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Author: Lawrence R. Schehr
Publisher: University of Illinois Press
ISBN: 9780252029455
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
The first four decades of the twentieth century saw male homosexuality appear in French literature with increasing frequency and boldness. Departing from earlier, more muted presentations, André Gide, Marcel Proust, Jean Cocteau, René Crevel, Francis Carco, and a host of less-famous writers, all created overtly gay characters are gave them increasingly numerous and significant roles. Far from being simply shunned or marginalized, a number of these works were instead accepted as canonical. Lawrence Schehr's French Gay Modernism is the only study devoted to the analyzing these representations of male homosexuality in early twentieth-century French literature. Schehr explains how earlier representations of homosexuality, encoded rather than conspicuous, served as a basis for later writers to treat homosexual behavior as sets of relationships rather than as secrets or scandals. The prominence of authors such as Proust and Gide also helped other writers take up homosexual relationships in their work, often by adopting the same representational strategies. Schehr doesn't limit his study to high literary culture, however. He devotes considerable attention to popular writers whose homosexual characters encounter contempt, scorn, and worse and whose portrayals of homosexual couples and society were at once more open and more at risk.
Author: Lawrence R. Schehr
Publisher: University of Illinois Press
ISBN: 9780252029455
Category : Literary Criticism
Languages : en
Pages : 236
Get Book Here
Book Description
The first four decades of the twentieth century saw male homosexuality appear in French literature with increasing frequency and boldness. Departing from earlier, more muted presentations, André Gide, Marcel Proust, Jean Cocteau, René Crevel, Francis Carco, and a host of less-famous writers, all created overtly gay characters are gave them increasingly numerous and significant roles. Far from being simply shunned or marginalized, a number of these works were instead accepted as canonical. Lawrence Schehr's French Gay Modernism is the only study devoted to the analyzing these representations of male homosexuality in early twentieth-century French literature. Schehr explains how earlier representations of homosexuality, encoded rather than conspicuous, served as a basis for later writers to treat homosexual behavior as sets of relationships rather than as secrets or scandals. The prominence of authors such as Proust and Gide also helped other writers take up homosexual relationships in their work, often by adopting the same representational strategies. Schehr doesn't limit his study to high literary culture, however. He devotes considerable attention to popular writers whose homosexual characters encounter contempt, scorn, and worse and whose portrayals of homosexual couples and society were at once more open and more at risk.
Author: Peter Gay
Publisher: W. W. Norton & Company
ISBN: 9780393052053
Category : Architecture
Languages : en
Pages : 664
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Book Description
This is a brilliant, provocative long essay on the rise and fall and survival of modernism, by the English-languages' greatest living cultural historian.
Author: Lawrence R. Schehr
Publisher: Stanford University Press
ISBN: 9780804724678
Category : Literary Criticism
Languages : en
Pages : 238
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Book Description
Focusing on works by Rene Crevel, Jean-Paul Sartre, Roland Barthes, and Herve Guibert, this book studies how the figures of homosexuality function at the limits of narrative, as part of the deep structure of narrative, and at the border between public and private discourse. The first three chapters follow the difference between inside and outside, between public and private, between what is known and what can only be surmised. The homosexual Rene Crevel, who is both inside Surrealism and outside it, forces us to reread the marginalized figure of homosexuality in Surrealism. Crevel is discussed in light of his most important work, Mon corps et moi, a sustained effort to negotiate the problems of public and private personae. Long before concentrating on Jean Genet, Jean-Paul Sartre often turned to the subject of homosexuality in his writings of the 1930s and 1940s. The figures and forms of homosexuality in Sartre's work are shown to relate to a phenomenology of perception, to a persistence of the relation between vision and knowledge, and to a set of narrative ploys that put Sartre's own relation to homosexuality in a new light. The last of these three chapters focuses on Roland Barthes, with a retrospective glance at Andre Gide, through an examination of their travel and confessional writings. Discourses of homosexuality are related to discourse about social power, dominant structures, and a model of colonialism. The final chapter examines the AIDS-related works of Herve Guibert, which are both a meditation on and an exploration of AIDS, that most public of private phenomena. It also examines the changing relation between public and private, between the outside world and Guibert's inner world, and between the singularity of literary writing and the nomothetic nature of the public document, all of which change in a world and in an individual affected by AIDS.
Author: Pericles Lewis
Publisher: Cambridge University Press
ISBN: 0521199417
Category : History
Languages : en
Pages : 289
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Book Description
A broad, accessible account of European modernism as a truly cosmopolitan movement.
Author: Denis M. Provencher
Publisher: Routledge
ISBN: 1317072790
Category : Social Science
Languages : en
Pages : 236
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Book Description
In this book Denis M. Provencher examines the tensions between Anglo-American and French articulations of homosexuality and sexual citizenship in the context of contemporary French popular culture and first-person narratives. In the light of recent political events and the perceived hegemonic role of US forces throughout the world, an examination of the French resistance to globalization and 'Americanization', is timely in this context. He argues that contemporary French gay and lesbian cultures rely on long-standing French narratives that resist US models of gay experience. He maintains that French gay experiences are mitigated through (gay) French language that draws on several canonical voices - including Jean Genet and Jean-Paul Sartre - and various universalistic discourses. Drawing on material from a diverse array of media, Queer French draws out the importance of a French gay linguistic and semiotic tradition that emerges in contemporary textual practices and discourses as they relate to sexual citizenship in 20th- and 21st-century France. It will appeal to an interdisciplinary readership in gender and sexuality studies, cultural studies, linguistics, media and communication studies and French studies.
