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Author: Rufus Hallmark
Publisher: Cambridge University Press
ISBN: 1316123294
Category : Music
Languages : en
Pages : 294
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Book Description
Rufus Hallmark's book explores Robert Schumann's beloved yet controversial song cycle Frauenliebe und Leben and the poems of Adelbert von Chamisso on which it is based, setting them in the context of the challenges and social expectations faced by women in early nineteenth-century Germany. Hallmark provides the most extensive English-language study of Chamisso, a poet little known today outside Germany, including a biographical sketch and excerpts from his other poetry. He examines a range of poems about women, by Chamisso and others, and discusses the reception of the poetic and musical cycles, including illustrated editions, contemporary reviews, and other musical settings. Based on new studies of Schumann's manuscript sources and on comparative analyses of his songs and settings by Carl Loewe, Heinrich Marschner, Franz Lachner and others, Hallmark provides fresh musical and interpretive insights into each song.
Author: Rufus Hallmark
Publisher: Cambridge University Press
ISBN: 1316123294
Category : Music
Languages : en
Pages : 294
Get Book Here
Book Description
Rufus Hallmark's book explores Robert Schumann's beloved yet controversial song cycle Frauenliebe und Leben and the poems of Adelbert von Chamisso on which it is based, setting them in the context of the challenges and social expectations faced by women in early nineteenth-century Germany. Hallmark provides the most extensive English-language study of Chamisso, a poet little known today outside Germany, including a biographical sketch and excerpts from his other poetry. He examines a range of poems about women, by Chamisso and others, and discusses the reception of the poetic and musical cycles, including illustrated editions, contemporary reviews, and other musical settings. Based on new studies of Schumann's manuscript sources and on comparative analyses of his songs and settings by Carl Loewe, Heinrich Marschner, Franz Lachner and others, Hallmark provides fresh musical and interpretive insights into each song.
Author: Rufus Hallmark
Publisher: Cambridge University Press
ISBN: 1107002303
Category : Literary Criticism
Languages : en
Pages : 293
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Book Description
Rufus Hallmark interprets Schumann's famously controversial song cycle in the social, literary, and musical contexts of contemporary German society.
Author: Steven Paul Scher
Publisher: Cambridge University Press
ISBN: 0521401585
Category : Literary Criticism
Languages : en
Pages : 349
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Book Description
The semiotic elements of a multiplanar discourse : John Harbison's setting of Michael Fried's "depths" / Claudia Stanger -- Whose life? : the gendered self in Schumann's Frauenliebe songs / Ruth A. Solie -- Operatic madness : a challenge to convention / Ellen Rosand -- Commentary : form, reference, and ideology in musical discourse / Hayden White.
Author: Richard Miller
Publisher: Oxford University Press
ISBN: 0198028008
Category : Music
Languages : en
Pages : 260
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Book Description
Singing Schumann is likely to become the standard introduction to some of the best-loved songs in the singer's repertoire. Written by a distinguished performer and internationally known teacher, the book offers astute, practical advice for bringing Robert Schumann's Lieder to life in performance. Richard Miller guides the reader through the interpretation of all of Schumann's solo and duet songs, drawing thoroughly on Schumann's compositional style and its historical background. In addition to covering the "familiar forty"--the much-performed songs Schumann composed in and around 1840 while trying to win the hand of Clara Wieck--Miller takes an in-depth look at the lesser known early and later songs. In particular, he focuses on the rich and varied repertoire of Schumann's later years, challenging the conventional view that these works reflect a decline in the composer's creative powers. Singing Schumann begins with an overview of Schumann as a song composer and then proceeds to survey the entire repertoire, song by song. It features the well-known cycles, including the Eichendorff Liederkreis, Frauenliebe und -leben, and Dichterliebe, as well as the Liederalbum für die Jugend and settings of texts by Goethe, Burns, Rückert, and Kulmann. Using numerous musical examples, Miller uncovers Schumann's characteristic compositional devices and describes his novel and experimental approaches to the interpretation of texts, often achieved through exceptionally colorful keyboard accompaniments. Musically sensitive and eminently readable, Singing Schumann is an invaluable guide for teachers, coaches, pianists, and singers.
