Author: Frederick Corder
Publisher: London : K. Paul, Trench, Trubner & Company
ISBN:
Category : Composers
Languages : en
Pages : 210
Book Description
Ferencz (François) Liszt
Author: Frederick Corder
Publisher: London : K. Paul, Trench, Trubner & Company
ISBN:
Category : Composers
Languages : en
Pages : 210
Book Description
Publisher: London : K. Paul, Trench, Trubner & Company
ISBN:
Category : Composers
Languages : en
Pages : 210
Book Description
Francois Liszt
Author: Janka Wohl
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 268
Book Description
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 268
Book Description
Liszt’s musicianship in his two legends, St. François d’Assise: La predication aux Oiseaux, and St. François de Paule: Marchant sur les flots
Author: Bo-Kyung Kim
Publisher: GRIN Verlag
ISBN: 3656347964
Category : Music
Languages : en
Pages : 41
Book Description
Research Paper (undergraduate) from the year 2013 in the subject Musicology - Miscellaneous, The University of Malaya, language: English, abstract: Franz Liszt was born in western Hungary on October 22nd 1811 and died at Bayreuth, Germany in July 1886. He was a pianist, a teacher and a composer. He developed several musical ways such as programmatic music, technique and thematic transformation. He traveled most of his life, and composed a number of works about the places that he traveled. He met his first lover, Countess Marie d’Agoult at the end of 1832, and they had three children, Blandine, Cosima and Daniel. Liszt separated from Countess Marie d’Agoult in 1844, and he had met his second beloved one who took a very important role for Liszt’s life, Princess Carolyne in 1847. His only son died at age of twenty-one in 1859, and three years later, his elder daughter Blandine died at the age of twenty-six after giving birth to her first child. Liszt’s only surviving daughter, Cosima left her husband, Hans von Bülow in order to live with Richard Wagner. These three children are from Countess Marie d’Agoult. Lastly, Princess Carolyne had been trying to obtain a divorce from Prince Nicholas von Sayn-Wittgenstein in order to marry Liszt, but it was denied on the day before their planned wedding day on Liszt’s fiftieth birthday, October 22, 1861. He spent most of the time composing religious music, and by this time he began to write some pieces for organ. He stayed at Rome for a long time and spent his elder life. He started a two-year retreat at the Madonna del Rosario, and he completed Two Franciscan Legends, St. François d’Assise: La Predication aux Oiseaux, and St. François de Paule: Marchant sur les flots in 1863. They were dedicated to his only surviving child, Cosima. Liszt had personal relationships with these two saints, and particularly he regarded St. Francis of Paul as his patron. Liszt programmed these two Francis Legends as followed ideas. These programmatic works are liked of symphonic poem in piano. The first Legend, St. François d’Assise: La Prédication aux Oiseaux (St. Francis of Assisi: The Sermon to the Birds) was inspired by the moment that the thousands of birds were easing in the cloud above the Monte Mario. The second Legend carries another miracle story: Among the many miracles of St. Francis of Paula the legend celebrated is the one which he performed crossing the Straits of Messina. The ferrymen refused to rent their boat to a person of such humble appearance; he ignored them and walked on the sea with assured step.