Author: Nick Rees-Roberts
Publisher: Edinburgh University Press
ISBN: 0748634193
Category : Social Science
Languages : en
Pages : 176
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Book Description
French Queer Cinema examines the representation of queer identities and sexualities in contemporary French filmmaking. This groundbreaking volume is the first comprehensive study of the cultural formation and critical reception of contemporary queer film and video in France. French Queer Cinema addresses the emergence of a gay cinema in the French context since the late 1990s, including critical coverage of films by important contemporary directors such as Francois Ozon, Sebastien Lifshitz, Patrice Chereau, Andre Techine and Christophe Honore. Nick Rees-Roberts transposes contemporary Anglo-American Queer Theory to the study of French screen culture, drawing particular attention to issues of race and migration such as problematic fantasies of Arab masculinities in queer cinematic production. This theoretically-informed book engages with a number of fault-lines running through queer cultural representation in France including transgender dissent and the effects of AIDS and loss on the formation of queer identities and sexualities.
Author: Seth Whidden
Publisher: Routledge
ISBN: 1317094840
Category : Literary Criticism
Languages : en
Pages : 202
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Book Description
Contributing to the current lively discussion of collaboration in French letters, this collection raises fundamental questions about the limits and definition of authorship in the context of the nineteenth century's explosion of collaborative ventures. While the model of the stable single author that prevailed during the Romantic period dominates the beginning of the century, the authority of the speaking subject is increasingly in crisis through the century's political and social upheavals. Chapters consider the breakdown of authorial presence across different constructions of authorship, including the numerous cenacles of the Romantic period; collaborative ventures in poetry through the practice of the "Tombeaux" and as seen in the Album zutique; the interplay of text and image through illustrations for literary works; the collective ventures of literary journals; and multi-author prose works by authors such as the Goncourt brothers and Erckmann-Chatrian. Interdisciplinary in scope, these essays form a cohesive investigation of collaboration that extends beyond literature to include journalism and the relationships and tensions between literature and the arts. The volume will interest scholars of nineteenth-century French literature, and more generally, any scholar interested in what's at stake in redefining the role of the French author
Author: Jason James Hartford
Publisher: Springer
ISBN: 3319719033
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
This book explores the modern cultural history of the queer martyr in France and Belgium. By analyzing how popular writers in French responded to Catholic doctrine and the tradition of St. Sebastian in art, Queering the Martyr shows how religious and secular symbols overlapped to produce not one, but two martyr-types. These are the queer type, typified first by Gustave Flaubert, which is a philosophical foil, and the gay type, popularized by Jean Genet but created by the Belgian Georges Eekhoud, which is a political and pornographic device. Grounded in feminist queer theory and working from a post-psychoanalytical point of view, the argument explores the potential and limits of these two figures, noting especially the persistence of misogyny in religious culture.
Author: Diana Souhami
Publisher: Bloomsbury Publishing
ISBN: 1786694859
Category : Biography & Autobiography
Languages : en
Pages : 314
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Book Description
A Sunday Times Book of the Year Winner of the Polari Prize 'A book about love, identity, acceptance and the freedom to write, paint, compose and wear corduroy breeches with gaiters. To swear, kiss, publish and be damned. It is vastly entertaining and often moving... There isn't a page without an entertaining vignette' The Times. The extraordinary story of how a singular group of women in a pivotal time and place – Paris, Between the Wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves their stories into those of the four central women to create a vivid moving tapestry of life among the Modernists in pre-War Paris. 'One of the best books I've read this year.' James Bridle
Author: James McAuley
Publisher: Yale University Press
ISBN: 0300252544
Category : History
Languages : en
Pages : 327
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Book Description
A powerful history of Jewish art collectors in France, and how an embrace of art and beauty was met with hatred and destruction In the dramatic years between 1870 and the end of World War II, a number of prominent French Jews—pillars of an embattled community—invested their fortunes in France’s cultural artifacts, sacrificed their sons to the country’s army, and were ultimately rewarded by seeing their collections plundered and their families deported to Nazi concentration camps. In this rich, evocative account, James McAuley explores the central role that art and material culture played in the assimilation and identity of French Jews in the fin-de-siècle. Weaving together narratives of various figures, some familiar from the works of Marcel Proust and the diaries of Jules and Edmond Goncourt—the Camondos, the Rothschilds, the Ephrussis, the Cahens d'Anvers—McAuley shows how Jewish art collectors contended with a powerful strain of anti-Semitism: they were often accused of “invading” France’s cultural patrimony. The collections these families left behind—many ultimately donated to the French state—were their response, tragic attempts to celebrate a nation that later betrayed them.
