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Author: Maude Bass-Krueger
Publisher:
ISBN: 9780300247985
Category : Design
Languages : en
Pages : 0
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Book Description
"An unprecedented examination of the impact of fashion on society in France throughout the Great War. This fascinating exploration of French women's fashion during World War I is the first in-depth consideration of the role that fashion played in the upheaval of French society between 1914 and 1918. As the fashion industry-the second largest industry in the country-mobilized to help the war effort, Parisian couture houses introduced new styles, aggressively disseminated information through magazines, and strengthened their propaganda efforts overseas. Women of all social classes adapted their garments to the wartime lifestyle, and practicality was increasingly introduced in the form of pockets and "sportswear" textiles like jersey. While women were heralded for contributing to the war effort, the clothes they wore while doing so often provoked debates, particularly when their attire was seen as too masculine or militaristic. With focused studies of wartime garments such as skirt suits, nurse's uniforms, work overalls, and mourning clothes, this volume brings to life the passionate debates that roiled the French fashion industry and reveals the extent to which fashion was a hotly contested topic and a barometer for social tensions throughout this tumultuous era. Maude Bass-Krueger is postdoctoral fellow at the Center for the Arts in Society at Leiden University. Sophie Kurkdjian is a research fellow at l'Institut d'histoire du temps prâesent (IHTP-CNRS)"--
Author: Maude Bass-Krueger
Publisher:
ISBN: 9780300247985
Category : Design
Languages : en
Pages : 0
Get Book Here
Book Description
"An unprecedented examination of the impact of fashion on society in France throughout the Great War. This fascinating exploration of French women's fashion during World War I is the first in-depth consideration of the role that fashion played in the upheaval of French society between 1914 and 1918. As the fashion industry-the second largest industry in the country-mobilized to help the war effort, Parisian couture houses introduced new styles, aggressively disseminated information through magazines, and strengthened their propaganda efforts overseas. Women of all social classes adapted their garments to the wartime lifestyle, and practicality was increasingly introduced in the form of pockets and "sportswear" textiles like jersey. While women were heralded for contributing to the war effort, the clothes they wore while doing so often provoked debates, particularly when their attire was seen as too masculine or militaristic. With focused studies of wartime garments such as skirt suits, nurse's uniforms, work overalls, and mourning clothes, this volume brings to life the passionate debates that roiled the French fashion industry and reveals the extent to which fashion was a hotly contested topic and a barometer for social tensions throughout this tumultuous era. Maude Bass-Krueger is postdoctoral fellow at the Center for the Arts in Society at Leiden University. Sophie Kurkdjian is a research fellow at l'Institut d'histoire du temps prâesent (IHTP-CNRS)"--
Author: Augustin Challamel
Publisher:
ISBN:
Category : Clothing and dress
Languages : en
Pages : 414
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Book Description
Author: Augustin Challamel
Publisher: BoD – Books on Demand
ISBN: 3385483190
Category : Fiction
Languages : en
Pages : 370
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Book Description
Reprint of the original, first published in 1882.
Author: Mary Carolyn Waldrep
Publisher: Courier Dover Publications
ISBN: 048680593X
Category : Design
Languages : en
Pages : 114
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Book Description
"A well-illustrated survey of style. Chock full of detailed, quality illustrations accompanied by brief descriptions. A worthy offering. Nostalgic types who enjoy perusing vintage catalogs and clip art books will find much to savor here. This practical resource is sure to provide inspiration for artists and fashion designers. Five stars." — biblio-filer In addition to a world-wide depression and the rise of Fascism throughout Europe, the years between 1929 and 1938 witnessed dramatic changes in women's fashion. With the turning of the decade, the free and easy fashions of the Roaring Twenties shifted to a softer, more conservative look, with an emphasis on curves rather than angles. Hemlines plummeted almost overnight and did not begin to rise until mid-decade. These selections from full-color French catalogs produced for the international market from 1929 through 1938 document the changes in fashion from the time of the stock market crash to the dawn of World War II. More than 100 images of day and evening wear illustrate the movement from flapper fashions to a more austere look. Fashion designers, costume historians, costumers, and anyone who loves fashion will treasure this richly illustrated survey. "A must for anyone interested in fashion and costume, this book offers exactly what the title suggests — a decade of French fashion, portrayed in beautiful illustrations from contemporary catalogues. A joy to read and savor." — newbooks magazine "This is a book to read and time and time again, each new viewing helping further details —from button placements to hemline shapes — to present themselves to you, the reader, as you soak up and savor the supreme elegance that was 1930s fashion for those with the means to buy from the best that France had to offer." — Chronically Vintage
