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Author: Justin Christopher
Publisher:
ISBN: 9780473548636
Category : Juvenile Fiction
Languages : en
Pages : 208
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Book Description
Five children are tricked into visiting a wonderfully magical island, which quickly becomes a hilarious and unexpected disaster. One small boy can save the day, if only he didn't have a gigantic bubble blowing out of his butt! 10-year-old Leo Wriggly lives with his mum and dad who are Professional Competition Winners. In one particularly lucky week, they win a trip for themselves and a trip for Leo to visit a brand new theme park called Friendly Island. As his parents depart, Leo's Aunt Margo arrives to babysit, but unlike his parents, she is a stickler for fine print and happily sends her nephew to Friendly Island 'where chronically misbehaving children are sent to correct their disgusting habits'. Leo arrives on the island with four other children. At first, it seems like Disneyland, there are dolphin rides and monkey safaris! But there's a catch. Each mealtime, the children are tricked into drinking a potion that transforms them. The girl who chewed her hair has grown a bird's nest on her head. The boy who picked his nose has had his brain fall out. Another child who swore too much can now only squawk like a parrot and another girl who stole money now has hands made of glue. And poor Leo Wriggly, whose only crime was to swallow gum, has MASSIVE pink bubbles coming out of his butt. Can this young boy save his friends before the island's Komodo dragon eats them all for supper?
Author: Justin Christopher
Publisher:
ISBN: 9780473548636
Category : Juvenile Fiction
Languages : en
Pages : 208
Get Book Here
Book Description
Five children are tricked into visiting a wonderfully magical island, which quickly becomes a hilarious and unexpected disaster. One small boy can save the day, if only he didn't have a gigantic bubble blowing out of his butt! 10-year-old Leo Wriggly lives with his mum and dad who are Professional Competition Winners. In one particularly lucky week, they win a trip for themselves and a trip for Leo to visit a brand new theme park called Friendly Island. As his parents depart, Leo's Aunt Margo arrives to babysit, but unlike his parents, she is a stickler for fine print and happily sends her nephew to Friendly Island 'where chronically misbehaving children are sent to correct their disgusting habits'. Leo arrives on the island with four other children. At first, it seems like Disneyland, there are dolphin rides and monkey safaris! But there's a catch. Each mealtime, the children are tricked into drinking a potion that transforms them. The girl who chewed her hair has grown a bird's nest on her head. The boy who picked his nose has had his brain fall out. Another child who swore too much can now only squawk like a parrot and another girl who stole money now has hands made of glue. And poor Leo Wriggly, whose only crime was to swallow gum, has MASSIVE pink bubbles coming out of his butt. Can this young boy save his friends before the island's Komodo dragon eats them all for supper?
Author: Gary S. Cross
Publisher: Bloomsbury Publishing
ISBN: 1350145149
Category : History
Languages : en
Pages : 249
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Book Description
Society has long been fascinated with the freakish, shocking and strange. In this book Gary Cross shows how freakish elements have been embedded in modern popular culture over the course of the 20th century despite the evident disenchantment with this once widespread cultural outlet. Exploring how the spectacle of freakishness conflicted with genteel culture, he shows how the condemnation of the freak show by middle-class America led to a transformation and merging of genteel and freak culture through the cute, the camp and the creepy. Though the carnival and circus freak was marginalised by the 1960s and had largely disappeared by the 1980s, forms of freakish culture survived and today appear in reality TV, horror movies, dark comedies and the popularity of tattoos. Freak Show Legacies will focus less on the individual 'freak' as 'the other' in society, and more on the audience for the freakish and the transformation of wonder, sensibility and sensitivity that this phenomenon entailed. It will use the phenomenon of 'the freak' to understand the transformation of American popular culture across the 20th century, identify elements of 'the freak' in popular culture both past and present, and ask how it has prevailed despite its apparent unpopularity.
Author: Russell Senior
Publisher: Aurum
ISBN: 1781314713
Category : Biography & Autobiography
Languages : en
Pages : 447
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Book Description
Russell Senior is a man too smart to have ever been a pop star. And Pulp were too odd a band ever to have become so big. But we can only be grateful that he was, and they did – and that Freak Out the Squares tells the story in Russell’s inimitable, entertaining and fascinating way. The first account of life inside Pulp, Freak Out the Squares recounts the band’s origins in Sheffield to their glory days at the height of Britpop, revealing the story behind the anthem of a generation, “Common People”. The book gives a glimpse into the world of Britpop luminaries such as Blur, Elastica and Suede and charts Pulp’s 2011 reunion tour, which culminated in a triumphant Glastonbury performance. Freak Out the Squares is Russell’s exceptionally witty, unusual and enlightening account of the heady time of being a key member of Britpop’s best-loved and most enduringly relevant band.
