Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Luxury Arts of the Renaissance
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
The International Cyclopædia
Author: Harry Thurston Pech
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 966
Book Description
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 966
Book Description
The International Cyclopaedia
Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 954
Book Description
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 954
Book Description
The International Cyclopedia
Author: Harry Thurston Peck
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 958
Book Description
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 958
Book Description
Paris Metro Tales
Author: Helen Constantine
Publisher: OUP Oxford
ISBN: 0191624993
Category : Literary Collections
Languages : en
Pages : 336
Book Description
Following on from Helen Constantine's hugely successful Paris Tales, the twenty-two short stories included in More Metro Tales take the reader on an fascinating journey around Paris by metro. The journey begins at the Gare du Nord, stops at twenty underground stations along the way, and ends at Lamarck-Caulaincourt. Some of these stories actually take place in the metro itself, but most are to be found when you emerge above ground. They range from the 15th-century account of the miraculous Saint Genevieve, patron saint of Paris, through tales by favourite writers such as Zola, Simenon, and Maupassant, to Martine Delerm's evocation of the last hours of Modigliani's mistress, Jeanne Hébuterne. Gérard de Nerval evokes the thriving, bustling market in Les Halles in the 1850s; Colette recounts her involvement in a traffic accident near the Opéra; Boulanger describes a blackly funny experience in Père Lachaise. Each story is illustrated with a black-and-white photograph and there is a map and suggested itinerary round the metro system. Readers will find familiar and unfamiliar writers here, but all are masterly writers of the short story and each evokes a different aspect of this endlessly intriguing and much-loved city, whether the traveller is on the metro or at home sitting in an armchair.
Publisher: OUP Oxford
ISBN: 0191624993
Category : Literary Collections
Languages : en
Pages : 336
Book Description
Following on from Helen Constantine's hugely successful Paris Tales, the twenty-two short stories included in More Metro Tales take the reader on an fascinating journey around Paris by metro. The journey begins at the Gare du Nord, stops at twenty underground stations along the way, and ends at Lamarck-Caulaincourt. Some of these stories actually take place in the metro itself, but most are to be found when you emerge above ground. They range from the 15th-century account of the miraculous Saint Genevieve, patron saint of Paris, through tales by favourite writers such as Zola, Simenon, and Maupassant, to Martine Delerm's evocation of the last hours of Modigliani's mistress, Jeanne Hébuterne. Gérard de Nerval evokes the thriving, bustling market in Les Halles in the 1850s; Colette recounts her involvement in a traffic accident near the Opéra; Boulanger describes a blackly funny experience in Père Lachaise. Each story is illustrated with a black-and-white photograph and there is a map and suggested itinerary round the metro system. Readers will find familiar and unfamiliar writers here, but all are masterly writers of the short story and each evokes a different aspect of this endlessly intriguing and much-loved city, whether the traveller is on the metro or at home sitting in an armchair.
Library of Universal Knowledge
Author:
Publisher:
ISBN:
Category : Encyclopedias
Languages : en
Pages : 718
Book Description
Publisher:
ISBN:
Category : Encyclopedias
Languages : en
Pages : 718
Book Description
Précis of the Lectures on Architecture
Author: Jean-Nicolas-Louis Durand
Publisher: Getty Publications
ISBN: 0892365803
Category : Architecture
Languages : en
Pages : 363
Book Description
Jean-Nicolas-Louis Durand (1760–1834) regarded the Précis of the Lectures on Architecture (1802–5) and its companion volume, the Graphic Portion (1821), as both a basic course for future civil engineers and a treatise. Focusing the practice of architecture on utilitarian and economic values, he assailed the rationale behind classical architectural training: beauty, proportionality, and symbolism. His formal systematization of plans, elevations, and sections transformed architectural design into a selective modular typology in which symmetry and simple geometrical forms prevailed. His emphasis on pragmatic values, to the exclusion of metaphysical concerns, represented architecture as a closed system that subjected its own formal language to logical processes. Now published in English for the first time, the Précis and the Graphic Portion are classics of architectural education.
Publisher: Getty Publications
ISBN: 0892365803
Category : Architecture
Languages : en
Pages : 363
Book Description
Jean-Nicolas-Louis Durand (1760–1834) regarded the Précis of the Lectures on Architecture (1802–5) and its companion volume, the Graphic Portion (1821), as both a basic course for future civil engineers and a treatise. Focusing the practice of architecture on utilitarian and economic values, he assailed the rationale behind classical architectural training: beauty, proportionality, and symbolism. His formal systematization of plans, elevations, and sections transformed architectural design into a selective modular typology in which symmetry and simple geometrical forms prevailed. His emphasis on pragmatic values, to the exclusion of metaphysical concerns, represented architecture as a closed system that subjected its own formal language to logical processes. Now published in English for the first time, the Précis and the Graphic Portion are classics of architectural education.
French Impressionists
Author: Maurice Sérullaz
Publisher:
ISBN:
Category : Drawing, French
Languages : en
Pages : 144
Book Description
Publisher:
ISBN:
Category : Drawing, French
Languages : en
Pages : 144
Book Description
The International Cyclopedia
Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 1208
Book Description
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 1208
Book Description
Museum of French Monuments
Author: Alexandre Lenoir
Publisher:
ISBN:
Category : Sculpture
Languages : en
Pages : 350
Book Description
Publisher:
ISBN:
Category : Sculpture
Languages : en
Pages : 350
Book Description