Publisher: GRIN Verlag
ISBN: 3656347964
Category : Music
Languages : en
Pages : 41
Book Description
Research Paper (undergraduate) from the year 2013 in the subject Musicology - Miscellaneous, The University of Malaya, language: English, abstract: Franz Liszt was born in western Hungary on October 22nd 1811 and died at Bayreuth, Germany in July 1886. He was a pianist, a teacher and a composer. He developed several musical ways such as programmatic music, technique and thematic transformation. He traveled most of his life, and composed a number of works about the places that he traveled. He met his first lover, Countess Marie d’Agoult at the end of 1832, and they had three children, Blandine, Cosima and Daniel. Liszt separated from Countess Marie d’Agoult in 1844, and he had met his second beloved one who took a very important role for Liszt’s life, Princess Carolyne in 1847. His only son died at age of twenty-one in 1859, and three years later, his elder daughter Blandine died at the age of twenty-six after giving birth to her first child. Liszt’s only surviving daughter, Cosima left her husband, Hans von Bülow in order to live with Richard Wagner. These three children are from Countess Marie d’Agoult. Lastly, Princess Carolyne had been trying to obtain a divorce from Prince Nicholas von Sayn-Wittgenstein in order to marry Liszt, but it was denied on the day before their planned wedding day on Liszt’s fiftieth birthday, October 22, 1861. He spent most of the time composing religious music, and by this time he began to write some pieces for organ. He stayed at Rome for a long time and spent his elder life. He started a two-year retreat at the Madonna del Rosario, and he completed Two Franciscan Legends, St. François d’Assise: La Predication aux Oiseaux, and St. François de Paule: Marchant sur les flots in 1863. They were dedicated to his only surviving child, Cosima. Liszt had personal relationships with these two saints, and particularly he regarded St. Francis of Paul as his patron. Liszt programmed these two Francis Legends as followed ideas. These programmatic works are liked of symphonic poem in piano. The first Legend, St. François d’Assise: La Prédication aux Oiseaux (St. Francis of Assisi: The Sermon to the Birds) was inspired by the moment that the thousands of birds were easing in the cloud above the Monte Mario. The second Legend carries another miracle story: Among the many miracles of St. Francis of Paula the legend celebrated is the one which he performed crossing the Straits of Messina. The ferrymen refused to rent their boat to a person of such humble appearance; he ignored them and walked on the sea with assured step.
Franz Liszt
Author: Michael Saffle
Publisher: Routledge
ISBN: 0415998395
Category : Music
Languages : en
Pages : 538
Book Description
First published in 2009. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Routledge
ISBN: 0415998395
Category : Music
Languages : en
Pages : 538
Book Description
First published in 2009. Routledge is an imprint of Taylor & Francis, an informa company.
The Liszt Companion
Author: Ben Arnold
Publisher: Bloomsbury Publishing USA
ISBN: 0313092141
Category : Music
Languages : en
Pages : 496
Book Description
Franz Liszt is most well-known for his compositions for piano and orchestra, but his influence is also strong in chamber music, choral music, and orchestral transcriptions. This new collection of essays presents a scholarly overview of all of the composer's work, providing the most comprehensive and current treatment of both his oeuvre and the immense amount of secondary literature written about it. Highly regarded critics and scholars write for both a general and academic audience, covering all of Liszt's major compositions as well as the neglected gems found among his choral and chamber works. Following an outline of the subject's life, The Liszt Companion goes on to detail Liszt's critical reception in the German press, his writings and letters, his piano and orchestral works, his neglected secular choral works, and his major organ compositions. Also explored here are his little-known chamber pieces and his songs. An exhaustive bibliography and index of works conclude the volume. This work will both elucidate aspects of Liszt's most famous work and revive interest in those pieces that deserve and require greater attention.
Publisher: Bloomsbury Publishing USA
ISBN: 0313092141
Category : Music
Languages : en
Pages : 496
Book Description
Franz Liszt is most well-known for his compositions for piano and orchestra, but his influence is also strong in chamber music, choral music, and orchestral transcriptions. This new collection of essays presents a scholarly overview of all of the composer's work, providing the most comprehensive and current treatment of both his oeuvre and the immense amount of secondary literature written about it. Highly regarded critics and scholars write for both a general and academic audience, covering all of Liszt's major compositions as well as the neglected gems found among his choral and chamber works. Following an outline of the subject's life, The Liszt Companion goes on to detail Liszt's critical reception in the German press, his writings and letters, his piano and orchestral works, his neglected secular choral works, and his major organ compositions. Also explored here are his little-known chamber pieces and his songs. An exhaustive bibliography and index of works conclude the volume. This work will both elucidate aspects of Liszt's most famous work and revive interest in those pieces that deserve and require greater attention.
