Free Form Jazz PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Free Form Jazz PDF full book. Access full book title Free Form Jazz by Lee Lamothe. Download full books in PDF and EPUB format.
Author: Lee Lamothe
Publisher: Dundurn
ISBN: 1770705627
Category : Fiction
Languages : en
Pages : 196
Get Book
Book Description
Disgraced city cop Ray Tate and outcast state trooper Djuna Brown track down a wealthy sexual sadist and a depressed career criminal flooding a Midwestern U.S. city with killer ecstasy pills. Mismatched and mutually suspicious of each other, Tate and Brown hunt the mythic Captain Cook and his henchman, the homicidal Phil Harvey. But as Captain Cook sinks deeper into a spiral of sexual depravity, Phil Harvey begins to question his role as a lifelong gangster. Tate and Brown discover, as they sift through the rubble left by their targets, that no one is what they appear to be not even themselves. Travelling through the Chinese underworld, clandestine drug laboratories, and biker-ridden badlands, the troubled duo encounter murder, political corruption, police paranoia, and psychosis, but can they find redemption?
Author: Lee Lamothe
Publisher: Dundurn
ISBN: 1770705627
Category : Fiction
Languages : en
Pages : 196
Get Book
Book Description
Disgraced city cop Ray Tate and outcast state trooper Djuna Brown track down a wealthy sexual sadist and a depressed career criminal flooding a Midwestern U.S. city with killer ecstasy pills. Mismatched and mutually suspicious of each other, Tate and Brown hunt the mythic Captain Cook and his henchman, the homicidal Phil Harvey. But as Captain Cook sinks deeper into a spiral of sexual depravity, Phil Harvey begins to question his role as a lifelong gangster. Tate and Brown discover, as they sift through the rubble left by their targets, that no one is what they appear to be not even themselves. Travelling through the Chinese underworld, clandestine drug laboratories, and biker-ridden badlands, the troubled duo encounter murder, political corruption, police paranoia, and psychosis, but can they find redemption?
Author: Phil Freeman
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 232
Get Book
Book Description
Author: Chris Tonelli
Publisher: Routledge
ISBN: 0429802978
Category : Music
Languages : en
Pages : 280
Get Book
Book Description
Voices Found: Free Jazz and Singing contributes to a wave of voice studies scholarship with the first book-length study of free jazz voice. It pieces together a history of free jazz voice that spans from sound poetry and scat in the 1950s to the more recent wave of free jazz choirs. The author traces the developments and offers a theory, derived from interviews with many of the most important singers in the history of free jazz voice, of how listeners have experienced and evaluated the often unconventional vocal sounds these vocalists employed. This theory explains that even audiences willing to enjoy harsh sounds from saxophones or guitars often resist when voices make sounds that audiences understand as not-human. Experimental poetry and scat were combined and transformed in free jazz spaces in the 1960s and 1970s by vocalists like Yoko Ono (in solo work and her work with Ornette Coleman and John Stevens), Jeanne Lee (in her solo work and her work with Archie Shepp and Gunter Hampel), Leon Thomas (in his solo work as well as his work with Pharoah Sanders and Carlos Santana), and Phil Minton and Maggie Nicols (who devoted much of their energy to creating unaccompanied free jazz vocal music). By studying free jazz voice we can learn important lessons about what we expect from the voice and what happens when those expectations are violated. This book doesn't only trace histories of free jazz voice, it makes an attempt to understand why this story hasn't been told before, with an impressive breadth of scope in terms of the artists covered, drawing on research from the US, Canada, Wales, Scotland, France, The Netherlands, and Japan.
Author: Iain Anderson
Publisher: University of Pennsylvania Press
ISBN: 0812201124
Category : History
Languages : en
Pages : 262
Get Book
Book Description
This Is Our Music, declared saxophonist Ornette Coleman's 1960 album title. But whose music was it? At various times during the 1950s and 1960s, musicians, critics, fans, politicians, and entrepreneurs claimed jazz as a national art form, an Afrocentric race music, an extension of modernist innovation in other genres, a music of mass consciousness, and the preserve of a cultural elite. This original and provocative book explores who makes decisions about the value of a cultural form and on what basis, taking as its example the impact of 1960s free improvisation on the changing status of jazz. By examining the production, presentation, and reception of experimental music by Ornette Coleman, Cecil Taylor, John Coltrane, and others, Iain Anderson traces the strange, unexpected, and at times deeply ironic intersections between free jazz, avant-garde artistic movements, Sixties politics, and patronage networks. Anderson emphasizes free improvisation's enormous impact on jazz music's institutional standing, despite ongoing resistance from some of its biggest beneficiaries. He concludes that attempts by African American artists and intellectuals to define a place for themselves in American life, structural changes in the music industry, and the rise of nonprofit sponsorship portended a significant transformation of established cultural standards. At the same time, free improvisation's growing prestige depended in part upon traditional highbrow criteria: increasingly esoteric styles, changing venues and audience behavior, European sanction, withdrawal from the marketplace, and the professionalization of criticism. Thus jazz music's performers and supporters—and potentially those in other arts—have both challenged and accommodated themselves to an ongoing process of cultural stratification.
