Author: National Gallery of Art (U.S.)
Publisher: Princeton University Press
ISBN:
Category : Painting
Languages : en
Pages : 556
Book Description
"This illustrated book, written by leading scholars and the result of years of research and technical analysis, catalogues nearly one hundred paintings, from works by Francois Clouet in the sixteenth century to paintings by Elisabeth Louise Vigee Le Brun in the eighteenth. All these works are explored in detailed, readable entries that will appeal as much to the general art lover as to the specialist." --Book Jacket.
French Paintings of the Fifteenth Through the Eighteenth Century
Author: National Gallery of Art (U.S.)
Publisher: Princeton University Press
ISBN:
Category : Painting
Languages : en
Pages : 556
Book Description
"This illustrated book, written by leading scholars and the result of years of research and technical analysis, catalogues nearly one hundred paintings, from works by Francois Clouet in the sixteenth century to paintings by Elisabeth Louise Vigee Le Brun in the eighteenth. All these works are explored in detailed, readable entries that will appeal as much to the general art lover as to the specialist." --Book Jacket.
Publisher: Princeton University Press
ISBN:
Category : Painting
Languages : en
Pages : 556
Book Description
"This illustrated book, written by leading scholars and the result of years of research and technical analysis, catalogues nearly one hundred paintings, from works by Francois Clouet in the sixteenth century to paintings by Elisabeth Louise Vigee Le Brun in the eighteenth. All these works are explored in detailed, readable entries that will appeal as much to the general art lover as to the specialist." --Book Jacket.
French Genre Painting in the Eighteenth Century
Author: Philip Conisbee
Publisher: Ngw-Stud Hist Art
ISBN:
Category : Art
Languages : en
Pages : 328
Book Description
"Fifteen international scholars present their latest research into the contexts and meanings of French genre painting of the eighteenth century, from Jean-Antoine Watteau to Louis-Leopold Boilly. The essays represent a wide range of critical and historical perspectives, from traditional archival research to postructuralist criticism."--Page 4 de la couverture
Publisher: Ngw-Stud Hist Art
ISBN:
Category : Art
Languages : en
Pages : 328
Book Description
"Fifteen international scholars present their latest research into the contexts and meanings of French genre painting of the eighteenth century, from Jean-Antoine Watteau to Louis-Leopold Boilly. The essays represent a wide range of critical and historical perspectives, from traditional archival research to postructuralist criticism."--Page 4 de la couverture
Artists and Amateurs
Author: Perrin Stein
Publisher: Yale University Press
ISBN: 0300197004
Category : Art
Languages : en
Pages : 247
Book Description
Catalog of an exhibition held at the Metropolitan Museum of Art, New York, October 1, 2013-January 5, 2014.
Publisher: Yale University Press
ISBN: 0300197004
Category : Art
Languages : en
Pages : 247
Book Description
Catalog of an exhibition held at the Metropolitan Museum of Art, New York, October 1, 2013-January 5, 2014.
Shapely Bodies
Author: Christine A. Jones
Publisher: Rutgers University Press
ISBN: 1644530740
Category : Art
Languages : en
Pages : 315
Book Description
Shapely Bodies: The Image of Porcelain in Eighteenth-Century France constructs the first cultural history of porcelain making in France. It takes its title from two types of “bodies” treated in this study: the craft of porcelain making shaped clods of earth into a clay body to produce high-end commodities and the French elite shaped human bodies into social subjects with the help of makeup, stylish patterns, and accessories. These practices crossed paths in the work of artisans, whose luxury objects reflected and also influenced the curves of fashion in the eighteenth century. French artisans began trials to reproduce fine Chinese porcelain in the 1660s. The challenge proved impossible until they found an essential ingredient, kaolin, in French soil in the 1760s. Shapely Bodies differs from other studies of French porcelain in that it does not begin in the 1760s at the Sèvres manufactory when it became technically possible to produce fine porcelain in France, but instead ends there. Without the secret of Chinese porcelain, artisans in France turned to radical forms of experimentation. Over the first half of the eighteenth century, they invented artificial alternatives to Chinese porcelain, decorated them with French style, and, with equal determination, shaped an identity for their new trade that distanced it from traditional guild-crafts and aligned it with scientific invention. The back story of porcelain making before kaolin provides a fascinating glimpse into the world of artisanal innovation and cultural mythmaking. To write artificial porcelain into a history of “real” porcelain dominated by China, Japan, and Meissen in Saxony, French porcelainiers learned to describe their new commodity in language that tapped into national pride and the mythic power of French savoir faire. Artificial porcelain cut such a fashionable image that by the mid-eighteenth century, Louis XV appropriated it for the glory of the crown. When the monarchy ended, revolutionaries reclaimed French porcelain, the fruit of a century of artisanal labor, for the Republic. Tracking how the porcelain arts were depicted in documents and visual arts during one hundred years of experimentation, Shapely Bodies reveals the politics behind the making of French porcelain’s image. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Publisher: Rutgers University Press
ISBN: 1644530740
Category : Art
Languages : en
Pages : 315
Book Description
