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Author: David Wacks
Publisher: BRILL
ISBN: 9004158286
Category : History
Languages : en
Pages : 296
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Book Description
Drawing on current critical theory, Framing Iberia relocates the Castilian classics El Conde Lucanor and El Libro de buen amor within a medieval Iberian literary tradition that includes works in Arabic, Hebrew, Latin, and Romance. Winner of the 2009 La corónica International Book Award for scholarship in Medieval Hispanic Languages, Literatures, and Cultures
Author: David Wacks
Publisher: BRILL
ISBN: 904741974X
Category : History
Languages : en
Pages : 294
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Book Description
Framing Iberia is a study of medieval Iberian culture observed through the lens of the frametale, a type of story collection cultivated by medieval Iberian authors in several languages. Its best known examples outside of Iberia are Chaucer’s Canterbury Tales, Boccaccio’s Decameron, and the Thousand and One Nights. In Framing Iberia the author relocates the Castilian classics El Conde Lucanor and El Libro de buen amor within a literary tradition that includes works in Arabic, Hebrew, Latin, and Romance. In doing so, he draws on current critical theory and cultural studies in reevaluating how the multicultural society of medieval Iberia is reflected in its narrative literature. Winner of the 2009 La corónica International Book Award for scholarship in Medieval Hispanic Languages, Literatures, and Cultures. Also available in paperback ISBN 978 9004 20589 5
Author: David Asa Wacks
Publisher:
ISBN:
Category : Frame-stories
Languages : en
Pages : 470
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Book Description
Author: David Wacks
Publisher: BRILL
ISBN: 9004158286
Category : History
Languages : en
Pages : 296
Get Book Here
Book Description
Drawing on current critical theory, Framing Iberia relocates the Castilian classics El Conde Lucanor and El Libro de buen amor within a medieval Iberian literary tradition that includes works in Arabic, Hebrew, Latin, and Romance. Winner of the 2009 La corónica International Book Award for scholarship in Medieval Hispanic Languages, Literatures, and Cultures
Author: Eitan P. Fishbane
Publisher:
ISBN: 0199948631
Category : Literary Criticism
Languages : en
Pages : 535
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Book Description
In the study of Judaism, the Zohar has captivated the minds of interpreters for over seven centuries, and continues to entrance readers in the modern day. Yet despite these centuries of study, very little attention has been devoted to the literary dimensions of the text. The Art of Mystical Narrative argues that the Zohar story must be understood first and foremost as a work of the fictional imagination.
Author: E. Michael Gerli
Publisher: Routledge
ISBN: 1351809784
Category : Art
Languages : en
Pages : 589
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Book Description
The Routledge Hispanic Studies Companion to Medieval Iberia: Unity in Diversity draws together the innovative work of renowned scholars as well as several thought-provoking essays from emergent academics, in order to provide broad-range, in-depth coverage of the major aspects of the Iberian medieval world. Exploring the social, political, cultural, religious, and economic history of the Iberian Peninsula, the volume includes 37 original essays grouped around fundamental themes such as Languages and Literatures, Spiritualities, and Visual Culture. This interdisciplinary volume is an excellent introduction and reference work for students and scholars in Iberian Studies and Medieval Studies. SERIES EDITOR: BRAD EPPS SPANISH LIST ADVISOR: JAVIER MUÑOZ-BASOLS
Author: Roman Katsman
Publisher: Cambridge Scholars Publishing
ISBN: 1443857521
Category : Literary Criticism
Languages : en
Pages : 705
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Book Description
Around the Point is a unique collection that brings to readers the works of almost thirty scholars dealing with Jewish literature in various Jewish and non-Jewish languages, such as Hebrew, Yiddish, Ladino, French, Italian, German, Hungarian, Serbian, Polish, and Russian. Although this volume does not cover all the languages of Jewish letters, it is a significant endeavor in establishing the realm of multilingual international study of Jewish literature and culture. Among the questions under discussion, are the problems of the definition of Jewish identity and literature, literary history, language choice and diglossy, lingual and cultural influences, intertextuality, Holocaust literature, Kabbala and Hassidism, Jewish poetics, theatre and art, and the problems of the acceptance of literature.
