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Author:
Publisher: Fotofest
ISBN:
Category : Nature
Languages : en
Pages : 372
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Book Description
Author:
Publisher: Fotofest
ISBN:
Category : Nature
Languages : en
Pages : 372
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Book Description
Author:
Publisher:
ISBN:
Category : Photography, Artistic
Languages : en
Pages : 234
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Book Description
Author:
Publisher:
ISBN:
Category : FotoFest 1998
Languages : en
Pages : 276
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Book Description
Author: Steven Evans
Publisher:
ISBN:
Category : Art festivals
Languages : en
Pages : 270
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Book Description
Velvet Generation surveys the work of Czech photographers Gabriela Kolcavová, Roman Franc, Igor Malijevský and Vojtech V. Sláma. Accompanying a lauded exhibition at FotoFest, Houston, it is lavishly illustrated with over 90 striking images, and includes texts by exhibition organizer Steven Evans, art historian Miroslav Ambroz, and preeminent photography scholar Anne Wilkes Tucker. This ambitious book offers an investigation of the relationships between these artists and explores their shared visual vocabulary.
Author:
Publisher:
ISBN:
Category : Art festivals
Languages : en
Pages : 282
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Book Description
Author: Mark Sealy
Publisher:
ISBN: 9789053309322
Category : Africa
Languages : en
Pages : 0
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Book Description
Produced in conjunction with the FotoFest Biennial 2020 exhibition, the African Cosmologies book will feature essays by leading scholars in the fields of contemporary art, photography, and cultural studies. Images of installations, photography, film, and video works by artists will highlight the range of interdisciplinary approaches that are represented in the Biennial exhibition. African Cosmologies: Photography, Time, and the Other is co-edited by Autograph ABP Director, Mark Sealy MBE, and FotoFest Executive Director, Steven Evans.--Fotofest International
Author: Wendy Watriss
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 362
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Book Description
Author: Wendy Watriss
Publisher: Schilt Publishing
ISBN: 9789053308622
Category : Photography
Languages : en
Pages : 0
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Book Description
Changing Circumstances - Looking At The Future Of The Planet is an expansive presentation of international contemporary photography, video, and new media art addressing the challenges presented by global change. The book shows the works of over 30+ leading international artists, focusing on the ways in which photographic, video and digital art reflects on our relationship, as individuals and as a society, to the natural environment around us. An important aspect of this presentation is how individual artists are using their work to initiate and actively support change that seeks to correct the negative impact of human behaviour on the natural environment. The purpose of the book is to provoke, through visual art, new ways of thinking about how we see our role within the natural environment and our connection(s) to the rest of the planet - and how this affects our future. While we cannot ignore the problems of the planet today, the book will not simply be a recitation of negative prognoses. Rather it will look at ways in which artists and scientists are re-visioning our relationship with the earth and space. The artists and artworks address a broad range of issues that we understand as key challenges to the future of the earth - including climate change, migration, water, energy production, and natural resources. Many of the works present atypical uses of visual art and photography to address these changes with new media, moving image, performance, and text. Lead essays will be provided by the pioneering curator Wendy Watriss, Co-Curator of the Changing Circumstances Exhibition and Co-Founder of FotoFest International, and by FotoFest Executive Director and Co-Curator of the Changing Circumstances Exhibition, Steven Evans. The authors will look at the shifting relationships between contemporary art photography, issues of global change, and activism. Co-Founder of FotoFest International and Changing Circumstances Co-Curator Frederick Baldwin, with Watriss and Evans, will provide a philosophical overview of the project in the introduction. The Artists Amy Balkin (USA) Mandy Barker (UK) Daniel Beltrá (Spain) Atul Bhalla (India) Edward Burtynsky (Canada) Barbara Ciurej and Lindsay Lochman (USA) Pedro David (Brazil) Luis Delgado-Qualtrough (Mexico/USA) Susan Derges (UK) Nigel Dickinson (UK) Dornith Doherty (USA) David Doubilet (USA) Peter Fend (USA) Roberto Fernández Ibáñez (Uruguay) Karen Glaser (USA) Gina Glover (UK) Ingo Günther (Germany/USA) Niklas Goldbach (Germany) Lucy Helton (UK/USA) Chris Jordan (USA) Isaac Julien (UK) David Liittschwager (USA) Pablo Lopez Luz (Mexico) Evelyn Messinger and Kim Spencer (USA) Vik Muniz (Brazil) Robert Harding Pittman (Germany/USA) Meridel Rubenstein (USA) Joel Sartore (USA) Toby Smith (UK) Jamey Stillings (USA) Martin Stupich (USA) Brad Temkin (USA)
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 920
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Book Description
Author: Fred Baldwin
Publisher: Schilt Publishing & Gallery
ISBN: 9053309489
Category : Biography & Autobiography
Languages : en
Pages : 708
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Book Description
A photographic memoir of photographer and FotoFest photo festival founder Fred Baldwin’s extraordinary life: how he followed his dream, used his imagination, overcame fear, and acted to accomplish anything. This account takes the reader to high adventure worldwide, but also to disaster and failure. This illustrated love affair with freedom shows how a camera became a passport to the world. The son of an American diplomat, who died when Baldwin was five, the book describes a string of disasters associated with six elite boarding schools and one university led to his exile to work in a factory where he joined low-paid black and white workers in his uncle’s factory in Savannah, Georgia. Baldwin escaped by joining the Marines and was immediately shipped to North Korea in 1950. Wounded and decorated twice, Baldwin also learned from the brutal, 35 below zero weather at the Chosin Reservoir where his unit was surrounded and outnumbered by the Chinese. After Korea, Baldwin moved to Paris, then returned to a junior college in Georgia, won a scholarship to Harvard and transferred to Columbia. Baldwin taught himself photography by visiting MoMa and every photo gallery in New York. Baldwin wanted to be a photojournalist. “I discovered the Civil Rights Movement by chance as I was walking the streets of Savannah planning a book on the city’s architecture. I met change marching toward me in the form of Benjamin Van Clark, a seventeen-year-old student leading his troops chanting into battle. The deep rumblings of the Civil Rights Movement in Georgia and elsewhere somehow had never reached me in Europe. As I wrote, ‘the polar bears I was photographing in the Arctic didn’t tell me about what was happening with Black folks in the South. They were just too white.’” The stories in this book are often laced with self-deprecating humour, a mechanism that Baldwin had developed early as a survival tool.
