Frans Floris (1519/20–1570): Imagining a Northern Renaissance PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Frans Floris (1519/20–1570): Imagining a Northern Renaissance PDF full book. Access full book title Frans Floris (1519/20–1570): Imagining a Northern Renaissance by Edward H. Wouk. Download full books in PDF and EPUB format.
Author: Edward H. Wouk
Publisher: BRILL
ISBN: 9004343253
Category : Art
Languages : en
Pages : 858
Get Book
Book Description
Frans Floris de Vriendt was among the most celebrated Netherlandish artists of the sixteenth-century, more renowned in his day than Bruegel the Elder. This book relates Floris’s hybridizing art to the social, religious, and political crises reshaping his society.
Author: Edward H. Wouk
Publisher: BRILL
ISBN: 9004343253
Category : Art
Languages : en
Pages : 858
Get Book
Book Description
Frans Floris de Vriendt was among the most celebrated Netherlandish artists of the sixteenth-century, more renowned in his day than Bruegel the Elder. This book relates Floris’s hybridizing art to the social, religious, and political crises reshaping his society.
Author: Edward H. Wouk
Publisher: Brill's Studies in Intellectua
ISBN: 9789004307254
Category : Art
Languages : en
Pages : 808
Get Book
Book Description
"A crucial aim of the present study is to consider how Floris, an artist of international renown in his own day, could see his fortunes reversed and end up marginalized by a history he had helped to craft."--Introduction, p. 32.
Author: Dominicus Lampsonius
Publisher: Getty Publications
ISBN: 1606067400
Category : Art
Languages : en
Pages : 178
Get Book
Book Description
Among the earliest written texts on the history and theory of Netherlandish art, these two key writings are now available together in an English translation. Dominicus Lampsonius’s The Life of Lambert Lombard (1565) is the earliest published biography of a Netherlandish artist. This neo-Latin account of the life of the painter, architect, and draftsman Lambert Lombard of Liège offers a theoretical exposition on the nature and ideal practice of Netherlandish art, emphasizing Lombard’s intellectual curiosity, interest in antiquity, attentive study of the human body, and exemplary generosity as a teacher. This volume offers the first English edition of The Life of Lambert Lombard, complemented by a new translation of the inscriptions Lampsonius composed to accompany the Effigies of Several Famous Painters from the Low Countries (1572), a cycle of twenty-three engraved portraits of Netherlandish artists developed in collaboration with the print publisher Hieronymus Cock. Together, The Life of Lambert Lombard and the Effigies established frameworks for a distinctly Netherlandish history of art. Responding to a growing sense of Netherlandish cultural and political identity on the eve of the Dutch Revolt, these texts proposed a critical alternative to Giorgio Vasari’s Lives of the Artists and its Italian model of art historical development, celebrating local ingenuity and skill. They remain the starting point for any history of the northern Renaissance.
Author: Steven J. Cody
Publisher: BRILL
ISBN: 9004431934
Category : Art
Languages : en
Pages : 312
Get Book
Book Description
Andrea del Sarto (1486–1530) created altarpieces of startling beauty. Steven J. Cody analyzes those remarkable paintings as a means of illuminating the artist’s career-long engagement with Christian theology.
Author: Mitchell B. Merback
Publisher: MIT Press
ISBN: 1942130007
Category : Art
Languages : en
Pages : 361
Get Book
Book Description
A deft reinterpretation of the most zealously interpreted picture in the Western canon as a therapeutic artifact. Albrecht Dürer's famous portrayal of creative effort in paralysis, the unsurpassed masterpiece of copperplate engraving titled Melencolia I, has stood for centuries as a pictorial summa of knowledge about the melancholic temperament, a dense allegory of the limits of earthbound arts and sciences and the impossibility of attaining perfection. Dubbed the “image of images” for being the most zealously interpreted picture in the Western canon, Melencolia I also presides over the origins of modern iconology, art history's own science of meaning. Yet we are left with a clutter of mutually contradictory theories, a historiographic ruin that confirms the mood of its object. In Perfection's Therapy, Mitchell Merback reopens the case file and argues for a hidden intentionality in Melencolia's opacity, its structural “chaos,” and its resistance to allegorical closure. That intentionality, he argues, points toward a fascinating possibility never before considered: that Dürer's masterpiece is not only an arresting diagnosis of melancholic distress, but an innovative instrument for its undoing. Merback deftly resituates Dürer's image within the long history of the therapeutic artifact. Placing Dürer's therapeutic project in dialogue with that of humanism's founder, Francesco Petrarch, Merback also unearths Dürer's ambition to act as a physician of the soul. Celebrated as the "Apelles of the black line" in his own day, and ever since as Germany's first Renaissance painter-theorist, the Dürer we encounter here is also the first modern Christian artist, addressing himself to the distress of souls, including his own. Melencolia thus emerges as a key reference point in a venture of spiritual-ethical therapy, a work designed to exercise the mind, restore the body's equilibrium, and help in getting on with the undertaking of perfection.
Author:
Publisher: BRILL
ISBN: 9004379592
Category : Art
Languages : en
Pages : 541
Get Book
Book Description
A team of 16 experts underline the binds and exchanges between different contexts and artistic techniques that copies established in the Renaissance, and how the history of taste is sophisticated and complex.
Author: Alexis R. Culotta
Publisher: BRILL
ISBN: 9004430482
Category : Art
Languages : en
Pages : 238
Get Book
Book Description
Alexis R. Culotta explores how the Renaissance master’s recombination of visual sources ultimately served as a springboard for artistic innovation for his close associates as they collaborated in the years following Raphael’s death.
Author: Barbara A. Kaminska
Publisher: BRILL
ISBN: 9004408401
Category : History
Languages : en
Pages : 254
Get Book
Book Description
In Pieter Bruegel the Elder: Religious Art for the Urban Community Barbara Kaminska offers the first book-length study of Bruegel’s biblical paintings, and argues that they were inherently linked to Antwerp’s religious, socio-economic, and cultural transformation.
Author: Robert Couzin
Publisher: BRILL
ISBN: 9004448713
Category : History
Languages : en
Pages : 327
Get Book
Book Description
Robert Couzin’s Right and Left in Early Christian and Medieval Art provides the first in-depth study of handedness, position, and direction in the visual culture of Europe and Byzantium from the fourth to the fourteenth century.
Author: Ethan Matt Kavaler
Publisher: Studies in European Urban Hist
ISBN: 9782503575827
Category : History
Languages : en
Pages : 404
Get Book
Book Description
The authors of this volume examine various fields of cultural discourse in the Netherlands of the sixteenth century: the political, commercial, religious, artistic, and sensory domains, and less obviously metaphysical properties like time and space. What defined the Low Countries were not its borders and its territories but its cities, and their economies dominated political relations. A dense network of large cities and small towns developed hand in hand with a broad range of textile and luxury industries. In Antwerp, culture was commerce: its art and printing industries catered to much of the Western world and, at the same time, carved a confident self-image celebrating the liberal arts as a means of social and self-improvement. Antwerp is omnipresent in this book, with essays on its painting, printing, politics, and public festivals. But other cities such as Bruges, Leuven, and Leiden also figure prominently. It was precisely the interconnectedness of urban centers, large, middle and small, rather than their autonomous character, that defined civic culture in the Low Countries. Among the topics treated are differing notions of urban topography, the dialogue between city and court, issues of censorship, and the sensory and psychological response to texts and images.
