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Author: Judith Dundas
Publisher: Associated University Presse
ISBN: 9780874139822
Category : Art
Languages : en
Pages : 294
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Book Description
Franciscus Junius the Younger (1591-1677) is famous as virtually the founder of Germanic philology. But he also composed, at the request of the Earl of Arundel, whom he served as librarian, an influential treatise on the art of painting as it is viewed in ancient literature. This book discusses his marginalia to the works of Philip Sidney.
Author: Judith Dundas
Publisher: Associated University Presse
ISBN: 9780874139822
Category : Art
Languages : en
Pages : 294
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Book Description
Franciscus Junius the Younger (1591-1677) is famous as virtually the founder of Germanic philology. But he also composed, at the request of the Earl of Arundel, whom he served as librarian, an influential treatise on the art of painting as it is viewed in ancient literature. This book discusses his marginalia to the works of Philip Sidney.
Author:
Publisher: BRILL
ISBN: 9004455949
Category : Language Arts & Disciplines
Languages : en
Pages : 191
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Book Description
Author: Sophie van Romburgh
Publisher: BRILL
ISBN: 9047412486
Category : History
Languages : en
Pages : 1143
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Book Description
This edition includes the complete correspondence of Francis Junius (1591–1677), who may be called the father of modern art theory and of comparative Germanic philology. The edition offers insight into this Dutch scholar’s life and studies in the context of his family, friends, and employment by the English Arundel family. All were intimately associated with the leading circles of scholars, aristocrats and dignitaries in the Low Countries and England. The corpus of 226 Latin, English and Dutch letters has been edited with generous annotations, English translations, an introduction, and a critical apparatus. The letters are an invaluable source of detail for students of seventeenth-century intellectual history, English and Dutch elite culture, Germanic philology, art history, and learned networks.
Author: F.F. Blok
Publisher: BRILL
ISBN: 9004495479
Category : History
Languages : en
Pages : 520
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Book Description
This book gives a detailed account of the most interesting period in the life of the Dutch humanist scholar Isaac Vossius (Leiden 1618 – Windsor 1689). It is largely based on Vossius’s extensive correspondence, much of which has never been published before. In particular, Isaac’s correspondence with his father, Gerardus Joannes Vossius, has been thoroughly investigated and is a prime source of information here. Isaac Vossius’s travels through England, France and Italy followed his formative years at Leiden and Amsterdam, during which time he had come under the strong influence of the French scholar, Claude Saumaise. A narrative account of these travels is given, and Vossius’s contacts with the various circles of scholars that he encountered are discussed in detail. Such contacts allowed him to enter libraries otherwise difficult of access, and there he continued his search for manuscripts. Vossius’s period as a wandering scholar can be said to have been rounded off with the year that he spent in Paris, as secretary to Hugo Grotius. All this time Vossius was building up his own collection of books, and the fruits of these library researches were the philological editions that he began to publish in the four years that followed. A new phase of Vossius’s life opened in 1648, when Queen Christina of Sweden invited him (then still only thirty) to come to her court. The following six years were the most turbulent in the scholar’s life. He became the queen’s tutor in Greek, and also her personal confidant. Under Vossius’s guidance, the queen steeped herself in the study of Plato and the Neoplatonists; while the philosophy of Descartes – whom she likewise invited to Stockholm – seems to have held little interest for her. It was while Vossius was at the Swedish court that he finally came into open conflict with Saumaise, his former mentor. Vossius built up a magnificent library for Christina. This collection was however dispersed even before it has been completed; though, unfortunately, not before Vossius’s own books had been inadvertently incorporated into that library. With the queen’s approval, Vossius then selected a new collection for himself from the royal library. In 1655 Vossius, disillusioned, withdrew to the quiet of his own study, in The Hague. Since 1690 his collection of books and manuscripts has been housed in the University Library at Leiden, where it forms the basis of the international fame of that institution.
