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Author: Emma Wilson
Publisher: Rowman & Littlefield Publishers
ISBN:
Category : Performing Arts
Languages : en
Pages : 172
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Book Description
French Cinema Since 1950 brings together modern scholarship of the most widely viewed and studied works of the period including classic films such as Truffaut "s The 400 Blows, Resnais " Hiroshima Mon Amour, and works by Godard as well as critical previews of some of the most recent French films up to 1998. It covers relevant directors and their writings, and provides a comprehensive overview of different types of cinema, from thrillers and love stories to historical drama and autobiographies.
Author: Emma Wilson
Publisher: Rowman & Littlefield Publishers
ISBN:
Category : Performing Arts
Languages : en
Pages : 172
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Book Description
French Cinema Since 1950 brings together modern scholarship of the most widely viewed and studied works of the period including classic films such as Truffaut "s The 400 Blows, Resnais " Hiroshima Mon Amour, and works by Godard as well as critical previews of some of the most recent French films up to 1998. It covers relevant directors and their writings, and provides a comprehensive overview of different types of cinema, from thrillers and love stories to historical drama and autobiographies.
Author: Richard Neupert
Publisher: Univ of Wisconsin Press
ISBN: 0299217035
Category : Performing Arts
Languages : en
Pages : 442
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Book Description
The French New Wave cinema is arguably the most fascinating of all film movements, famous for its exuberance, daring, and avant-garde techniques. A History of the French New Wave Cinema offers a fresh look at the social, economic, and aesthetic mechanisms that shaped French film in the 1950s, as well as detailed studies of the most important New Wave movies of the late 1950s and early 1960s. Richard Neupert first tracks the precursors to New Wave cinema, showing how they provided blueprints for those who would follow. He then demonstrates that it was a core group of critics-turned-directors from the magazine Cahiers du Cinéma—especially François Truffaut, Claude Chabrol, and Jean-Luc Godard—who really revealed that filmmaking was changing forever. Later, their cohorts Eric Rohmer, Jacques Rivette, Jacques Doniol-Valcroze, and Pierre Kast continued in their own unique ways to expand the range and depth of the New Wave. In an exciting new chapter, Neupert explores the subgroup of French film practice known as the Left Bank Group, which included directors such as Alain Resnais and Agnès Varda. With the addition of this new material and an updated conclusion, Neupert presents a comprehensive review of the stunning variety of movies to come out of this important era in filmmaking.
Author: Sarah Leahy
Publisher:
ISBN: 9780719088421
Category :
Languages : en
Pages : 384
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Book Description
This volume explores the overlooked category of screenwriters in French cinema, from the coming of sound to the digital age. Using key figures as case studies, it considers how the role has evolved industrially and critically, and sheds light on screenwriting practices in the context of debates on word and image, national cinema and authorship.
Author: Serge Bokobza
Publisher: Cambridge Scholars Publishing
ISBN: 1443889385
Category : Performing Arts
Languages : en
Pages : 220
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Book Description
This book examines the expression of a Jewish identity in French films and the characteristics used by filmmakers to portray this nebulous concept in movies produced after the Shoah and World War II. Throughout a sixty-year span, French directors struggled to define Jewish identity and a correlation with the larger question of French national identity. The study delves into the larger question of Jewish identity as characterised in works of cinematic fiction in accordance with the history of the Jews of France, using the centrality of the emancipation paradigm of 1791 and the theoretical frame provided by Jean-Paul Sartre’s Réflexions sur la question juive. The book identifies and describes three categories of films produced between 1950 and 2010 that represent the manner in which directors portrayed an evolving Jewish identity and its relation to French society, rejecting the practice of labeling a film as “Jewish” because of the ethnicity of a director or writer. Based on extensive research including the review of over 200 full-length films, the book provides an overview of features addressing the concept of Jewish identity and includes a Descriptive Filmography of productions matching the author’s definition of a Jewish-identity film. From the template La Grande Illusion to contemporary releases, the book argues that French Jewish-identity films dwell in the sociological realm of Jewishness, as the epicenter of tension is rooted in identity rather than religion.
Author: Martin O’Shaughnessy
Publisher: Berghahn Books
ISBN: 0857456903
Category : Performing Arts
Languages : en
Pages : 204
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Book Description
Since 1995 there has been a widespread return of commitment to French cinema taking it to a level unmatched since the heady days following 1968. But this new wave of political film is very different and urgently calls out for an analysis that will account for its development, its formal characteristics and its originality. This is what this book provides. It engages with leading directors such as Cantet, Tavernier, Dumont, Kassovitz, Zonca and Guédiguian, takes in a range of less well known but important figures and strays across the Belgian border to engage with the seminal work of the Dardenne brothers. It shows how the works discussed are helping to reinvent political cinema by finding stylistic and narrative strategies adequate to the contemporary context.
Author: Ginette Vincendeau
Publisher: Bloomsbury Publishing
ISBN: 1441130268
Category : Social Science
Languages : en
Pages : 288
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Book Description
French cinema is second only to Hollywood in the number of its movie stars who have emerged to achieve international fame. France is, in fact, arguably the only country other than the United States to have an international "star system." Yet these glamorous and charismatic stars differ from their U.S. counterparts in that they maintain more freedom to control their own images and often straddle both mainstream and auteur cinema.Ginette Vincendeau, a leading authority on French cinema, analyzes the phenomenon of French film stardom and provides brilliant in-depth studies of the major popular stars of the French cinema: Max Linder, Jean Gabin, Brigitte Bardot, Jeanne Moreau, Louis de FunFs, Jean-Paul Belmondo, Alain Delon, Catherine Deneuve, GTrard Depardieu, and Juliette Binoche. This volume analyzes these stars' images and performance styles in the context of the French film industry, but also in relation to national culture and society. In the country where Brigitte Bardot and Catherine Deneuve have modeled for Marianne (the effigy of the Republic) and left-wing politicians have held up Jean Gabin as a role model, Vincendeau examines the unusual relationship between French film stars and national identity.Ginette Vincendeau is professor of film studies at the University of Warwick. She is the author and editor of a number of books on cinema.
Author: Roy Armes
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 0
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Book Description
Author: John Weightman
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 356
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Book Description
Vertaalde scripts van vier Franse films van rond de Tweede Wereldoorlog: Un chapeau de paille d'Italie, La grande illusion, La ronde, Le salaire de la peur.
Author: Susan Hayward
Publisher: Routledge
ISBN: 113493355X
Category : Performing Arts
Languages : en
Pages : 634
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Book Description
This examination of France's national cinema takes its primary artefact, the feature film and discusses both popular cinema and the `avant garde' cinema that contests it. Susan Hayward argues that writing on French national cinema has tended to focus on either `great' film-makers or on specific movements, addressing moments of exception rather than the global picture. Her work offers a thorough and much-needed historical textualisation of those moments and relocates them them in their wider political and cultural context. Beginning with an `ecohistory' of the French film industry, she then traces the various movements in French cinema and the directors associated with them, including the avant-garde, Poetic-Realist, New Wave and today's postmodern cinema. Her analysis includes, amongst other considerations, the social and political concerns these cinemas reflect.
Author: Roy Armes
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 175
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Book Description