Author: Tabea Alexa Linhard
Publisher: Stanford University Press
ISBN: 0804791880
Category : History
Languages : en
Pages : 245
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Book Description
What is meant by "Jewish Spain"? The term itself encompasses a series of historical contradictions. No single part of Spain has ever been entirely Jewish. Yet discourses about Jews informed debates on Spanish identity formation long after their 1492 expulsion. The Mediterranean world witnessed a renewed interest in Spanish-speaking Jews in the twentieth century, and it has grappled with shifting attitudes on what it meant to be Jewish and Spanish throughout the century. At the heart of this book are explorations of the contradictions that appear in different forms of cultural memory: literary texts, memoirs, oral histories, biographies, films, and heritage tourism packages. Tabea Alexa Linhard identifies depictions of the difficulties Jews faced in Spain and Northern Morocco in years past as integral to the survival strategies of Spanish Jews, who used them to make sense of the confusing and harrowing circumstances of the Spanish Civil War, the Francoist repression, and World War Two. Jewish Spain takes its place among other works on Muslims, Christians, and Jews by providing a comprehensive analysis of Jewish culture and presence in twentieth-century Spain, reminding us that it is impossible to understand and articulate what Spain was, is, and will be without taking into account both "Muslim Spain" and "Jewish Spain."
Author: Isabelle Levy
Publisher: Indiana University Press
ISBN: 0253060168
Category : Literary Criticism
Languages : en
Pages : 210
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Book Description
In Jewish Literary Eros, Isabelle Levy explores the originality and complexity of medieval Jewish writings. Examining medieval prosimetra (texts composed of alternating prose and verse), Levy demonstrates that secular love is the common theme across Arabic, Hebrew, French, and Italian texts. At the crossroads of these spheres of intellectual activity, Jews of the medieval Mediterranean composed texts that combined dominant cultures' literary stylings with biblical Hebrew and other elements from Jewish cultures. Levy explores Jewish authors' treatments of love in prosimetra and finds them creative, complex, and innovative. Jewish Literary Eros compares the mixed-form compositions by Jewish authors of the medieval Mediterranean with their Arabic and European counterparts to find the particular moments of innovation among textual practices by Jewish authors. When viewed in the comparative context of the medieval Mediterranean, the evolving relationship between the mixed form and the theme of love in secular Jewish compositions refines our understanding of the ways in which the Jewish literature of the period negotiates the hermeneutic and theological underpinnings of Islamicate and Christian literary traditions.
Author: Catalin Taranu
Publisher: punctum books
ISBN: 1685710301
Category : History
Languages : en
Pages : 371
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Book Description
Writing circa 731 CE, Bede professes in the introduction to his Historia Ecclesiastica Gentis Anglorum that he will write his account of the past of the English following only vera lex historiae. Whether explicitly or (most often) implicitly, historians narrate the past according to a conception of what constitutes historical truth that emerges in the use of narrative strategies, of certain formulae or textual forms, in establishing one's own ideological authority or that of one's informants, in faithfulness to a cultural, narrative, or poetic tradition. If we extend the scope of what we understand by history (especially in a pre-modern setting) to include not just the writings of historians legitimated by their belonging to the Latinate matrix of christianized classical history writing, but also collective narratives, practices, rituals, oral poetry, liturgy, artistic representations, and acts of identity - all re-enacting the past as, or as representation of, the present, we find a plethora of modes of constructions of historical truth, narrative authority, and reliability. Vera Lex Historiae? will be constituted by contributions that reveal the variety of evental strategies by which historical truth was constructed in late antiquity and the earlier Middle Ages, and the range of procedures by which such narratives were established first as being historical and then as "true" histories. This is not only a matter of narrative strategies, but also habitus, ways of living and acting in the world that feed on and back into the commemoration and re-enactment of the past by communities and by individuals. In doing this, we hope to recover something of the plurality of modes of preserving and reenacting the past available in late antiquity and the earlier middle ages which we pass by because of preconceived notions of what constitutes history writing.
Author: Dianna Lynn Roberts-Zauderer
Publisher: Springer Nature
ISBN: 3030294226
Category : Philosophy
Languages : en
Pages : 275
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Book Description
This book reveals how Moses ibn Ezra, Judah Halevi, Moses Maimonides, and Shem Tov ibn Falaquera understood metaphor and imagination, and their role in the way human beings describe God. It demonstrates how these medieval Jewish thinkers engaged with Arabic-Aristotelian psychology, specifically with regard to imagination and its role in cognition. Dianna Lynn Roberts-Zauderer reconstructs the process by which metaphoric language is taken up by the imagination and the role of imagination in rational thought. If imagination is a necessary component of thinking, how is Maimonides’ idea of pure intellectual thought possible? An examination of select passages in the Guide, in both Judeo-Arabic and translation, shows how Maimonides’ attitude towards imagination develops, and how translations contribute to a bifurcation of reason and imagination that does not acknowledge the nuances of the original text. Finally, the author shows how Falaquera’s poetics forges a new direction for thinking about imagination.
