Encyclopedia of French Film Directors PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Encyclopedia of French Film Directors PDF full book. Access full book title Encyclopedia of French Film Directors by Philippe Rège. Download full books in PDF and EPUB format.
Author: Philippe Rège
Publisher: Scarecrow Press
ISBN: 081086939X
Category : Performing Arts
Languages : en
Pages : 1486
Get Book Here
Book Description
Cinema has been long associated with France, dating back to 1895, when Louis and Auguste Lumi_re screened their works, the first public viewing of films anywhere. Early silent pioneers Georges MZli_s, Alice Guy BlachZ and others followed in the footsteps of the Lumi_re brothers and the tradition of important filmmaking continued throughout the 20th century and beyond. In Encyclopedia of French Film Directors, Philippe Rège identifies every French director who has made at least one feature film since 1895. From undisputed masters to obscure one-timers, nearly 3,000 directors are cited here, including at least 200 filmmakers not mentioned in similar books published in France. Each director's entry contains a brief biographical summary, including dates and places of birth and death; information on the individual's education and professional training; and other pertinent details, such as real names (when the filmmaker uses a pseudonym). The entries also provide complete filmographies, including credits for feature films, shorts, documentaries, and television work. Some of the most important names in the history of film can be found in this encyclopedia, from masters of the Golden Age_Jean Renoir and RenZ Clair_to French New Wave artists such as Fran_ois Truffaut and Jean-Luc Godard.
Author: Michael Temple
Publisher: Bloomsbury Publishing
ISBN: 1838718869
Category : Performing Arts
Languages : en
Pages : 781
Get Book Here
Book Description
This thoroughly revised and expanded edition of a key textbook offers an innovative and accessible account of the richness and diversity of French film history and culture from the 1890s to the present day. The contributors, who include leading historians and film scholars, provide an indispensable introduction to key topics and debates in French film history. Each chronological section addresses seven key themes – people, business, technology, forms, representations, spectators and debates, providing an essential overview of the cinema industry, the people who worked in it, including technicians and actors as well as directors, and the culture of cinema going in France from the beginnings of cinema to the contemporary period.
Author: Philippe Rège
Publisher: Scarecrow Press
ISBN: 081086939X
Category : Performing Arts
Languages : en
Pages : 1486
Get Book Here
Book Description
Cinema has been long associated with France, dating back to 1895, when Louis and Auguste Lumi_re screened their works, the first public viewing of films anywhere. Early silent pioneers Georges MZli_s, Alice Guy BlachZ and others followed in the footsteps of the Lumi_re brothers and the tradition of important filmmaking continued throughout the 20th century and beyond. In Encyclopedia of French Film Directors, Philippe Rège identifies every French director who has made at least one feature film since 1895. From undisputed masters to obscure one-timers, nearly 3,000 directors are cited here, including at least 200 filmmakers not mentioned in similar books published in France. Each director's entry contains a brief biographical summary, including dates and places of birth and death; information on the individual's education and professional training; and other pertinent details, such as real names (when the filmmaker uses a pseudonym). The entries also provide complete filmographies, including credits for feature films, shorts, documentaries, and television work. Some of the most important names in the history of film can be found in this encyclopedia, from masters of the Golden Age_Jean Renoir and RenZ Clair_to French New Wave artists such as Fran_ois Truffaut and Jean-Luc Godard.
Author: David A. Pettersen
Publisher: Indiana University Press
ISBN: 0253064910
Category : Performing Arts
Languages : en
Pages : 327
Get Book Here
Book Description
In the impoverished outskirts of French cities, known as the banlieues, minority communities are turning to American culture, history, and theory to make their own voices, cultures, and histories visible. Filmmakers have followed suit, turning to Hollywood genre conventions to challenge notions of identity, belonging, and marginalization in mainstream French film. French B Movies proposes that French banlieue films, far from being a fringe genre, offer a privileged site from which to understand the current state of the French film industry in an age of globalization. This gritty style appears in popular arthouse films such as Mathieu Kassovitz's La Haine and Bande de filles (Girlhood) along with the major Netflix hit series Lupin. David Pettersen traces how, in these works and others, directors fuse features of banlieue cinema with genre formulas associated with both Hollywood and Black cultural models, as well as how transnational genre hybridizations, such as B movies, have become part of the ecosystem of the French film industry. By combining film analysis, cultural history, critical theory, and industry studies, French B Movies reveals how featuring banlieues is as much about trying to imagine new identities and production models for French cinema as it is about representation.
Author: Susan Hayward
Publisher: Routledge
ISBN: 1136214860
Category : Social Science
Languages : en
Pages : 372
Get Book Here
Book Description
The second edition of this innovative textbook brings together leading scholars to provide detailed analyses of twenty-two key films within the canon of French cinema, from the 1920s to the 1990s. Films discussed include: * masterpieces such as Renoir's La Bete Humaine and Carne's Les Enfants du Paradis * popular classics such as Les Vacances de Monsieur Hulot and Ma Nuit chez Maud * landmarks of the New Wave such as Les 400 Coups and A bout de souffle * important films of the 1990s such as Nikita and La Haine The films are considered in relation to such issues as the history of French cinema, the social and cultural contexts of their production and reception, the relationship with Hollywood cinema, gender politics, authorship and genre. Each article is accompanied with a guide to further reading and a filmography of the director, and the new edition also includes a fully revised introduction and a bibliography on French cinema.
