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Author: Aeschylus
Publisher: DigiCat
ISBN:
Category : Drama
Languages : en
Pages : 261
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Book Description
"Four Plays of Aeschylus" contains four plays by Aeschylus, the Greek playwright and tragedian, often considered the father of tragedy. He was the reformer of the ancient Greek theatre and the author of more than 100 plays, yet only seven were preserved until now. Four of them, "The Suppliant Maidens," "The Persians," "The Seven Against Thebes," and "The Prometheus Bound," are presented in this book.
Author: Aeschylus
Publisher:
ISBN:
Category : Play,Greek
Languages : en
Pages : 236
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Book Description
Author: Aeschylus
Publisher: Createspace Independent Publishing Platform
ISBN: 9781523337699
Category :
Languages : en
Pages : 162
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Book Description
Four Plays of Aeschylus By Aeschylus Contents THE SUPPLIANT MAIDENS THE PERSIANS THE SEVEN AGAINST THEBES THE PROMETHEUS BOUND Aeschylus (c. 525/524 - c. 456/455 BC) was an ancient Greek tragedian. He is also the first whose plays still survive; the others are Sophocles and Euripides. He is often described as the father of tragedy: critics and scholars' knowledge of the genre begins with his work, and understanding of earlier tragedies is largely based on inferences from his surviving plays. According to Aristotle, he expanded the number of characters in theater to allow conflict among them, whereas characters previously had interacted only with the chorus. Only seven of his estimated seventy to ninety plays have survived, and there is a longstanding debate regarding his authorship of one of these plays, Prometheus Bound, which some believe his son Euphorion actually wrote. Fragments of some other plays have survived in quotes and more continue to be discovered on Egyptian papyrus, often giving us surprising insights into his work. He was probably the first dramatist to present plays as a trilogy; his Oresteia is the only ancient example of the form to have survived. The surviving dramas of Aeschylus are seven in number, though he is believed to have written nearly a hundred during his life of sixty-nine years, from 525 B.C. to 456 B.C. That he fought at Marathon in 490, and at Salamis in 480 B.C. is a strongly accredited tradition, rendered almost certain by the vivid references to both battles in his play of The Persians, which was produced in 472. But his earliest extant play was, probably, not The Persians but The Suppliant Maidens--a mythical drama, the fame of which has been largely eclipsed by the historic interest of The Persians, and is undoubtedly the least known and least regarded of the seven. Its topic--the flight of the daughters of Danaus from Egypt to Argos, in order to escape from a forced bridal with their first-cousins, the sons of Aegyptus--is legendary, and the lyric element predominates in the play as a whole. We must keep ourselves reminded that the ancient Athenian custom of presenting dramas in Trilogies --that is, in three consecutive plays dealing with different stages of one legend--was probably not uniform: it survives, for us, in one instance only, viz. the Orestean Trilogy, comprising the Agamemnon, the Libation-Bearers, and the Eumenides, or Furies. This Trilogy is the masterpiece of the Aeschylean Drama: the four remaining plays of the poet, which are translated in this volume, are all fragments of lost Trilogies--that is to say, the plays are complete as poems, but in regard to the poet's larger design they are fragments; they once had predecessors, or sequels, of which only a few words, or lines, or short paragraphs, survive. THE SUPPLIANT MAIDENS ARGUMENT Io, the daughter of Inachus, King of Argos, was beloved of Zeus. But Hera was jealous of that love, and by her ill will was Io given over to frenzy, and her body took the semblance of a heifer: and Argus, a many-eyed herdsman, was set by Hera to watch Io whithersoever she strayed. Yet, in despite of Argus, did Zeus draw nigh unto her in the shape of a bull. And by the will of Zeus and the craft of Hermes was Argus slain. Then Io was driven over far lands and seas by her madness, and came at length to the land of Egypt. There was she restored to herself by a touch of the hand of Zeus, and bare a child called Epaphus. And from Epaphus sprang Libya, and from Libya, Belus; and from Belus, Aegyptus and Danaus. And the sons of Aegyptus willed to take the daughters of Danaus in marriage.......