Shapely Bodies: The Image of Porcelain in Eighteenth-Century France constructs the first cultural history of porcelain making in France. It takes its title from two types of “bodies” treated in this study: the craft of porcelain making shaped clods of earth into a clay body to produce high-end commodities and the French elite shaped human bodies into social subjects with the help of makeup, stylish patterns, and accessories. These practices crossed paths in the work of artisans, whose luxury objects reflected and also influenced the curves of fashion in the eighteenth century. French artisans began trials to reproduce fine Chinese porcelain in the 1660s. The challenge proved impossible until they found an essential ingredient, kaolin, in French soil in the 1760s. Shapely Bodies differs from other studies of French porcelain in that it does not begin in the 1760s at the Sèvres manufactory when it became technically possible to produce fine porcelain in France, but instead ends there. Without the secret of Chinese porcelain, artisans in France turned to radical forms of experimentation. Over the first half of the eighteenth century, they invented artificial alternatives to Chinese porcelain, decorated them with French style, and, with equal determination, shaped an identity for their new trade that distanced it from traditional guild-crafts and aligned it with scientific invention. The back story of porcelain making before kaolin provides a fascinating glimpse into the world of artisanal innovation and cultural mythmaking. To write artificial porcelain into a history of “real” porcelain dominated by China, Japan, and Meissen in Saxony, French porcelainiers learned to describe their new commodity in language that tapped into national pride and the mythic power of French savoir faire. Artificial porcelain cut such a fashionable image that by the mid-eighteenth century, Louis XV appropriated it for the glory of the crown. When the monarchy ended, revolutionaries reclaimed French porcelain, the fruit of a century of artisanal labor, for the Republic. Tracking how the porcelain arts were depicted in documents and visual arts during one hundred years of experimentation, Shapely Bodies reveals the politics behind the making of French porcelain’s image. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Watteau's Painted Conversations
Author: Mary Vidal
Publisher:
ISBN:
Category : Conversation in art
Languages : en
Pages : 714
Book Description
Publisher:
ISBN:
Category : Conversation in art
Languages : en
Pages : 714
Book Description
European Art of the Eighteenth Century
Author: Daniela Tarabra
Publisher: Getty Publications
ISBN: 9780892369218
Category : Art
Languages : en
Pages : 390
Book Description
"The Art Through the Century series introduces readers to important visual vocabulary of Western art."--Back cover.
Publisher: Getty Publications
ISBN: 9780892369218
Category : Art
Languages : en
Pages : 390
Book Description
"The Art Through the Century series introduces readers to important visual vocabulary of Western art."--Back cover.
France in the Golden Age
Author: Pierre Rosenberg
Publisher: Metropolitan Museum of Art
ISBN: 0870992953
Category : Classicism in art
Languages : en
Pages : 420
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 0870992953
Category : Classicism in art
Languages : en
Pages : 420
Book Description
America Collects Eighteenth-century French Painting
Author: Yuriko Jackall
Publisher: Lund Humphries Publishers Limited
ISBN: 9781848222342
Category : Art
Languages : en
Pages : 0
Book Description
"The exhibition is organized by the National Gallery of Art, Washington."
Publisher: Lund Humphries Publishers Limited
ISBN: 9781848222342
Category : Art
Languages : en
Pages : 0
Book Description
"The exhibition is organized by the National Gallery of Art, Washington."
Enlightened Animals in Eighteenth-Century Art
Author: Sarah Cohen
Publisher: Bloomsbury Publishing
ISBN: 1350203602
Category : Art
Languages : en
Pages : 273
Book Description
How do our senses help us to understand the world? This question, which preoccupied Enlightenment thinkers, also emerged as a key theme in depictions of animals in eighteenth-century art. This book examines the ways in which painters such as Chardin, as well as sculptors, porcelain modelers, and other decorative designers portrayed animals as sensing subjects who physically confirmed the value of material experience. The sensual style known today as the Rococo encouraged the proliferation of animals as exemplars of empirical inquiry, ranging from the popular subject of the monkey artist to the alchemical wonders of the life-sized porcelain animals created for the Saxon court. Examining writings on sensory knowledge by La Mettrie, Condillac, Diderot and other philosophers side by side with depictions of the animal in art, Cohen argues that artists promoted the animal as a sensory subject while also validating the material basis of their own professional practice.
Publisher: Bloomsbury Publishing
ISBN: 1350203602
Category : Art
Languages : en
Pages : 273
Book Description
How do our senses help us to understand the world? This question, which preoccupied Enlightenment thinkers, also emerged as a key theme in depictions of animals in eighteenth-century art. This book examines the ways in which painters such as Chardin, as well as sculptors, porcelain modelers, and other decorative designers portrayed animals as sensing subjects who physically confirmed the value of material experience. The sensual style known today as the Rococo encouraged the proliferation of animals as exemplars of empirical inquiry, ranging from the popular subject of the monkey artist to the alchemical wonders of the life-sized porcelain animals created for the Saxon court. Examining writings on sensory knowledge by La Mettrie, Condillac, Diderot and other philosophers side by side with depictions of the animal in art, Cohen argues that artists promoted the animal as a sensory subject while also validating the material basis of their own professional practice.
Sheltering Art
Author: Rochelle Ziskin
Publisher: Penn State Press
ISBN: 0271037857
Category : Art
Languages : en
Pages : 392
Book Description
"Explores the role of private art collections in the cultural, social, and political life of early eighteenth-century Paris. Examines how two principal groups of collectors, each associated with a different political faction, amassed different types of treasures and used them to establish social identities and compete for distinction"--Provided by publisher.
Publisher: Penn State Press
ISBN: 0271037857
Category : Art
Languages : en
Pages : 392
Book Description
"Explores the role of private art collections in the cultural, social, and political life of early eighteenth-century Paris. Examines how two principal groups of collectors, each associated with a different political faction, amassed different types of treasures and used them to establish social identities and compete for distinction"--Provided by publisher.