Author: Carol Kimball
Publisher: Hal Leonard Corporation
ISBN: 9781423412809
Category : Music
Languages : en
Pages : 604
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Book Description
Naslagwerk van de liedkunst en de literatuur hierover.
Author: Robert Schumann
Publisher: Createspace Independent Publishing Platform
ISBN: 9781721810703
Category :
Languages : en
Pages : 190
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Book Description
From the introductory. ....In many songs, Schumann uses the piano to provide beautiful and expressive preludes and postludes. In some songs the eloquence of the piano in the postlude is so great as to make this the most important part of the lyric. For an example of this let the reader examine the exquisite instrumental coda to Die alten, bösen Lieder (The Songs of Bitter Sorrow) , p. 131. This is, indeed, the coda of the entire cycle, and it is the most fragrant blossoming of this branch of Schumann's art. But Schumann also knew when to subordinate the piano so much as to make it a mere background. Note the wonderful effect of the soft chords in Ich hab' im 'Traum geweinet (In Dreams my Tears were falling) , p. 125. In short, as Dr.Spitta has admirably said in his fine article in Grove's Dictionary of Music, in "Schumann's songs the proper function of the pianoforte is to reveal some deep and secret meaning which it is beyond the power of words, even of sung words, to express." That Schumann found the true mission of the song may readily be learned by an examination of the texts which he chose for setting. He never failed to select words embodying the true lyric spirit, the voicing of nature and love. The field of human emotion and thought as viewed through the eyes of youth was the theatre of his fancy, and he found abundant material for his inspiration in the splendid outpour of lyric poetry from the young romanticists of Germany. EichendorfFs contemplations of nature touched his mind no less than Heine's marvellous analyses of feeling; and when he came to the setting of Chamisso's persuasive verses in the cycle entitled Frauenliebe und Leben, opus 42, he unquestionably opened up a wealth of emotion not altogether disclosed by the poet. When it was necessary to be humorous, Schumann had a fund of humor quite irresistible. Note the genuine humor of Ein Jüngling liebt ein Mädchen (A Youth oft Loves a Maiden) , p. 123, and the bewitching archness of Aufträge, p. 150. Such things are the conceptions of a true master laboring in a most congenial field, and all contentions that Schumann was merely a follower of Schubert must fail in the presence of such convincing demonstrations of power and originality. Schumann was always a romanticist, and he was unceasingly introspective. He looked into his own heart and wrote, and this is the great secret of the universal appeal of his songs....
Author: J. D. Landis
Publisher: Snowbooks Ltd
ISBN: 9781905005055
Category : Fiction
Languages : en
Pages : 526
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Book Description
Against a backcloth of early 19th century Europe in cultural and political turmoil, this vivid account of the love of the composer Robert Schumann for pianist Clara Wieck unfolds.
Author: Laura Tunbridge
Publisher: Cambridge University Press
ISBN: 0521896444
Category : Music
Languages : en
Pages : 255
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Book Description
Investigates how other types of music have influenced the scope of the song cycle, from operas and symphonies to popular song --
Author: James Parsons
Publisher: Cambridge University Press
ISBN: 9780521804714
Category : Music
Languages : en
Pages : 446
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Book Description
Beginning several generations before Schubert, the Lied first appears as domestic entertainment. In the century that follows it becomes one of the primary modes of music-making. By the time German song comes to its presumed conclusion with Richard Strauss's 1948 Vier letzte Lieder, this rich repertoire has moved beyond the home and keyboard accompaniment to the symphony hall. This is a 2004 introductory chronicle of this fascinating genre. In essays by eminent scholars, this Companion places the Lied in its full context - at once musical, literary, and cultural - with chapters devoted to focal composers as well as important issues, such as the way in which the Lied influenced other musical genres, its use as a musical commodity, and issues of performance. The volume is framed by a detailed chronology of German music and poetry from the late 1730s to the present and also contains a comprehensive bibliography.
Author: Chris Woodstra
Publisher: Hal Leonard Corporation
ISBN: 9780879308650
Category : Music
Languages : en
Pages : 1620
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Book Description
Offering comprehensive coverage of classical music, this guide surveys more than eleven thousand albums and presents biographies of five hundred composers and eight hundred performers, as well as twenty-three essays on forms, eras, and genres of classical music. Original.
