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Author: Lawrence R. Schehr
Publisher: University of Illinois Press
ISBN: 9780252029455
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
The first four decades of the twentieth century saw male homosexuality appear in French literature with increasing frequency and boldness. Departing from earlier, more muted presentations, André Gide, Marcel Proust, Jean Cocteau, René Crevel, Francis Carco, and a host of less-famous writers, all created overtly gay characters are gave them increasingly numerous and significant roles. Far from being simply shunned or marginalized, a number of these works were instead accepted as canonical. Lawrence Schehr's French Gay Modernism is the only study devoted to the analyzing these representations of male homosexuality in early twentieth-century French literature. Schehr explains how earlier representations of homosexuality, encoded rather than conspicuous, served as a basis for later writers to treat homosexual behavior as sets of relationships rather than as secrets or scandals. The prominence of authors such as Proust and Gide also helped other writers take up homosexual relationships in their work, often by adopting the same representational strategies. Schehr doesn't limit his study to high literary culture, however. He devotes considerable attention to popular writers whose homosexual characters encounter contempt, scorn, and worse and whose portrayals of homosexual couples and society were at once more open and more at risk.
Author: Lawrence R. Schehr
Publisher: University of Illinois Press
ISBN: 9780252029455
Category : Literary Criticism
Languages : en
Pages : 236
Get Book Here
Book Description
The first four decades of the twentieth century saw male homosexuality appear in French literature with increasing frequency and boldness. Departing from earlier, more muted presentations, André Gide, Marcel Proust, Jean Cocteau, René Crevel, Francis Carco, and a host of less-famous writers, all created overtly gay characters are gave them increasingly numerous and significant roles. Far from being simply shunned or marginalized, a number of these works were instead accepted as canonical. Lawrence Schehr's French Gay Modernism is the only study devoted to the analyzing these representations of male homosexuality in early twentieth-century French literature. Schehr explains how earlier representations of homosexuality, encoded rather than conspicuous, served as a basis for later writers to treat homosexual behavior as sets of relationships rather than as secrets or scandals. The prominence of authors such as Proust and Gide also helped other writers take up homosexual relationships in their work, often by adopting the same representational strategies. Schehr doesn't limit his study to high literary culture, however. He devotes considerable attention to popular writers whose homosexual characters encounter contempt, scorn, and worse and whose portrayals of homosexual couples and society were at once more open and more at risk.
Author: Peter Gay
Publisher: W. W. Norton & Company
ISBN: 9780393052053
Category : Architecture
Languages : en
Pages : 664
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Book Description
This is a brilliant, provocative long essay on the rise and fall and survival of modernism, by the English-languages' greatest living cultural historian.
Author: Lawrence R. Schehr
Publisher: Stanford University Press
ISBN: 9780804724678
Category : Literary Criticism
Languages : en
Pages : 238
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Book Description
Focusing on works by Rene Crevel, Jean-Paul Sartre, Roland Barthes, and Herve Guibert, this book studies how the figures of homosexuality function at the limits of narrative, as part of the deep structure of narrative, and at the border between public and private discourse. The first three chapters follow the difference between inside and outside, between public and private, between what is known and what can only be surmised. The homosexual Rene Crevel, who is both inside Surrealism and outside it, forces us to reread the marginalized figure of homosexuality in Surrealism. Crevel is discussed in light of his most important work, Mon corps et moi, a sustained effort to negotiate the problems of public and private personae. Long before concentrating on Jean Genet, Jean-Paul Sartre often turned to the subject of homosexuality in his writings of the 1930s and 1940s. The figures and forms of homosexuality in Sartre's work are shown to relate to a phenomenology of perception, to a persistence of the relation between vision and knowledge, and to a set of narrative ploys that put Sartre's own relation to homosexuality in a new light. The last of these three chapters focuses on Roland Barthes, with a retrospective glance at Andre Gide, through an examination of their travel and confessional writings. Discourses of homosexuality are related to discourse about social power, dominant structures, and a model of colonialism. The final chapter examines the AIDS-related works of Herve Guibert, which are both a meditation on and an exploration of AIDS, that most public of private phenomena. It also examines the changing relation between public and private, between the outside world and Guibert's inner world, and between the singularity of literary writing and the nomothetic nature of the public document, all of which change in a world and in an individual affected by AIDS.
Author: Nadine Hubbs
Publisher: Univ of California Press
ISBN: 0520937953
Category : Music
Languages : en
Pages : 295
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Book Description
In this vibrant and pioneering book, Nadine Hubbs shows how a gifted group of Manhattan-based gay composers were pivotal in creating a distinctive "American sound" and in the process served as architects of modern American identity. Focusing on a talented circle that included Aaron Copland, Virgil Thomson, Leonard Bernstein, Marc Blitzstein, Paul Bowles, David Diamond, and Ned Rorem, The Queer Composition of America's Sound homes in on the role of these artists' self-identification—especially with tonal music, French culture, and homosexuality—in the creation of a musical idiom that even today signifies "America" in commercials, movies, radio and television, and the concert hall.