Liszt's Transcultural Modernism and the Hungarian-gypsy Tradition
Author: Shay Loya
Publisher: University Rochester Press
ISBN: 1580463231
Category : Music
Languages : en
Pages : 364
Book Description
Transcultural modernism -- Verbunkos -- Identity, nationalism, and modernism -- Modernism and authenticity -- Listening to transcultural tonal practices -- The verbunkos idiom in the music of the future -- Idiomatic lateness
Publisher: University Rochester Press
ISBN: 1580463231
Category : Music
Languages : en
Pages : 364
Book Description
Transcultural modernism -- Verbunkos -- Identity, nationalism, and modernism -- Modernism and authenticity -- Listening to transcultural tonal practices -- The verbunkos idiom in the music of the future -- Idiomatic lateness
Stories of Tonality in the Age of François-Joseph Fétis
Author: Thomas Christensen
Publisher: University of Chicago Press
ISBN: 022662708X
Category : Music
Languages : en
Pages : 376
Book Description
Stories of Tonality in the Age of François-Joseph Fétis explores the concept of musical tonality through the writings of the Belgian musicologist François-Joseph Fétis (1784–1867), who was singularly responsible for theorizing and popularizing the term in the nineteenth century. Thomas Christensen weaves a rich story in which tonality emerges as a theoretical construct born of anxiety and alterity for Europeans during this time as they learned more about “other” musics and alternative tonal systems. Tonality became a central vortex in which French musicians thought—and argued—about a variety of musical repertoires, be they contemporary European musics of the stage, concert hall, or church, folk songs from the provinces, microtonal scale systems of Arabic and Indian music, or the medieval and Renaissance music whose notational traces were just beginning to be deciphered by scholars. Fétis’s influential writings offer insight into how tonality ingrained itself within nineteenth-century music discourse, and why it has continued to resonate with uncanny prescience throughout the musical upheavals of the twentieth and twenty-first centuries.
Publisher: University of Chicago Press
ISBN: 022662708X
Category : Music
Languages : en
Pages : 376
Book Description
Stories of Tonality in the Age of François-Joseph Fétis explores the concept of musical tonality through the writings of the Belgian musicologist François-Joseph Fétis (1784–1867), who was singularly responsible for theorizing and popularizing the term in the nineteenth century. Thomas Christensen weaves a rich story in which tonality emerges as a theoretical construct born of anxiety and alterity for Europeans during this time as they learned more about “other” musics and alternative tonal systems. Tonality became a central vortex in which French musicians thought—and argued—about a variety of musical repertoires, be they contemporary European musics of the stage, concert hall, or church, folk songs from the provinces, microtonal scale systems of Arabic and Indian music, or the medieval and Renaissance music whose notational traces were just beginning to be deciphered by scholars. Fétis’s influential writings offer insight into how tonality ingrained itself within nineteenth-century music discourse, and why it has continued to resonate with uncanny prescience throughout the musical upheavals of the twentieth and twenty-first centuries.