Author: Philippe Carles
Publisher: Univ. Press of Mississippi
ISBN: 1626743398
Category : Music
Languages : en
Pages : 383
Get Book
Book Description
In 1971, French jazz critics Philippe Carles and Jean-Louis Comolli cowrote Free Jazz/Black Power, a treatise on the racial and political implications of jazz and jazz criticism. It remains a testimony to the long-ignored encounter of radical African American music and French left-wing criticism. Carles and Comolli set out to defend a genre vilified by jazz critics on both sides of the Atlantic by exposing the new sound’s ties to African American culture, history, and the political struggle that was raging in the early 1970s. The two offered a political and cultural history of Black presence in the United States to shed more light on the dubious role played by jazz criticism in racial oppression. This analysis of jazz criticism and its production is astutely self-aware. It critiques the critics, building a work of cultural studies in a time and place where the practice was virtually unknown. The authors reached radical conclusions—free jazz was a revolutionary reaction against white domination, was the musical counterpart to the Black Power movement, and was a musical style that demanded a similar political commitment. The impact of this book is difficult to overstate, as it made readers reconsider their response to African American music. In some cases, it changed the way musicians thought about and played jazz. Free Jazz/Black Power remains indispensable to the study of the relation of American free jazz to European audiences, critics, and artists. This monumental critique caught the spirit of its time and realigned that zeitgeist.
Author: Guerino Mazzola
Publisher: Springer Science & Business Media
ISBN: 3540921958
Category : Music
Languages : en
Pages : 140
Get Book
Book Description
Free jazz, as performed by such artists as John Coltrone and Archie Shepp, is a creative, collaborative art form. This book examines free jazz and develops geometric theories of gestures and distributed identities, also known as swarm intelligence.
Author: Stephen Rush
Publisher: Routledge
ISBN: 1317303245
Category : Music
Languages : en
Pages : 252
Get Book
Book Description
Free Jazz, Harmolodics, and Ornette Coleman discusses Ornette Coleman’s musical philosophy of "Harmolodics," an improvisational system deeply inspired by the Civil Rights Movement. Falling under the guise of "free jazz," Harmolodics can be difficult to understand, even for seasoned musicians and musicologists. Yet this book offers a clear and thorough approach to these complex methods, outlining Coleman’s position as the developer of a logical—and historically significant—system of jazz improvisation. Included here are detailed musical analyses of improvisations, accompanied by full transcriptions. Intimate interviews between the author and Coleman explore the deeper issues at work in Harmolodics, issues of race, class, sex, and poverty. The principle of human equality quickly emerges as a central tenet of Coleman’s life and music. Harmolodics is best understood when viewed in its essential form, both as a theory of improvisation and as an artistic expression of racial and human equality.
Author: Ekkehard Jost
Publisher: Da Capo Press, Incorporated
ISBN:
Category : Jazz
Languages : en
Pages : 232
Get Book
Book Description
Author: Jeff Schwartz
Publisher: State University of New York Press
ISBN: 1438490321
Category : Music
Languages : en
Pages : 208
Get Book
Book Description
In the late 1950s, free jazz broke all the rules, liberating musicians both to create completely spontaneous and unplanned performances and to develop unique personal musical systems. This genre emerged alongside the radical changes of the 1960s, particularly the Civil Rights, Black Arts, and Black Power movements. Free Jazz is a new and accessible introduction to this exciting, controversial, and often misunderstood music, drawing on extensive research, close listening, and the author’s experience as a performer. More than a catalog of artists and albums, the book explores the conceptual areas they opened: freedom, spirituality, energy, experimentalism, and self-determination. These are discussed in relation to both the political and artistic currents of the times and to specific musical techniques, explained in language clear to ordinary readers but also useful for musicians.
Author: Frank J. Barrett
Publisher: Harvard Business Press
ISBN: 1422183955
Category : Business & Economics
Languages : en
Pages : 228
Get Book
Book Description
What Duke Ellington and Miles Davis teach us about leadership How do you cope when faced with complexity and constant change at work? Here’s what the world’s best leaders and teams do: they improvise. They invent novel responses and take calculated risks without a scripted plan or a safety net that guarantees specific outcomes. They negotiate with each other as they proceed, and they don’t dwell on mistakes or stifle each other’s ideas. In short, they say “yes to the mess” that is today’s hurried, harried, yet enormously innovative and fertile world of work. This is exactly what great jazz musicians do. In this revelatory book, accomplished jazz pianist and management scholar Frank Barrett shows how this improvisational “jazz mind-set” and the skills that go along with it are essential for effective leadership today. With fascinating stories of the insights and innovations of jazz greats such as Miles Davis and Sonny Rollins, as well as probing accounts of the wisdom gleaned from his own experience as a jazz musician, Barrett introduces a new model for leading and collaborating in organizations. He describes how, like skilled jazz players, leaders need to master the art of unlearning, perform and experiment simultaneously, and take turns soloing and supporting each other. And with examples that range from manufacturing to the military to high-tech, he illustrates how organizations must take an inventive approach to crisis management, economic volatility, and all the rapidly evolving realities of our globally connected world. Leaders today need to be expert improvisers. Yes to the Mess vividly shows how the principles of jazz thinking and jazz performance can help anyone who leads teams or works with them to develop these critical skills, wherever they sit in the organization. Engaging and insightful, Yes to the Mess is a seminar on collaboration and complexity, against the soulful backdrop of jazz.