Author: Mat Fournier
Publisher: Columbia University Press
ISBN: 0231557981
Category : Literary Criticism
Languages : en
Pages : 135
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Book Description
During the interwar years in France, modernist literature challenged norms around sex and sexuality through daring portrayals of homosexuality and queerness. The same moment, however, witnessed the crystallization of the Western gender binary and its stark lines of division between male and female. Bringing together trans theory with French literary studies, Mat Fournier offers a new understanding of how the gender binary emerged in the modernist era. Dysphoric Modernism considers gender deviance in works by a broad range of French authors, both writers who are canonical for queer theory, such as Marcel Proust, André Gide, Jean Genet, and Colette, and lesser-known figures, including René Crevel, Raymond Radiguet, Maurice Sachs, and Maurice Rostand. Its trans readings track the dysphoria inherent to modern gender and the many ways these texts both disrupt and reinforce it. Examining the complex entanglements of gender and sexuality with the colonial project, Fournier argues that modernist writers’ representations of sexual dissidence came at the cost of their enforcement of racial and gendered discrimination. A groundbreaking transgender analysis of French modernist literature, this book also demonstrates the significance of the concept of dysphoria for a number of fields.
Author: Pericles Lewis
Publisher: Cambridge University Press
ISBN: 1107493609
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
Modernism arose in a period of accelerating globalization in the late nineteenth century. Modernist writers and artists, while often loyal to their country in times of war, aimed to rise above the national and ideological conflicts of the early twentieth century in service to a cosmopolitan ideal. This Companion explores the international aspects of literary modernism by mapping the history of the movement across Europe and within each country. The essays place the various literary traditions within a social and historical context and set out recent critical debates. Particular attention is given to the urban centers in which modernism developed – from Dublin to Zürich, Barcelona to Warsaw – and to the movements of modernists across national borders. A broad, accessible account of European modernism, this Companion explores what this cosmopolitan movement can teach us about life as a citizen of Europe and of the world.
Author: Denis M. Provencher
Publisher: Routledge
ISBN: 1317072790
Category : Social Science
Languages : en
Pages : 236
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Book Description
In this book Denis M. Provencher examines the tensions between Anglo-American and French articulations of homosexuality and sexual citizenship in the context of contemporary French popular culture and first-person narratives. In the light of recent political events and the perceived hegemonic role of US forces throughout the world, an examination of the French resistance to globalization and 'Americanization', is timely in this context. He argues that contemporary French gay and lesbian cultures rely on long-standing French narratives that resist US models of gay experience. He maintains that French gay experiences are mitigated through (gay) French language that draws on several canonical voices - including Jean Genet and Jean-Paul Sartre - and various universalistic discourses. Drawing on material from a diverse array of media, Queer French draws out the importance of a French gay linguistic and semiotic tradition that emerges in contemporary textual practices and discourses as they relate to sexual citizenship in 20th- and 21st-century France. It will appeal to an interdisciplinary readership in gender and sexuality studies, cultural studies, linguistics, media and communication studies and French studies.
Author: Effie Rentzou
Publisher: Manchester University Press
ISBN: 1526145049
Category : Literary Criticism
Languages : en
Pages : 470
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Book Description
This book takes its cue from the annus miabilis for French culture to outline French modernism and to situate it on the map of global modernism. Essays on specific works in various media present the first narrative of French modernism as a critical category and establish its position in the thriving field of modernist studies.
Author: Jason James Hartford
Publisher: Springer
ISBN: 3319719033
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
This book explores the modern cultural history of the queer martyr in France and Belgium. By analyzing how popular writers in French responded to Catholic doctrine and the tradition of St. Sebastian in art, Queering the Martyr shows how religious and secular symbols overlapped to produce not one, but two martyr-types. These are the queer type, typified first by Gustave Flaubert, which is a philosophical foil, and the gay type, popularized by Jean Genet but created by the Belgian Georges Eekhoud, which is a political and pornographic device. Grounded in feminist queer theory and working from a post-psychoanalytical point of view, the argument explores the potential and limits of these two figures, noting especially the persistence of misogyny in religious culture.
Author: Seth Whidden
Publisher: Routledge
ISBN: 1317094840
Category : Literary Criticism
Languages : en
Pages : 202
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Book Description
Contributing to the current lively discussion of collaboration in French letters, this collection raises fundamental questions about the limits and definition of authorship in the context of the nineteenth century's explosion of collaborative ventures. While the model of the stable single author that prevailed during the Romantic period dominates the beginning of the century, the authority of the speaking subject is increasingly in crisis through the century's political and social upheavals. Chapters consider the breakdown of authorial presence across different constructions of authorship, including the numerous cenacles of the Romantic period; collaborative ventures in poetry through the practice of the "Tombeaux" and as seen in the Album zutique; the interplay of text and image through illustrations for literary works; the collective ventures of literary journals; and multi-author prose works by authors such as the Goncourt brothers and Erckmann-Chatrian. Interdisciplinary in scope, these essays form a cohesive investigation of collaboration that extends beyond literature to include journalism and the relationships and tensions between literature and the arts. The volume will interest scholars of nineteenth-century French literature, and more generally, any scholar interested in what's at stake in redefining the role of the French author