Franz Liszt, Volume 1
Author: Alan Walker
Publisher: Knopf
ISBN: 0307830969
Category : Biography & Autobiography
Languages : en
Pages : 495
Book Description
Franz Liszt--child prodigy, virtuoso pianist, co-founder with Chopin and Schumann of the Romantic movement in music--has been the subject of literally hundreds of biographies, but it is only in the last few decades that the importance of Liszt the composer, as opposed to Liszt the Romantic hero, has been recognized. This new perspective has created the need for a fresh, full-scale approach, biographical and critical, to the evaluation of the man and his music. For more than ten years Alan Walker, a leading authority on nineteenth-century music and the author of important studies of Chopin and Schumann, has traveled throughout Europe discovering unpublished material in museums and private collections, in the parish registries of tiny villages in Austria and Hungary, and in major archives in Weimar and Budapest, seeking out new information and corroborating or correcting the old. He has left virtually no source unexamined--from the hundreds of contemporary biographies (many of them more fiction than fact) to the scores of memoirs, reminisces, and diaries of his pupils and disciples (the list of his students from his Weimar masterclasses reads like a Burke's Peerage of pianists). Dr. Walker's efforts have culminated in a study that will stand as definitive for years to come. A feat of impeccable scholarship, it also displays a strong and compelling narrative impulse and a profound understanding of the complicated man Liszt was. In this, the first of three volumes, Dr. Walker examines in greater detail than has ever before been amassed Liszt's family background and his early years. We see "Franzi," a deeply religious and mystical child, whose extraordinary musical gifts lead to studies with the great Carl Czerny in Vienna and propel him into overnight fame in Paris--his youthful opera,Don Sanche, performed when he is fourteen--and in a disorderly and impulsive way of life by the time he is sixteen . . . We see Liszt drifting into obscurity after a nervous breakdown at the age of seventeen, then hearing Paganini for the first time and being so fired by the violinist's amazing technique that he sets for himself a titanic program of work, his aim no less than to create an entirely new repertoire for the piano....We see him, after years if successful touring, returning triumphantly to Hungary, his homeland, and publishing in the same year his "Transcendental" and "Paganini" studies. the signposts of his astonishing technical breakthrough....Finally, we see Liszt at the height of his artistic powers, giving well over a thousand concerts across Europe and Russia during the years 1839-47: "inventing" the modern piano recital, playing entire programs from memory, performing the complete contemporary piano repertoire, breaking down the barriers that had traditionally separated performing artists from their "social superiors," fostering the Romantic view of the artist as superior bring, because divinely gifted . . . until--his colossal career virtually impossible to sustain--he gives his last paid performance at the age of thirty-five . . . Unparalleled in its completeness, its soundness of documentation, and in the quality of its writing, The Virtuoso Years is the first volume of what will unquestionably be the most important biography of Franz Liszt in English or any other language.
Publisher: Knopf
ISBN: 0307830969
Category : Biography & Autobiography
Languages : en
Pages : 495
Book Description
Franz Liszt--child prodigy, virtuoso pianist, co-founder with Chopin and Schumann of the Romantic movement in music--has been the subject of literally hundreds of biographies, but it is only in the last few decades that the importance of Liszt the composer, as opposed to Liszt the Romantic hero, has been recognized. This new perspective has created the need for a fresh, full-scale approach, biographical and critical, to the evaluation of the man and his music. For more than ten years Alan Walker, a leading authority on nineteenth-century music and the author of important studies of Chopin and Schumann, has traveled throughout Europe discovering unpublished material in museums and private collections, in the parish registries of tiny villages in Austria and Hungary, and in major archives in Weimar and Budapest, seeking out new information and corroborating or correcting the old. He has left virtually no source unexamined--from the hundreds of contemporary biographies (many of them more fiction than fact) to the scores of memoirs, reminisces, and diaries of his pupils and disciples (the list of his students from his Weimar masterclasses reads like a Burke's Peerage of pianists). Dr. Walker's efforts have culminated in a study that will stand as definitive for years to come. A feat of impeccable scholarship, it also displays a strong and compelling narrative impulse and a profound understanding of the complicated man Liszt was. In this, the first of three volumes, Dr. Walker examines in greater detail than has ever before been amassed Liszt's family background and his early years. We see "Franzi," a deeply religious and mystical child, whose extraordinary musical gifts lead to studies with the great Carl Czerny in Vienna and propel him into overnight fame in Paris--his youthful opera,Don Sanche, performed when he is fourteen--and in a disorderly and impulsive way of life by the time he is sixteen . . . We see Liszt drifting into obscurity after a nervous breakdown at the age of seventeen, then hearing Paganini for the first time and being so fired by the violinist's amazing technique that he sets for himself a titanic program of work, his aim no less than to create an entirely new repertoire for the piano....We see him, after years if successful touring, returning triumphantly to Hungary, his homeland, and publishing in the same year his "Transcendental" and "Paganini" studies. the signposts of his astonishing technical breakthrough....Finally, we see Liszt at the height of his artistic powers, giving well over a thousand concerts across Europe and Russia during the years 1839-47: "inventing" the modern piano recital, playing entire programs from memory, performing the complete contemporary piano repertoire, breaking down the barriers that had traditionally separated performing artists from their "social superiors," fostering the Romantic view of the artist as superior bring, because divinely gifted . . . until--his colossal career virtually impossible to sustain--he gives his last paid performance at the age of thirty-five . . . Unparalleled in its completeness, its soundness of documentation, and in the quality of its writing, The Virtuoso Years is the first volume of what will unquestionably be the most important biography of Franz Liszt in English or any other language.
