Author: Peter Ilich Tchaikovsky
Publisher: Serenissima Music, Inc.
ISBN: 1932419039
Category : Music
Languages : en
Pages : 146
Book Description
Tchaikovsky's late romantic orchestral showpiece after the Dante tale was composed in 1876. This is a digitally restored reissue of the score first produced over a century ago by Eulenburg, ISMN: 979-08-00001-03-1
Francesca da Rimini, Op.32
Author: Peter Ilich Tchaikovsky
Publisher: Serenissima Music, Inc.
ISBN: 1932419039
Category : Music
Languages : en
Pages : 146
Book Description
Tchaikovsky's late romantic orchestral showpiece after the Dante tale was composed in 1876. This is a digitally restored reissue of the score first produced over a century ago by Eulenburg, ISMN: 979-08-00001-03-1
Publisher: Serenissima Music, Inc.
ISBN: 1932419039
Category : Music
Languages : en
Pages : 146
Book Description
Tchaikovsky's late romantic orchestral showpiece after the Dante tale was composed in 1876. This is a digitally restored reissue of the score first produced over a century ago by Eulenburg, ISMN: 979-08-00001-03-1
1812 Overture, Marche Slave and Francesca da Rimini in Full Score
Author: Peter Ilich Tchaikovsky
Publisher: Courier Corporation
ISBN: 0486290697
Category : Music
Languages : en
Pages : 306
Book Description
This volume contains authoritative Russian editions of three of Tchaikovsky's most popular orchestral works. "The 1812 Overture, " Op. 49, is among the best known and most beloved of all classical music compositions, thrilling audiences with its stirring martial themes and spectacular climax of roaring cannons and pealing church bells. "March Slave, " Op. 31, memorable for its poignancy and somber beauty, is a mainstay of the orchestral repertoire. This new compilation of popular masterworks concludes with the lovely and moving "Francesca da Rimini, " Op. 32, a dramatic tone poem considered to be among Tchaikovsky's finest compositions, with over 20 current recordings by the world's great orchestras. This volume will be welcomed by conductors, musicians, music students, and legions of listeners who enjoy the rewards of following Tchaikovsky's exceptional orchestration.
Publisher: Courier Corporation
ISBN: 0486290697
Category : Music
Languages : en
Pages : 306
Book Description
This volume contains authoritative Russian editions of three of Tchaikovsky's most popular orchestral works. "The 1812 Overture, " Op. 49, is among the best known and most beloved of all classical music compositions, thrilling audiences with its stirring martial themes and spectacular climax of roaring cannons and pealing church bells. "March Slave, " Op. 31, memorable for its poignancy and somber beauty, is a mainstay of the orchestral repertoire. This new compilation of popular masterworks concludes with the lovely and moving "Francesca da Rimini, " Op. 32, a dramatic tone poem considered to be among Tchaikovsky's finest compositions, with over 20 current recordings by the world's great orchestras. This volume will be welcomed by conductors, musicians, music students, and legions of listeners who enjoy the rewards of following Tchaikovsky's exceptional orchestration.
Masterworks of the Orchestral Repertoire
Author: Donald N. Ferguson
Publisher: U of Minnesota Press
ISBN: 0816657629
Category : Music
Languages : en
Pages : 686
Book Description
Masterworks of the Orchestral Repertoire was first published in 1968. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The fullest enjoyment of an orchestral performance or a record concert comes with a background of knowledge about the music itself. This handbook is designed to help music lovers get the ultimate pleasure from their listening by providing them with that background about a large portion of the orchestral repertoire. Professor Ferguson analyzes and interprets the most important classical symphonies, overtures, and concertos, as well as selected orchestral works of modern composers. He goes beyond a conventional analysis of structure since he believes (with a majority of the music-loving public) that great music is actually a communication -- that it expresses significant emotions. The great composers, on their own testimony, have striven not merely to create perfect forms but to interpret human experience. Mingled with the analyses, then, the reader will find comments on the expressive purport of the music. For twenty-five years Professor Ferguson has supplied the program notes for the subscription concerts of the Minneapolis Symphony Orchestra, and this volume is an outgrowth of that activity. In preparing the material for book publication, however, he studied the musical compositions anew, and the resulting chapters provide a much deeper exploration of the musical subjects than did the program notes. The themes of important works are illustrated by musical notations, and a brief glossary explains technical terms.
Publisher: U of Minnesota Press
ISBN: 0816657629
Category : Music
Languages : en
Pages : 686
Book Description
Masterworks of the Orchestral Repertoire was first published in 1968. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The fullest enjoyment of an orchestral performance or a record concert comes with a background of knowledge about the music itself. This handbook is designed to help music lovers get the ultimate pleasure from their listening by providing them with that background about a large portion of the orchestral repertoire. Professor Ferguson analyzes and interprets the most important classical symphonies, overtures, and concertos, as well as selected orchestral works of modern composers. He goes beyond a conventional analysis of structure since he believes (with a majority of the music-loving public) that great music is actually a communication -- that it expresses significant emotions. The great composers, on their own testimony, have striven not merely to create perfect forms but to interpret human experience. Mingled with the analyses, then, the reader will find comments on the expressive purport of the music. For twenty-five years Professor Ferguson has supplied the program notes for the subscription concerts of the Minneapolis Symphony Orchestra, and this volume is an outgrowth of that activity. In preparing the material for book publication, however, he studied the musical compositions anew, and the resulting chapters provide a much deeper exploration of the musical subjects than did the program notes. The themes of important works are illustrated by musical notations, and a brief glossary explains technical terms.