Author: Megan L. Cook
Publisher: University of Pennsylvania Press
ISBN: 081229582X
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
Between 1532 and 1602, the works of Geoffrey Chaucer were published in no less than six folio editions. These were, in fact, the largest books of poetry produced in sixteenth-century England, and they significantly shaped the perceptions of Chaucer that would hold sway for centuries to come. But it is the stories behind these editions that are the focus of Megan L. Cook's interest in The Poet and the Antiquaries. She explores how antiquarians—historians, lexicographers, religious polemicists, and other readers with a professional, but not necessarily literary, interest in the English past—played an indispensable role in making Chaucer a figure of lasting literary and cultural importance. After establishing the antiquarian involvement in the publication of the folio editions, Cook offers a series of case studies that discuss Chaucer and his works in relation to specific sixteenth-century discourses about the past. She turns to early accounts of Chaucer's biography to show how important they were in constructing the poet as a figure whose life and works could be known, understood, and valued by later readers. She considers the claims made about Chaucer's religious views, especially the assertions that he was a proto-Protestant, and the effects they had on shaping his canon. Looking at early modern views on Chaucerian language, she illustrates how complicated the relations between past and present forms of English were thought to be. Finally, she demonstrates the ways in which antiquarian readers applied knowledge from other areas of scholarship to their reading of Middle English texts. Linking Chaucer's exceptional standing in the poetic canon with his role as a symbol of linguistic and national identity, The Poet and the Antiquaries demonstrates how and why Chaucer became not only the first English author to become a subject of historical inquiry but also a crucial figure for conceptualizing the medieval in early modern England.
Author: Albrecht Classen
Publisher: Walter de Gruyter
ISBN: 3110215586
Category : Literary Criticism
Languages : en
Pages : 2822
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Book Description
This interdisciplinary handbook provides extensive information about research in medieval studies and its most important results over the last decades. The handbook is a reference work which enables the readers to quickly and purposely gain insight into the important research discussions and to inform themselves about the current status of research in the field. The handbook consists of four parts. The first, large section offers articles on all of the main disciplines and discussions of the field. The second section presents articles on the key concepts of modern medieval studies and the debates therein. The third section is a lexicon of the most important text genres of the Middle Ages. The fourth section provides an international bio-bibliographical lexicon of the most prominent medievalists in all disciplines. A comprehensive bibliography rounds off the compendium. The result is a reference work which exhaustively documents the current status of research in medieval studies and brings the disciplines and experts of the field together.
Author: Thijs Weststeijn
Publisher: BRILL
ISBN: 9004283994
Category : Art
Languages : en
Pages : 476
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Book Description
How did the classical tradition survive on the North Sea shores? This richly illustrated book explores the interplay between art and erudition in the seventeenth century. It analyses the sources, editions, and reception of Franciscus Junius’s writings to chart how ideas about Northern European painting, from Van Dyck to Rembrandt, developed as a counterweight to the Italian tradition. Thus the language of art in Junius’s The Painting of the Ancients appears to be related to his seminal work in the field of Germanic linguistics and his discovery of the shared pre-Christian civilization of Holland and England. Junius’s innovative pairing of scholarship to the painter’s practice illuminates the reception of antiquity and the creation of an Anglo-Dutch artistic Arcadia.
Author: Dept. of Special Collections of the Koninklijke Bibliotheek
Publisher: Springer Science & Business Media
ISBN: 9781402002373
Category : Language Arts & Disciplines
Languages : en
Pages : 706
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Book Description
The Annual Bibliography of the History of the Printed Book and Libraries records articles of scholarly value that relate to the history of the printed book, to the history of arts, crafts, techniques and equipment, and of the economic, social and cultural environment involved in their production, distribution, conservation and description.
Author: Catherine E. Karkov
Publisher: Cambridge University Press
ISBN: 9780521800693
Category : Art
Languages : en
Pages : 292
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Book Description
Studies the interrelationship of text and picture in the only surviving illustrated Anglo-Saxon poetic manuscript.
Author: Sian Echard
Publisher: University of Pennsylvania Press
ISBN: 0812201841
Category : Design
Languages : en
Pages : 334
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Book Description
In Printing the Middle Ages Siân Echard looks to the postmedieval, postmanuscript lives of medieval texts, seeking to understand the lasting impact on both the popular and the scholarly imaginations of the physical objects that transmitted the Middle Ages to the English-speaking world. Beneath and behind the foundational works of recovery that established the canon of medieval literature, she argues, was a vast terrain of books, scholarly or popular, grubby or beautiful, widely disseminated or privately printed. By turning to these, we are able to chart the differing reception histories of the literary texts of the British Middle Ages. For Echard, any reading of a medieval text, whether past or present, amateur or academic, floats on the surface of a complex sea of expectations and desires made up of the books that mediate those readings. Each chapter of Printing the Middle Ages focuses on a central textual object and tells its story in order to reveal the history of its reception and transmission. Moving from the first age of print into the early twenty-first century, Echard examines the special fonts created in the Elizabethan period to reproduce Old English, the hand-drawn facsimiles of the nineteenth century, and today's experiments with the digital reproduction of medieval objects; she explores the illustrations in eighteenth-century versions of Guy of Warwick and Bevis of Hampton; she discusses nineteenth-century children's versions of the Canterbury Tales and the aristocratic transmission history of John Gower's Confessio Amantis; and she touches on fine press printings of Dante, Froissart, and Langland.
