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Author: Ernest Joselovitz
Publisher: Samuel French, Inc.
ISBN: 9780573621703
Category : Drama
Languages : en
Pages : 156
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Book Description
Author: Ernest Joselovitz
Publisher: Samuel French, Inc.
ISBN: 9780573621703
Category : Drama
Languages : en
Pages : 156
Get Book Here
Book Description
Author: Robert Schenkkan
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822213666
Category : American drama
Languages : en
Pages : 76
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Book Description
THE STORIES: In CONVERSATIONS WITH THE SPANISH LADY, a sleepless old railroad man describes hauling trains full of the dead across Canada during the World War I home-front plague of influenza that killed thousands of people. As he defends his life,
Author: Jason Pizzarello
Publisher:
ISBN: 9780981909974
Category : Drama
Languages : en
Pages : 0
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Book Description
Home of the most popular one-act plays for student actors, Playscripts, Inc. presents 15 of their very best short comedies. From a blind dating debacle to a silly Shakespeare spoof, from a fairy tale farce to a self-hating satire, this anthology contains hilarious large-cast plays that have delighted thousands of audiences around the world. Includes the plays The Audition by Don Zolidis, Law & Order: Fairy Tale Unit by Jonathan Rand, 13 Ways to Screw Up Your College Interview by Ian McWethy, Darcy's Cinematic Life by Christa Crewdson, The Whole Shebang by Rich Orloff, A Funny Thing Happened on the Way to Fifth Period by Jason Pizzarello, Small World by Tracey Scott Wilson, The Absolute Most Cliched Elevator Play in the History of the Entire Universe by Werner Trieschmann, The Seussification of Romeo and Juliet by Peter Bloedel, Show and Spell by Julia Brownell, Cut by Ed Monk, Check Please by Jonathan Rand, Aliens vs. Cheerleaders by Qui Nguyen, The Brothers Grimm Spectaculathon by Don Zolidis, 15 Reasons Not To Be in a Play by Alan Haehnel
Author: Tad Mosel
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822205579
Category : Drama
Languages : en
Pages : 32
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Book Description
How much truth and how much illusion does a persion need to live a balanced life. Four actors sit on a darkened stage, awaiting the arrival of the stage manager who has called them together. Lacking his authoritative presence they are merely characters in search of a play to become part of, for their own personalities seem unformed and shallow next to the full-blooded figures they are used to playing. They are also "types," and each of them has absorbed most of what he is from what he pretends to be on the stage. As they wait, the stage lights come up--but still no one appears to tell them what they are to do. They know only that they are not to leave the stage until they have "acted out the play." Suddenly becoming aware that an audience is present, the actors decide to improvise, an idea which finds them slightly flustered. Ernest, the "leading man," exercises the prerogative of star billing and assumes command. He plunges ahead, assigning roles to himself and his colleagues--Winifred, who always plays the "leading lady's best friend"; Lora, the struggling ingenue; and Tony, the juvenile lead. The "drama" which unfolds is a mixture of truth, fantasy and well-rehearsed situations, but out of it, in subtle progression, comes a deepening awareness of the real people behind the theatrical facades.
Author: Henry Lewis
Publisher: A&C Black
ISBN: 1472576225
Category : Drama
Languages : en
Pages : 97
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Book Description
Good evening. I'm Inspector Carter. Take my case. This must be Charles Haversham! I'm sorry, this must've given you all a damn shock. After benefitting from a large and sudden inheritance, the inept and accident-prone Cornley Polytechnic Drama Society embark on producing an ambitious 1920s murder mystery. They are delighted that neither casting issues nor technical hitches currently stand in their way. However, hilarious disaster ensues and the cast start to crack under the pressure, but can they get the production back on track before the final curtain falls? The Play That Goes Wrong is a farcical murder mystery, a play within a play, conceived and performed by award-winning company Theatre Mischief. It was first published as a one-act play and is published in this new edition as a two-act play.
Author: Lanford Wilson
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822213901
Category : Drama
Languages : en
Pages : 124
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Book Description
THE STORIES: FOREIGN BODIES centers around a mother and daughter who, after a lifetime of miscommunication, are able to connect in the unlikeliest of ways. Rise, a young woman in her early 30s, impulsively joins a Jewish Sacred Burial Society. By d
Author: Tennessee Williams
Publisher: New Directions Publishing
ISBN: 9780811219204
Category : Drama
Languages : en
Pages : 310
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Book Description
This new volume gathers some of Williams' most exuberant early work and includes one-acts that he would later expand to powerful full-length dramas, including "The Pretty Trap," a cheerful take on "The Glass Menagerie," and "Interior: Panic," a stunning precursor to "A Streetcar Named Desire."
Author: Ola Rotimi
Publisher:
ISBN:
Category : Nigeria
Languages : en
Pages : 140
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Book Description
Author: Anton Chekhov
Publisher: Courier Corporation
ISBN: 0486112063
Category : Drama
Languages : en
Pages : 81
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Book Description
Humorous gems by one of the masters of modern drama: The Anniversary, An Unwilling Martyr, The Wedding, The Bear, and The Proposal. For students, general readers, and amateur and professional theater groups.
Author: Israel Horovitz
Publisher: Dramatists Play Service Inc
ISBN: 9780822205685
Category : Drama
Languages : en
Pages : 52
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Book Description
THE STORY: An East Indian gets lost on his first day in New York as two teenage punks find him waiting at a lonely bus stop. He cannot understand English, and the boys have some fun with him-at least it starts out as fun. But little by little, as the minutes go by and the bus doesn't come, they get bored; then annoyed; then vicious. It is the very pointlessness of their brutality that makes the play-with its awful final image of the Indian jabbering into a dead phone-so disturbing. We are convinced that this is exactly what would happen at this particular bus stop on this particular night; we see, again, that violence in the big city is as much a child of ennui as of anger. And, as the nightmare spell of the play takes hold, and the boys torture their victim with increasing relish, we are brought to a shocking awareness of how thin the veneer of civilization can be-of how close beneath the surface of all men lurks the primitive impulse to hurt and humiliate those whose very helplessness and inability to communicate can only frustrate and enrage.
