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Author: Analola Santana
Publisher: University of Michigan Press
ISBN: 0472053914
Category : Performing Arts
Languages : en
Pages : 267
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Book Description
The figure of the freak as perceived by the Western gaze has always been a part of the Latin American imaginary, from the letters that Columbus wrote about his encounters with dog-faced people to Shakespeare's Caliban. The freak acquires greater significance in a globalized, neoliberal world that defines the "abnormal" as one who does not conform mentally, physically, or emotionally and is unable or unwilling to follow the economic and cultural norms of the institutions in power. Freak Performances examines the continuing effects of colonialism on modern Latin American identities, with a particular focus on the way it has constructed the body of the other through performance. Theater questions the representations of these bodies, as it enables the empowerment of the silenced other; the freak as a spectacle of otherness finds in performance an opportunity for re-appropriation by artists resisting the dominant authority. Through an analysis of experimental theater, dance theater, performance art, and gallery-based installation art across eight countries, Analola Santana explores the theoretical issues shaped by the encounters and negotiations between different bodies in the current Latin American landscape.
Author: Analola Santana
Publisher: University of Michigan Press
ISBN: 0472053914
Category : Performing Arts
Languages : en
Pages : 267
Get Book Here
Book Description
The figure of the freak as perceived by the Western gaze has always been a part of the Latin American imaginary, from the letters that Columbus wrote about his encounters with dog-faced people to Shakespeare's Caliban. The freak acquires greater significance in a globalized, neoliberal world that defines the "abnormal" as one who does not conform mentally, physically, or emotionally and is unable or unwilling to follow the economic and cultural norms of the institutions in power. Freak Performances examines the continuing effects of colonialism on modern Latin American identities, with a particular focus on the way it has constructed the body of the other through performance. Theater questions the representations of these bodies, as it enables the empowerment of the silenced other; the freak as a spectacle of otherness finds in performance an opportunity for re-appropriation by artists resisting the dominant authority. Through an analysis of experimental theater, dance theater, performance art, and gallery-based installation art across eight countries, Analola Santana explores the theoretical issues shaped by the encounters and negotiations between different bodies in the current Latin American landscape.
Author: Rosemarie Garland-Thomson
Publisher: Oxford University Press
ISBN: 0197691137
Category : Performing Arts
Languages : en
Pages : 353
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Book Description
In Freak Inheritance, both leading authors and emerging voices use cutting-edge disability and cultural theories to expose the operations of eugenicist thought in historical and contemporary culture. It is the follow-up to the field-defining Freakery: Cultural Spectacles of the Extraordinary Body (1996).
Author: Joyce L. Huff
Publisher: Bloomsbury Publishing
ISBN: 1350029092
Category : History
Languages : en
Pages : 233
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Book Description
The long 19th century-stretching from the start of the American Revolution in 1776 to the end of World War I in 1918-was a pivotal period in the history of disability for the Western world and the cultures under its imperial sway. Industrialization was a major factor in the changing landscape of disability, providing new adaptive technologies and means of access while simultaneously contributing to the creation of a mass-produced environment hostile to bodies and minds that did not adhere to emerging norms. In defining disability, medical views, which framed disabilities as problems to be solved, competed with discourses from such diverse realms as religion, entertainment, education, and literature. Disabled writers and activists generated important counternarratives, made increasingly available through the spread of print culture. An essential resource for researchers, scholars and students of history, literature, culture and education, A Cultural History of Disability in the Long Nineteenth Century includes chapters on atypical bodies, mobility impairment, chronic pain and illness, blindness, deafness, speech dysfluencies, learning difficulties, and mental health, with 37 illustrations drawn from period sources.
Author: Jill A Sullivan
Publisher: Routledge
ISBN: 131732112X
Category : Science
Languages : en
Pages : 292
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Book Description
Victorian culture was characterized by a proliferation of shows and exhibitions. These were encouraged by the development of new sciences and technologies, together with changes in transportation, education and leisure patterns. The essays in this collection look at exhibitions and their influence in terms of location, technology and ideology.
