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Author: Annegret Pelz
Publisher:
ISBN:
Category : Feminism and literature
Languages : de
Pages : 316
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Book Description
Author: Annegret Pelz
Publisher:
ISBN:
Category : Feminism and literature
Languages : de
Pages : 316
Get Book Here
Book Description
Author: Jeanette Clausen
Publisher: U of Nebraska Press
ISBN: 9780803297463
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
"The only German literature journal that presents a coherently feminist perspective and that serves as a forum for feminist voices."_Susanne Zantop, Dartmouth College
Author: Ehrhard Bahr
Publisher: Routledge
ISBN: 1317203445
Category : History
Languages : en
Pages : 279
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Book Description
This book, originally published in 1992, traces the discourse on the French Revolution in Germany and its contributors investigate the processes and results of adopting or rejecting the values of the French Revolution in Germany and reinterprets its documents in terms of their internalization. One of the questions discussed is whether the French Revolution is part of Germany’s progressive tradition, that is, whether it has been repressed or whether it constitutes a viable counter-discourse within the political culture. The first successful revolution in Germany – the ‘Velvet Revolution’ of Autumn 1989 does not fit the definition of ‘classic revolutions, but it ended in a change of power in Germany and in that respect, this book is an anatomy of German political consciousness before 1989.
Author: Women in German Yearbook
Publisher: U of Nebraska Press
ISBN: 9780803298033
Category : Literary Criticism
Languages : en
Pages : 274
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Book Description
Women in German Yearbook volume 13 opens with essays by Herta M_ller and Libuse Mon�kov¾. Karin Wurst probes Elise B_rger's Gothic imagination, Daniel Purdy analyzes Sophie Mereau's translations in relation to early Romantic aesthetics, and Lynne Tatlock finds evidence of an imagined German nation in the memoirs of Luise M_hlbach. Barbara Hyams casts new light on Leopold von Sacher-Masoch's attitudes toward Jews and women, David Brenner examines Vicki Baum's ambivalence about her Jewish heritage, and Katharina Gerstenberger discusses Wanda von Sacher-Masoch's confessions to demonstrate the contested position of the female autobiographer.Birgit Dahlke focuses on Elke Erb to explore why many GDR women writers chose not to be identified as "feminists," and Beth Linklater analyzes Gabriele St”tzer-Kachold's sexual imagery as a new understanding of the female body. Jutta Ittner analyzes one of Brigitte Kronauer's stories as a tale of female maturation, Annette Meusinger explores racism and feminist aesthetics by considering two novels by Anne Duden, and Monika Shafi discusses a novel by Jeannette Lander in the contexts of postcolonial and travel literature. The volume closes with Heike Henderson's examination of German texts by four Turkish women.Sara Friedrichsmeyer is a professor in and chair of the Department of Languages and Literatures at the University of Cincinatti. Patricia Herminghouse is a professor of German at the University of Rochester.
Author: Lorely French
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838636640
Category : Family & Relationships
Languages : en
Pages : 338
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Book Description
In working through her letters for publication, Arnim stressed a communicative, dialogic relationship in which literature, history, and art coalesce into a highly personal form. The final chapter offers an overview of letters that address political concerns. Louise Aston, Fanny Lewald, Emma Herwegh, and Mathilde Franziska Anneke all used letters in their publications concerning the 1848 Revolution, thereby fusing literature with the historical essay and radically expanding traditional genre definitions and canons.
Author: Mary Helen Dupree
Publisher: Bucknell University Press
ISBN: 1611480256
Category : Literary Criticism
Languages : en
Pages : 202
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Book Description
In the last three decades of the eighteenth century, a small but significant number of German actresses, including Sophie Albrecht (1757-1840), Marianne Ehrmann (1755-1795) and Elise BYrger (1769-1833), began to publish poetry, autobiography, drama and short fiction under their own names. These 'actress-writers' came of age at a time when the status of the actress was beginning to be radically redefined in accordance with Enlightenment aesthetics and the cult of sensibility, as the model of the enterprising actress-director in the tradition of Caroline Neuber gave way to an idealizing view of the actress as sentimental heroine. The Mask and the Quill: Actress-Writers in Germany from Enlightenment to Romanticism, is an exploration of this generation of actress-writers, their significance for German literary and cultural history, and their attempts to come to terms with the new image of the actress through literature and performance. In their texts and performances, Albrecht, Ehrmann and BYrger articulated an entirely new sense of what it meant to be an actress and a woman writer. They identified themselves with the cult of sensibility, with the theater reform movement, and above all with an image of the actress as GefYhlsschauspielerin or 'actress of emotion,' which emerged in the mid-1770s in response to the death of the Hamburg tragedienne Charlotte Ackermann (1757-1775). While some scholars have described this generation as a silent one, forced to submit to increasingly passive ideals of domesticity, actress-writers of the era defied this trend by using the image of the GefYhlsschauspielerin as a passport to literary activity. Their close relationship to theater and the nascent genre of 'paratheatrical literature' provided them with a public voice, access to literary circles and a language with which to articulate their identity as actresses and as writers. More importantly, it provided them with a space from which to critique contemporary notions of gender and virtue. Drawing on the methodologies of New Historicism and discourse analysis, The Mask and the Quill engages in readings of a broad spectrum of late-eighteenth- and early-nineteenth-century texts and cultural practices, from autobiographical fiction and lyric poetry to funeral rites and tableaux vivants. Through readings of diverse source material, it sheds light on an underrepresented group whose lives and works resist conventional notions about women's cultural contributions to the Goethezeit and beyond.