Author: Maude Bass-Krueger
Publisher: Bloomsbury Visual Arts
ISBN: 1350231177
Category : Design
Languages : en
Pages : 0
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Book Description
"This book is the first of its kind to study the impact that the Great War had on fashion, the fashion industry and civilians in a transnational context"--
Author: Augustin Challamel
Publisher: Forgotten Books
ISBN: 9780331721102
Category : Design
Languages : en
Pages : 352
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Book Description
Excerpt from The History of Fashion in France, or the Dress of Women From the Gallo-Roman Period to the Present Time Therefore to write the history of female fashion in France is a more serious task than it might seem to be at the first glance. The levity Of the subject is mastered by its moral interest. Montesquieu remarks, in his Lettres Persanes, A certain lady takes it into her head that she must appear at an assembly in a particular costume; from that moment fifty artisans have to go Without sleep, or leisure either to eat or drink. She commands, and is obeyed more promptly than a Shah of Persia, because self interest is the mightiest ruler upon the earth. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Augustin Challamel
Publisher: Theclassics.Us
ISBN: 9781230363042
Category :
Languages : en
Pages : 92
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Book Description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1882 edition. Excerpt: ... CHAPTER VIII. REIGNS OF LOUIS XL, CHARLES VIII., AND LOUIS XII. i461 TO 1515. Duchesses and bourgeoises under Louis XI.-- "La grand'gorre," or sumptuosity--The "troussoire"--Allegorical and moral costumes -- Trains -- Head-dresses--"Collets rebrasses"--Wigs and false hair--Some results of the war in Italy--Italian fashions-- "Sollerets" and slippers--Gorgets--Garters--Jean Marot writes against novelties-- Anne of Brittany--Pins--Menot "the golden-tongued "--A Parisian in the time of Louis XII.--Coat h ITtalienne--Manufacture of stuffs. The Empire of Fashion was scarcely founded, ere it began to promulgate those despotic laws which have never been relaxed to the present day. The spread of luxury, art, and comfort, which became manifest at the dawn of the Renaissance, led to a sudden change in the whole character of costume. This fact has been commented on by all historians; and can be verified and explained by the archives of the period. Although for the most part Louis XI. affected a great simplicity in his dress, and was fond of playing the "bourgeois," yet at times he desired to see his palace filled with nobles richly attired, and wearing magnificent stuffs, even of foreign manufacture. The astute sovereign appreciated the influence of fashion on commercial prosperity. Then commenced a competition in dress between the bourgeoisie of the towns and the nobility; as says the poet, -- "En Paris, y en a beaucoup Qui n'ont d'argent, vergier, ne terre, Que vous jugeriez chascun coup Allies aux grands chefs de guerre- lls se disent issus d'Angleterre, D'un comte, d'un baron d'Anjou, Parents aux senechaux d'Auxerre, Ou auxchatelains du Poitou, Combien qu'ils soient saillis d'un trou, De la cliquette d'un meunier, Voire ou de la ligne'e d'un...
Author: Augustin Challamel
Publisher:
ISBN: 9781293200599
Category :
Languages : en
Pages : 356
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Book Description
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The History Of Fashion In France: Or, The Dress Of Women From The Gallo-Roman Period To The Present Time Augustin Challamel Frances Cashel Hoey, John Lillie Low, Marston, Searle, & Rivington, 1882 Costume; Fashion; Women's clothing
Author: Augustin 1818-1894 Challamel
Publisher: Wentworth Press
ISBN: 9781362828303
Category : History
Languages : en
Pages : 366
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Nina Edwards
Publisher: Bloomsbury Publishing
ISBN: 085773511X
Category : History
Languages : en
Pages : 307
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Book Description
Men in khaki and grey squatting in the trenches, women at work, gender bending in goggles and overalls over their trousers, a girl at the Paris theatre in pleated, beaded silk, a bangle on her forearm made from copper fuse wire from the Somme. What people wear matters. Copiously illustrated, this book is the story of what people on both sides wore on the front line and on the home front through the seismic years of World War I. Nina Edwards, reveals fresh aspects of the war through the prism of the smallest details of personal dress, of clothes, hair and accessories, both in uniform and civilian wear. She explores how, during a period of extraordinary upheaval and rapid change, a particular preference for a type of razor blade or perfume, say, or the just-so adjustment to the tilt of a hat, offer insights into the individual experience of men, women and children during the course of World War I.