Author: Robin Buss
Publisher: Marion Boyars Publishers
ISBN: 9780714530369
Category : Film noir
Languages : en
Pages : 0
Get Book Here
Book Description
Crime and punishment on the dark side of French society, as reflected in the silver screen.
Author: Richard Abel
Publisher: Princeton University Press
ISBN: 9780691000626
Category : Performing Arts
Languages : en
Pages : 488
Get Book Here
Book Description
These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of André Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.
Author: Charles Drazin
Publisher: Faber & Faber
ISBN: 0571271952
Category : Performing Arts
Languages : en
Pages : 466
Get Book Here
Book Description
Offering portraits of such key figures as the Lumière brothers, Georges Méliès, Charles Pathé and Léon Gaumont, he looks at the early pioneers who transformed a fairground novelty into a global industry. The crisis caused by the First World War led France to surrender her position as the world's dominant film-making power, but French cinema forged a new role for itself as a beacon of cinematic possibility and achievement. Producing such distinctive film-makers as Jean Renoir, Marcel Pagnol, Sachy Guitry and Julien Duvivier, the French cinema's Golden Age boasted an intelligence, maturity and flair that classical Hollywood could admire but struggle to emulate. Suggesting a Gallic attitude that has always considered the cinema to be as much a cause as a business, Drazin looks at the extraordinary resilience of the French film industry during the Second World War when, in spite of the national catastrophe of defeat and occupation, it was still able to produce such classics as Le Corbeau and Les Enfants du Paradis. Finally, he traces its remarkable post-war regeneration. He looks at the seminal impact of the New Wave of film-makers - typified by Truffaut and Godard - but also at the other waves that have followed since. As he brings the story up-to-date - with Jacques Audaird's award-winning A Prophet - he seeks to capture the essence of the French film tradition and why it continues to matter to anyone who cares about the cinema.
Author: Neil Archer
Publisher: Berghahn Books
ISBN: 0857457705
Category : Foreign Language Study
Languages : en
Pages : 205
Get Book Here
Book Description
The traditionally American genre of the road movie has been explored and reconfigured in the French context since the later 1960s. Comparative in its approach, this book studies the inter-relationship between American and French culture and cinemas, and in the process considers and challenges histories of the road movie. It combines film history with film theory methodologies, analysing transformations in social, political and film-industrial contexts alongside changing perspectives on the meaning and possibilities of film. At once chronological and thematic in structure, The French Road Movie provides in each chapter a comprehensive introduction to key themes emerging from the genre in the French context - liberty, identity and citizenship, masculinity, femininity, border-crossing - followed by detailed, innovative and often revisionist readings of the chosen films. Through these readings the author justifies the place of the road genre within French cinema histories and reinvigorates this often neglected and misunderstood area of study.
Author: Sarah Walkley
Publisher: Springer
ISBN: 3319969234
Category : Political Science
Languages : en
Pages : 286
Get Book Here
Book Description
This is the first book to examine whether France’s ongoing defence of the cultural exception as a means to maintain cultural policies and defend cultural diversity is justifiable in the digital age. It questions whether the arrival of new players such as Apple and Netflix makes defence impossible, and whether an explosion in the number of films available makes policies for cultural promotion increasingly unnecessary. The book takes a critical look at French film policy to establish whether it promotes cultural diversity across cinema and video on demand and the implications for ongoing defence of the cultural exception. Sarah Walkley ultimately makes the case for a more disciplined approach to discussion of the cultural exception and cultural diversity in France supporting ideological arguments about competition, freedom of expression, consumer choice and national identity with concrete evidence of the success of French policies in countering US film market dominance.
Author: Martine Beugnet
Publisher: SIU Press
ISBN: 9780809328567
Category : Art
Languages : en
Pages : 208
Get Book Here
Book Description
"Cinema and Sensation: " "French Film and the Art of Transgression" looks at a much-debated phenomenon in contemporary cinema: the reemergence of filmmaking practices (and, by extension, of theoretical approaches) that give precedence to cinema as the medium of the senses.France offers an intriguing case in point here. A specific sense of momentum comes from the release, in close succession, of a series of films that exemplify a characteristic awareness of cinema s sensory impact and transgressive nature: "Adieu"; "A ma soeur"; "Baise-moi"; "Beau Travail"; "La Blessure"; "La Captive"; "Dans ma peau"; "Demonlover"; "L Humanite"; "Flandres"; "L Intrus"; "Les Invisibles"; "Lady Chatterley"; "Lecons de tenebres"; "Romance"; "Sombre"; "Tiresia"; "Trouble Every Day"; "Twentynine Palms"; "Vendredi soir"; "La Vie nouvelle"; "Wild Side"; and "Zidane, un portrait du XXIeme siecle." These films, among others, typify a willingness to explore cinema s unique capacity to move us both viscerally and intellectually.Martine Beugnet focuses on the crucial and fertile overlaps that occur between experimental and mainstream cinema. Her book draws on the writings of Deleuze, Merleau-Ponty, and Bataille, among others, but first and foremost, she develops her arguments from the films themselves, from the comprehensive description of specific sequences, techniques, and motifs that allows us to engage with the works as material events and as thinking processes. In turn, she demonstrates how the films, envisaged as forms of embodied thought, offer alternative ways of approaching today s most burning sociocultural debatesfrom the growing supremacy of technology, to globalization, exile, and exclusion."