Author: Aeschylus
Publisher: CreateSpace
ISBN: 9781500690373
Category : Drama
Languages : en
Pages : 150
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Book Description
THE SUPPLIANT MAIDENS THE PERSIANS THE SEVEN AGAINST THEBES THE PROMETHEUS BOUND
Author: Aeschylus
Publisher: BoD – Books on Demand
ISBN: 3387321066
Category : Fiction
Languages : en
Pages : 237
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Book Description
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Author: Aeschylus Playwright
Publisher:
ISBN: 9781977609960
Category :
Languages : en
Pages : 214
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Book Description
Written by Aeschylus (c. 525-c. 456 B.C.), the father of Greek tragedy, and translated by E. D. A. Morshead (1849-1912), the Four Plays of Aeschylus - The Suppliant Maidens, The Persians, The Seven Against Thebes, and Prometheus Bound - are among the greatest theatrical works ever produced in ancient Greece.
Author: Aeschylus
Publisher:
ISBN: 9781770832008
Category :
Languages : en
Pages : 198
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Book Description
Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. The Suppliants pays tribute to the democratic undercurrents running through Athens in advance of the establishment of a democratic government in 461. In the play, the Danaids, the fifty daughters of Danaus, founder of Argos, flee a forced marriage to their cousins in Egypt. They turn to King Pelasgus of Argos for protection, but Pelasgus refuses until the people of Argos weigh in on the decision, a distinctly democratic move on the part of the king. The people decide that the Danaids deserve protection, and they are allowed within the walls of Argos despite Egyptian protests. The Persians is based on experiences in Aeschylus's own life, specifically the Battle of Salamis. It is unique among surviving Greek tragedies in that it describes a recent historical event. The Persians focuses on the popular Greek theme of hubris by blaming Persia's loss on the pride of its king. It opens with the arrival of a messenger in Susa, the Persian capital, bearing news of the catastrophic Persian defeat at Salamis to Atossa, the mother of the Persian King Xerxes. Atossa then travels to the tomb of Darius, her husband, where his ghost appears to explain the cause of the defeat. It is, he says, the result of Xerxes' hubris in building a bridge across the Hellespont, an action which angered the gods. Xerxes appears at the end of the play, not realizing the cause of his defeat, and the play closes to lamentations by Xerxes and the chorus. Seven against Thebes has the contrasting theme of the interference of the gods in human affairs. It also marks the first known appearance in Aeschylus's work of a theme which would continue through his plays, that of the polis (the city) being a key development of human civilization. The play tells the story of Eteocles and Polynices, the sons of the shamed King of Thebes, Oedipus. The sons agree to alternate in the throne of the city, but after the first year Eteocles refuses to step down, and Polynices wages war to claim his crown. The brothers kill each other in single combat, and the original ending of the play consisted of lamentations for the dead brothers. Prometheus Bound, is attributed to Aeschylus by ancient authorities. The play consists mostly of static dialogue, as throughout the play the Titan Prometheus is bound to a rock as punishment from the Olympian Zeus for providing fire to humans. The god Hephaestus, the Titan Oceanus, and the chorus of Oceanids all express sympathy for Prometheus' plight. Prometheus meets Io, a fellow victim of Zeus' cruelty; and prophesies her future travels, revealing that one of her descendants will free Prometheus. The play closes with Zeus sending Prometheus into the abyss because Prometheus refuses to divulge the secret of a potential marriage that could be Zeus' downfall.
Author: Dudley Fitts
Publisher: Houghton Mifflin Harcourt
ISBN: 9780156027953
Category : Drama
Languages : en
Pages : 328
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Book Description
Presents recent translations of these four Greek classics together with notes on their significance.
Author: G. M. Cookson
Publisher: Forgotten Books
ISBN: 9780267460717
Category : Poetry
Languages : en
Pages : 228
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Book Description
Excerpt from Four Plays of Aeschylus: The Suppliant Maidens; The Persians; The Seven Against Thebes; Prometheus Bound I as the nightingale passioning for sorrow To' Ionian music tune my pipe, And these: soft: cheeks feel the rain-worn furrow That on Nilus' bank grew round and ripe For my heart hath learnt the meaning of tears. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Aeschylus
Publisher: BoD – Books on Demand
ISBN: 3387321074
Category : Fiction
Languages : en
Pages : 237
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Book Description
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Author: Aeschylus
Publisher:
ISBN:
Category :
Languages : en
Pages : 212
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Book Description
