Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Frederic Bazille and Early Impressionism
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Frederic Bazille and the Birth of Impressionism
Author: Michel Hilaire
Publisher: Rizzoli Publications
ISBN: 2080202855
Category : Art
Languages : en
Pages : 0
Book Description
A collection of essays, paintings, and personal correspondence celebrates the life and legacy of Frédéric Bazille, an instrumental but largely unsung iImpressionist talent. The paintings of Frédéric Bazille (1841–1870) were rediscovered after the turn of the nineteenth-century by art critics and curators who credited the artist as an important pioneer in the development of Impressionism. Tracing his artistic career from its inception—including his links to Manet, Monet, Renoir, and Cézanne—this book unveils Bazille’s complete painted works. Organized both thematically and chronologically, this monograph also features facsimiles of the artist’s personal letters interspersed throughout the book on special paper inserts, and it is completed with a comprehensive bibliography, a list of works, and maps detailing his life in Montpellier and Paris. The book accompanies an exhibition at the National Gallery of Art in Washington, D.C. from April 9 to July 9, 2017.
Publisher: Rizzoli Publications
ISBN: 2080202855
Category : Art
Languages : en
Pages : 0
Book Description
A collection of essays, paintings, and personal correspondence celebrates the life and legacy of Frédéric Bazille, an instrumental but largely unsung iImpressionist talent. The paintings of Frédéric Bazille (1841–1870) were rediscovered after the turn of the nineteenth-century by art critics and curators who credited the artist as an important pioneer in the development of Impressionism. Tracing his artistic career from its inception—including his links to Manet, Monet, Renoir, and Cézanne—this book unveils Bazille’s complete painted works. Organized both thematically and chronologically, this monograph also features facsimiles of the artist’s personal letters interspersed throughout the book on special paper inserts, and it is completed with a comprehensive bibliography, a list of works, and maps detailing his life in Montpellier and Paris. The book accompanies an exhibition at the National Gallery of Art in Washington, D.C. from April 9 to July 9, 2017.
Bazille: Purity, Pose, and Painting in the 1860s
Author:
Publisher: Penn State Press
ISBN: 9780271044330
Category :
Languages : en
Pages : 310
Book Description
Publisher: Penn State Press
ISBN: 9780271044330
Category :
Languages : en
Pages : 310
Book Description
Frédéric Bazille and Early Impressionism
Author: Frédéric Bazille
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 232
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 232
Book Description
A Companion to Impressionism
Author: André Dombrowski
Publisher: John Wiley & Sons
ISBN: 1119373891
Category : Art
Languages : en
Pages : 644
Book Description
The 21st century's first major academic reassessment of Impressionism, providing a new generation of scholars with a comprehensive view of critical conversations Presenting an expansive view of the study of Impressionism, this extraordinary volume breaks new thematic ground while also reconsidering established questions surrounding the definition, chronology, and membership of the Impressionist movement. In 34 original essays from established and emerging scholars, this collection considers a diverse range of developing topics and offers new critical approaches to the interpretation of Impressionist art. Focusing on the 1860s to 1890s, this Companion explores artists who are well-represented in Impressionist studies, including Monet, Renoir, Degas, and Cassatt, as well as Morisot, Caillebotte, Bazille, and other significant yet lesser-known artists. The essays cover a wide variety of methodologies in addressing such topics as Impressionism's global predominance at the turn of the 20th century, the relationship between Impressionism and the emergence of new media, the materials and techniques of the Impressionists, and the movement's exhibition and reception history. Part of the acclaimed Wiley Blackwell Companions to Art History series, this important new addition to scholarship in this field: Reevaluates the origins, chronology, and critical reception of French Impressionism Discusses Impressionism's account of modern identity in the contexts of race, nationality, gender, and sexuality Explores the global reach and influence of Impressionism in Europe, the Middle East, East Asia, North Africa, and the Americas Considers Impressionism's relationship to the emergence of film and photography in the 19th century Considers Impressionism's representation of the private sphere as compared to its depictions of public issues such as empire, finance, and environmental change Addresses the Impressionist market and clientele, period criticism, and exhibition displays from the late 19th century to the middle of the 20th century Features original essays by academics, curators, and conservators from around the world, including those from France, Germany, the United States, the United Kingdom, Japan, Turkey, and Argentina The Wiley Blackwell Companion to Impressionism is an invaluable text for students and academics studying Impressionism and late 19th century European art, Post-Impressionism, modern art, and modern French cultural history.