Musical Courier and Review of Recorded Music
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1324
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1324
Book Description
The Seven Last Words of Christ
Author: Theodore Dubois
Publisher: Serenissima Music, Inc.
ISBN: 9781932419849
Category : Music
Languages : en
Pages : 88
Book Description
Dubois' oratorio was given its premiere on Good Friday (April 19), 1867 at glise de la Madeleine in Paris under the composer's direction. Although first published in 1886 by Georges Hartmann of Paris, the vocal score presented here is a digitally enhanced reprint of the one first produced in 1899 by G. Schirmer of New York, with an English translation beneath the original Latin text by Theodore Baker (1851-1934). This score has been carefully reviewed, with measure numbers and rehearsal letters added. It is now completely compatible with the widely available full score and orchestral parts issued by Edwin F. Kalmus. The large (A4) size makes it particularly easy to read for choruses both at both professional and community levels. IMSLP page All Music Guide
Publisher: Serenissima Music, Inc.
ISBN: 9781932419849
Category : Music
Languages : en
Pages : 88
Book Description
Dubois' oratorio was given its premiere on Good Friday (April 19), 1867 at glise de la Madeleine in Paris under the composer's direction. Although first published in 1886 by Georges Hartmann of Paris, the vocal score presented here is a digitally enhanced reprint of the one first produced in 1899 by G. Schirmer of New York, with an English translation beneath the original Latin text by Theodore Baker (1851-1934). This score has been carefully reviewed, with measure numbers and rehearsal letters added. It is now completely compatible with the widely available full score and orchestral parts issued by Edwin F. Kalmus. The large (A4) size makes it particularly easy to read for choruses both at both professional and community levels. IMSLP page All Music Guide
Catalogue of the Allen A. Brown Collection of Music in the Public Library of the City of Boston
Author: Allen A. Brown Collection (Boston Public Library)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 354
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 354
Book Description
A dictionary-index of musicians (eds. F. H. Martens, M. W. Cochran, and W. D. Darby)
Author: Daniel Gregory Mason
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 324
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 324
Book Description
Music Alone
Author: Peter Kivy
Publisher: Cornell University Press
ISBN: 9780801499609
Category : Music
Languages : en
Pages : 244
Book Description
What makes a musical work profound? What is it about pure instrumental music that the listener finds attractive and rewarding? In addressing these questions, Peter Kivy continues his highly regarded exploration of the philosophy of musical aesthetics. He considers here what he believes to be the most difficult subject of all--"just plain music; music unaccompanied by text, title, subject, program, or plot; in other words, music alone."
Publisher: Cornell University Press
ISBN: 9780801499609
Category : Music
Languages : en
Pages : 244
Book Description
What makes a musical work profound? What is it about pure instrumental music that the listener finds attractive and rewarding? In addressing these questions, Peter Kivy continues his highly regarded exploration of the philosophy of musical aesthetics. He considers here what he believes to be the most difficult subject of all--"just plain music; music unaccompanied by text, title, subject, program, or plot; in other words, music alone."
Deux Gymnopedies, Orchestral setting
Author: Erik Satie
Publisher: Serenissima Music, Inc.
ISBN: 9781932419825
Category : Music
Languages : en
Pages : 30
Book Description
This is a newly-engraved critical edition of Claude Debussy's superb orchestration of two of the Gymnopedies by his friend Erik Satie. Debussy used the two outer movements of the original three pieces in reverse order, so that Satie's No. 3 became No. 1 while No. 1 became No. 2. Satie was virtually unknown as a composer at the time of the 1897 Paris premiere of the orchestral setting, which did much to advance his reputation in the early years of the twentieth century. The piano originals are now even more renowned than Debussy's orchestration, which remains a fixture in the orchestral repertoire. The 2004 edition is now made available in a convenient and affordable study score which is sure to be appreciated by musicians, students and fans of both composers everywhere.
Publisher: Serenissima Music, Inc.
ISBN: 9781932419825
Category : Music
Languages : en
Pages : 30
Book Description
This is a newly-engraved critical edition of Claude Debussy's superb orchestration of two of the Gymnopedies by his friend Erik Satie. Debussy used the two outer movements of the original three pieces in reverse order, so that Satie's No. 3 became No. 1 while No. 1 became No. 2. Satie was virtually unknown as a composer at the time of the 1897 Paris premiere of the orchestral setting, which did much to advance his reputation in the early years of the twentieth century. The piano originals are now even more renowned than Debussy's orchestration, which remains a fixture in the orchestral repertoire. The 2004 edition is now made available in a convenient and affordable study score which is sure to be appreciated by musicians, students and fans of both composers everywhere.
Fritz Reiner
Author: Philip Hart
Publisher: Northwestern University Press
ISBN: 9780810114630
Category : Biography & Autobiography
Languages : en
Pages : 386
Book Description
Thirty years after his death, Fritz Reiner's contribution--as a conductor, as a teacher (of Leonard Bernstein, among others), and as a musician--continues to be reassessed. Music scholar and long-time friend Philip Hart has written the definitive biography of this influential figure.
Publisher: Northwestern University Press
ISBN: 9780810114630
Category : Biography & Autobiography
Languages : en
Pages : 386
Book Description
Thirty years after his death, Fritz Reiner's contribution--as a conductor, as a teacher (of Leonard Bernstein, among others), and as a musician--continues to be reassessed. Music scholar and long-time friend Philip Hart has written the definitive biography of this influential figure.