.
Author: Anthony Woodiwiss
Publisher: SAGE Publications Limited
ISBN: 9780803987890
Category : Social Science
Languages : en
Pages : 192
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Book Description
In this rigorous and challenging analysis of American postmodernity, Anthony Woodiwiss re-examines the political, economic and social life of the United States over the past 60 years. Exploring the rise and fall of modernism as a social ideology, he offers a distinctive and original interpretation of the unique experience of American modernity and the arrival of the postmodern world. The result is both a novel history of postwar America and a significant contribution to the idea of postmodernism as a social and cultural form. Postmodernity USA also carries lessons for the understanding of class, culture and politics in late industrial societies in general. Offering an innovative synthesis of postmodernist and Marxist approache
Author: Jeffrey Nealon
Publisher: Stanford University Press
ISBN: 0804783217
Category : Literary Criticism
Languages : en
Pages : 243
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Book Description
Post-Postmodernism begins with a simple premise: we no longer live in the world of "postmodernism," famously dubbed "the cultural logic of late capitalism" by Fredric Jameson in 1984. Far from charting any simple move "beyond" postmodernism since the 1980s, though, this book argues that we've experienced an intensification of postmodern capitalism over the past decades, an increasing saturation of the economic sphere into formerly independent segments of everyday cultural life. If "fragmentation" was the preferred watchword of postmodern America, "intensification" is the dominant cultural logic of our contemporary era. Post-Postmodernism surveys a wide variety of cultural texts in pursuing its analyses—everything from the classic rock of Black Sabbath to the post-Marxism of Antonio Negri, from considerations of the corporate university to the fare at the cineplex, from reading experimental literature to gambling in Las Vegas, from Badiou to the undergraduate classroom. Insofar as cultural realms of all kinds have increasingly been overcoded by the languages and practices of economics, Nealon aims to construct a genealogy of the American present, and to build a vocabulary for understanding the relations between economic production and cultural production today—when American-style capitalism, despite its recent battering, seems nowhere near the point of obsolescence. Post-postmodern capitalism is seldom late but always just in time. As such, it requires an updated conceptual vocabulary for diagnosing and responding to our changed situation.
Author: Gail Day
Publisher: Columbia University Press
ISBN: 023152062X
Category : Philosophy
Languages : en
Pages : 321
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Book Description
Representing a new generation of theorists reaffirming the radical dimensions of art, Gail Day launches a bold critique of late twentieth-century art theory and its often reductive analysis of cultural objects. Exploring core debates in discourses on art, from the New Left to theories of "critical postmodernism" and beyond, Day counters the belief that recent tendencies in art fail to be adequately critical. She also challenges the political inertia that results from these conclusions. Day organizes her defense around critics who have engaged substantively with emancipatory thought and social process: T. J. Clark, Manfredo Tafuri, Fredric Jameson, Benjamin H. D. Buchloh, and Hal Foster, among others. She maps the tension between radical dialectics and left nihilism and assesses the interpretation and internalization of negation in art theory. Chapters confront the claim that exchange and equivalence have subsumed the use value of cultural objects and with it critical distance and interrogate the proposition of completed nihilism and the metropolis put forward in the politics of Italian operaismo. Day covers the debates on symbol and allegory waged within the context of 1980s art and their relation to the writings of Walter Benjamin and Paul de Man. She also examines common conceptions of mediation, totality, negation, and the politics of anticipation. A necessary unsettling of received wisdoms, Dialectical Passions recasts emancipatory reflection in aesthetics, art, and architecture.
Author: Joseph George
Publisher: Springer
ISBN: 3319410067
Category : Literary Criticism
Languages : en
Pages : 207
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Book Description
This book reevaluates fiction devoted to the postwar American suburb, examining the way these works imagine suburbia as a communal structure designed to advance a particular American identity. Postmodern Suburban Spaces surveys works by both canonical chroniclers of the middle class experience, such as Richard Yates and John Cheever, and those who reflect suburbia’s demographic reality, including Gloria Naylor and Chang-rae Lee, to uncover a surprising reconfiguration of the suburban experience. Tracing major forms of suburban associations – racial divisions, property lines, the family, and ethnic fealty – these works depict a different mode of interaction than the stereotypical white picket fences. Joseph George draws from philosophers such as Emmanuel Levinas and Roberto Esposito to argue that these fictions assert a critical hospitality that frustrates the limited forms of association on which suburbia is based. This fiction, in turn, posits an ethical form of community that comes about when people share space together.