Liszt and His World
Author: Michael Saffle
Publisher: Pendragon Press
ISBN: 9780945193340
Category : Biography & Autobiography
Languages : en
Pages : 412
Book Description
The first volume of proceedings from the International Liszt Conference.
Publisher: Pendragon Press
ISBN: 9780945193340
Category : Biography & Autobiography
Languages : en
Pages : 412
Book Description
The first volume of proceedings from the International Liszt Conference.
Franz Liszt, His Circle, and His Elusive Oratorio
Author: Xavier Jon Puslowski
Publisher: Rowman & Littlefield
ISBN: 1442238038
Category : Music
Languages : en
Pages : 205
Book Description
Many scholars, concert pianists, and classical music fans deem Franz Liszt the preeminent pianist of the nineteenth century. In Franz Liszt, His Circle, and His Elusive Oratorio, Xavier Puslowski engages in a detailed study of the links between Liszt, his contemporaries, and his milieu. Drawing on Liszt’s famous Saint Stanislas Oratorio as a focal point, Puslowski brings together the history of the Romantic period in classical music and the intersection of key figures and historical events in his story of Liszt’s achievements told from a distinctly historicist perspective. Readers get a new view of Liszt as Puslowski brings together a remarkable cast of characters. Friend and rival, Frederic Chopin, stands tall as a symbol of Poland’s fight for independence; the remarkable French “people’s poet” Pierre Beranger makes his entrance; virtuoso violinist Niccolo Paganini takes center stage later in Liszt’s life; the indefatigable French composer Hector Berlioz and the domineering Richard Wagner assume their roles in this musical drama; and finally two of Poland’s premier violinists, Karol Lipinski and Henryk Wieniawski, stand side by side with Russian pianist Anton Rubinstein, as the story of Liszt’s influence reaches across national boundaries and time itself to make its presence felt.
Publisher: Rowman & Littlefield
ISBN: 1442238038
Category : Music
Languages : en
Pages : 205
Book Description
Many scholars, concert pianists, and classical music fans deem Franz Liszt the preeminent pianist of the nineteenth century. In Franz Liszt, His Circle, and His Elusive Oratorio, Xavier Puslowski engages in a detailed study of the links between Liszt, his contemporaries, and his milieu. Drawing on Liszt’s famous Saint Stanislas Oratorio as a focal point, Puslowski brings together the history of the Romantic period in classical music and the intersection of key figures and historical events in his story of Liszt’s achievements told from a distinctly historicist perspective. Readers get a new view of Liszt as Puslowski brings together a remarkable cast of characters. Friend and rival, Frederic Chopin, stands tall as a symbol of Poland’s fight for independence; the remarkable French “people’s poet” Pierre Beranger makes his entrance; virtuoso violinist Niccolo Paganini takes center stage later in Liszt’s life; the indefatigable French composer Hector Berlioz and the domineering Richard Wagner assume their roles in this musical drama; and finally two of Poland’s premier violinists, Karol Lipinski and Henryk Wieniawski, stand side by side with Russian pianist Anton Rubinstein, as the story of Liszt’s influence reaches across national boundaries and time itself to make its presence felt.