Author: Pauline Butcher
Publisher: Plexus Publishing
ISBN: 0859657159
Category : Biography & Autobiography
Languages : en
Pages : 551
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Book Description
This new, completely revised and updated edition contains a wealth of new material, excerpts from the author's diaries and private letters home about life in Hollywood. In 1967, 21-year-old Pauline Butcher was working for a London secretarial agency when a call came through from a Mr Frank Zappa asking for a typist.The assignment would change her life forever. For three years, Pauline served as Zappa's PA, moving with him, his family and the Mothers of Invention, to a log cabin in Laurel Canyon in the Hollywood Hills, where the 'straight' young English girl mixed with Oscar winners and rock royalty. Freak Out! is the captivating story of a naive young English girl thrust into the mad world of a musical legend as well as the most intimate portrait of Frank Zappa ever written.
Author: Megan McDonald
Publisher: Candlewick Press
ISBN: 0763661406
Category : Juvenile Fiction
Languages : en
Pages : 161
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Book Description
After a close encounter with a mutant amphibian makes him freaky for frogs, water-shy Stink becomes a swimming success after being in the Polliwog swim class frog-ever.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 218
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Book Description
Author: Fynn Orion
Publisher: Lulu.com
ISBN: 1387446894
Category : Fiction
Languages : en
Pages : 370
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Book Description
Jessica was...intelligent beyond belief and unknowingly charming. Elijah was...arrogant and stoic but for the most part, a walking disaster. They were never meant to cross paths but when they did, Elijah and Jessica didn't know how to untie themselves from each other.
Author: M. Chemers
Publisher: Springer
ISBN: 023061681X
Category : Political Science
Languages : en
Pages : 187
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Book Description
Staging Stigma is a captivating excursion into the bizarre world of the American freak show. Chemers critically examines several key moments of a performance tradition in which the truth is often stranger than the fiction. Grounded in meticulous historical research and cultural criticism, Chemers analysis reveals untold stories of freaks that will change the way we understand both performance and disability in America. This book is a must-have for serious students of freakery or anyone who is curious about the hidden side of American theatrical history.
Author: Mary Wilkinson
Publisher: Jessica Kingsley Publishers
ISBN: 1846420830
Category : Social Science
Languages : en
Pages : 228
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Book Description
This book tells the stories of nine disabled leaders who, by force of personality and concrete achievement, have made us think differently about disability. Whatever direction they have come from, they share a common will to change society so that disabled people get a fair deal. There are compelling biographies of: · Sir Bert Massie: public servant · Lord (Jack) Ashley: Labour politician · Rachel Hurst: activist and campaigner · Tom Shakespeare: academic · Phil Friend: entrepreneur and business consultant · Peter White: broadcaster · Mat Fraser: actor, musician and performer · Andrew Lee: activist and campaigner · Dame Tanni Grey-Thompson: Paralympic champion Defying Disability is based on extensive interviews with the subjects and the people who know them. It marks their similarities and differences, the forces that drove them to achieve, the impact they have had on policies and practice, and how the modern history of disability in the UK has been played out in their lives. Defying Disability is not just a good read; it will inform professionals in the field, students in disability studies, disabled people, their families and carers, and everyone interested in disability politics and policies.
Author: Robin Blyn
Publisher: U of Minnesota Press
ISBN: 0816685894
Category : Art
Languages : en
Pages : 470
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Book Description
Since the 1890s, American artists have employed the arts of the freak show to envision radically different ways of being. The result is a rich avant-garde tradition that critiques and challenges capitalism from within. The Freak-garde traces the arts of the freak show from P. T. Barnum to Matthew Barney and demonstrates how a form of mass culture entertainment became the basis for a distinctly American avant-garde tradition. Exploring a wide range of writers, filmmakers, photographers, and artists who have appropriated the arts of the freak show, Robin Blyn exposes the disturbing power of human curiosities and the desires they unleash. Through a series of incisive and often startling readings, Blyn reveals how such figures as Mark Twain, Djuna Barnes, Tod Browning, Lon Chaney, Nathanael West, and Diane Arbus use these desires to propose alternatives to the autonomous and repressed subject of liberal capitalism. Blyn explains how, rather than grounding revolutionary subjectivities in imaginary realms innocent of capitalism, freak-garde works manufacture new subjectivities by exploiting potentials inherent to capitalism. Defying conventional wisdom, The Freak-garde ultimately argues that postmodernism is not the death of the avant-garde but the inheritor of a vital and generative legacy. In doing so, the book establishes innovative approaches to American avant-garde practices and embodiment and lays the foundation for a more nuanced understanding of the disruptive potential of art under capitalism.