Author: Katherine R. Goodman
Publisher: State University of New York Press
ISBN: 143840445X
Category : Biography & Autobiography
Languages : en
Pages : 284
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Book Description
This anthology represents the first sustained feminist examination of eighteenth-and nineteenth-century German women writers in English. These essays highlight the literature produced by German women in the period 1790-1810, framing the discussions with a comparative orientation. The book analyzes in culturally specific detail how these authors came to constitute the first generation of writing women in Germany at a time when Goethe set the standard for literary production. Each essay focuses on the ambivalence of the author(s) toward literary and social models. The authors treated include Rahel Varnhagen, Charlotte von Stein, Friederike Helene Unger, Bettine von Arnim, Caroline Schlegel-Schelling, Sophie Albrecht, Therese Huber, Sophie Mereau, Sophie von La Roche, Henriette Frolich, and Benedikte Naubert.
Author: Elke Frederiksen
Publisher: Wayne State University Press
ISBN: 9780814325162
Category : Literary Criticism
Languages : en
Pages : 452
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Book Description
Bettina Brentano-von Arnim, the first book in English devoted to Brentano-von Arnim's controversial views on gender, politics, and language theory, continues the process of recent rediscovery of this complex and brilliant author. The book opens with an essay by Christa Wolf on Brentano-von Arnim, revealing connections between the two writers. Other chapters address the issues central in her texts: gender, anti-semitism, social inequity, female bonding, and women in relation to traditional literary genres, language, music, religion, nature, and utopia.
Author: Helen Fronius
Publisher: Camden House
ISBN: 9781571133854
Category : History
Languages : en
Pages : 282
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Book Description
Identifies and analyzes thematizations of women and death from the past five centuries, illuminating the present and recent past. The theme of women and death is pervasive in the German culture of the past five centuries. With the conviction that only an interdisciplinary approach can explore a typology as far-reaching and significant as this, and in accordance with the feminist tenet that images are accountable for norms, this volume investigates how iconic representations of women and death came about and why they endure. Traditionally, representations of women as agents of death -- when they have been considered at all -- have been considered separately from women as victims, as though there was no shared thematic ground. Here, familiar depictions of female victims are examined alongside the more unsettling spectacle of women as killers, exposing cultural assumptions. Essays explore, among others, the themes of virgin sacrifice and female infanticides, "Death and the Maiden" in art, female vampires in literature, and women killersin the media. Others compare cultural practices such as female mourning across historical contexts, examining change and the reasons for it. The authors' judgments eschew the simplistic and programmatic, contributing not just to current research in German literature, but also to understanding of cultural history in general. Contributors: Stephanie Knöll, Ruth B. Bottigheimer, Anna Linton, Bettina Bildhauer, Mary Lindemann, Helen Fronius, Anna Richards, Jürgen Barkhoff, Lawrence Kramer, Kathrin Hoffmann-Curtius, Clare Bielby, Gisela Ecker. Anna Linton is Lecturer in German at Kings College London, and Helen Fronius is an AHRC Research Fellow and College Lecturer at Exeter College Oxford.
Author: Marike Janzen
Publisher: Boydell & Brewer
ISBN: 164014014X
Category : History
Languages : en
Pages : 180
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Book Description
This book begins to recover the global history of solidarity as a principle of authorship, taking Anna Seghers (1900-1983) as an exemplar and reading her alongside prominent contemporaries: Brecht, Carpentier, and Spivak.
