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Author: Keith B. Wagner
Publisher: Rutgers University Press
ISBN: 1978808887
Category : Performing Arts
Languages : en
Pages : 187
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Book Description
Frederic Jameson and Film Theory is the first collection of its kind, it assesses and critically responds to Fredric Jameson’s remarkable contribution to film theory. The essays assembled explore key Jamesonian concepts—such as totality, national allegory, geopolitics, globalization, representation, and pastiche—and his historical schema of realism, modernism, and postmodernism, considering, in both cases, how these can be applied, revised, expanded and challenged within film studies. Featuring essays by leading and emerging voices in the field, the volume probes the contours and complexities of neoliberal capitalism across the globe and explores world cinema's situation within these forces by deploying and adapting Jamesonian concepts, and placing them in dialogue with other theoretical paradigms. The result is an innovative and rigorously analytical effort that offers a range of Marxist-inspired approaches towards cinemas from Asia, Latin America, Europe, and North America in the spirit of Jameson's famous rallying cry: 'always historicize!'.
Author: Keith B. Wagner
Publisher: Rutgers University Press
ISBN: 1978808887
Category : Performing Arts
Languages : en
Pages : 187
Get Book Here
Book Description
Frederic Jameson and Film Theory is the first collection of its kind, it assesses and critically responds to Fredric Jameson’s remarkable contribution to film theory. The essays assembled explore key Jamesonian concepts—such as totality, national allegory, geopolitics, globalization, representation, and pastiche—and his historical schema of realism, modernism, and postmodernism, considering, in both cases, how these can be applied, revised, expanded and challenged within film studies. Featuring essays by leading and emerging voices in the field, the volume probes the contours and complexities of neoliberal capitalism across the globe and explores world cinema's situation within these forces by deploying and adapting Jamesonian concepts, and placing them in dialogue with other theoretical paradigms. The result is an innovative and rigorously analytical effort that offers a range of Marxist-inspired approaches towards cinemas from Asia, Latin America, Europe, and North America in the spirit of Jameson's famous rallying cry: 'always historicize!'.
Author: Clint Burnham
Publisher: Bloomsbury Publishing USA
ISBN: 1501308351
Category : Performing Arts
Languages : en
Pages : 193
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Book Description
The Film Theory in Practice series fills a gaping hole in the world of film theory. By marrying the explanation of a film theory with the interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. Fredric Jameson and The Wolf of Wall Street offers a concise introduction to Jameson in jargon-free language and shows how his Marxist theories can be deployed to interpret Martin Scorsese's critically acclaimed 2013 film The Wolf of Wall Street. Beginning with a detailed account of Jameson's extensive writings on Marxist theory and how they have been deployed in the analysis of film writings, Clint Burnham then illustrates how Jameson's theory can help to make sense of The Wolf of Wall Street, a film that shows in all its glory the excesses, lunacies, and inner workings of 1990s finance capitalism. As Jameson has influentially argued, films like The Wolf of Wall Street are both complicit in and critical of their historical subject: Scorsese's film is not about the richest stockbrokers, but the Long Island penny traders who made it big. As a narrative of American success, it is also a film about failure. Clint Burnham's reading of Jameson and The Wolf of Wall Street is a book about a contemporary film, and contemporary events, and contemporary theory.
Author: Fredric Jameson
Publisher: Routledge
ISBN: 1136760415
Category : Performing Arts
Languages : en
Pages : 358
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Book Description
In such celebrated works as Postmodernism: The Cultural Logic of Late Capitalism, Fredric Jameson has established himself as one of America‘s most observant cultural commentators. In Signatures of the Visible, Jameson turns his attention to cinema - the artform that has replaced the novel as the defining cultural form of our time. Histori
Author: Fredric Jameson
Publisher: Duke University Press
ISBN: 9780822310907
Category : Literary Criticism
Languages : en
Pages : 474
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Book Description
Now in paperback, Fredric Jameson’s most wide-ranging work seeks to crystalize a definition of ”postmodernism”. Jameson’s inquiry looks at the postmodern across a wide landscape, from “high” art to “low” from market ideology to architecture, from painting to “punk” film, from video art to literature.
Author: Felicity Colman
Publisher: Routledge
ISBN: 1317492439
Category : Philosophy
Languages : en
Pages : 596
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Book Description
Philosophy, and in particular continental philosophy, has provided a conceptual underpinning for cinema since its beginnings, especially in the development of cinematic aesthetics. In its turn, film has rethought the abstractions of space and time and the categories of sex and gender and has created new concepts which illuminate phenomenology, metaphysics and epistemology. "Film and Philosophy" brings together leading scholars to provide a detailed overview of the key thinkers who have shaped the field of film philosophy. The thinkers include continental and 'post-continental' philosophers, analytic philosophers, film-makers, film reviewers, sociologists, and cultural theorists.The essays reveal how philosophy can be applied to film analysis and how film can be used to illustrate philosophical problems. But more importantly, the essays explore how film has shaped what philosophy thinks and how philosophy has lead to a reappraisal of film. The book will prove an invaluable reference and guide to readers interested in a deeper understanding of the issues and insights presented by film philosophy." Film and Philosophy" includes essays on: Hugo Munsterberg, Vilem Flusser, Siegfried Kracauer, Theodor Adorno, Antonin Artaud, Henri Bergson, Maurice Merleau-Ponty, Emmanuel Levinas, Andre Bazin, Roland Barthes, Serge Daney, Jean-Luc Godard, Stanley Cavell, Jean-Luc Nancy, Jacques Derrida, Gilles Deleuze, Sarah Kofman, Paul Virilio, Jean Baudrillard, Jean-Francois Lyotard, Fredric Jameson, Felix Guattari, Raymond Bellour, Christian Metz, Julia Kristeva, Laura Mulvey, Homi Bhabha, Slavoj Zizek, Stephen Heath, Alain Badiou, Jacques Ranciere, Leo Bersani, Giorgio Agamben, and Michel Chion.
