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Author: Boris Ford
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 316
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Book Description
Author: Boris Ford
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 316
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Book Description
Author: P. Schock
Publisher: Springer
ISBN: 0230513301
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
Criticism has largely emphasised the private meaning of 'Romantic Satanism', treating it as the celebration of subjectivity through allusions to Paradise Lost that voice Satan's solitary defiance. The first full-length treatment of its subject, Romantic Satanism explores this literary phenomenon as a socially produced myth exhibiting the response of writers to their milieu. Through contextualized readings of the major works of Blake, Shelley, and Byron, this book demonstrates that Satanism enabled Romantic writers to interpret their tempestuous age: it provided them a mythic medium for articulating the hopes and fears their age aroused, for prophesying and inducing change.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Uttara Natarajan
Publisher: John Wiley & Sons
ISBN: 0470766352
Category : Literary Criticism
Languages : en
Pages : 360
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Book Description
This welcome addition to the Blackwell Guides to Criticism series provides students with an invaluable survey of the critical reception of the Romantic poets. Guides readers through the wealth of critical material available on the Romantic poets and directs them to the most influential readings Presents key critical texts on each of the major Romantic poets – Blake, Wordsworth, Coleridge, Byron, Shelley and Keats – as well as on poets of more marginal canonical standing Cross-referencing between the different sections highlights continuities and counterpoints
Author: Stanley Appelbaum
Publisher: Courier Corporation
ISBN: 0486292827
Category : Poetry
Languages : en
Pages : 259
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Book Description
Rich selection of 123 poems by six great English Romantic poets: William Blake (24 poems), William Wordsworth (27 poems), Samuel Taylor Coleridge (10 poems), Lord Byron (16 poems), Percy Bysshe Shelley (24 poems) and John Keats (22 poems). Introduction and brief commentaries on the poets. Includes 2 selections from the Common Core State Standards Initiative: "Ozymandias" and "Ode on a Grecian Urn."
Author: Boris Ford
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 324
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Book Description
A Russian couple wanted a child so much that they made one out of snow.
Author: Jerome McGann
Publisher: Cambridge University Press
ISBN: 9780521007221
Category : Literary Criticism
Languages : en
Pages : 332
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Book Description
This 2002 collection of essays represents twenty-five years of work by one of the most important critics of Romanticism and Byron studies, Jerome McGann. The collection demonstrates McGann's evolution as a scholar, editor, critic, theorist, and historian. His 'General Analytic and Historical Introduction' to the collection presents a meditation on the history of his own research on Byron, in particular how scholarly editing interacted with the theoretical innovations in literary criticism over the last quarter of the twentieth century. McGann's receptiveness to dialogic forms of criticism is also illustrated in this collection, which contains an interview and concludes with a dialogue between McGann and the editor. Many of these essays have previously been available only in specialist scholarly journals. Now McGann's influential work on Byron can be appreciated more widely by new generations of students and scholars.
Author: William Macneile Dixon
Publisher: London Methuen 1896.
ISBN:
Category : English poetry
Languages : en
Pages : 248
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Book Description
Author: Associate Professor in English Fred Parker
Publisher:
ISBN: 9781602584730
Category :
Languages : en
Pages : 0
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Book Description
Does the Devil lie at the heart of the creative process? In The Devil as Muse, Fred Parker offers an entirely fresh reflection on the age-old question, echoing William Blake's famous statement: the true poet is of the Devil's party. Expertly examining three literary interpretations of the Devil and his influence upon the artist--Milton's Satan in Paradise Lost, the Mephistopheles of Goethe's Faust, and the one who offers daimonic creativity in Thomas Mann's Doctor Faustus--Parker unveils a radical tension between the ethical and the aesthetic. While the Devil is the artist's necessary collaborator and liberating muse, from an ethical standpoint the price paid for such creativity is nothing less damnable than the Faustian pact--and the artist who is creative in that way is seen as accursed, alienated, morally disturbing. In their own different ways, Parker shows, Blake, Byron, and Mann all reflect and acknowledge that tension in their work, and model ways to resolve it through their writing. Linking these literary conceptions with scholarship on the genesis of the historical conception of the Devil and recent work on the role of otherness in creativity, Parker insightfully suggests how creative literature can feel its way back along the processes--both theological and psychological--that lie behind such constructions of the Adversary.
Author: Peter Cochran
Publisher: Cambridge Scholars Publishing
ISBN: 1443808121
Category : Literary Criticism
Languages : en
Pages : 430
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Book Description
"Romanticism - and Byron" is a book in two parts. In the first part, Dr Cochran examines "Romanticism" and shows that it is a word meaning anything, and therefore nothing. It is an academic construct created by academics, and has no basis in the writings of the early nineteenth century. Its continued use, argues Dr Cochran, is a modern marketing phenomenon solely. In the second part, Dr Cochran examines the life and work of Byron in the non-"romantic" context of his contemporaries. He shows how Byron's antithetical nature created problems when he was forced into compromising situations with friends who were close to parts of his mind, yet irreconcilable with one another. This "mobility", argues Cochran, was often an embarrassment for Byron's social life, but of great benefit to his creativity. This part of the book features chapters on Shelley, Scott, Blake, Keats, Coleridge and Wordsworth, and is notable for the amount of original archive documentation with which Cochran illustrates his theme.