Author: North East Coast Institution of Engineers and Shipbuilders
Publisher:
ISBN:
Category : Marine engineering
Languages : en
Pages : 434
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Book Description
List of members in each volume.
Author: North East Coast Institution of Engineers and Shipbuilders, Newcastle-upon-Tyne
Publisher:
ISBN:
Category : Engineering
Languages : en
Pages : 482
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Book Description
List of members in each volume.
Author: Petra Kuppers
Publisher: Psychology Press
ISBN: 9780415302388
Category : Artists with disabilities
Languages : en
Pages : 200
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Book Description
Exploring some of the most pressing issues in performance, cultural and disability studies, Petra Kuppers investigates the ways in which disabled performers challenge, change and work with stereotypes through their work.
Author: Nadja Durbach
Publisher: Univ of California Press
ISBN: 0520944895
Category : History
Languages : en
Pages : 289
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Book Description
In 1847, during the great age of the freak show, the British periodical Punch bemoaned the public's "prevailing taste for deformity." This vividly detailed work argues that far from being purely exploitative, displays of anomalous bodies served a deeper social purpose as they generated popular and scientific debates over the meanings attached to bodily difference. Nadja Durbach examines freaks both well-known and obscure including the Elephant Man; "Lalloo, the Double-Bodied Hindoo Boy," a set of conjoined twins advertised as half male, half female; Krao, a seven-year-old hairy Laotian girl who was marketed as Darwin's "missing link"; the "Last of the Mysterious Aztecs" and African "Cannibal Kings," who were often merely Irishmen in blackface. Upending our tendency to read late twentieth-century conceptions of disability onto the bodies of freak show performers, Durbach shows that these spectacles helped to articulate the cultural meanings invested in otherness--and thus clarified what it meant to be British—at a key moment in the making of modern and imperial ideologies and identities.
Author: Sean Metzger
Publisher: Bloomsbury Publishing
ISBN: 1350123188
Category : Performing Arts
Languages : en
Pages : 521
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Book Description
This is a guide to contemporary debates and theatre practices at a time when gender paradigms are both in flux and at the centre of explosive political battlegrounds. The confluence of gender and theatre has long created intense debate about representation, identification, social conditioning, desire, embodiment, and lived experience. As this handbook demonstrates, from the conventions of early modern English, Chinese, Japanese and Hispanic theatres to the subversion of racialized binaries of masculinity and femininity in recent North American, African, Asian, Caribbean and European productions, the matter of gender has consistently taken centre stage. This handbook examines how critical discourses on gender intersect with key debates in the field of theatre studies, as a lens to illuminate the practices of gender and theatre as well as the societies they inform and represent across space and time. Of interest to scholars in the interrelated areas of feminist, gender and sexuality studies, theatre and performance studies, cultural studies, and globalization and diasporic studies, this book demonstrates how researchers are currently addressing theatre about gender issues and gendered theatre practices. While synthesizing and summarizing foundational and evolving debates from a contemporary perspective, this collection offers interpretations and analyses that do not simply look back at existing scholarship, but open up new possibilities and understandings. Featuring essential research tools, including a survey of keywords and an annotated play list, this is an indispensable scholarly handbook for anyone working in theatre and performance.
Author: Lisa Plummer Crafton
Publisher: Ashgate Publishing, Ltd.
ISBN: 140944063X
Category : Biography & Autobiography
Languages : en
Pages : 163
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Book Description
Lisa Plummer Crafton argues that, throughout her works, Mary Wollstonecraft engages with early Romantic notions of the theatrical and contributes to contemporary debates on theater. Within the context of the political discourse of the French Revolution, juridical transcripts of treason and civil divorce trials, and the spectacle of the female actress on stage as typified by Sarah Siddons, Crafton shows how Wollstonecraft's persistent use of the trope reveals theatricality's transgressive potential for self-invention.