Author: Ian Buchanan
Publisher: A&C Black
ISBN: 0826491081
Category : Philosophy
Languages : en
Pages : 151
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Book Description
Widely regarded as one of America's most important cultural theorists, Fredric Jameson has been at the forefront of the field of literary and cultural studies since the early 1970s. This book offers an introduction to the work of this important thinker. It provides an account of Jameson's important contributions to Critical Theory.
Author: Fredric Jameson
Publisher: Verso Books
ISBN: 1784780065
Category : Philosophy
Languages : en
Pages : 213
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Book Description
The concepts of modernity and modernism are amongst the most controversial and vigorously debated in contemporary philosophy and cultural theory. In this intervention, Fredric Jameson-perhaps the most influential and persuasive theorist of postmodernity-excavates and explores these notions in a fresh and illuminating manner.The extraordinary revival of discussions of modernity, as well as of new theories of artistic modernism, demands attention in its own right. It seems clear that the (provisional) disappearance of alternatives to capitalism plays its part in the universal attempt to revive 'modernity' as a social ideal. Yet the paradoxes of the concept illustrate its legitimate history and suggest some rules for avoiding its misuse as well. In this major interpretation of the problematic, Jameson concludes that both concepts are tainted, but nonetheless yield clues as to the nature of the phenomena they purported to theorize. His judicious and vigilant probing of both terms-which can probably not be banished at this late date-helps us clarify our present political and artistic situations.
Author: Fredric Jameson
Publisher: Columbia University Press
ISBN: 9780231080590
Category : Education
Languages : en
Pages : 240
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Book Description
Long considered the foremost American Marxist theorist, Fredric Jameson continues his investigation of postmodernism under late capitalism in The Seeds of Time. In three parts Jameson presents the problem of Utopia, attempting to diagnose the cultural present and to open a perspective on the future of a world that is all but impossible to predict with any certainty - "a telling of the future", as Jameson calls it, "with an imperfect deck". "The Antinomies of Postmodernity" highlights the seemingly unresolvable paradoxes of intellectual debate in the age of postmodernity. Jameson suggests that these paradoxes revolve around the idea of "nature", the terms of antifoundationalism and antiessentialism, and contemporary society's inability or refusal to consider the idea of Utopia. The chapter attempts to sketch the "unrepresentable exterior" of these debates - which is the locus of the future according to Jameson. In "Utopia, Modernism, and Death", Jameson meditates on the fascinating and terrifying Utopian fiction Chevengur, written in the 1920s by the Soviet author Andrei Platonov. He discusses the unique character of Utopian visions in the Second World of communism, where commodity fetishism has not had as profound an effect on social relations as we have seen in the First World under late capitalism. The Seeds of Time continues in "The Constraints of Postmodernism" with an examination of contemporary architectural trends, in an attempt to suggest the limits of the postmodern. By delineating these limits, Jameson stakes out a prediction of the boundaries of postmodernity - the "unrepresentable exterior" approached in Part One - which we need to recognize and surpass.
Author: Sean Homer
Publisher: Routledge
ISBN: 1136679766
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
Fredric Jameson has been described as "probably the most important cultural critic writing in English today" and he is widely acknowledged as the foremost proponent for the tradition of critical theory known as Western Marxism.Yet his work has not been given the systematic review like other contemporary thinkers like Fooucault and Derrida. Fredric Jameson: Marxism, Hermeneutics, Postmodernism is a thoroughly up-to-date, detailed review and analysis of the work of this influential intellectual. Covering Jameson's work and thought from his early projects of form and history to his more recent engagements with postmodernism and cultural politics, this synthesis offers a balanced assessment of his ideas, their development and their continuing influence.
Author: Federico Pagello
Publisher: Springer Nature
ISBN: 3030438198
Category : Performing Arts
Languages : en
Pages : 218
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Book Description
This book examines a set of theoretical perspectives that critically engage with the notion of postmodernism, investigating whether this concept is still useful to approach contemporary cinema. This question is explored through a discussion of the films written and directed by Quentin Tarantino, largely regarded as the epitome of postmodern cinema and considered here as theoretical contributions in their own right. Each chapter first presents key ideas proposed by a specific theorist and then puts them in conversation with Tarantino’s films. Jacques Rancière’s theory of art is used to reject postmodernism’s claims about the ‘death’ of the aesthetic image in contemporary cinema. Fredric Jameson’s and Slavoj Žižek’s dialectical thinking is mobilized to challenge simplistic, ideological readings of postmodern cinema in general, and Tarantino’s films in particular. Finally, the direct influence of Carol Clover’s psychoanalytical approach to the horror genre on Tarantino’s work is discussed to prove the director’s specific contribution to a theoretical understanding of contemporary film aesthetics.