Publisher: John Wiley & Sons
ISBN: 1119373891
Category : Art
Languages : en
Pages : 644
Book Description
The 21st century's first major academic reassessment of Impressionism, providing a new generation of scholars with a comprehensive view of critical conversations Presenting an expansive view of the study of Impressionism, this extraordinary volume breaks new thematic ground while also reconsidering established questions surrounding the definition, chronology, and membership of the Impressionist movement. In 34 original essays from established and emerging scholars, this collection considers a diverse range of developing topics and offers new critical approaches to the interpretation of Impressionist art. Focusing on the 1860s to 1890s, this Companion explores artists who are well-represented in Impressionist studies, including Monet, Renoir, Degas, and Cassatt, as well as Morisot, Caillebotte, Bazille, and other significant yet lesser-known artists. The essays cover a wide variety of methodologies in addressing such topics as Impressionism's global predominance at the turn of the 20th century, the relationship between Impressionism and the emergence of new media, the materials and techniques of the Impressionists, and the movement's exhibition and reception history. Part of the acclaimed Wiley Blackwell Companions to Art History series, this important new addition to scholarship in this field: Reevaluates the origins, chronology, and critical reception of French Impressionism Discusses Impressionism's account of modern identity in the contexts of race, nationality, gender, and sexuality Explores the global reach and influence of Impressionism in Europe, the Middle East, East Asia, North Africa, and the Americas Considers Impressionism's relationship to the emergence of film and photography in the 19th century Considers Impressionism's representation of the private sphere as compared to its depictions of public issues such as empire, finance, and environmental change Addresses the Impressionist market and clientele, period criticism, and exhibition displays from the late 19th century to the middle of the 20th century Features original essays by academics, curators, and conservators from around the world, including those from France, Germany, the United States, the United Kingdom, Japan, Turkey, and Argentina The Wiley Blackwell Companion to Impressionism is an invaluable text for students and academics studying Impressionism and late 19th century European art, Post-Impressionism, modern art, and modern French cultural history.
Rédéric Bazille
Author: Aleth Jourdan
Publisher: Steve Parish
ISBN:
Category : Art
Languages : en
Pages : 178
Book Description
Publisher: Steve Parish
ISBN:
Category : Art
Languages : en
Pages : 178
Book Description
Impressionism, Fashion & Modernity
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher:
ISBN:
Category : Art, French
Languages : en
Pages : 344
Book Description
"This volume is the first to explore fashion as a critical aspect of modernity, one that paralleled and many times converged with the development of Impressionism, starting in the 1860s and continuing through the next two decades, when fashion attracted the foremost writers and artists of the day. Although fashionable subjects have been depicted throughout history, for many artists and writers, including Charles Baudelaire, Stéphanie, Mallarmé, Êmile Zola, Gustave Caillebotte, Edgar Degas, Édouard Manet, Claude Monet, Berthe Morisot, and Pierre-Auguste Renoir, fashion became integral to the search for new literary and visual expression."--Book jacket.
Publisher:
ISBN:
Category : Art, French
Languages : en
Pages : 344
Book Description
"This volume is the first to explore fashion as a critical aspect of modernity, one that paralleled and many times converged with the development of Impressionism, starting in the 1860s and continuing through the next two decades, when fashion attracted the foremost writers and artists of the day. Although fashionable subjects have been depicted throughout history, for many artists and writers, including Charles Baudelaire, Stéphanie, Mallarmé, Êmile Zola, Gustave Caillebotte, Edgar Degas, Édouard Manet, Claude Monet, Berthe Morisot, and Pierre-Auguste Renoir, fashion became integral to the search for new literary and visual expression."--Book jacket.
Frederic Bazille and Early Impressionism
Author: Frédéric Bazille
Publisher:
ISBN:
Category : Impressionism (Art).
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Impressionism (Art).
Languages : en
Pages : 0
Book Description
The Barbizon School & the Origins of Impressionism
Author: Steven Adams
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 248
Book Description
The key painters associated with the Barbizon School - Corot, Millet, Rousseau and Courbet - are among the finest landscape artists of the nineteenth century. From their base at the village of Barbizon in the Forest of Fontainebleau, just outside Paris, they painted nature as they saw it, anticipating many of the techniques and effects of Impressionism. In this survey Steven Adams re-evaluates French landscape painting in the half-century before Impressionism, placing this 'return to nature' against the background of the rapid industrialization and political crises of the period.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 248
Book Description
The key painters associated with the Barbizon School - Corot, Millet, Rousseau and Courbet - are among the finest landscape artists of the nineteenth century. From their base at the village of Barbizon in the Forest of Fontainebleau, just outside Paris, they painted nature as they saw it, anticipating many of the techniques and effects of Impressionism. In this survey Steven Adams re-evaluates French landscape painting in the half-century before Impressionism, placing this 'return to nature' against the background of the rapid industrialization and political crises of the period.
The Hammock: A Novel Based on the True Story of French Painter James Tissot
Author: Lucy Paquette
Publisher:
ISBN: 9780578735221
Category : Art
Languages : en
Pages : 356
Book Description
THE HAMMOCK: A novel based on the true story of French painter James Tissot portrays ten remarkable years in the life of James Tissot (1836-1902), who rebuilt - and then lost - his reputation in London. THE HAMMOCK is a psychological portrait, exploring the forces that unwound the career of this complex man. Based on contemporary sources, the novel brings Tissot's world alive in a story of war, art, Society glamour, love, scandal, and tragedy.
Publisher:
ISBN: 9780578735221
Category : Art
Languages : en
Pages : 356
Book Description
THE HAMMOCK: A novel based on the true story of French painter James Tissot portrays ten remarkable years in the life of James Tissot (1836-1902), who rebuilt - and then lost - his reputation in London. THE HAMMOCK is a psychological portrait, exploring the forces that unwound the career of this complex man. Based on contemporary sources, the novel brings Tissot's world alive in a story of war, art, Society glamour, love, scandal, and tragedy.